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YDK R T T G r. A n A lexis. Op. 78 ............................................ .L I C H N E R . F len r e t F leuette . O p. 79.......................L I C R O G E R . M oonlight in the Pines. Op. 41 ............L I C H N E R . In Sweet D ream . Op. 4 4 ...................... .L I C H O Œ R . A n Revoir. Op. 7 8 ................................. .L I E B I C H . T he M usical-Box Caprice. Op. 19___L I S Z T . M endelssohn’s W edding M arch ...................... .L I S Z T . R igoletto de V erdi. P araphrase d a ConcertL I S Z T . C am p an e lla ............................................................. .L I S Z T . A ve M aria d ’A rc a d e lt...........................................L I S Z T . Seconde Rhapsodie H ongro ise ..........................L I S Z T . M arch from T annhanser................... ...................L I S Z T . L a C harité.................................................................

B E N B E L , Souvenir D ’IschI (T yrolienne) O p. 105-B E N B E L . T he L ittle E nsign . Op. 1 0 7 . . . ..................B E N B E L . P o lk a de la Cour. Op. 108..........................B E T T E R . T rab T rab (K iicken). Op. 109, No. 3 .........B I L L E M A . T w ittering o f birds. Op. 4 8 ....................B O S C O V I T Z . Souvenir de Vienne. G alop de C oncert. Op. 26. 5B R O C C A . A ir à la B ourrée.....................................................C R A M E R . Souvenir du Rhin. Op. 19..............................C R A M E R . II D esiderio. Op. 14.........................................C R O I S E Z . P ra y e r to the G uardian A n g el..........................B E M E T E R . M arche T riom phale d 'Isly . Op. 3 0 . . . ,B E G R A U . L es Clochettes Galop. Op. 18.......................B O R N , M artha, F an tas ia Facile. Op. 39, No. 1 ...............B O R N . F ille du Regim ent. Op. 39, No. 4 .......................... .B O R N . II T rovatore. F an tasie . Op. 39, No. 3............... .B T J S S E K . M orning R ondo ................................................... .E G G H A R B . A m orosa (R om ance Ita lienne). Op. 187E G G H A R B . L es Chasseurs. Op. 194...................E G G H A R B . L a B londine Melodic, Op. 2 0 7 . . .E G G H A R B . Chevre feuille (H oneysuckle). OpF A V A R G E R . L ’A dieu, N octurne. Op. 18........F I E L B , J O H N . F ifth N o c tu rn e ............................G A B E . Spring F lo w er.....................................................G R A U . P lu ie de Corail. Op. 3 8 .................................

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O E S T E N . A lpine Bells ( Alpenglockchen). Op. 175.. ....................... 3 j X4 O E S T E N . Oberon (W eber). Op. 43, No. 1 ............................3 P A C H E R . Tendresse. Op. 53..................................................3 X P A C H E R . D er F reischütz. Op. 40, No. 3 ...........................

P A R K E R . R ing on, sweet A ngelas (G ounod)....................H A R M S T O N . L e Zephyr, m orceau elegant. Op. 4L - ................ 4 R A F F . Cachucha Caprice. Op. 7 9 .............................................H E L L E R . II P e n se ro s o ..P o r , l i n g . . . . . . . . A m , T in g . 3 R A F F . L a P o lk a de la Reine. Op. 95 ......................................H E R Z . L 'E cnm e de Mer. Op. 1 6 8 ............................ ................................ 7 J R O S E L L E N . Polonaise de M ignon. Op. 188......................H E S S . W hither goest thou (oh vas-tu, petit oiseau)? Op. 1 7 ........... 6 S C H L O E S S E R . Puck. G alop b r illa n t Op. 120............H . L A N G E . F a iry Favors W altz . Op. 60 ............................................ 5 S C H U B E R T , F . A ndante from Sym phonie in C .............J U N G M A N N . N ight Song (N achtgesang). Op. 270........................ 3 S C H U L H O F F . Souvenir de Kieff, M azurka . Op. 3 9 . . .J U N G M A N N . A m aran the (T hree Flow er Melodies.) Op. 196, No. 2 3^X V O N W E B E R . M ovem ent Perpétuel. (F rom Op. 24).

4 W Y M A N . M erry C hristm as.........................................................H E L L E R . In the Forest. Op. 86, N o. 3 .....................

