Product Development Case Study Part 3E April 1, 2013

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Product Development Case Study Part 3E

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part 3 E of 7 part Case Study

1 Product development

Luxury brand Case Study

2

Notes

3

November 2012

Max Ruckman, Black & Decker HHI

Bill O’Connor, Source, Inc.

Bruce Eckman

Luxury Brand

Business

Development

Case Study Part 3 E

www.maxruckman.com

4

5 Brand visualization

Brand

name

development

6 Creative process

7 Brand identity profile

8 Naming objectives

suggest architecturally inspired style

suggest the joy of discovery

suggest genuine, authentic

suggest partnership

preferences for real words in the language

9 Naming criteria

appropriate for door hardware, faucets and related extensions

preference for suggestive or fanciful vs. descriptive names

avoid initials, acronyms, names that can/will be shortened

appropriate for use in north america

all basic criteria legally available, easy to say, difficult to mispronounce, memorable, appealing

10 Preliminary searches conducted

11

recommendations

12 Generic statements evaluated

13

Brand names

Echoes Architecturally-Inspired Hardware and Fixtures

14 Brand names

Cadent Architecturally-Inspired Hardware and Fixtures

15 Brand names

Sequels Architecturally-Inspired Hardware and Fixtures

16 Brand names

Arcadian Architecturally-Inspired Hardware and Fixtures

17 Brand names

Signet Architecturally-Inspired Hardware and Fixtures

18 Brand names

Archetypes Architecturally-Inspired Hardware and Fixtures

19 Brand names

“Quotes” Architecturally-Inspired Hardware and Fixtures

20 Brand names

Re:visions Architecturally-Inspired Hardware and Fixtures

21 Brand names

Fusion Architecturally-Inspired Hardware and Fixtures

22 Brand names

23

Brand architecture

24 Brand architecture

25 Brand architecture

26 Brand architecture

for simplicity and clarity, collection names under the range brand should focus on the architectural style and be linked in language and format to the range brand…

27 Brand architecture

…of

Craftsman

…of

Italian Tuscany

…of

French Country

ECHOES

…from the

visual language of

French Country

…from the

visual language of

Italian Tuscany

…from the

visual language of

Craftsman Style

"QUOTES"

28 Brand architecture

how do the existing brands fit in this new brand model?

if these two brands are to be included in the brand model, they will confuse and dilute the brand meaning

29 Brand architecture

the existing brands share similar attributes…

i.e., an authenticity derived from a unifying reference to high culture

they may be able to form an integrated offering separate from the brand model

30 Brand architecture

further exploration can continue

on some nominal

reference to the brands, but this is

not recommended

31

Brand visualization

32 Brand visualization

authentic

33

Reliable Partner

Brand visualization

34

Driven by detail

Brand visualization

35

Stirs the imagination

Brand visualization

36

Brand story

37

Craftsman

…of Craftsman …of Gustav Stickley

38

Echoes

39

French

40

Echoes …of French Country …of Samual Chamberlain

41

Tuscany

42

echoes …of Italian Tuscany…of Andrea Palladio

Project Parousia Imark®

43

Name research

44 Name Research purpose

45

the high end of the

market, in particular,

continues to grow and

evolve as the aging

population reconfigures

their living arrangements

to reflect the lack of

children and different

social needs for space

Name Research purpose

46 Name Research purpose

it was the purpose of the research

to determine which of three names

would best suit the concept and

determine what evocative power,

motivation and imagery the names

would bring with them

47 Name Research purpose

48

to test the brand name fit-with-concept, 19 in-depth interviews were conducted in chicago and irvine, ca.

