Visual Storytelling

A mastery of both traditional and digital media as well as a keen understanding of cinematographic style and techniques are the key components to creating efficient, coherent imagery.

Sidarth Kantamneni

Storyboards

‘The Noble Savage’

Writer/Dir. Wesley Wingo Illustration. Sidarth Kantamneni

(in development)EXT. ROOFTOP

He writes, "EXCUSE ME, PLEASE HELP, STUCK ON ROOF", shakeshis head in disbelief, and drops it off the side of thebuilding. He watches it flutter and fall away into nothingness.

‘The Noble Savage’

Writer/Dir. Wesley Wingo Illustration. Sidarth Kantamneni

(in development)EXT. STREET LEVEL -SIMULTANEOUSLY

The message falls unnoticed by the same men and women hepassed in solidarity before.

‘The Noble Savage’

Writer/Dir. Wesley Wingo Illustration. Sidarth Kantamneni

(in development)EXT. ROOFTOP -SUNDOWN

The man watches the sun receding in the distance. He realizes that if he's going to sleep he's going to need to stay warm.

‘All That Is Human’

Dir. Wesley Wingo Michael GluzmanCinematography. Sidarth Kantamneni Illustration.

‘All That Is Human’

Dir. Wesley Wingo Michael GluzmanCinematography. Sidarth Kantamneni Illustration.

‘All That Is Human’

Dir. Wesley Wingo Michael GluzmanCinematography. Sidarth Kantamneni Illustration.

‘All That Is Human’

Dir. Wesley Wingo Michael GluzmanCinematography. Sidarth Kantamneni Illustration.

Illustrations

Traditional Media

Digital Media

Contact Sidarth Kantamneniemail. SidKant@gmail.comphone. 256-566-7493 mail. 332469 Georga Tech Station Atlanta, GA 30332-1445