Lisa Wade - The Emancipatory Promise of the Habitus

transcript

Lisa Wade, PhDProfessor of Sociology

Occidental College

The EmancipatoryPromise of the Habitus

CASE: Lindy Hop

“Theory building isn’t about adding new knowledge, it’s about changing the nature of the knowledge that we have.”

CASE: Lindy Hop

THEORY: The role of the habitus in facilitating and

constraining social mobility.

Pierre Bourdieu

Pierre Bourdieu• Economic Capital: money you got.

Pierre Bourdieu• Economic Capital: money you got.• Social Capital: people you know.

Pierre Bourdieu• Economic Capital: money you got.• Social Capital: people you know.• Cultural Capital: culturally-valorized

resources.

– Objectified: things you own.

resources.

– Objectified: things you own.– Institutionalized: nods from important and

recognized institutions.

resources.

– Objectified: things you own.– Institutionalized: nods from important and

recognized institutions.– Embodied: external wealth converted to

bodily appearances, capacities, and knowledges.

Pierre Bourdieu

Habitus: Our body and its knowledges, as it is shaped by a lifetime of physical repetition.

Maurice Merleau-Ponty“I can type and to that extent ‘I know’ where the various letters are on the keyboard. I do not have to find the letters one by one... My fingers just move in the direction of the correct keys. Indeed, when I am in full flow, I seem actually to be thinking with my fingers in the respect that I do not know in advance of typing exactly what I will say.”

Maurice Merleau-Ponty“It is not just that I do not need to think about where the keys are... The break with reflective thought is more severe than this. I could not give a reflective, discursive account of the keyboard layout. I do not ‘know’ where the keys are and to make any half decent attempt at guessing I have to imagine I am typing and watch where my fingers head for when I come to the appropriate letter.”

Maurice Merleau-Ponty“… pushing the brakes becomes as ‘natural’ a way of stopping to me as halting in my stride, [and] I incorporate the external space of the car; its power, velocity, and acceleration... I feel its size and speed as surely as that of my own body... I do not think about the car. I think as the car, from the point of view of the car…”

Fit: When your habitus is well-suited to a social context.

Sandra Lee Bartky“In groups of men, those with higher status typically assume looser and more relaxed postures; the boss lounges comfortably… while the applicant sits tense and rigid on the edge of his seat. Higher-status individuals may touch their subordinates more than they themselves get touched; they initiate more eye contract and are smiled at by their inferiors more than they are observed to smile in return.”

CASE: Lindy Hop

QUESTION: Can we facilitate social change by intervening at the level of the body?

David Holmes Photography

• A feminist-friendly community

Beginning Dancers

• A feminist-friendly community– Performances

Beginning Dancers

• A feminist-friendly community– Performances– Gender-neutral language

Beginning Dancers

• A feminist-friendly community– Performances– Gender-neutral language– Role switching

Beginning Dancers

“When I’m dancing with Rebecca, we switch off all the time. I lead, she follows. She leads, I follow. Sometimes she initiates the switch and sometimes I do. Sometimes it looks like she’s following, but she’s leading, and vice versa.”

Beginning Dancers

• A lindy hop habitus– For men, shaking off hypermasculinity

and fear of femininity

Beginning Dancers

and fear of femininity• No brute force

Beginning Dancers

and fear of femininity• No brute force• Add feminized body movements

Beginning Dancers

• A lindy hop habitus– For women, shaking off hyperfemininity.

Beginning Dancers

• A lindy hop habitus– For women, shaking off hyperfemininity• Drop feminine habits

Beginning Dancers

• A lindy hop habitus– For women, shaking off hyperfemininity• Drop feminine habits• Have weight

Beginning Dancers

Intermediate Dancers• Disconnection

Intermediate Dancers• Disconnection– Leads offer follows independence

Intermediate Dancers• Disconnection– Leads offer follows independence– Follows take it

Intermediate Dancers“The leader can suggest something to the follower. But I pay attention to how strong the lead is. If it’s not very strong, I may do something different. I’m still not breaking what he wanted me to do because I sensed how strongly he meant it.”

Intermediate Dancers“Take the suggestion that the lead gives you. If you don’t like it, you can change it once you have it.”

Advanced Dancers• Connection

Advanced Dancers• Connection – via bodies

Advanced Dancers“Someone’s got to initiate, but it’s not that one person is leading and one person is following. Both are leading and following. I don’t even like those words. I use initiating and following through. Both leads and follows do both…”

Advanced Dancers“Flow with your partner. Whatever they do—adjust.”

Advanced DancersThe “dynamic is a lot more complicated that the lead leads and the follow follows.”

Advanced Dancers• Connection – via bodies– via the music

Advanced Dancers“Ideally, not all leads and follows react the same way to music because they’re two different people. Watch a movie together and there are different opinions. Dance explores these same kinds of differences. When I dance with Joy, I try to listen to her [with my body] and I think, ‘Oh, I’ve never heard that song that way before.’”

CASE: Lindy Hop

QUESTION: Can we facilitate social change by intervening at the level of the body?

RESULTS:The habitus can be emancipating as well as

constraining.

Credits:• David Holmes Photography• Laura Malischke Photography• Kevin St. Laurent and Jo Hoffberg, iDance.net• PBS, People Like Us• Missouri Historical Society• www.prblog.typepad.com• www.theclassywoman.blogspot.com

Questions?Lisa Wade, PhD

www.lisa-wade.com@lisadwade

Lisa Wade - The Emancipatory Promise of the Habitus

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