Name Research purpose

49 Name Research purpose

50 Name Research purpose

51 Name Research purpose

52 Name Research purpose

53 Name Research purpose

54 Name Research purpose

55

these names were set in a common typeface, helvetica bold and each name was followed by the descriptive line, architecturally inspired hardware and fixtures, set in helvetica regular

Name Research purpose

56 Name Research purpose

57 Name Research purpose

58 Name Research purpose

59 Name Research purpose

60

the intent was to determine the effect of “design” on the preferences of the interviewees as well as the evocative impact of the designs

Name Research purpose

61 Name Research purpose

62 Name Research purpose

as an

endorsement

“brand’' by

baldwin

63 Name Research purpose

64 Name Research purpose

65 Name Research purpose

66

single brand dominant plus (baldwin architecturally inspired hardware and fixtures)

Name Research purpose

a closing probe was done to see if the baldwin

name could be line extended to include faucets

67 Name Research purpose

68 Name Research purpose

69 Project Parousia Imark Name Research

70 Project Parousia Imark Name Research

base line graphic

71 Project Parousia Imark Name Research

base line graphic

72 Project Parousia Imark Name Research

73 Project Parousia Imark Name Research

74 Project Parousia Imark Name Research

75 Project Parousia Imark Name Research

76 Project Parousia Imark Name Research

6a

77 Project Parousia Imark Name Research

2a

78 Project Parousia Imark Name Research

79 Project Parousia Imark Name Research

80 Project Parousia Imark Name Research

81 Project Parousia Imark Name Research

82 Project Parousia Imark Name Research

83 Project Parousia Imark Name Research

84 Project Parousia Imark Name Research

85 Project Parousia Imark Name Research

86 Project Parousia Imark Name Research

87 Name Research findings

88

the projects were long, often arduous, but

ultimately rewarding

Name Research findings

89 Name Research findings

90 Name Research findings

homeowners broke into two segments

91 Name Research findings

92 Name Research findings

the respondents in chicago best represented this segment

93 Name Research findings

94 Name Research findings

they wanted the outer part of the house to make a design statement, but the interiors were often a mix of personal needs and eclectic styles

95 Name Research findings

this segment was less involved, less of a purist at heart and best represented by the respondents in orange county

96 Name Research findings

97 Name Research findings

98 Name Research findings

99 Name Research findings

100 Name Research findings

101 Name Research findings

102 Name Research findings

103

while

groehe

and jado

were

mentioned

repeatedly,

so was

emtek

Name Research findings

emtek is growing in popularity, it was perceived as nice quality, good styling and reasonably priced

104 Name Research findings

105 Name Research findings

106 Name Research findings

rocky mountain hardware was reported to have an interesting association with marvin doors

107 Name Research findings

marvin only has a limited range of styles

108 Name Research findings

109 Name Research findings

110 Name Research findings

111 Name Research findings

most knew the name, but it was restricted to entry

door hardware, some wall plates and hinges

112 Name Research findings

113

the perception was that baldwin

was a very good company

Name Research findings

114 Name Research findings

115

it was viewed as a bit stodgy, conservative and not very creative

Name Research findings

116 Name Research findings

117 Name Research findings

118 Name Research findings

119

the concept was positive

for both homeowners

and professionals

Name Research concept

120 Name Research concept

121 Name Research concept

122

homeowners thought they would share this information with their friends who are going through remodeling projects

Name Research concept

this was a resource that was perceived as valuable to them

123 Name Research concept

124 Name Research concept

“builds your confidence, it divides the data, gives

you a focus and lets you conquer, it’s helpful”

125 Name Research concept

126 Name Research concept

127 Name Research concept

128

the look of the visuals and the description made the product seem well researched and that the line would blend together

Name Research concept

this approach to presenting the

products would help those who

didn’t know what they wanted

as well as those who did know

129 Name Research concept

“distinctive design sets”

130 Name Research concept

131 Name Research concept

132 Name Research concept

133

the audience

for these

products were

those who had

the economic

resources and

the interest to

invest in

correct

architectural

design for the

period

Name Research concept

they were affluent clients who

appreciated being brought to a place

that captured the spirit of that time

134 Name Research concept

135

Name Research concept

136 Name Research concept

“having a single source makes my life easier”

137 Name Research concept

138 Name Research concept

the concept reminded some homeowners of restoration hardware, with whom they thought the line, would favorably compete

139 Name Research concept

140 Potential Brand Names

Potential

Brand

names

141 Potential Brand Names

the initial connotation for this name was that it had something to do with architects or

architecturally inspired products

142 Potential Brand Names

it seemed high tech, that it would relate in some way to the architecture of the property and be correct design wise

