NCMEA MUSIC PROGRAM LEADERS

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NC Music Educators Association: Leading Change in Music Education NCMEA Music Program Leaders Janae B. Copeland, Mark Propst , and Christie Lynch Ebert November 11-12, 2013 Winston-Salem, NC. NCMEA MUSIC PROGRAM LEADERS - PowerPoint PPT Presentation

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NC Music Educators Association: Leading Change in Music Education

NCMEA Music Program LeadersJanae B. Copeland, Mark Propst, and

Christie Lynch Ebert November 11-12, 2013

Winston-Salem, NC

NCMEA MUSIC PROGRAM LEADERSThe NAfME Council of Music Program Leaders consists of supervisors and administrators of school music programs who share the goal to improve the availability and quality of school music education for all children. NCMEA Music Program Leaders include Arts Coordinators, Supervisors, Program Directors, Administrators, IHE representatives, Lead Teachers, and other interested parties.  This year’s conference has a strand developed specifically for Music Program Leaders:

• “Meet and Greet” with other Program Leaders to discuss common issues (Monday)• Leading Change in Music Education: State and National Updates, Measuring Student

Growth in Music Education, National Standards Update, and other issues in the changing landscape of music education (offered Monday and Tuesday)

Celebrating NC’s Accomplishments

– READY Animation

Vision for Arts Education In today’s globally competitive world, innovative

thinking and creativity are essential for all school children. High quality, standards-based instruction in the arts develops these skills and effectively engages, retains, and prepares future-ready students for graduation and success in an entrepreneurial economy. Dance, music, theatre arts, and visual arts, taught by licensed arts educators and integrated throughout the curriculum, are critical to North Carolina’s 21st century education.

Comprehensive Arts Education

Arts IntegrationArts ExposureArts Education

State of the Arts:

North Carolina

2011-12 Enrollment in Arts Education Courses, K-12

Dance 3.2%

Music 64.2%

Theatre Arts 5.7%

Visual Arts 52.4%

All Arts 126.4%

MUSIC Participation in NC Schools (2011-12)

ELEMENTARY MIDDLE HIGH TOTAL

Classes Students Classes Students Classes Students Classes Students

31,243 643,973 8,955 194,239 9,321 100,275 49,519 938,487

  92.69%   56.37%   23.72%   64.19%

Source: NC Statistical Profile 2011-2012

  ELEMENTARY MIDDLE HIGH TOTALClasses Students Classes Students Classes Students Classes Students

DANCE 825 16,677 790 17,340 1,135 13,157 2,750 47,174

  2.4%   5.03%   3.1%   3.23%

MUSIC 31,243 643,973 8,955 194,239 9,321 100,275 49,519 938,487  92.69%   56.37%   23.72%   64.19%

THEATRE ARTS 950 19,540 1,388 29,579 2,625 34,448 4,963 83,567

  2.81%   8.58%   8.15%   5.72%

VISUAL ARTS 28,880 599,166 7,108 147,533 7,763 95,026 40,448 776,162

  86.23%   42.82%   22.49%   52.4%

FOLK ARTS (K-12) 0 0 53 1,227 22 505 75 1,732

  0.00%   0.37%   0.12%   0.12%

COMMUNITY COLLEGE ARTS

0 0 0 0 113 452 113 452

  0.00%   0.00%   0.11%   0.03%

SUBTOTALS  61,898 1,279,356 18,294 389,918 20,979 243,863 97,868 1,847,574

  184.13%   113.16%   57.69%   126.36%

TOTAL STUDENTS IN NC 

SCHOOLS Average Daily Membership

  694,816   344,569   422,749   1,462,134

Licensed Arts Educators in NC

Dance Music Theatre Arts

Visual Arts

Total

171.43 2,597.67 345.66 2,101.22 5,215.98

2012 data = apprx. 5400 licensed teachers

Pit Stop• What does

Comprehensive Arts Education look like in your school system or charter school?

• What components are going well?

• What components could be strengthened?

