Post on 12-Feb-2016
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Foundations of Art and Design
Chapter 6: Texture
How:
Building up paint thickly on the canvas surface is a common technique used for creating texture in a painting. What is this called?
Fig. 6.2 Portrait of Father, No. 2 by Leon Kossoff
How:
1. Impasto2. Stippling3. Painting4. None of these
Building up paint thickly on the canvas surface is a common technique used for creating texture in a painting. What is this called?
Fig. 6.2 Portrait of Father, No. 2 by Leon Kossoff1 2 3 4
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Types of Texture
There are 2 Types of Texture. Which is depicted in Fig. 6.8 Accession II by Eva Hesse?
Fig. 6.8 Accession II by Eva Hess
Types of Texture
There are 2 Types of Texture. Which is depicted in Fig. 6.8 Accession II by Eva Hesse?
1. Actual texture2. Visual texture
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How:In what style of
artwork does the artist include wallpaper, newspaper clippings, etc. in the work? And which was started by Pablo Picasso and Georges Braque?
Fig. 6.9 Still Life with Chair Caningby Picasso
How:In what style of artwork
does the artist include wallpaper, newspaper clippings, etc in the work? And which was started by Pablo Picasso and Georges Braque?
1. Decoupage2. Impasto3. Collage4. Scrap booking Fig. 6.9 Still Life with Chair Caning
by Picasso
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Fig. 6.11 The Raft of the Medusa by Théodore Géricault
Fig. 6.11 The Raft of the Medusa by Théodore Géricault depicts a historic tragedy. In what way does this traditional style of painting exhibit texture?
1. What are you talking about? There is no texture.
2. The bodies and the clothing of the people become visual texture.
3. The spray of the water and the clouds create texture.
4. The bodies and the clothing of the people become visual texture and the spray of the water and the clouds create texture.
Fig. 6.11 The Raft of the Medusaby Théodore Géricault
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Fig. 6.12 Medusaby Frank Stella
In Fig. 6.12 Medusa, Frank Stella reworks a historical theme. How does his work differ from the original? (Seen in the previous slide.)
Fig. 6.12 Medusa by Frank Stella
1. Stella’s uses actual texture.
2. Stella’s is 3D.3. Stella’s work
incorporates found objects.
4. All of these
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Visual TextureWhen the actual
materials have been manipulated so that they no longer resemble the original substance this is referred to as Visual Texture or . . .
Fig. 6.14 Morisse by Lynda Benglis
Visual Texture
Fig. 6.14 Morisse by Lynda Benglis
When the actual materials have been manipulated so that they no longer resemble the original substance this is referred to as Visual Texture or . . .
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1. Simulated Texture2. Actual Texture3. Collage4. None of these
Fig. 6.18 In the Car by Roy Lichtenstein
When the texture of an artwork departs from the real texture of an object, such as in Fig 6.18 In the Car by Roy Lichtenstein what is it called?
Fig. 6.18 In the Car by Roy Lichtenstein
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1. Visual Texture2. Actual Texture3. Abstract Texture4. Invented Texture5. Subversive
Texture
Fig. 6.20 Listen to the Livin by Matta Eschaurren
Invented Texture
Fig. 6.20 Listen to the Livinby Matta Eschaurren
When the texture of a piece makes no reference to visible reality it is referred to as:
1. Visual texture2. Actual texture3. Abstract texture4. Invented Texture5. Subversive
Texture
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Fig. 6.21 Object by Meret Oppenheim
Subversive Texture
Fig. 6.21 Object by Meret Oppenheim uses texture to make the viewer look again at an object and to think about it more deeply. What type of texture is this?
1. Visual Texture2. Actual Texture3. Abstract Texture4. Invented Texture5. Subversive
Texture Fig. 6.21 Object by Meret Oppenheim
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Texture and Pattern
Pattern - an overall design based on the repetition of a grouping of elements like line, shape, color, or texture.
Fig. 6.25 Double Rocker by Oliver Herring
Texture and Pattern
1. To evoke an emotional response from viewers.
2. To add significant dimension to a work of art.
3. To communicate their own emotions and evoke a similar response in the viewer.
4. To make the viewer look again at an object and to think about it more deeply.
5. All of these
In Fig. 6.25 Double Rocker by Oliver Herring why do you think the artist uses texture?
Fig. 6.25 Double Rocker by Oliver Herring1 2 3 4 5
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Fig. 6.27 3D by Judy Pfaff
Texture and Composition
In Fig. 6.27 3D by Judy Pfaff do you feel that texture is used . . .
Texture and Composition
In Fig. 6.27 3D by Judy Pfaff do you feel that texture is used . . .
1. To create pattern2. As a compositional
device3. Compositionally4. To lead a viewer’s
eye through a piece5. All of these Fig. 6.27 3D by Judy Pfaff
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Fig. 6.28 Merced River, Yosemite Valleyby Albert Berstadt
Texture and Space
Texture and Space
1. Texture Gradient2. Visual Texture3. Actual Texture4. Abstract Texture5. Invented Texture6. Subversive Texture
Gradation in texture can be used to communicate the illusion of depth. As an object gets further away the texture becomes less distinct as depicted in Fig. 6.28 Merced River, Yosemite Valley by Albert Berstadt. What is this type of texture called?
Fig. 6.28 Merced River, Yosemite Valleyby Albert Berstadt
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Texture as Subject
Fig. 6.29Breakout IIIby Jean Gibson
Texture as Subject
1. Yes2. No
Do you feel that elements of art such as line, shape, color, and texture function as the subject to works of art?
Fig. 6.29 Breakout III by Jean Gibson1 2
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