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inside Compton
Verney
Behind the Scenes at Compton
Spring 2013
Verney
Inside Compton Verney is a new
e-magazine that we hope will give you
more insight into Compton Verney’s
experiences and accomplishments.
Produced two times a year, it will provide a behind-
the-scenes glimpse into what it takes to keep this
place so special for all visitors.
We were given a fantastic boost last year by being
awarded an Arts Council Catalyst grant. This allows
us to employ an additional member of staff, hold
new events, launch a legacy programme and
match any gifts made before 2015 in support of
new arts activities. Major grants from DCMS/
Wolfson and The Clothworkers’ Foundation has
also allowed us to redisplay the Marx-Lambert
Collection.
We are also delighted to have been given a grant of
£25,000 toward the Chapel restoration project by
the J. Paul Getty Jnr. Charitable Trust and £2,000
from the West Midlands Museum Development
grant for our new Forest School initiative.
As the Peter Moores Foundation, which has been so
instrumental in establishing Compton Verney, is
winding up in 2014, such support is crucial.
We are planning an exciting series of events for
Benefactors, Patrons, Supporters and Members for
2013. These include another Open House, a music
and wine evening, a trip to Vienna, Chiswick House
and Gardens and The Royal Mint Collection in
Wales, and tours of private collections. Please be
sure to keep your membership up to date and
consider upgrading so you don’t miss out.
Please do not hesitate to contact me, or my
Development colleagues, Jess Brown and Rebecca
Mundy, if we can be of assistance.
Thanks again for your support of Compton Verney
Alice Gosling
Head of Development
Contents Page 2 Welcome to Inside Compton Verney
Page 3 News bites
Page 4 A National Treasure Revisited
Page 6 Sir Roy Strong named Artistic Patron
Page 6 Leaving your mark
Page 7 A day in the life of Emily Medcraft,
Front of House Manager
Page 8 Behind the scenes
Page 9 Volunteering at Compton Verney
Page 10 Diary of events
Page 11 Patrons’ trip to Madrid
Front cover: Re-hanging the Naples Collection
Welcome to Inside
Compton Verney
Note for Benefactors, Patrons and
Supporters:
Generating income through hire is a major income
stream for us. Unfortunately, we have had health
and safety concerns expressed about parking in
the forecourt during weddings.
If you are a Benefactor or Patron and have priority
parking rights, please call Jess on 01926 645 547
when you come in, to check where you should
park in such an eventuality.
All disabled badge holders should check with the
ticket lodge for the best parking options for their
visit.
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Alice Gosling, Rebecca Mundy and Jessica Brown
News bites Sell-out smashes
Our first fundraising events for the Chapel
restoration project were complete successes,
raising over £25,800. Thanks to the efforts of
Munchi Choksey and Christine Archer, pianist Rob
Colley wowed the crowd with classical music and
jazz pieces he had composed himself, on 14
September 2012.
Through the enthusiastic leadership of Dominique
Markham, Min Willoughby de Broke, Christine
Archer, Catherine Loudon and Joanne Perry, our
first Gala dinner, concert and auction was also a
huge success. With support from sponsors Quilter
and George Pragnell, and generous donations of
auction lots from the likes of Richard Fox
Silversmith and Rangemaster Precision Arms, a
fantastic night was held by all
First Director’s Circle member
We are delighted to announce our first corporate
Director’s Circle member. Founded in 1975,
Martinspeed is a specialist art shipping company
which offers services in the storage, installation and transport of fine art and luxury goods on any
scale.
We now have 16 corporate members, and are
delighted that Audley Binswood Hall and
Goldcrest Cleaning have become the first
corporate sponsors for an exhibition private view event. Such charitable support is essential, and
we have a range of attractive benefits for those
companies who choose to support us in this way.
Private View sponsor and
Corporate Member—
Goldcrest’s Tim Pearson
and his family
Garden blog
Love our ‘Capability’ Brown grounds? Then
follow Gary Webb, our Head of Landscape and
Gardens, on gardener-gary.blogspot.com. Keep
an eye on our website as well to see new features
such as a dedicated blog for the grounds in 2013.
We are all eagerly awaiting the 2016 tercentenary
of ‘Capability’ Brown’s birth and look forward to
Compton Verney playing a central role in its
celebration.
Adoption programme growing up
Our Adopt a Tree programme has been a huge
success with 52 trees adopted and £14,200 raised.
