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5CHI RMER'S LIB R A RY
OF' MUSICAL CLASSICS
Vol. 639
LEEOp. 31
FortyMelodic and Progressive
Etudes
For V io loncello
(LEO SCHU LZ)
Book I (Nos. 1·22)
$1.00
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SCHI RMER'S LIB RA RYOF MUSICAL CLASSICS
SEBASTIAN L E EOp. 31
Melodic and
E tu des
Forty
Progressive
For Violoncello
Edited and Fingered by
LEO SCHULZ
Book I contains a Biographicol Sketch of the Composer by
RICHARD ALDRICH
IN TWO BOOKS
Book I ( 1 ' 0 1 0 1 . 1.22) - Librar, Vol. 639
Book II (Nos. 23.40) - Library Vol. 640
G. SCHIRMER, INC.New York
Copyright, 1902, by G. Schirmer, Inc.
Cooyriqht, renewed, 1930, by Leo Schulz
Copyright renewal assigned, 1931, to G. Schirmer, Inc.
PrInted I.. the U. S. A. .
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s A s TB I N L E E
SEBASTIAN LEE was the eldest and most a" real phenomenon, who is inferior to no player
brilliant and distinguished of three musical on earth in style and execution;" Fetis, the
brothers, natives of Hamburg, though bearers of musical Brahmin, called him .. a prodigious
an English name. Like his brother Louis, he
devoted himself to the 'cello, and became one of
the most prominent of the solo performers upon
that instrument, known alike in Germany and
France. lie was born at Hamburg in 18oS, and
studied with J. N. Prell, who was himself a pupil
of the great Bernhard Romberg. His first appear-
ances as a solo cellist were made in 1830, in con-
certs that he gave at Hamburg and Leipzig. Then
he set out upon a tour, visiting Cassel and Frank-
fort, and arriving in Paris in 1832. There he
achieved a brilliant success at his concerts in the
talent," and wrote with equal enthusiasm of the
admirable instinct that taught him the means of
producing from his strange instrument the accents
of expression and passion. Lamartine and Michau~'
were among hts patrons, and he wasmuch encour-
aged by the violinist Lipinski.
Lee then betook himself to London; but soon
returned to Paris, wnere he made his home for the
next thirty years, being till 1868 solo violoncellist
at the Grand Opera. Retiring in that year, he
returned to his native Hamburg, where he spent
the remainder. of his days. He died there on
TMAtre Italien. In 1836 he gave several concerts January 4. 1887.
In Paris with Gusikow, that singular genius, who
excited the musical world of the 30's so greatly by
his performances upon the ., Strohfiede1,"-an
instrument something akin to what is now known
as the Xylophone, composed of strips of fir wood
resting on a framework of straw. It seems to-day
like a curious episode in the career of a dignified
virtuoso of the position to which Lee aspired; but
it is only necessary, to read the contemporary
comments upon Guslkow's performances to appre-
ciate the situation. The fastidious Mendelssohn
wrote enthusiastically of him as Ua true genius,"
Like most other virtuosos, Lee published
many pieces designed to exploit a virtuoso's pow-
ers upon his instrument-variations, fantasies upon
operatic themes, divertissements, etc. More
important are his numerous compositions intended
for purposes of instruction, many of which were
primarily 'written for the use of the Conservatoire
at Paris, including a number of duos for two
violoncellos entitled "Ecole du Violoncelliste."
His" Method " for the 'cello is one of the most
widely used of all such instruction books.
RICHARD ALDRICH.
eo".Iallt. 1 9QO I, ' " O. Sclllraer.
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2
,., Down-bow.
V Up-bow.
Copyright, 1902,by G.Schirmer (Inc.) Oopyright renewed, 1990, by Leo Schulz
Oopyright renewal assigned, 1991, to G.Schirmer (Inc.) Printed in the U. S. A.
15659
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.. . _ . . . . .
Allegro non troppo , 8. Exercise for the Right Wrist.