StateUpdates

NC Arts Education Wiki

http://ances.ncdpi.wikispaces.net/

NCDPI Arts Education Listserv

join-artsed@lists.dpi.state.nc.us

Educator Effectiveness

Visit www.ncpublicschools.org/effectiveness-model to learn more

More Info:Jennifer DeNealEducatorEffectiveness

@ dpi.nc.gov

5 Rating Categories

Teachers

1 65432Demonstrate Leadership

Establish Environment

KnowContent

Facilitate Learning

Reflect on Practice

Contribute to Academic

Success

3 Rating CategoriesNot Demonstrated

DevelopingProficient

AccomplishedDistinguished

Does Not Meet Expected GrowthMeets Expected Growth

Exceeds Expected Growth

NC Educator Evaluation System

Overview of Standard 6

6Contribute to Academic

Success

6 End of Grade (EOG) or End of Course (EOC) tests

6 NC Final Exams

6 Career Technical Education Assessment

6 K-2 Literacy

6 Analysis of Student Work

Grade 36

Analysis of Student Work Process

Overview of Standard 6

In Need of Improvement Effective Highly

Effective

Standards 1-5In the year

Standard 6Three-year rolling average

6 6 62 years ago

1 year ago

Currentyear+ + /3))

1 5432DemonstrateLeadership

Establish Environment

KnowContent

Facilitate Learning

Reflect on Practice

Any rating lower than proficient

And/Or

Does Not Meet

Expected Growth

Proficient or Higher

on Standards1-5

And

Meets or Exceeds Expected Growth

Accomplishedor Higher

on Standards1-5

And

Exceeds Expected Growth

Overview of Standard 6

Analysis of Student Work Process

In the proposed ASW process, teachers:• Describe teaching context and

choose five Objectives

• Compile a Timelapse Artifact for each Objective

• Complete and upload an Evidence Collection

• Submit the Evidence Collection for “blind” review

• Receive a category rating for Standard 6

EVIDENCE COLLECTION

TA 1

TA 2

TA 3

TA 4

TA 5

2 Work Samples

2 Work Samples

2 Work Samples

2 Work Samples

2 Work Samples

Analysis of Student Work Process

Spring 2014 Pilot planned with educators from:

Original Pilot Areas

Arts Education

Healthful Living

World Languages

Advanced Placement

International Baccalaureate

Analysis of Student Work Process

Memo Concerning Standard 6 to Superintendents from Rebecca Garland (September 17, 2013)

Proposed ASW Timeline

ASW Process Year 1 Implementation: 2014-2015

ASW Process Refinement

Application Window

Online Platform Development

Initial Pilot Training

Official Pilot Launch

Content-Specific Training

Reviewer Training

Evaluation Window

Pilot Wrap-up

Fall 2013 Spring 2014

Analysis of Student Work Process

Recent Developments

• October SBE Meeting

• 21st Century Professionals Information Item– TCP-3 Analysis of Student Work Process

– TCP-3-006

– larger pilot for Spring 2014 to include original areas + AP/IB

• Visit: ncpublicschools.org and click on “State Board of Education”

Questions

Jennifer DeNealRace to the Top Project Coordinator for Educator Effectiveness 

North Carolina Department of Public Instruction

Have a question about educator effectiveness? 

Email educatoreffectiveness@dpi.nc.gov

Pit Stop• Will teachers participate in

the pilot for Standard 6 in your District or charter school?

• How is HomeBase working in your district or charter school?

• What questions do you have?

Artistic Literacy and Proficiency in the Arts

What is Literacy?

21st Century Literacy “Adolescents entering the adult world in the 21st century will read and write more than at any other time in human history. They will need advanced levels of literacy to perform their jobs, run their households, act as citizens, and conduct their personal lives. They will need literacy to cope with the flood of information they will find everywhere they turn. They will need literacy to feed their imaginations so they can create the world of the future.”  (IRA: Adolescent Literacy: A Position Statement)

P21 Framework for 21st Century Skills

P21 website: http://www.p21.org/

Image Citation 11

Artistic Literacy

• What is artistic literacy?

Artistic literacy is the knowledge and understanding required to participate authentically in the arts.

– Fluency in the language(s) of the arts is the ability to create, perform/produce/present, respond, and connect through symbolic and metaphoric forms that are unique to the arts.