This summer we are planning to expand the
programme to allow those who share our passion for art, or simply want to remember a loved one
or special occasion, to adopt an artwork, bench or
gallery. See What’s On or contact Jess Brown on
01926 645 547 for more information.
Art theft!
Well, not really, but we did enjoy seeing Compton Verney featured on the big screen with the
premiere last year of Gambit, an old-fashioned
comedy caper starring Colin Firth and Cameron
Diaz partially set in the Naples galleries (with a
chequerboard floor and new artwork) and the
Adam Hall. While we can assure you that no lions
were brought into the gallery, we can’t divulge
whether Alan Rickman really did reveal all while
here!
Country Garden Fair
In addition to the sumptuous Tapestry exhibition,
we were delighted to kick off the 2012 holiday
season with a hugely popular textile fair on 10
November. In 2013 we are planning a Country Garden Fair on 20 April.
Be sure to save the date
as handmade soaps,
woodcrafts, flowers,
plants, antique garden
tools, furniture and
much more will be on
sale. It promises to be a
wonderful opportunity
to find that something
special—for yourself or
a loved one.
From left to right:
Christine Archer,
Dominique
Markham, Joanne
Perry and Min
Willoughby de
Broke
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In 2012 the Chapel was reopened for the
first time in decades after emergency
repairs were made to the roof and
interior. As we celebrate our ability to
share this beautiful building with visitors,
Dr Steven Parissien tells us a bit more
about its architectural significance.
The current, Grade I-listed Chapel at Compton
Verney was built in 1776-80 by the celebrated
landscape designer Lancelot ‘Capability’ Brown for
the 14th Lord Willoughby de Broke. Brown had
demolished the medieval Chapel by the lake in
1772, but brought many of the monuments and
possibly all of the glass to his new, double-cube
building just to the north-west of the house.
The sandstone masonry for the new building (aside
from the locally-sourced foundation courses of
polite limestone) came from Gloucester, while the
plaster decoration in the coffered ceiling was
created by William Hiatt. The bellcote is not original
and was probably added in c.1854 – the date
inscribed on the bell itself.
A National Treasure revisited;
Compton Verney’s Chapel
The original window glass was assembled for Lord
Willoughby de Broke by a dealer in the 1770s –
possibly the same dealer used by the baron’s brother-in-law, Lord North, for a similar task at
nearby Wroxton. The collection was famous, and
comprised not just panels that Brown had removed
from the old Chapel but also English heraldic glass
from the fifteenth century onwards and six windows
of excellent, early sixteenth-century German glass.
Sadly, in 1931 a later owner of the site, the 2nd
Lord Manton, sold all of the window glass (aside from the spandrels) at auction at Christie’s. The
Chancellor of the Diocese attempted to intervene to
stop the sale, but concluded that Lord Manton was
within his legal rights. Future plans for the windows
include restoring the spandrels and inserting
historically-appropriate plain glass in the
window below. Any borrowed or recovered
original glass, or any other historic or contemporary
glass panels, will be hung in front of these plain
windows.
The tall, wooden pulpit was, in the Country Life
photographs of 1913, shown located in the middle
of the south range of pews. Presumably this was to
facilitate the holding of services on a north-south
axis, since the
large double tomb
partly obscures the
west end.
However, the
architect of the
recent Chapel
repairs, John
Goom, found
structural evidence
confirming that the pulpit was – unsurprisingly –
originally located at the east end of this range, and
it has now been returned to its proper site.
The Chapel interior is dominated by the tomb of
Richard and Margaret Verney, of c.1631, by the
celebrated sculptor-architect Nicholas Stone. Brown
deliberately put this feature centre-stage, and in
many ways appears to have built the Chapel round
it. Part of the reason for this may not just be the
tomb’s virtuoso carving but also the reputation
of its creator – who was, in 1776, a far more
famous artistic figure than he is today.
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The bellcote awaiting repair
Sunrise illuminating the 17th century tomb
Nicholas Stone was born in 1587 in Devon, and
after 1613 worked for the Office of the King’s
Works. His most outstanding works include
monuments to John Donne in St Paul’s Cathedral
of 1631; Francis Holles (1622) and Sir George
Villiers (1631) at Westminster Abbey; Elizabeth,
Lady Carey at Stowe Nine Churches, Weedon,
Northants; William Peyto and his wife at St Giles,
Chesterton of 1639; Orlando Gibbons at
Canterbury Cathedral, 1626; and Sir Thomas
Bodley at Merton
College, Oxford, 1615.
