Smlxl - Assets & Access: challenges and opportunities for cultural institutions in a non-linear...

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A presentation on the challenges and opportunities for cultural institutions. I argue by reframing what an institution is and how that can be defined as a series of assets plays an important role in enabling cultural institutions to thrive in a non-linear world. I argue we need a new form of literacy to help us do that. #camerjam #mobilecultures

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Assets & Access in the cultural sector

alan moore | www.smlxtralarge.com | camerjam 2011

the cultural

organisation assets

Rolling Exhibitions

Permanent collections

Archives

Lots of stuff in storage

Implicit Knowledge: curators

alan moore | www.smlxtralarge.com | camerjam 2011

the cultural

organisation assets

Rolling Exhibitions

Permanent collections

Archives

Lots of stuff in storage

Implicit Knowledge: curators

communities of

interest

Public

Corporations

Universities/ academia

Business

Other museums / cultural institutions

alan moore | www.smlxtralarge.com | camerjam 2011

the cultural

organisation assets

Rolling Exhibitions

Permanent collections

Archives

Lots of stuff in storage

Implicit Knowledge: curators

communities of

interest

Public

Corporations

Universities/ academia

Business

Other museums / cultural institutions

motivation

Money

Pleasure

Self improvement

Status

Professional information

Inter-related alan moore | www.smlxtralarge.com | camerjam 2011

org+ values

passions needs

Networked communities of interest

alan moore | www.smlxtralarge.com | camerjam 2011

Plugging into the network

connectivity

commerce

culture

community

2001

alan moore | www.smlxtralarge.com | camerjam 2011

From: Communities Dominate Brands: business and marketing challenges for the 21st Century - http://ht.ly/4aWBA

Mutuality is our business model” Alan Rusbridger –

2010

alan moore | www.smlxtralarge.com | camerjam 2011

What does mobile mean?

alan moore | www.smlxtralarge.com | camerjam 2011

The challenges of networked mobile world means we need to reframe some things and understand some others as a new form of literacy….

From linear (simple) to non-linear (complex) – this image is of the bible visualised with inter-relationships and connections

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Ecologies

Eco-systems Platforms

Communities of interest Developing relationships

Personalisation Creating deeper engagement

Data =

commercial success alan moore | www.smlxtralarge.com | camerjam 2011

Literacy

alan moore | www.smlxtralarge.com | camerjam 2011

Curation

alan moore | www.smlxtralarge.com | camerjam 2011

curation = context = meaning academic & critical recognition

bums on seats ticket receipts

alan moore | www.smlxtralarge.com | camerjam 2011

But we need to understand some other literacy’s…

alan moore | www.smlxtralarge.com | camerjam 2011

collaborative & participatory cultures / tools

alan moore | www.smlxtralarge.com | camerjam 2011

Participatory cultures

Blended reality: there is no

online or offline

alan moore | www.smlxtralarge.com | camerjam 2011

Embedded sociability

alan moore | www.smlxtralarge.com | camerjam 2011

Mass customisation

alan moore | www.smlxtralarge.com | camerjam 2011

it’s a design problem

alan moore | www.smlxtralarge.com | camerjam 2011

Design for the intention economy

alan moore | www.smlxtralarge.com | camerjam 2011

The link economy: create a bundles of products and services

Data driven: Amazon data architecture – recommendation engine, Apple genius and iTunes, personalisation

alan moore | www.smlxtralarge.com | camerjam 2011

Design for participation

alan moore | www.smlxtralarge.com | camerjam 2011

alan moore | www.smlxtralarge.com | camerjam 2011

Links to buy, to do, to connect are missing!!

alan moore | www.smlxtralarge.com | camerjam 2011

340 curators from institutions around the world

Over 10,000 messages were exchanged between museums and members of the public

But was it really creating an asset, or was it a marketing tactic?

alan moore | www.smlxtralarge.com | camerjam 2011

Design for service

alan moore | www.smlxtralarge.com | camerjam 2011

‘digital curator’

the expertise of heritage institutions is a

value proposition used to generate income.

customer groups for digital curator are consumers, academics researchers, business professionals.

alan moore | www.smlxtralarge.com | camerjam 2011

‘digital curator’

digital services centred on the collection materials. ‘refined’ metadata, like specialist background information on a collection, or digital teaching packages.

Archives offering courses to archive researchers, including novices.

alan moore | www.smlxtralarge.com | camerjam 2011

Tate Britain online courses £20 on artists’techniques and methods (www.tate.org.uk/learnonline).

alan moore | www.smlxtralarge.com | camerjam 2011

Archives: traditional view

alan moore | www.smlxtralarge.com | camerjam 2011

Image from: Business model innovation cultural heritage. Amsterdam & the Hague, the den Foundation Knowledgeland. Ministry of Education, Culture and Science 2010

Archives as a platform Archives offering courses/services to archive researchers, & other communities of interest. Note cultural org now a platform creating new access around its assets

alan moore | www.smlxtralarge.com | camerjam 2011

Image from: Business model innovation cultural heritage. Amsterdam & the Hague, the den Foundation Knowledgeland. Ministry of Education, Culture and Science 2010

Design for economies of scope

alan moore | www.smlxtralarge.com | camerjam 2011

alan moore | www.smlxtralarge.com | camerjam 2011

Design for customisation

alan moore | www.smlxtralarge.com | camerjam 2011

alan moore | www.smlxtralarge.com | camerjam 2011

Bespoke customization

alan moore | www.smlxtralarge.com | camerjam 2011

Qustodian innovating with communities of passion, with data, with technology, & revenue models – Exhibit [a] Atletico Madrid. http://uk.qustodian.com/

alan moore | www.smlxtralarge.com | camerjam 2011

Augmenting reality, augmenting experience, navigation – revenue?

Healthy takeaways

alan moore | www.smlxtralarge.com | camerjam 2011

Appitus, “’nuff said, don’t catch it!”

alan moore | www.smlxtralarge.com | camerjam 2011

•  Embedded Mobility is a commercial / cultural strategy not a marketing tactic

•  Design with the 4C’s – without commerce you could be wasting a great deal of energy

•  Design for eco-systems + platforms + mutuality •  Design for communities of interest and service based models •  Design for participation •  Design for value creation •  Design with data and linked economics •  Design for mass customisation •  Design with time frames in mind

alan moore | www.smlxtralarge.com | camerjam 2011

Alan is a charismatic visionary who studies the disruptive trends in the world of innovation and makes them very tangible to his audience. He is recognised as a great distiller of complex arguments into their most salient points, who can take concepts from many sources and find the previously hidden relationship between them. He has a firm grasp of the changes which are reshaping our world. With his insight on the interlocking trends of; media, culture(s), society communication and commerce, Alan enables companies to develop winning strategies for how businesses and organisations can succeed in the early 21st Century.

Alan is currently working on his next project No Straight Lines: making sense of our non-linear

world. A project that investigates the complex and interwoven relationship between: people, identity, society, communications technology, and commerce and explores how we can design innovative ways to solve some of the intractable dilemmas we face – publication due 2011.

More info about what we do: http://ht.ly/4aUe6

alan moore | www.smlxtralarge.com | camerjam 2011

NO STRAIGHT

LINES: making sense of our non-linear world

@alansmlxl | www.smlxtralarge.com

alan moore | www.smlxtralarge.com | camerjam 2011