& 44 Ï Ï .ú Ï ÏC7

.ú Ï ÏF7

.úb Ï ÏBb7

&4

.úb Ïb ÏEb7

.úb Ïb ÏAb7

.úb Ïb ÏDb7

&7

.úb Ï# Ï#Gb7

.ú Ï# Ï#B7

.ú Ï Ï#E 7

&10

.ú Ï Ï#A7

.ú Ï Ï#D7

.ú ÎG7

Step 3 - Dominant Combo Brenden Lowe

© Jazz Piano School 2015

Practice The Chord Scale Above To Half Step Below For All Roots For Dominant 7th Chords

Play With AnticipationStarting On 3+ As Well

improv Bootcamp Masterclass

& 44 Ï Ï .ú Ï ÏC7

.ú Ï ÏF7

.úb Ï ÏBb7

&4

.úb Ï ÏbEb7

.úb Ï ÏbAb7

.úb Ï ÏbDb7

&7

.úb Ï# Ï#Gb7

.ú Ï# Ï#B7

.ú Ï# ÏE 7

&10

.ú Ï# ÏA7

.ú Ï# ÏD7

.ú ÎG7

Step 3 - Dominant Combo Brenden Lowe

© Jazz Piano School 2015

Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Dominant 7th Chords

Play With AnticipationStarting On 3+ As Well

improv Bootcamp Masterclass

& 44 Ï Ï .ú Ï ÏCmaj7

.ú Ï ÏFmaj7

.úb Ï ÏBbmaj7

&4

.úb Ïb ÏEbmaj7

.úb Ïb ÏAbmaj7

.úb Ïb ÏDbmaj7

&7

.úb Ï# Ï#Gbmaj7

.ú Ï# Ï#Bmaj7

.ú Ï Ï#Emaj7

&10

.ú Ï Ï#Amaj7

.ú Ï Ï#Dmaj7

.ú ÎGmaj7

Step 3 - Major 7th Combo Brenden Lowe

© Jazz Piano School 2015

Practice The Chord Scale Above To Half Step Below For All Roots For Major 7th Chords

Play With AnticipationStarting On 3+ As Well

improv Bootcamp Masterclass

& 44 Ï Ï .ú Ï ÏCmaj7

.ú Ï ÏFmaj7

.úb Ï ÏBbmaj7

&4

.úb Ï ÏbEbmaj7

.úb Ï ÏbAbmaj7

.úb Ï ÏbDbmaj7

&7

.úb Ï# Ï#Gbmaj7

.ú Ï# Ï#Bmaj7

.ú Ï# ÏEmaj7

&10

.ú Ï# ÏAmaj7

.ú Ï# ÏDmaj7

.ú ÎGmaj7

Step 3 - Major 7th Combo Brenden Lowe

© Jazz Piano School 2015

Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Major 7th Chords

Play With AnticipationStarting On 3+ As Well

improv Bootcamp Masterclass

& 44 Ï Ï .ú Ï ÏC-7

.ú Ï ÏF-7

.úb Ï ÏBb-7

&4

.úb Ïb ÏEb-7

.úb Ïb ÏAb-7

.úb Ïb ÏDb-7

&7

.úb Ï# Ï#Gb-7

.ú Ï# Ï#B-7

.ú Ï Ï#E-7

&10

.ú Ï Ï#A-7

.ú Ï Ï#D-7

.ú ÎG-7

Step 3 - Combo Brenden Lowe

© Jazz Piano School 2015

Practice The Chord Scale Above To Half Step Below For All Roots For Minor 7th Chords

Play With AnticipationStarting On 3+ As Well

improv Bootcamp Masterclass

& 44 Ï Ï .ú Ï ÏC-7

.ú Ï ÏF-7

.úb Ï ÏBb-7

&4

.úb Ï ÏbEb-7

.úb Ï ÏbAb-7

.úb Ï ÏbDb-7

&7

.úb Ï# Ï#Gb-7

.ú Ï# Ï#B-7

.ú Ï# ÏE-7

&10

.ú Ï# ÏA-7

.ú Ï# ÏD-7

.ú ÎG-7

Step 3 - Combo Approach Brenden Lowe

© Jazz Piano School 2015

Practice The Half Step Below Approaches To Chord Scale Above For All Roots For Minor 7th Chords

Play With AnticipationStarting On 3+ As Well

improv Bootcamp Masterclass

&

?