Stone could also turn
his hand to architecture
– although in this
context he was
invariably eclipsed by
his contemporary and
friend, Inigo Jones – and
designed not only York
House Water Gate,
London (in 1626, for
the Duke of
Buckingham), three
gates for the University
Botanical Gardens in
Oxford in 1632, Lindsey
House in Lincoln’s Inn
Fields in 1640 (for his friend Sir David Cunningham, for whom Stone had already
designed a simple monument to Sir Thos Puckering
at St Mary’s, Warwick), but also the bizarrely
Italianate Baroque porch to St Mary’s Church,
Oxford of 1637.
The memorial floor slabs and the two large wall
monuments (whose authors remain tantalisingly
unknown) were all brought by Brown from the old Chapel. Interestingly, Brown laid the slabs facing
west, rather than east.
The Chapel has not been in use since 1988, a time
when the site’s former owner made a number of
unauthorised alterations to the interior, including
the removal of the pews and pulpit. This prompted
Stratford District Council to serve an Enforcement
Order demanding the reinstallation of this historic
woodwork. Although, during the restoration of the
house and grounds in the late 1990s, the Chapel
was structurally secured and repaired by Rodney
Melville and Partners, this work did not include any
reinstatement of original features.
Grant aid obtained in 2011 enabled us to repair the
Chapel in order to reopen one of the nation’s most
important Georgian Chapels for public viewing –
and to comply with the Enforcement Order. The
reborn Chapel not only allows us to enhance
and improve public appreciation of the highly
significant ‘Capability’ Brown landscape at
Compton Verney by restoring one of its
essential elements, but to attract a new audience
to this unique, valuable historic site.
We are in the process of applying for charitable
support to continue with the Chapel’s restoration
and that of the rest of our nationally important
landscape. If you’d like to know more, please
contact the Development Office on 01926 645 547.
Dr Steven Parissien Director
The barrel vaults supporting the outer walls
The crypt under the Chapel terrace
The front window protected by Perspex
Compton Verney’s Grade I-listed Chapel of 1776-80 is one of the very few buildings
designed by Brown that was meant for use as more than just an eye catcher.
Sir Roy Strong named
first Artistic Patron We are delighted to announce that Sir
Roy Strong has kindly agreed to
become Compton Verney's first Artistic
Patron.
Sir Roy will be joining us for an annual event at
which he will meet with current and potential Benefactors, Patrons and Supporters as well as
others who want to support our work.
Sir Roy Strong FRSL is an art historian, museum
curator, writer, broadcaster and landscape
designer. Having created the Laskett Gardens, the
largest private formal gardens to be created in
England since 1945, and been director of the
National Portrait Gallery and Victoria and Albert
Museum, he is uniquely suited to share his
knowledge with us and act as an ambassador for
Compton Verney.
Leaving your mark
Can you spare a moment to think
about how you would like to be
remembered?
According to a recent survey, only three in ten
people in the UK have made a Will. The money
they have left behind may therefore go straight to
the Treasury.
The choices we make in
our Will allow us to make
the active decision of how
we wish to be
remembered, and to
support the organisations
we love to continue their
vital work. At Compton Verney we receive no
regular government funding, and so donations in
the form of legacies are essential in allowing us to
continue to fulfil our aim of sharing our passion
for art with as many people as possible.
This is why we have set up our new Legacy
programme, which makes it easier than ever to
become a part of the future of Compton Verney
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whether or not you already have a Will. However
large or small a legacy gift might be, they are all
vital in allowing us to continue reaching and
inspiring people through great art. This includes
maintaining our exceptional collections, exhibitions
and learning programmes, as well as caring for our
Grade I-listed buildings and ‘Capability’ Brown
landscape.
A small act of generosity can go a long way,
allowing us to bring art to life
for thousands of visitors, and
ensure that Compton Verney
continues to inspire lovers or art,
landscape and architecture, as
well as enrich the lives of school
children.
As someone who is passionate
about Compton Verney and the
work we do, leaving a gift in your
Will will allow us to ensure future generations enjoy
Compton Verney as you have done.
For more information, or to discuss how your
legacy might be used to support a specific
programme or leave a lasting memorial, please
contact Rebecca Mundy on 01926 645 562.
A small act of generosity can go a long
way, allowing us to bring art to life for
thousands of visitors, and ensure that
Compton Verney continues to inspire
lovers or art, landscape and
architecture, as well as enrich lives the
lives of school children.