– It is embodied in specific philosophical foundations and lifelong

goals that enable an artistically literate person to transfer arts knowledge, skills, and capacities to other subjects, settings, and contexts. (January 2013 – National Coalition for Core Arts Standards Framework)

Literacy in the Essential StandardsDANCE  MUSIC  THEATRE ARTS  VISUAL ARTS 

Creation and Performance (CP)

Musical Literacy (ML) Communication(C) Visual Literacy (V)

Dance Movement Skills (DM)

Musical Response (MR)

Analysis (A) Contextual Relevancy (CX)

Responding (R) Contextual Relevancy (CR)

Aesthetics (AE)

Critical Response (CR)

Connecting (C) Culture (CU)

Artistically Literate Citizens

Communication

Creative Personal Realization

Culture, History, and Connections

Means to Well Being

Community Engagement

(January 2013 – National Coalition for Core Arts Standards Framework)

Proficiency: Arts Education

Sequencing

High School Proficiency Levels

Beginning Intermediate Proficient* Advanced*

Standards are for students with no or limited K-8 progression in the arts education discipline (dance, music, theatre arts, or visual arts).

Standards are for students who have had a complete K-8 progression or who have achieved beginning level standards in the discipline at the high school level.

Standards are for students who have achieved intermediate level standards in the discipline at the high school level.

Standards are for students who have achieved proficient level standards in the discipline at the high school level.

High School SequencingIf the student has had a complete K-8 progression or has achieved beginning level standards in dance, music, theatre arts, or visual arts

If the student has no or limited K-8 progression in the arts discipline (dance, music, theatre arts, or visual arts)

Beginning (Entering) (Introductory)

Introductory/Beginning Coursework in Dance, Music, Theatre Arts, or Visual Arts

Intermediate Intermediate

Arts Electives in an Arts Discipline

Proficient

Proficient

Honors Courses

AP Courses

IB Courses

Advanced Advanced

High School Options

• Electives Requirements (Future-Ready Core) – 6

• Electives requirements (NC Scholars)

• Interest or specializations

• 4-unit Concentrations

Pit Stop• What practices are

currently being used to assess proficiency and place students appropriately in your district or charter school?

• How could these practices be improved?

Shared Expectation

“The Standards insist that instruction in reading, writing, speaking, listening, and language be a shared responsibility within the school. . . . .”

From the Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects, pg. 4

CCSS Standards Supplement Content Standards

• The intent of the standards is to supplement, not replace discipline-specific standards. (CCSS Introduction, Page 3)

Definition of Technical Subjects

• “A course devoted to a practical study, such as engineering, technology, design, business, or other work-force-related subject; a technical aspect of a wider field of study, such as art or music."

From Appendix A of the Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects, (pg. 43)

CCSS Integrated Model

“Although the Standards are divided into Reading, Writing, Speaking and Listening, and Language strands for conceptual clarity, the processes of communication are closely connected, as reflected throughout this document.”

Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science and Technical Subjects, Introduction, pg. 4

Research and Media SkillsStudents need the ability to:• gather, comprehend, evaluate,

synthesize, and report on information and ideas

• conduct original research in order to answer questions or solve problems

• analyze and create print and non- print texts in media forms old and new

“The need to conduct research and to produce and consume media is embedded into every aspect of today’s curriculum.” (Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science and Technical Subjects, Introduction, pg. 4)

1. Building knowledge through content-rich nonfiction and informational text

2. Reading, writing, and speaking grounded in evidence from text

3. Regular practice with complex text and its shared vocabulary

ELA/Literacy: 3 shifts

ART IS TEXT!!!!!!!!

Imagine

To form a mental image of concept

Investigate

To observe or study through 

exploration or 

examination

Construct

To make or form by 

combining or arranging parts or elements

Reflect

To think deeply or carefully about

Creative Practices

Summary: CCSS and the Arts

• Shared responsibility

• CCSS supplement, but do not replace discipline standards

• Creative practices referenced throughout the CCSS for ELA and Math

• Art is text

Resources:– Coleman article and blog– College Board Research– Online Learning Module– Wiki– RESA 2013– Other Resources

Pit Stop• What are the

implications for Artistic Literacy, Proficiency, and alignment practices with the CCSS with Arts Education in your district or charter school?

Legislative Updates

G.S. 115C-296: Arts Integration• Requires that pre-

service elementary teachers are prepared to “integrate the arts across the curriculum”.

• Outgrowth of H758 Arts Education Commission

• Wide-scale education legislation

– S724 (June 2012)

– H23 (March 2013)

– S168 (July 2013)Arts Integration

NC Pre-service Arts Integration Initiative

NC Pre-Service Arts Integration Initiative Goals:• Support the preparation of pre-service

educators to deliver a balanced education.

• Identify models and practices to prepare pre-service educators to integrate the arts.

• Foster collaborations to create access to a comprehensive arts education in our state.