44

44î . ä jÏ

·

.Ï JÏ .Ï JÏ

w

G7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

&

?

b

b

î . ä jÏ

6

·

.Ï jÏ .Ï jÏ

w

C7

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bb

bb

î . ä jÏ

11

·

.Ï JÏ .Ï JÏ

w

F7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

Step 3 - Chord Scale Above Approach Brenden Lowe

© Jazzpianoschoool.com

Practice The Chord Scale Above Approach To All Dominant 7th ChordsFingeringWhite To Black - 32Black To White - 32 Or 43White To White - 32 Or 43Black To Black - 32 Or 43

Improv Bootcamp Masterclass

&

?

bbb

bbb

î . ä jÏ

16

·.Ï jÏ .Ï jÏ

w

Bb7.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbb

bbbb

î . ä jÏ

21

·

.Ï jÏ .Ï JÏ

w

Eb7.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbbb

bbbbb

î . ä jÏ

26

·.Ï jÏ .Ï jÏ

w

Ab7.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbbbb

bbbbbb

î . ä jÏ

31

·

.Ï jÏ .Ï JÏ

w

Db7.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

2 Step 3 - Chord Scale Above Approach

&

?

#####

#####

î . ä jÏ

36

·

.Ï JÏ .Ï JÏ

w

F#7.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

&

?

####

####

î . ä jÏ

41

·.Ï jÏ .Ï jÏ

w

B7

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

###

###

î . ä jÏ

46

·

.Ï jÏ .Ï JÏ

w

E 7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

##

##

î . ä jÏ

51

·.Ï jÏ .Ï jÏ

w

A7

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

3Step 3 - Chord Scale Above Approach

&

?

#

#

î . ä jÏ

56

·

.Ï jÏ .Ï JÏ

w

D7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

4 Step 3 - Chord Scale Above Approach

&

?

44

44î . ä jÏ

·

.Ï jÏ .Ï jÏ

w

Cmaj7

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

b

b

î . ä jÏ

6

·

.Ï JÏ .Ï JÏ

w

Fmaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

&

?

bb

bb

î . ä jÏ

11

·.Ï jÏ .Ï jÏ

w

Bbmaj7

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

Step 3 - Chord Scale Above Approach Brenden Lowe

© Jazzpianoschoool.com

Practice The Chord Scale Above Approach To All Major 7th ChordsFingeringWhite To Black - 32Black To White - 32 Or 43White To White - 32 Or 43Black To Black - 32 Or 43

improv Bootcamp Masterclass

&

?

bbb

bbb

î . ä jÏ

16

·

.Ï jÏ .Ï JÏ

w

Ebmaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbb

bbbb

î . ä JÏ

21

·

.Ï JÏ .Ï JÏ

w

Abmaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï ä

w

&

?

bbbbb

bbbbb

î . ä jÏ

26

·

.Ï jÏ .Ï JÏ

w

Dbmaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbbbb

bbbbbb

î . ä jÏ

31

·

.Ï JÏ .Ï JÏ

w

Gbmaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

2 Step 3 - Chord Scale Above Approach

&

?

#####

#####

î . ä JÏ

36

·

.Ï JÏ .Ï JÏ

w

Bmaj7 .Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï ä

w

&

?

####

####

î . ä jÏ

41

·

.Ï jÏ .Ï JÏ

w

Emaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

###

###

î . ä JÏ

46

·

.Ï JÏ .Ï JÏ

w

Amaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï ä

w

&

?

##

##

î . ä jÏ

51

·

.Ï jÏ .Ï JÏ

w

Dmaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

3Step 3 - Chord Scale Above Approach

&

?

#

#

î . ä jÏ

56

·

.Ï JÏ .Ï JÏ

w

Gmaj7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

4 Step 3 - Chord Scale Above Approach

&

?

44

44î . ä jÏ

·

.Ï jÏ .Ï JÏ

w

D-7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

b

b

î . ä jÏ

6

·

.Ï JÏ .Ï JÏ

w

G-7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

&

?

bb

bb

î . ä jÏ

11

·

.Ï jÏ .Ï jÏ

w

C-7

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

Step 3 - Chord Scale Above Approach Brenden Lowe

© Jazzpianoschoool.com

Practice The Chord Scale Above Approach To All Minor 7th ChordsFingeringWhite To Black - 32Black To White - 32 Or 43White To White - 32 Or 43Black To Black - 32 Or 43

Improv Bootcamp Masterclass

&

?

bbb

bbb

î . ä jÏ

16

·

.Ï JÏ .Ï JÏ

w

F-7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbb

bbbb

î . ä jÏ

21

·.Ï jÏ .Ï jÏ

w

Bb-7.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbbb

bbbbb

î . ä jÏ

26

·

.Ï jÏ .Ï JÏ

w

Eb-7.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

bbbbbb

bbbbbb

î . ä JÏ

31

·

.Ï JÏ .Ï JÏ

w

Ab-7.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï ä

w

2 Step 3 - Chord Scale Above Approach

&

?

