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Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. In 1877 he abandoned the regular course of schooling to study art in the studio of Joan Vicens. In 1881, still in his teens, he was a co-founder of the magazine L'Avenç; the 9 October 1881 issue included his sketch of the cloister of Sant Benet in Bages. That same month, accompanied by his cousin Miquel Carbó i Carbó, a medical student, he began his first stay in Paris, where he studied that winter at the Carolus Duran Academy and later at the Gervex Academy, and functioned as a Paris correspondent for L'Avenç. The next year he had a piece exhibited in Barcelona at the Sala Parés, and in 1883 in Paris the Salon des Champs Elysées exhibited his portrait of himself dressed as a flamenco dancer; the piece won him an invitation as a member of the salon of the Societé d'artistes françaises.The next few years he continued to paint and travel, spending most autumns and winters in Paris and the rest of the year in Spain, mostly in Barcelona but also in Madrid and Granada; his 1886 painting of the crowd at the Madrid bullfighting ring was to be the first of many highly detailed paintings of crowds. That year he survived tuberculosis, and convalesced for the winter in Barcelona. Among the artists he met in this period of his life, and who influenced him, were Laureà Barrau, Santiago Rusiñol, Eugène Carrière, Pierre Puvis de Chavannes, and Ignacio Zuloaga.
Self-portrait
Re
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olo
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ida
l, 1
91
1
(19
5 x
10
0 c
m)
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AC
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ab
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Fundación Cultural Privada Manuel
Rocamora, Barcelona
Joven, 1902
Fig
ura
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me
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19
00
(1
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10
.5 c
m)
Fu
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Figura femenina en rojo, 1900 (15.2 x 11.3 cm) Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Female figure (40 x 33,5 cm)Art Collection of the Government of Catalonia
En la verbena
Female bust, 1900Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Caramelles
Yo
un
g g
irl f
rom
Pa
ris (
37
x30
cm)
18
90
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ulin
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cm
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cm
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Aux aguets, 1891 (58 x 47.5 cm) Institut Amatller d'Art Hispànic,
BarcelonaA w
om
an
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er,
19
00
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Headpiece for the magazine 'Pèl & Ploma‘ 1901 Museu Nacional d'Art de Catalunya - MNAC, Barcelona
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as
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bili
ario
Ba
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a
Mu
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, B
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El p
añ
ue
lo a
ma
rillo
, 1
89
9 (
50
x 6
1 c
m)
Julia
Estudio, 1889 (91 x 110 cm) Colección particular
Fig
ura
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me
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18
93
(4
4 x
35
cm
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tre
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s lu
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(7
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x 6
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title
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Pè
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Trin
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16
(9
2,5
x73
,5)
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Po
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Re
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raire
, 1
92
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Stu
dy
42
.5x4
0.5
cm
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, B
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Re
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(9
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Ribera de rio con figura, 1912 (42 x 50 cm)
Museo de Pintura Sant Pol de Mar
Reposo, 1899/1900 (60 x 45 cm) Colección Oriol Galería d'Art
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L'A
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90
1 (
63
x 4
8 c
m)
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During a 1904 sojourn in Madrid, he produced a series of sketches of the Madrid intelligentsia, and befriended painters Eliseo Meifrén and Joaquín Sorolla, as well as Agustí Querol Subirats, official sculptor to the Spanish government. In Querol's studio, he executed an equestrian portrait of the king, Alfonso XIII, which was soon purchased by the American collector Charles Deering, who, over the next few years would commission or purchase several of Casas paintings. Increasingly in demand as a portraitist, he settled again for a while in Barcelona. Shortly thereafter he made the acquaintance of a young artist's model named Júlia Peraire, 22 years his junior. He first painted her in 1906 when she was 18. She soon became his favorite model and his lover. His family did not approve of her; they eventually married, but not until 1922.