A Day in the life of…
Emily Medcraft, Front
of House Manager
The role of Front of House Manager is
quite varied. Every day is a different
challenge and I have to think on my feet
quite a lot.
Why is this? Well the three areas I look after - staff,
volunteers and group bookings – all revolve
around people. Whether it’s a staff member
phoning in sick, a group turning up early/late or
unannounced or a really enthusiastic potential
volunteer on the phone - each situation is
different and requires a different approach. And
let’s face it; even the most reliable of us can have
unpredictable days.
Each group booker has to be treated as an
individual – some are very switched on and know
what they want. With them it’s just a case of
getting the information, sending them the correct
paperwork and welcoming them when they
arrive. Others need a little more assistance and,
although this can be time consuming, it’s quite
satisfying to help them through the process and to see them come through the door confident
that they arranged everything to their group’s
satisfaction.
In terms of staffing, all gallery staff work to a two-
week rolling rota which is set at the beginning of
the season. It’s my job to ensure that we have
enough staff to open the galleries each day and
that the spaces are staffed to meet the
requirements of insurers, the lenders, the public
Emily Medcraft
Some of Emily’s staff and volunteers
Emily Medcraft
programme and expected visitor numbers.
Basically, if we don’t have enough staff, we can’t
open. So if someone books holiday or calls in sick, I
have to find cover. We’ve never had a situation where we haven’t been able to open or have to
close a gallery because we’re short staffed – mind
you, I have found that bribery and begging can be
quite useful to get people to work when we’re
really stuck!
Volunteers have become a real asset to the
organisation. We currently have 30 people who
volunteer with us one day each per week. They help all departments and I’m responsible for
recruiting, training and placing volunteers in the
right role for them and Compton Verney. Although
they are then managed by their respective
departments, I’m still responsible for all the
administration – expenses, time logs and reviews.
And whereas staff are generally recruited at the
start of each season, recruitment for volunteers
continues throughout the year, with induction training taking place three or four times a year. It’s
a rolling process and it’s rewarding to see fresh,
enthusiastic individuals joining throughout the
year.
But I don’t just sit at my desk all day dealing with
paperwork. I’m out and about around the gallery –
working weekends as the Duty Manager or helping
to cover out of hour’s events such as weddings. I
even drive the shuttle sometimes. My favourite
thinking on my feet situation was rescuing an
elderly couple who had visited as part of a group
and the coach had left without them. They were
from Glamorgan, slight panic as that’s quite a long
way to drive someone, but then they remembered
that they were staying in Stratford...just a short
journey away in the Compton Verney Shuttle. They were a lovely couple and I even got them back to
their hotel before the coach. As I said every day is a
different challenge – it would be dull otherwise
wouldn’t it?
Marx-Lambert re-display Underwritten by DCMS/Wolfson Fund and The
Clothworkers’ Foundation, we have made more use
of the wallpapers and fabrics designed by Enid Marx
and provided integrated family activities. Such
major work can only be done when the galleries are
empty.
The colours used in the Adam Hall floor are very
rare as Robert Adam tended to use black and white
in entrance halls. Like the Chapel, parts of the floor
are underpinned by barrel vaults to provide
stability. The floor still needs approximately
£60,000 more in restoration, when charitable
funding allows.
Behind the scenes at Compton Verney during
the closed season
What exactly do we get up to when we’re closed? Here are just a few examples:
Emergency works to the
Adam Hall floor
Volunteering at Compton Verney Walking down the driveway to Compton Verney
for my interview as a volunteer I was filled with
apprehension of how this little Welsh lady would
fit in to such an English scene!! I need not have
worried – everyone was so warm and friendly and
I felt valued from day one. We volunteers are
considered equally as members of the Compton
Verney team. Although we are not remunerated,
we do have perks – e.g free entry for our guests,
staff discount in the shop/restaurant and
travelling expenses.
My role has been varied and wide ranging,
beginning with a stint as a gallery assistant.
Subsequently I have helped out in the HR
department, taken minutes at meetings, provided
administrative support to the Development
Department, helped out at events such as Private
Views and made the tea! Witnessing how a gallery
like Compton Verney is run on a day to day basis
Preparing for the exhibition It takes two to three weeks to install each exhibition with art work arriving in purpose built
crates, often accompanied by a courier from the
lending institution. Before being hung on the
walls, each art work has its condition assessed.
