PREVIEW THE TIME WARP PREVIEW The Rocky Horror Picture Show · PDF file(from The Rocky Horror...

transcript

Arranged byANDY BECK

Rock (q = ca. 168)

Sole Selling Agent for This Arrangement: Alfred Music Publishing Co., Inc.To purchase a full-length performance recording of this piece, go to alfred.com/downloads

Words and Music byRICHARD O’BRIEN

for 2-part/S.S.A. voices and pianowith optional SoundPax and SoundTrax CD*

THE TIME WARP(from The Rocky Horror Picture Show)

PIANO

A

decresc.ff

4 5PART I(SOPRANO)

PART II(ALTO)

SOLO

It’s

mf

a stound- ing,- time is

mf

7

fleet ing,- mad ness-

B G

* Also available for S.A.T.B. (35784) and 3-part mixed (35785). SoundTrax CD available (35787). SoundPax available (35788) - includes score and set of parts for Tenor Saxophone, 2 Trumpets, Trombone, Synthesizer, Guitar, Bass, and Drumset.

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10

takes its toll. But lis ten-

D A

13SOLO

Not

mf

for ver y- much long er.-

(end solo)

close ly.-

B

16

I’ve got to keep con-

G D

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19 21

I

mf

re mem- ber-

trol.

(end solo)

I

mf

re mem- ber-

Agliss

. gliss.

22

do in’- the Time Warp,

B

25

drink ing- those mo ments- when

drink ing- those mo ments- whenG D A

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28 29

the black ness- would

3

hit me

the black ness- would

3

hit me

30

and the

3

void would be

3

call in’.-

and the

3

void would be

3

call in’.-B

33

Let’s

f

do the Time Warp a gain!-

Let’s

f

F C G D A

f

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Let’s do the Time Warp a -

F C G D

39

gain!

SOLO

It’s

mf

just a jump to the left.

(end solo)

A

41

And

mf

then a step to the right.

And

mf

then a step to the right.E7 A

mf

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And bring your knees inSOLO

Put your hands on your hips.

(end solo)

And bring your knees in

E7

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tight. But it’s the pel vic- thrust

A D

50

that real ly- drives you in sane.-

A

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Let’s

(add optional ad lib. solo voice to the end, 2nd time only)f

Let’s

f

F C G D A

f

56

Let’s do the Time

2nd time to CODA (p. 15, m. 117)

Warp a -

F C G

2nd time to CODA (p. 15, m. 117)

D

59 61

gain! It’s

mf

so dream y,-

gain!

A

mf

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oh, fan ta- sy- free me, so you can’t

B

65

see me, no, not at all.

G D A

68 69

In

mf

an oth- er- di men- sion- with voy eur- is- tic- in -

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ten tions,- well se clud- ed,- oh,

B G D

74

I’ll see it all.

SOLO

With

mf

a bit of a mind

A

77SOLO

you’re

mf

do in’- the time slip.

(end solo)

flip,

B

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80

And noth ing- can ev er- be the same.G D

83 85

You’re

mf

spaced out- on sen sa- tion-(end solo)

You’re

mf

spaced out- on sen sa- tion-A

86

like you’re un der- se da- tion.-

B

gliss. gliss.

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89

Let’s

f

Let’s

f

F C G D A

f

92

F C G D

95 97

gain! Well,

mf

I was tap pin’- down the street, just a-

gain! Well,

mf

I was tap pin’- down the street, just a-A

mf

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98

hav in’- a think, when a snake of a guy gave me an

100

e vil- wink. It shook a- me up, it took me by sur prise,- had a

D

103

pick up- truck and the dev il’s- eyes. He

A

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105

stared at me and I felt a change,

E7 D7

107

time

cresc.

meant noth in’,- nev er- would a gain.-

time

cresc.

meant noth in’,- nev er- would a gain.-

Agliss. gliss.

cresc.

109

Let’s

f

Let’s

f

F C G D A

f

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112

F C G D

115

gain!

D.S. al CODA (p. 6, m. 41)

gain!

SOLO

It’s

mf

just a jump to the left.

(end solo)

A D.S. al CODA (p. 6, m. 41)

117

gain!

CODAcresc. to end

gain!

cresc. to end

CODAA

cresc. to end ff

35786

15

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