La Sargantaine, c. 1907, portrait of Júlia Peraire (91 x 63 cm)
Colección Círculo del Liceo, Barcelona
Bu
sto
de
da
ma
, 1
90
0 (
15
x 1
0 c
m)
Fu
nd
aci
ón
cu
ltura
l priv
ad
a M
an
ue
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cam
ora
. B
arc
elo
na
Fig
ura
de
mu
jer
Joven decadente, 1899 (46.5 x 56 cm)
Museu de Montserrat
La
pa
risie
nse
, 1
90
0 (
65
x 5
4 c
m)
Co
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pa
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La
Pa
risié
n,
19
00
(5
5 x
46
cm
) A
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día
de
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err
at
Ma
no
la (
26
x 2
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cm
) M
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viu
da
, 1
88
9/1
89
0 (
18
6 x
11
3 c
m)
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ltrú
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ma
dre
(9
0 x
75
cm
) C
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(R
etr
ato
de
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lia)
Julia
(4
6 x
39
cm
) C
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f Jú
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Invi
ern
o,
18
93
(5
5 x
46
cm
) C
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n p
art
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lar
So
led
ad
, ca
rbo
nci
llo (
colo
rea
do
al p
ast
el)
sob
re p
ap
el,
32
x22
cm
Julia
co
n p
añ
ue
lo a
zul,
(50
x 3
6 c
m)
Co
lecc
ión
pa
rtic
ula
r
Julia
se
nta
da
Inte
rior
10
2 x
82
cm
Mu
seu
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cio
na
l d'A
rt d
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ata
lun
ya -
MN
AC
, B
arc
elo
na
Pre
pa
ran
do
el b
añ
o,
18
95
(5
6 x
41
cm
) C
ole
cció
n p
art
icu
lar
Chula con mantón amarillo (Girl in a Yellow Shawl ) sold, Sotheby’s London, 16 November 2004
Figure with hat, 1907 (60 x 51 cm) Banco Sabadell Gallery
A Girl in Yellow (81 x 65 cm)Colección Banco Sabadell
Chula, 1897/1898 (67.2 x 55 cm)
Colección Masaveu
Fig
ura
de
mu
jer
Mu
jer
sen
tad
a (
28
x 2
1 c
m)
Co
lecc
ión
Fe
de
rico
To
relló
Julia Pastel 33 x 22 cmMujer
Mujer descansando, 1899
(81 x 117 cm) Colección familia
Codina
Interior (40,5 x 32,5 cm)
Colección particular
Julia vestida de cordobesa, 1912
(180 x 79 cm) Abadía de Montserrat
Plein air, 1890/1891(51 x 66 cm)Museu Nacional d'Art de Catalunya - MNAC, Barcelona
Portrait of Isabel Llorach, 1901
193x83cmMuseu Nacional
d'Art de Catalunya - MNAC, Barcelona
Gigantes15 x 24 cm
Retrato de la señora viuda de Codina, 1903
(186 x 85 cm) Colección Art Hispania S.A R
etr
ato
de
Elis
a C
asa
s, 1
88
9 (
20
0 x
10
0 c
m)
Co
lecc
ión
pa
rtic
ula
r
Retrato de Elisa Casas, 1888 (45 x 38 cm)
Colección particula
Retrato de señora
Estudio para un cartel de propagandaFundación Cultural Privada Manuel Rocamora
L'auca (a Catalan style of story in pictures) del senyor Esteve is a novel by Santiago Rusiñol published in 1907.It has 27 chapters about scenes and moments in the Ribera neighborhood in Barcelona, which are interpreted by the 27 illustrations by Ramon Casas and the 27 rhymes by Gabriel Alomar
An auca representing the novel's plot on a wall in Petritxol street in Barcelona
Sound: Pasión Vega - Soñando contigo (Duo con Antonio Banderas)
Text and pictures: InternetCopyright: All the images belong to their authors
Presentation: Sanda Foi oreanuşwww.slideshare.net/michaelasanda