Nam June Paik. Zen for Film. 1964/1965.Film canister containing 16mm film reel with approximately 23 minutes of film leader; canister, 38 cm diameter

George Maciunas: manifesto of 1962

FLUXUS

Black Mountain College JOSEPH ALBERS

TEACHING STUDENTS

John Cage «Variations V» 1965

John Milton Cage (September 5, 1912 – August 12, 1992)

anechoic chamber

The musical score for John Cage's 4'33''

John Cage, «Fontana Mix», 1958

John Cage, «Imaginary Landscape No. 1», 1939

Not wanting to say anything about Marcel, lll, 1969

62 Mesostics re Merce Cunningham (1971)

William Woods of radio station KRAB interviewed George Maciunas following a Fluxus Festival held in Seattle in September, 1977. This was the last Fluxus Festival to be organized and directed by Maciunas. George Maciunas died eight months later, in May, 1978, at the age of 46

http://www.fluxus.org/FLUXLIST/maciunas/

FESTIVAL FLUXUS et NEO-FLUXUS1963-2003 NICE

Ben Vautrier

George Maciunas, «Fluxkit», 1964

Marcel Duchamp. (American, born France. 1887-1968). Box in a Valise (From or by Marcel Duchamp or Rrose Sélavy). 1935-41. Leather valise containing miniature replicas, photographs, color reproductions of works by Duchamp, and one "original" drawing [Large Glass, collotype on celluloid, 7 1/2 x 9 1/2"

FLUXMANIFESTO ON FLUXAMUSEMENT-VAUDEVILLE-ART? TO ESTABLISH ARTIST NONPROFESSIONAL.NONPARASITIC,NONELITE STATUS IN SOCIETY, HE MUST DEMONSTRATE OWNDISPENSABILITY, HE MUST DEMONSTRATE SELFSUFFIENCY OF THE AUDIENCE, HE MUST DEMONSTRATETHAT ANYTHING CAN SUBSTITUTE ART AND THAT ANYONE CAN DO IT. THEREFORE THIS SUBSTITUTE ARTAMUSEMENTMUST BE SIMPLE, AMUSING, CONCERNED WITH INSIGNIFICANCES, HAVE NO COMMODITY ORINSTITUTIONAL VALUE. IT MUST BE UNLIMITED, OBTAINABLE BY ALL AND EVENTUALLY PRODUCED BY ALL.THE ARTIST DOING ART MEANWHILE, TO JUSTIFY HIS INCOME, MUST DEMONSTRATE THAT ONLY HE CAN DOART. ART MUST THEREFORE APPEAR TO BE COMPLEX, INTELLECTUAL.EXCLUSIVE,INDISPENSABLE,INSPIRED. TO RAISE ITS COMMODITY VALUE IT IS MADE TO BE RARE, LIMITED IN QUANTITY ANDTHEREFORE ACCESSIBLE NOT TO THE MASSES BUT TO THE SOCIAL ELITE.

FLUXMANIFESTO ON ART AMUSEMENT

Yves Klein’s Anthropometries of the Blue Period (1960)

Piero ManzoniPhotograph - "Living Sculpture" 1961

Judson Church in New York

La Monte Young, «Dream House», 1962

Chris Burden, «Shoot», 1971

Original photograph by Brian Marsh of performance artist Stuart Brisley as ZL 65 63 95 C

Luigi Ontani

Urs Lüthi

Dennis Oppenheim, «Two Stage Transfer Drawing (Advancing to a Future State)», 1971

Vito Acconci, «Step Piece», 1970

Dan Graham, «Picture Window Piece», 1974

Bruce Nauman, «Lip Sync», 1969

Gina Pane

Joseph Beuys

Jannis Kounellis

Abramovic, Marina; Ulay, «Expansion in Space», 1977

Laurie Anderson

Adrian Piper

Julia Heyward

Ulrike Rosenbach, «For Ten Thousand years I Slept», 1976

Rebecca Horn, «Berlin Exercises in Nine Pieces» Exercise 4: Keeping Those Legs from Touching Each Other, 1974 – 1975

Suzanne Lacy and Leslie LabowiczIn Mourning and in RageMedia event memorial for Victims of Hillside StranglerLos Angeles, CA, 1977

Susan Hiller

Dream Mapping 1974

Susan Hiller

Dream Mapping 1974

Susan HiIIer: Dream Mapping, 1977

Michael Morris, Vincent Trasov as Mr. Peanut In front of Vancouver Court House, 1974

Pat Oleszko

Ann Magnuson

Erick Bogosian

Sankai Juku

Pina Bausch

Robert Wilson 'Theater of Images' with works such as Einstein on the Beach (first performed in July 1976 at the Festival d'Avignon), Philip GIass, Lucinda Childs

Stephen Taylor Woodrow

Richard Foreman

Caucasian Chalk Circle By Bertolt Brecht

Bertolt Brecht10. Februar 1898 –

14. August 1956