#####

#####

î . ä jÏ

36

·

.Ï jÏ .Ï jÏ

w

C#-7.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

####

####

î . ä jÏ

41

·

.Ï JÏ .Ï JÏ

w

F#-7.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï ä

w

&

?

###

###

î . ä jÏ

46

·.Ï jÏ .Ï jÏ

w

B-7

.Ï JÏ .Ï JÏ

w

.Ï jÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

&

?

##

##

î . ä jÏ

51

·

.Ï jÏ .Ï JÏ

w

E-7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï jÏ

w

.Ï jÏ .Ï ä

w

3Step 3 - Chord Scale Above Approach

&

?

#

#

î . ä JÏ

56

·

.Ï JÏ .Ï JÏ

w

A-7

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï JÏ

w

.Ï JÏ .Ï ä

w

4 Step 3 - Chord Scale Above Approach

&

?

44

44î . Ïb Ïn

Key Of C

·

Ï Ï Ï Ï Ïb Ïn

w

D-7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

&

?

Ï Ïb Ïn Ï Ïb Ïn

6

w

G7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

Cmaj7

&

?

Ï Ïb Ïn Ï Ïb Ïn

11w

Ï Ïb Ïn Ï Ïb Ïn

w

Ï Ï Ï Ï Î

w

Step 3 - Half Step Below Approach Brenden Lowe

© Jazzpianoschoool.com

Practice The Half Step Below Approach To All Major 251's With Anticipation

FingeringWhite To Black - 23Black To White - 23 Or 21

Improv Bootcamp Masterclass

&

?

b

b

î . Ïb ÏnKey Of F

16

·

Ï Ï Ï Ï Ïb Ïn

w

G-7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

&

?

b

b

Ï Ïb Ïn Ï Ïb Ïn

21

w

C7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

Fmaj7

&

?

b

b

Ï Ïb Ïn Ï Ïb Ïn

26

w

Ï Ïb Ïn Ï Ïb Ïn

w

Ï Ï Ï Ï Î

w

&

?

bb

bb

î . Ïb Ïn

Key Of Bb

31

·Ï Ï Ï Ï Ïb Ïn

w

C-7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

2 Step 3 - Half Step Below Approach

&

?

bb

bb

Ï Ïb Ïn Ï Ïb Ïn

36

w

F7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

Ï Ïb Ïn Ï Ï Ïw

Ï Ïb Ïn Ï Ïb Ïn

w

Bbmaj7

&

?

bb

bb

Ï Ïb Ïn Ï Ïb Ïn

41

w

Ï Ïb Ïn Ï Ïb Ïn

w

Ï Ï Ï Ï Î

w

&

?

bbb

bbb

î . Ïn Ï

Key Of Eb

46

·

Ï Ï Ï Ï Ïn Ï

w

F-7

Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

&

?

bbb

bbb

Ï Ïb Ïn Ï Ïn Ï

51

w

Bb7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïb Ïn

w

Ï Ïn Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ïn Ï

w

Ebmaj7

3Step 3 - Half Step Below Approach

&

?

bbb

bbb

Ï Ïb Ïn Ï Ïb Ïn

56w

Ï Ïn Ï Ï Ïb Ïn

w

Ï Ï Ï Ï Î

w

&

?

bbbb

bbbb

î .Ïn Ï

Key Of Ab

61

·Ï Ï Ï Ï Ïn Ï

w

Bb-7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

&

?

bbbb

bbbb

Ï Ïb Ïn Ï Ïn Ï

66

w

Eb7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïb Ïn

w

Ï Ïn Ï Ï Ï Ïw

Ï Ïn Ï Ï Ïn Ï

w

Abmaj7

&

?

bbbb

bbbb

Ï Ïb Ïn Ï Ïb Ïn

71

w

Ï Ïn Ï Ï Ïn Ï

w

Ï Ï Ï Ï Î

w

4 Step 3 - Half Step Below Approach

&

?

bbbbb

bbbbb

î . Ïn Ï

Key Of Db minor

76

·

Ï Ï Ï Ï Ïn Ï

w

Eb-7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

&

?