During the closed season, preparing the galleries is
easier as a temporary workshop can be set up on
the first floor landing, a busy public area when we
are open.
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Sue Jones,Volunteer (pictured above)
has been fascinating
– from the
conception of an
exhibition to seeing the paintings on the
walls, how funds are
raised to keep us
going and the joy my
granddaughters
experience every time
they visit.
To be involved as a
volunteer with such a
prodigious organisation as Compton Verney is a
real honour and a pleasure. I have thoroughly
enjoyed every minute of my last four years
supporting the work of the staff and helping to
improve the visitors’ experience. If you would
like to volunteer, just call 01926 645 500.
2013 diary of events for Members, Supporters,
Patrons and Benefactors
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Friday 22 March: Private
view of our Spring
exhibition Bellini, Botticelli,
Titian...500 Years of Italian
Art, and our all season
exhibition Outside In:
Central as well as the
gallery re-display of our
Marx-Lambert collection.
(Benefactors, Patrons and
Supporters)
Thursday 18 April: Benefactors’ and Patrons’
dinner held at Compton Verney. (Benefactors and
Patrons only)
Friday 10 May: Exclusive trip to Chiswick House
and Gardens in London, which is one of the finest
examples of neo-Palladian design in England. Here
we will enjoy an out-of-hours tour by Treve
Rosoman, English Heritage’s expert on historic
interiors. (Benefactors, Patrons and Supporters)
Thursday 13 June: Exclusive tours of The Royal
Mint Collection and The National Museum and
Gallery in Wales. (Benefactors and Patrons only)
Thursday 11 July: Private view of our Summer
exhibitions
Turner and
Constable:
sketching from
nature works
from the Tate
collection and
Re-viewing the
Landscape: A
contemporary response. The exhibitions will be
open to the public on 13 July. (Benefactors, Patrons
and Supporters)
Friday 19 July: Wine Tasting and Piano Recital
featuring Dr Marios Papadopoulos, Music Director
of Oxford Philomusica, and Seven Springs wines.
Anyone who would like to support the evening is
welcome. Please call Jess Brown on 01926 645 547
for tickets.
Thursday 12 September: Open House event at
Compton Verney to give you a behind-the-scenes
glimpse into what it takes to keep Compton Verney
so special and what we hope to do in the future.
(Benefactors, Patrons, Supporters and Members)
Thursday 26— Sunday
29 September: Overseas
visit to Vienna to include,
amongst other activities:
visits to the Secession
building (a veritable
temple to modern art –
inside is Klimt’s Beethoven
Frieze), the Kunsthistorischesmuseum (Museum of
Fine Arts) and private views of the Liechtenstein
Museum and the Domschatz (Treasury). The trip
includes pre-booked meals, four star hotel
accommodation, entry fees and the services of a
tour guide. (Benefactors and Patrons only)
Friday 4 October: Private view of our Autumn
exhibition Curious Beasts: Animal Prints from the
British Museum. The exhibition opens to the public
on 5 October 2013. (Benefactors, Patrons and Supporters)
Saturday 12 October: Following the success of
last year’s Fundraising concert, dinner and auction,
we will be holding another gala dinner on Saturday
12 October. Anyone who would like to support the
evening is welcome and corporate or private
sponsorship would be appreciated. Further details
to be confirmed in due course.
Please note that there may be additional events
throughout the year that are not mentioned
above. Further details will be confirmed in due
course.
Kunsthistorischesmuseum
Titian, Head of a Man c. 1508-10
©CSG CIC Glasgow Museums
Collection
John Constable, Brightwell Church and Village, oil on wood,
1815 © Tate, London 2012
Thinking of upgrading
your membership? Please take a moment to consider
upgrading your membership at
Compton Verney. Your support is
crucial to enable us to share our
passion for art with as many people
as possible.
There are several quick and easy ways to
upgrade your membership:
By phone: call Jess Brown, Development Graduate Trainee, on 01926 645 547 within
office hours and she can take your debit/credit
card details.
By post: complete the form in the ‘Join us’
leaflet and return it with a cheque to Compton
Verney, FREEPOST NAT9520, Warwick CV35
9BR. ‘Join Us’ leaflets can be downloaded from
our website.
By annual or quarterly Direct Debit:
complete an A4 form and return it to the
FREEPOST address listed above. Direct Debit
forms can be downloaded from our website.
Online: visit www.comptonverney.org.uk and
click on ‘Support us’, then ‘Supporters and
Patrons’ and follow the link to join online.