(Collaboration with NCDPI, NCAC, and ASU)

Committee• Diverse, state-level

• Representation from:– IHEs (Education and Arts Education)

– Arts Educators

– Administrators (principal, superintendent)

– Community Partners

Committee Goals• Review reported data from IHEs on how

they currently prepare educators to integrate the arts.

• Identify models and/or practices that help move forward this statewide conversation.

Timeline• Summer 2013:

– IHE Institutes: introduce work and gather feedback for committee.

• Fall 2013: – Committee reviews data and highlights best practices/models.

• Fall RESAs 2013: – introduce work and gather feedback for committee.

• Spring RESAs 2014: – Share findings and continue discussion/models via statewide network..

Facilitators

Rachel A. McBroom, Ph.D.NC Dept. of Public InstructionDirector, Educator Preparationrachel.mcbroom@dpi.nc.gov 919-817-8848

Christy ChenauskyAppalachian State UniversityDirector of Arts Education and Outreachchenauskyc@appstate.edu 828-262-6084 (Ext. 109)

Banu ValladaresNC Arts CouncilArts in Education Directorbanu.valladares@ncdcr.gov 919-807-6502

Christie Lynch EbertNC Dept. of Public InstructionSection Chief, K-12 Programs and NCDPI Liaison to the A+ Schools Programchristie.lynchebert@dpi.nc.gov 919-807-3856

Slater MappNC Dept. of Public InstructionArts Education Consultant slater.mapp@dpi.nc.gov 919-807-3758

H127: Credit for HS Graduation 

• requires that students complete one credit in arts education for graduation– Beginning 2016– SBE to establish Criteria 

and report funding requirements 

• Passed House – referred to Senate rules– Must pass Senate and be 

signed by Governor to become law

Arts Education

National Updates

National Standards

• National Coalition for Core Arts Standards (NCCAS) Wiki:

https://nccas.wikispaces.com/Home

National Standards

Media Arts

Dance

Music

Theatre Arts

Visual Arts

What are Media Arts? • Moving Image – Cinema/Video/Animation – narrative, non-narrative, environmental,

experimental

• Imaging Design – digital process-based imagery, code enhanced (e.g. the image has code embedded in it for interactive and adaptive purposes)

• Sound Design – digital process-based aural synthesis and engineering

• Interactive Design – web, game, sensory-tech, creative code

• Multimedia and Intermedia – additive and hybridizing mixtures

• Virtual Design – 3D, 4D, 5D (spatial, animated, non-linear, interactive) environments, structures and experiences

The Inclusion of Media Arts in Next Generation Arts Standards

Pit Stop• What is one

take away you have from this information?

• What questions do you still have?

Professional Development and

Resources

Race to the Top Quarterly Webinars

Wednesdays, 3:30- 4:30 p.m.

• September 25th

• December 11th

• March 12th

• May 14th

RESA Training (Spring 2014)

• Region 1, April 16th

• Region 2, March 19th

• Region 3, February 20th

• Region 4, February 19th

• Region 5, February 17th

• Region 6, February 13th

• Region 7, April 9th

• Region 8, April 10th

ArtsEdSearch• the nation’s first online research and policy

clearinghouse focused entirely on student and educator outcomes associated with arts learning in and out of school.

Preparing Students for the Next America: The Benefits of an Arts Education

Title I and the Arts• Under ESEA, States and LEAs have

flexibility to support the arts using Title I funds

• May be used for:– Consulting and contracting

– Arts Materials

– Professional Development

Presenters

Janae B. CopelandDirector of Cultural Initiatives, Onslow County SchoolsChair, Music Program Leaders, NC Music Educators Associationjanae.copeland@onslow.k12.nc.us or 910-455-2211, Ext. 20122

Mark PropstPerforming Arts Specialist, Charlotte-Mecklenburg SchoolsChair, National Council of Music Program Leaders, National Association for Music Educationm.propst@cms.k12.nc.us or 980-343-2697

Christie Lynch EbertSection Chief, K-12 Program AreasArts Education (Dance and Music) and NCDPI Liaison to the A+ Schools ProgramSouthern Division Representative, National Council of Music Program Leaderschristie.lynchebert@dpi.nc.gov or 919-807-3856

“The digital tools used during the course of this training have been helpful to some educators across the state.  However, due to the rapidly changing digital environment, NCDPI does not represent nor endorse that these tools are the exclusive digital tools for the purposes outlined during the training.”