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8/3/2019 Balinese Gender
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By:
I Made Sidia, SSP. M.Sn.
I Made Widana, SSN.
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Concept of Balance, Complimentary Opposites,
and Gender in Balinese Hinduismand Balinese Performing Arts Aesthetics
Ruwa Bhineda Complimentary Opposites
Example ofBarongand Rangda
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Male and Female Dancers
Characters:
Male Bebancihan Female
Character Types:
Halus Soft or refined
Keras Strong or martial
Kasar Coarse
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Expressing Character Types through the Dance
Position and Movements:
Male and Female
Halus (refined) Keras (strong) Kasar(coarse)
Body position
Feet position
Hands
Eye movement
Expression
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Continuum ofBebancihan Characters:
Male characters performed by female dancers
Margapati Dance (refined king of forest)
Panji Semirang Dance (refined prince)
Wiranata Dance (refined, but strong king)
Teruna Jaya Dance (strong young man)
Can be performed by both male or femaleDancer:
Kebyar Duduk (dance in low position)
(depicts both male and female qualities)
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Trunajaya
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Dance Demonstration:
Kebyar Duduk (dance in low position)
(depicts both male and female qualities)
Baris (strong warrior)
TopengorMasked Dance Demonstration:
Topeng Keras (strong Prime Minister)
Topeng Dalem (refined king)
Bondres Wanita (female clown character)
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TopengDancers and Dalangare traditionally
male performers
Why?
Institut Seni Indonesia (Indonesian Arts Inst.)
Musicians are also traditionally male
Now, many womens gamelan ensembles
found throughout Bali
Sanggar CudamaniGirls Gamelan
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AND THANKYOUTHANKYOU TO MY FAMILY
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The rice-field
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UCSC Kecak dance 1990Kecak dance
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Kebyar Trompong
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AND THANKYOUTHANKYOU TO MY FAMILY
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Rice Harvest
MYPLACE, MYFAMILY
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STUDYING TO BECOME A DALANG PUPPET MASTER
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LEARNING FROM M Y FATHER,
HOW TO MOVE THE TREE OF
LIFE - KAYONAN
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SHADOW PUPPET
PERFORMANCE
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INFORMAL
TEACHING
BALI: ART AND CULTURE
FORMAL
TEACHING
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STUDENTS LEARNING AT UNIVERSITY
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LEARNING IN THE
COMMUNITY
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CHILDREN LEARN FROM THEIR PARENTS
HOW TO MOVE THE WAYANG
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Practising music for
wayang ln the family
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STUDYING TO BECOME A DALANG PUPPET MASTER
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Learning by playing
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Grandfather teaches his grandson
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ORIGIN IN
RELIGION:TEMPLE CEREMONIES
HUMAN CEREMONY
PRIEST
ANCESTORS
BAD SPIRITS: BUTA
ORIGIN INRITUAL:
FESTIVALS
CELEBRATIONS
CONTEMPORARYCOLLABORATIONS:
NON-RELIGIOUS
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Eka Dasa Rudra Ritual in Besakih
:
TEMPLE CEREMONY at
BESAKIH MOTHERTEMPLE IN BALI
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The many genres in Balinese theatre developedfrom ritual
There are five different religious celebrations:
for God, Ancestor, Priest, Human and lowerspirit
And five ritual performances:
Wayang puppet show,
Topeng masked theatre,
Kakawin (ritual reading) and kidung templechorus,
Gamelan music and danceBanten temple offerings of flowers, fruit, riceand cake.
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CEREMONIAL
PERFORMANCE
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2 HINDU STORIES FROM INDIA
Rawana Kumbakarna Wibisana Surpanaka
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Yudhistira
KresnaBima
MAHABHARATA
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CLOWN
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Topeng masked theatre
Mask Hanoman
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Mask Anggada
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Ceremonial Performance
Mask Dance
Ceremonial Performance
Mask Dance
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Kakawin (ritual reading) and kidung temple chorus
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Sanghiang Dedari
RITUAL DANCE
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GamelanM
usicS
emaradahana
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Kendang
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Banten temple offerings of
flowers, fruit, rice and cake
FESTIVA CE EBRATIONS
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FESTIVAL CELEBRATIONS
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Gianyar Regency Arts competitionGianyar Regency Arts competition
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CONTEMPORARY
COLLABORATIONS:
NON-RELIGIOUS
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THEATRE PRODUCTION
MULTI MEDIA
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MULTI MEDIA
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Multimediamultimedia
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WAYANG CONTEMPORER
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KAYONAN INMODERN WAYANG PERPORMANCE
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MODERN LIGHTS AND SHADOWPUPPETS
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