bbbbb

bbbbb

Ï Ïn Ï Ï Ïn Ï

81

w

Ab7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

Ï Ïn Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

Dbmaj7

&

?

bbbbb

bbbbb

Ï Ïn Ï Ï Ï Ï

86w

Ï Ïn Ï Ï Ïn Ï

w

Ï Ï Ï Ï Î

w

&

?

bbbbbb

bbbbbb

î . Ïn ÏKey Of Gb minor

91

·

Ï Ï Ï Ï Ïn Ï

w

Ab-7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

5Step 3 - Half Step Below Approach

&

?

bbbbbb

bbbbbb

Ï Ïn Ï Ï Ïn Ï

96

w

Db7 Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

Ï Ïn Ï Ï Ï Ï

w

Ï Ïn Ï Ï Ïn Ï

w

Gbmaj7

&

?

bbbbbb

bbbbbb

Ï Ïn Ï Ï Ï Ï

101

w

Ï Ïn Ï Ï Ïn Ï

w

Ï Ï Ï Ï Î

w

&

?

#####

#####

î . Ïn Ï#

Key Of B

106

·Ï Ï Ï Ï Ïn Ï#

w

C#-7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï# Ï Ï Ï

w

Ï Ïn Ï# Ï Ïn Ï#

w

&

?

#####

#####

Ï Ïn Ï# Ï Ïn Ï#

111

w

F#7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï# Ï Ïn Ï#

w

Ï Ïn Ï# Ï Ï Ïw

Ï Ïn Ï# Ï Ïn Ï#

w

Bmaj7

6 Step 3 - Half Step Below Approach

&

?

#####

#####

Ï Ïn Ï# Ï Ïn Ï#

116

w

Ï Ïn Ï# Ï Ïn Ï#

w

Ï Ï Ï Ï Î

w

&

?

####

####

î . Ïn Ï#

Key Of E

121

·

Ï Ï Ï Ï Ïn Ï#

w

F#-7Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï# Ï Ï Ï

w

Ï Ïn Ï# Ï Ïb Ïn

w

&

?

####

####

Ï Ïn Ï# Ï Ïn Ï#

126

w

B7

Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï# Ï Ïn Ï#

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïn Ï# Ï Ïb Ïn

w

Emaj7

&

?

####

####

Ï Ïn Ï# Ï Ïn Ï#

131w

Ï Ïb Ïn Ï Ïn Ï#

w

Ï Ï Ï Ï Î

w

7Step 3 - Half Step Below Approach

&

?

###

###

î . Ïb Ïn

Key Of A

136

·Ï Ï Ï Ï Ïn Ï#

w

B-7

Ï Ï Ï Ï Ï Ï

w

Ï Ïn Ï# Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

&

?

###

###Ï Ïn Ï# Ï Ïb Ïn

141

w

E 7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ïn Ï#

w

Ï Ïb Ïn Ï Ï Ïw

Ï Ïn Ï# Ï Ïb Ïn

w

Amaj7

&

?

###

###Ï Ïn Ï# Ï Ïn Ï#

146

w

Ï Ïb Ïn Ï Ïn Ï#

w

Ï Ï Ï Ï Î

w

&

?

##

##

î . Ïb Ïn

Key Of D

151

·

Ï Ï Ï Ï Ïb Ïn

w

E-7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

8 Step 3 - Half Step Below Approach

&

?

##

##

Ï Ïn Ï# Ï Ïb Ïn

156

w

A7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ïn Ï#

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïn Ï# Ï Ïb Ïn

w

Dmaj7

&

?

##

##

Ï Ïn Ï# Ï Ïn Ï#

161w

Ï Ïb Ïn Ï Ïn Ï#

w

Ï Ï Ï Ï Î

w

&

?

#

#

î . Ïb ÏnKey Of G

166

·

Ï Ï Ï Ï Ïb Ïn

w

A-7

Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ï Ï

w

Ï Ïb Ïn Ï Ïb Ïn

w

&

?

#

#

Ï Ïn Ï# Ï Ïb Ïn

171

w

D7 Ï Ï Ï Ï Ï Ï

w

Ï Ïb Ïn Ï Ïn Ï#

w

Ï Ïb Ïn Ï Ï Ï

w

9Step 3 - Half Step Below Approach

&

?

#

#

Ï Ïb Ïn Ï Ïb Ïn

175

w

Gmaj7

Ï Ïn Ï# Ï Ïn Ï#

w

Ï Ïb Ïn Ï Ïb Ïn

w

Ï Ï Ï Ï Î

w

10 Step 3 - Half Step Below Approach