143 Potential Brand Names

“it has depth to it. they’ve done their homework”

144 Potential Brand Names

“you don’t have to think very hard about it”

145 Potential Brand Names

146 Potential Brand Names

147 Potential Brand Names

148 Potential Brand Names

149 Potential Brand Names

150 Potential Brand Names

the design statement was more about the architecture than the interior

151 Potential Brand Names

the architecture and strength associations made it easier for both men and women to relate to the name

152 Potential Brand Names

153 Potential Brand Names

154 Potential Brand Names

155 Potential Brand Names

156 Potential Brand Names

157 Potential Brand Names

looking at the rating scales, the homeowners liked the

name even more than the architects / designers

158 Potential Brand Names

it scored well on the following dimensions compared to the second place echoes name

159 Potential Brand Names

responsible

and

strong

160 Potential Brand Names

respondents were more generous in their rating of archetypes than they were able to articulate in the interviews

161 Potential Brand Names

162 Potential Brand Names

it was a safer, yet

professional

163 Potential Brand Names

the “crisp” style and “neat”,

“compact” letters gave the

name a “professional” air

about it

the style seemed very

“business like” and like it

was for “traditional” types

architects and designers

perceived the name as easier to

understand by their clients than

other approaches

164 Potential Brand Names

165 Potential Brand Names

166 Potential Brand Names

167 Potential Brand Names

“it doesn’t know what it is trying to be”

168 Potential Brand Names

“the transition from one font to another is too abstract”

169 Potential Brand Names

“daring, creative”

170 Potential Brand Names

“seems unfinished,

It’s unsettling”

171 Potential Brand Names

there was also a sense that the ending typeface seemed “too modern” for the concept

172 Potential Brand Names

173 Potential Brand Names

174 Potential Brand Names

175 Potential Brand Names

it was an interesting word

176 Potential Brand Names

it had more emotional connotations than archetypes

177 Potential Brand Names

178 Potential Brand Names

179 Potential Brand Names

it was “the finishing touch” that “pulls it all together”

180 Potential Brand Names

“it summed up the idea of the concept”

181 Potential Brand Names

182 Potential Brand Names

the idea was of an emotional atmosphere from the past

183 Potential Brand Names

this gave the concept an aura

of “mystery” and “curiosity”

184 Potential Brand Names

185 Potential Brand Names

“evocative of before and after”

186 Potential Brand Names

“looking into the past for inspiration”

187 Potential Brand Names

“this fits my process, what i was trying to capture in the past”

188 Potential Brand Names

189 Potential Brand Names

“gives me

the warm

fuzzies

about how

i look at

my home”

190 Potential Brand Names

191 Potential Brand Names

192 Potential Brand Names

193 Potential Brand Names

194 Potential Brand Names

195 Potential Brand Names

it brought to mind the interior and exterior fixtures of the house, rather than the form of the house

196 Potential Brand Names

this name had a softer, feminine

side to it, which may appeal less

to men than women versus

archetypes

197 Potential Brand Names

198 Potential Brand Names

199 Potential Brand Names

echoes was slightly more exciting than archetypes and it was more accessible

archetypes had that strong, professional

air about it which did not breed closeness

200 Potential Brand Names

201 Potential Brand Names

202 Potential Brand Names

203

Ways of handling

the product line

names

204 Potential Brand hierarchies

205 Potential Brand hierarchies

206 Potential Brand hierarchies

the new line seemed newer, more sophisticated than expected

based on the style of the design and the names used

207 Potential Brand hierarchies

the message was that baldwin was coming out with a new line of

products that was different from what they were known for

“it’s effective. it draws you in”

208 Potential Brand hierarchies

209 Potential Brand hierarchies

210 Potential Brand hierarchies

211 Potential Brand hierarchies

212 Potential Brand hierarchies

213 Potential Brand hierarchies

this made it seem “boastful” and that “baldwin was selling something”

it seemed like it was a reliable product but that the spirit of styles was being subjugated into existing lines