;H i c r @ f ' r 1 0 f f f U l J i J i j ' e t f r r f l t r m r l l P M i 19:It t f M I t l t l f I T , r l r t w v , l l f ' f i r ' [ r l r I n W } 1
9: I E r N e f~ J f D f if i f i f t @ i j J I ~ r f f t fI ~ t l r l ; r J D f I Y @ d Y;J.I;ir l ~ t l ~ t l r l t ( r t l ~ J I D P ~ r I T e ft f f f r f i j i @ t j I
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10
12. Exercise for the Right Wrist.
Allegro. I . ~ . . ..
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12
13. Theme and Variations.
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1414. Exercise in Dotted Notes.
Maestoso. .
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;}II [: r " f r - ; C l l # G ~ r i [ ; r;; I"J r " i r - ; f ~ I # } # j ] rt lil;J 1 f t G : c J E ' ! r c t 1 8 1 C ': J : H . j I C J E " ~ r ~ r ~ 1 f f q u E i rj 1
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18 18. Exercise in Detached Bowing.
Largo.~ 1. 2 1 ~ ~fJ (I j I f . , . I D t · F > · q P l f i J , . f f i t ~ F , . ~ I ~ ~ J L " i f . ~ ' · Q 9 f f & 1 1Allegro. m m
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22
22. Exercise in Arpeggios.
Allegro. 4,
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~. ., p & . b w r t f W = @ l p t b 1 Jfr1r1f r r e r ~ E E ; I . t i i Ifl
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SCH IRMER 'S liBRARYo f M usica l C la ss ics
The Library Volume Number Ie given Inbrackets: [12781
VIOLA SOLO VIOLONCELLO SOLO
(Cont inued)BACH, ~. s.6 Suites. Originally for Violoncello, Adaptedfor Viola (Svecenski) [1278].....•.•........ 1.25
The same (Lifschey) [1564J................. 1.25
LEE, S.
Op.31. 40 Melodic and Progressive Etudes(Schulz). Bk. I [6391:Bk. II [640]....... ea. 1.00
MERK, J.
Op, 11. 20 Exercises (Schutz) [641]........... .75
DONT, J.
20Progresslve Exercises. With accompaniment
of a 2d Viola. Adapted from Dont, Op. 38, for2 Violins (Svecenski) [14931.. . . . . . . . . . • . • • •• 1.25VIOLONCELLO AND PIANO
BACH, J. S.
Concerto, Gm (Barjansky-Greissle) (16091•••• ,1.50
VIOLA AND PIANO
SCHUMANN, R.
Op, 113. Pictures from Fairyland (Schra-dieck) [415].. .. .. .. . . .. . . .. .. .. .. .. .. .. ... 1.00
BEETHOVEN, L. VAN
5Sonatas (Schulz) [810}....•••••••••••••••• 3.00
VIOLONCELLO SOLO
BACH, J. S.6 Suites (Gaillard) [1565] 1.25
BRAHMS, J.
Op.38. Sonata No. 1, Em (Van Vliet-Hughes)[1411}1.25
CHOPIN, F.
Op, 65. Sonata Gm, (Schulz) [64]. • • • • • • • • •• 1.25DOTZAUER, J. J. F.
Op. 120. 18 Progressive Exercises (Schulz)[631] .15
62 Exercises (Klingenberg).Bk. I[1273];Bk. II [1274] ea. ~.25
DVOi'UK, A.
Op. 104. Concerto, Bm (Willeke) [1539].•••• 2.50
DUPORT, J. L.
21 Etudes. Bk. I [637J:Bk. II [638]..•.•.. ea. 1.00
GOLTERMANN, G.
Op.65. Concerto No.4, G (Van Vliet) [1412]. 1.50
GROTZMACHER, F.
Op, 67•. Dally ExercIses [954) 1.25
MOZART, W. A.
Concerto, D (Szell-Feuerrnann) [1591).. •• •• . .• 2.50
KUMMER, F. A.
Violoncello Method (Schutz) [1169].....•.... 3.00
RUBINSTEIN, A.
Op, 18. Sonata, D (Schulz) [63]..••.•••••••• 1.75
A n y S ch ir me r L ib ra ry v olu me m ay b e o b ta in ed .in c lo lh b in din g. P ric e s w ill b e q u ot ed o n r eq ue st .P r ic e s Subjut to Chang e Wi lhoue No ti c e.
G . SCH IRMER, INC. NEW YORK