Post on 30-May-2018
transcript
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Crime scene to fashion scene -
The project started with an empty shop
window and lots of paper plans.
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Sanj (artists diary)
Carrying mannequins through town created lots ofinterest and opportunities to explain what we were
doing
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The 9MM logo identified all of the art pieces.
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Documenting the project -
Photography helped to reinforce the narrative of the
changing space.
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Bloody handprints memento mori
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Sanj (artists diary)
There was a journey from a fairly normal looking window
to one that was quite disturbing, with live mannequins
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Im sure I saw one of them blink
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There were lots of loud screams when wemoved
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The shattered glass effect was achievedwith broken Perspex
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Sanj (artists diary)
A golden moment was being let down on theshattered glass acetate we got free materials
and had the BEST FUN smashing them.
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Guy selling newspapers nearby got it he gave us afree copy the day the lead story was a girl gang knife
fight on the buses
Simon Walker (artists diary)
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Refreshing the display Planning comesalive
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audience response whatsyourlabel ?
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Im not brand loyal but I am brandeducated
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Sanj - artist
Flower / memorial was very effective; people were
extremely intrigued
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fashion victim 31 Jan 2005 rest in peace
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Fashion Victim @ The WindowSimon Walker, Sanj Kavanagh, Zoe Hillyard
Support and co-ordination from FPLA / Friction ArtsSponsored by Arts Council England, Birmingham Artists
Images by Brigitte Wilson
Evaluation by Simon Redgrave