Post on 10-Apr-2018
transcript
8/8/2019 Unfinished Business Design Fiction Rev
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Scott SmithChangeist
Unfinished Business Lecture @ OCAD U September 29, 2010
#designfiction
www.changeist.com
Design Fiction:
Provoking the Future by
Making It
Design Fiction:
Provoking the Future by
Making It
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About Me
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DesignDesign ForesightForesight
StrategyStrategy
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How do design, our
imagination and
science fictioninteract?
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Made in 1967, from 1963 novel La Planète des Singes by Pierre Boulle
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Made in 1971, from 1954 novelI Am Legend by Richard Matheson
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P ADD, Star Trek Next Generation
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That¶s all nice, but how do we
make the future happen more
often?
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FuturePast
Fact
Fiction
Histories
Myths
Signals
Scenarios
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Brain Centers
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People who could touch something, instead of just hear or read about it, were
50% more likely to select the ³experienced´ item.² Caltech research
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What¶s Design Fiction got to
do with it?
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Design fiction attempts ³to correct for the
limitations in how we think about the future´. ± Jake Dunagan, Institute for the Future
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³«Science fiction
does not merely
anticipate but actively
shapes technological
futures through its
effect
on the collective
imagination.´ -Paul Dourish and Genevieve Bell,
³Resistance is Futile´: Reading
Science Fiction Alongside Ubiquitous
Computing
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³Design seeks out ways
to jump over its own
conceptual walls²
scenarios, user observation,
brainstorming, rapid
prototyping, critical
design, speculativedesign.´
-Bruce Sterling, I nteractions magazine,
May/June 2009
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³How can design participate in
shaping possible near future worlds?
How can the integration of story
telling,
technology, art and design provide
opportunities to re-imagine how the
world may be in the future?
How does the material act of making
and crafting things² real, material
objects ² shape how we think about
what is possible and how we think
about what should be possible?´
-Julian Bleecker, Near Future
Laboratory
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Design and Existential Risk: http://designexrisk.wordpress.com/
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W e can¶t keep trying to rewrite the script
to make our desired endings come true
(good or bad). I f we have our own points
of view²if we OWN the future²we can
use our powers of synthesis to keeprewriting and rethinking these style
manuals, and make new artifacts to test
their physics.
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Globalization
Fragmentation
LowGrowth
HighGrowth
The Long Boom
Divided World
Hard Times
Perfect Storm
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ACTIVE
FUTURES=
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Fringe, Season Two
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The Other Side Our Side
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Stuart Candy and Jake Dunagan, Found Futures Project
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www.the-salvare.com.
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BERG London http://berglondon.com/blog/2009/10/12/the-ghost-in-the-field/
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Prototyping
around known
needs andcapabilities
Prototyping
around
unknown needsand
possibilities
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Not just asking, but making,
³what ifs´.
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Finding the
loosely
distributed
pieces
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Design/Foresight
Futurehacking/
³Guerilla
Futures´StrategicDesign/
Strategic
Foresigh
t
Futurejacking
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What the future will do to you
What you will do to the future
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Now Hiring
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The futurewon¶t
writeitself.
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DesignDesign ForesightForesight
StrategyStrategy
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Further Reading
Julian Bleecker ²http://www.nearfuturelaboratory.com/
Nicolas Nova ² http://www.liftlab.com/think/nova/ Bruce Sterling ²
http://www.wired.com/beyond_the_beyond/category/design-fiction/
Stuart Candy ² http://futuryst.blogspot.com/
Jake Dunagan ² http://www.iftf.org Matt Jones ² http://magicalnihilism.com/
Jason Tester ² http://www.iftf.org/blog/14
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Scott Smith
ssmith@changeist.com
www.changeist.com
@changeist