214 Potential Brand hierarchies

215 Potential Brand hierarchies

216 Potential Brand hierarchies

217 Potential Brand hierarchies

218 Potential Brand hierarchies

219 Potential Brand hierarchies

220 Potential Brand hierarchies

“too specific if the baldwin name is not known”

221 Potential Brand hierarchies

too pure for remodeling jobs which are mixed in design”

222 Potential Brand hierarchies

223 Potential Brand hierarchies

224 Potential Brand hierarchies

225 Potential Brand hierarchies

baldwin

226 Potential Brand hierarchies

baldwin

227 Potential Brand hierarchies

baldwin

if someone was aware of the line, it tended to seem like more of what they are used to

228 Potential Brand hierarchies

baldwin

229 Potential Brand hierarchies

baldwin

“same old, same old”

230 Potential Brand hierarchies

baldwin

“staid, good, quality, not progressive”

231 Potential Brand hierarchies

baldwin

232 Potential Brand hierarchies

baldwin

233 Potential Brand hierarchies

baldwin

234 Potential Brand hierarchies

baldwin

extending the brand

to faucets seemed

relatively easy

235 Potential Brand hierarchies

baldwin

236 Potential Brand hierarchies

baldwin

“they’re not a plumbing company. they’re just copying”

237 Potential Brand hierarchies

baldwin

“it’s easier to go from plumbing to door locks than vice versa”

238 Potential Brand hierarchies

baldwin

239

Media

presentation

240 Media presentation

241 Media presentation

242 Media presentation

anything that would help the line stand out from the rest of the

showroom would help

e..g., lighting displays, clean, understated higher end

displays, interactive computer displays that would

allow the respondents to see and sense the products

in the areas in which they would be located the idea

is to capture the “spirit” of the line and the place

243 Media presentation

244

recommendations

245 Recommendations

on the basis of these directional findings, source recommends that a second round of

imark research be conducted on the two strong candidate names archetypes and echoes

the objective of this round of

imark sessions is to assess the

trade-offs between the emotional

richness and elasticity of the

echoes brand and the quick

understanding and clear-fit-to-

concept of the archetypes brand

246 Recommendations

stimuli for this next round of imark sessions should be the brand stories for echoes and archetypes presented as movies of in a format similar to the prototype echoes brand story developed earlier in the planning process

247 Recommendations

248 Recommendations

249 Recommendations

250

Summary &

conclusions

251 Summary & conclusions

the concept was positive for both

homeowners and professionals

252 Summary & conclusions

253 Summary & conclusions

254 Summary & conclusions

255 Summary & conclusions

the look of the visuals and the description made the products seem well researched and fostered the belief that the collections in the line would be true to their architectural inspiration

256 Summary & conclusions

257 Summary & conclusions

258 Summary & conclusions

259 Summary & conclusions

Brand names

260 Summary & conclusions

Brand names

261 Summary & conclusions

Brand names

262 Summary & conclusions

Brand names

263 Summary & conclusions

Brand names

264 Summary & conclusions

Brand names

265 Summary & conclusions

Brand names

the clear preference was that of the line brand is

dominant followed by a known manufacturer’s name,

e.g., “archetypes by baldwin”

this focused the respondent on the product line and

manufacturing quality while giving them reassurance

that the product was credible

266 Summary & conclusions

Manufacturer product line names

267 Summary & conclusions

Manufacturer product line names

the baldwin name was less familiar to respondents in

chicago that orange county

the perception was that baldwin was a very good

company

it stood for high quality, sturdy, long lasting,

conservative, brass and was expensive

it was viewed as a bit stodgy, conservative and not

very creative, which at the "traditional” or "colonial"

market, which was not part of the concept statement

or the collections this study was looking at

268 Summary & conclusions

Faucet line extension

line extending baldwin into faucets was not as difficult as one might think,

assuming the person was aware of baldwin

companies ‘branch out all the time

" as long as the brand image is “faithful to high quality,’ which baldwin is,

extending the brand to faucets seemed relatively easy

269 Summary & conclusions

Faucet line extension

November 2012

Max Ruckman, Black & Decker HHI

Bill O’Connor, Source, Inc.

Bruce Eckman

Luxury Brand

Business

Development

Case Study Part 3 E

www.maxruckman.com

270