6 O L I V E R . E vening T w iligh t (R everie).................................4 N E S V A D B A . Loreley. (Paraphrase.) Op. 17................

T S C H A Ï K O W S K Y . C hant sans Paro les. Op. 2, No. 36 X T S C I I A Ï K . O W S K . Y . H u m o re sk e . O p. 10.....................

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SOïSÈEWîNG WEWÀ WEEKLY MUSICAL PAPES!

1<9

HAYE COMMENCED THE PUBLICATION OF

IT H E M U S I C A L R E C O R DA Beautifully Printed Journal of Sixteen Pages, on Tinted Paper, of Sheet-music Size,

which is issued Weekly.The Publishers take pleasure in announcing asITS LEADING FEATURES :

E b i t o b û ï t h e H e w P a p e b

IDE32CTE3R SMITH,T h e Musical Record is intended to be what its name would

indicate, a record of all that transpires in the world of music, at home and abroad. Its columns are replete with news from all sections, comprising reports of Musical Festivals and Conventions; Criticisms of New Operas, Symphonies, and Musical Works of all kinds ; Move­ments of Musicians in all parts of the world ; Essays upon Musical Subjects; Biographies and Anecdotes of Musicians; Reviews of New Musical Publications; a Question and Answer Department, wherein difficult musical problems are propounded as well as solved; Poems, Sketches and Stories, of a musical nature; Editorials upon current Musical Topics ; a Department embracing the lighter and humorous aspects of the musical field ; in fine, a complete reflex of

event of interest to the Professional or Amateur Musician.

well known as a successful Musical Journalist, and who, on the first of January, 1879, merged his own well-conducted Monthly, called Dex ter Sm ith’s P a p e r , with the Record. Readers of his former paper do not need to be informed that it was in a high degree interesting and readable. It is a truism that it is of no use to print important matter, if nobody reads it. The skilful Journalist has a magic art of selecting, rejecting, arranging, and enlivening his columns;—an art difficult to acquire, and much to be admired. It is believed that people who commence looking over the Record, usually read it through. This is very high praise.

more

every

]Vtu$id ir\ tl\e jdu^idkl f^edofd. £& VBB&ISBMBMBg*The Publishers claim that the R ecord, were it without a single

page of Music, would be a valuable paper, and be cheap at the subscription price. But to place its worth beyond all doubt, they give freely to the purchasers two or more well-selected Pieces of Music in each number, or 104 (at least) in the year. We emphasize well-selected, because Oliv er D itson & Co. have here a special ad­vantage, owning as they do a large proportion of the best copyright music in the country, and drawing freely on it for the benefit of the readers of their paper.

As One Hundred and Four Pieces of Music are worth from $20 to $30, it will be seen that a great deal is furnished for a small price.

Like almost every other paper in the world, the Record admits Advertisements ; hut does not care for those that are not interesting and useful to Musical People. For Cards of Music Teachers, Music Schools, Music Stores, Musical Instrument Manufacturers, and of all Educational Institutions making Music a specialty, it is a choice medium.

A I lOSaOTS® ?AFSB.D itson & Co. publish for all Musical People, and are not

patrons of any particular school or clique. Every one who is doing anything, in any way, for music or musical instruction, is working directly or indirectly, for the benefit of their trade. The names of all prominent composers are on their title pages. Hence there is no motive for partiality, and the paper is at perfect liberty to be

AltfS'iéàl f^eéofà— is —

I N D E P E N D E N T ,_A. W B E K L Y F J X . F B D R ,and to be of benefit to all people interested in Music, whether

professional or otherwise.and gives the News while it is fresh; in this respect being much

superior to the best Monthly. It also gives more reading and more music in the course of a month than can

well be afforded by a Monthly.Price of the Record for One Year, $2.00 ; Sent on Trial for

Six Months, for $1.00 ; or for Three Months for 50 cts,

FAIR TERMS TO AGENTS.For Sale by all News Dealers.

Y l(e M n s id à l l{ed o icdshuns personalities and all heated controversy on musical subjects. Being a News paper, it is open to a fair and courteous presentation of ideas on all sides, as new thoughts are favorable to progress, to say, also, that it is in favor of purity and morality as connected with music, and founds its hopes of great success principally on making itself acceptable to the refined, moral, temperate, and reli­gious part of the community.

It is fair

ONE SPECIMEN COPY FOR SIX CENTS.

3,

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