Or come visit and upgrade in the ticket
lodge! 11
Patrons visit Madrid Madrid was the 2012 destination for our
Patrons’ trip and it was a huge success.
One of the benefits of being a Patron or Benefactor
is that you are invited to join an international tour
each year. In 2012, 14 of us journeyed to Madrid
where we were looked after by our delightful and
inspirational guide Maurizio.
Maurizio led us through the annals of art history as
seen in The Prado and Thyssen museums with
authority, knowledge and humour. His anecdotes
kept our interest from flagging when we were
looking at the 50th El Greco, or 25th Goya of the
day. We all came away with our knowledge of
15th, 16th and 17th century Spanish art expanded
by 100%, at least!
Our trips are such fun, there is tremendous
camaraderie, whether watching the bull fight,
looking at Baroque art and architecture or sitting
eating yet another delicious lunch or dinner, with
excellent food and copious amounts of strong red
wine. We were all very sad when our 4 days in one
of the most exciting capitals in Europe, with
fabulous weather, came to an end.
Everyone is queuing up to be on next year’s trip to
Vienna. Do consider becoming a Patron or
Benefactor and joining us.
Lady Willoughby de Broke
Chairman of Compton Verney Patrons
Belinda McMicking, Munchi and Ursha Choksey and Peter Gregory-
Hood in Madrid
Corporate Members
Thank you for your support
Supporters
David & Jill Pittaway
David & Sandra Burbidge
Mr and Mrs Roger Keverne
Peter Gregory-Hood
Roger Cadbury
Lord & Lady Willoughby de Broke
Mrs Susan Bridgewater
Pam Barnes
Dr & Mrs Munchi Choksey
David & Catherine Loudon
Sarah Stoten
Mrs Joanne E Perry
Mr & Mrs Ludovic de Walden
William & Jane Pusey
Paul Cooney
Mrs Christine Archer
PE Shirley
Margaret Fraser
Mrs Michael Markham
Jacqui Beecroft
Sir Martin & Lady Jacomb
Victoria Peers
Brook Family
Nicholas & Marie-France Burton
Professor Robert Bluglass CBE & Dr
Kerry Bluglass
Lady Goodhart Dr Catherine MS Alexander
Kirsten Suenson-Taylor
Thank you to all our Benefactors, Patrons, Supporters and
Corporate Members for your continued support. Your
membership makes a huge difference to us and contributes
towards all aspects of Compton Verney, from our exhibitions
and collections to our grounds and educational work.
The Four
Pillar Funds When you purchase a membership at any
level and/or make a donation, you are
welcome to specify an area of your own
interest towards which your membership/donation will contribute. The Funds, and
the kinds of things they supported in 2012,
are:
The Exhibition Fund for our exhibitions
and collections helped to install wi-fi in the
café and ground floor galleries.
The Adam Fund for our built heritage has
contributed to the repair of the Adam Hall
floor and plasterwork.
The Inspire Fund for art education has
supported the development of a new
outreach programme for schools.
The Capability Fund for our historic
landscape has supported the lake
maintenance and bulb planting.
For further information, or if you would like
to support The Four Pillars of Compton
Verney, please call Jess Brown on 01926
645 547.
Benefactors
Patrons
Mr & Mrs Peter Kenworthy-
Browne
Clive Barnes
Lady Butler
Mr Peter Boycott
Graham Greene CBE
Jenny Grimstone
Sarah Holman
David Howells
Howard & Melanie Jackson
Bob & Sandy Marchant
N Meades
Dr James Mooney
Mrs Penny Perriss
Andrew & Julia Pick
Michael Robarts
Bill Slora
Christopher Trye
Sir Robert Wade-Gery
Benjamin Wiggin
Wyn Grant
And 38 others who wish to remain
anonymous, or have not yet speci-
fied how they would like to be
listed.
Martinspeed Ltd Aquarelle Publishing
Blackwall Green
Fred Winter Ltd
Goldcrest Cleaning
Lightmedia Communications Ltd
Mitchell Gallery
Renaissance Creative
Travel Club Elite
Wright Hassall
George Pragnell
Quilter
Perry Well Computer Systems Ltd
Larch Consulting
Audley Binswood Hall
Other ways you can help
Consider leaving us a legacy, organising an
event or naming a tree, artwork or room for
yourself or a loved one! Call 01926 645 547 or
visit the website for more information.