Post on 02-Mar-2021
transcript
II III
pizz.
II III
Sustain in one slow bow
ord. to sul pont.
(
sul pont.
)
1"
3
II (
8va
poss. ) III
Always intense
2
IIintense
III II III II III
sul pont.
( )
molto
sempreII
ord.
III
pizz.
II
arco
III
sul pont.
( )II
ord.
I
VIOLIN
Always intense
= 60 (Violin)
arco
II III
After beginning together, do not synchronize
II
P A L L A D I Ofor Violin, Piano, and Percussion
pizz.
III II
ord.
( )
III
( )
II
RICHARD FELCIANO
( )
( )
II
pont.o
ord.
I
subito
29
( )
pont.
(
II
) (
intenseIII
)
ord.
II III II
pont.
III
subito ord.
II III II
tasto
subito
25 7
(
pont.
)( )( ) (
10
)( )( )( )
( )( )(
(
8va
)
)
19 pont. ord.
espress.3
ord. pont.
sffz
11 Drifting
III
Suddenly distant, lightly
III IV III II I
7Libero
Co-ordinated
= 60
( )
ord.
I II I II I 3II
(
I
) (
II
) (
I
pont.
)
8va
espress., dolce
ord. 3
VIOLIN -2
()
50
poco( ) V. S.
46 3
7
43
39
66
ord.
secco
36 tasto
6
feathery6 6 6 6 6 6 6 6
33 ord.non - vibrato
subito
VIOLIN -3
68 5
66 66
6
6
)
ord., martelé5
646 6 6 6 6
6
61 5 non - vibratocon vibrato molto legato
7pont.
(
58 5 5 55
54
VIOLIN -4
martelé5
secco
5 5
81
( )
3
move towards pont.
( ) ( ) ( )
5
( ) ( ) ( ) ( )
pont.o
79 3
)
77
espressivo, dolce
(
molto sul pont.5
75 arco6
73 5 5 pizz.3 3
71
VIOLIN -5
105
becoming fierce
(
pont.raspy
o
)(
o
55
pont.
)
p subito e dolce
ord.
3
99 senza sord.
93a distant voice
con sord. senza sord.espress.
con sord.
88 3 pont. - raspy
6
to MUTE
85
( )
ord.
Wisps of sound, a full second each. Silence between, like a chorale.
evenly 3 3
IV
3
II
3 3
82
VIOLIN -6
tasto3 3
ord.
(
8va
)
(
pont.
more
)
sounds: 8va8va 8va
8va 8va8va
127
V. S.
1243
pizz. arco
121(
pont.
)ord.
118
6
III
114
109
3
3
dolce
= 66
mp / mf
gently rocking
VIOLIN -7
cantando
al niente
pont.
intense pont.
( )
ord.
( )(
on IV string
pont. ord.
)
pont.8va
subito, as before3
5" after 3rdcrotale note
no breakStart 5" after vibraphone stops
ord.
(
pont.
)
ord.
,
pont.8va
subito but intense
3ord.
no break
III IV III IV
Slow bow, bear down; raspy
III
pont.o
ord.
134
( f )
= 60
( f )
III IV
( )
pont.o
III
ord.
intense
pont. ord.
IV III
129
VIOLIN -8
= 72
p o c o a p o c o c r e s c .
(D insistant and forte; other notes cresc.)
155pont.
( )( )
( )
(
8va
)3
ord.
152 55
6
6
3
3
)
ord.
149legato sempre
6 5 5 5 6 6 6
146
(
pont.5 5
66 6
1435 5
)
ord., espress.3
33
140
VIOLIN -9
= 84pont.
gliss.
( )
ord.
(
pont., legato molto 5
173
8vamolto sul pont.
loco
Count multiples;
all equal,accent by groups
short
feroce
170
3
gliss.8va
( )
167
(
pont.6
less
55
56 5
3
)
1646
6 36
6 6
1616
6p o c o a p o c o c r e s c .
6
6
6legato 6
6
158
3 3
6 6
legato sempre6 6
VIOLIN -10
201
molto sul pont. battuto (use a pencil) - deaden strings
dry, pitchless sound
189
ord., con sord.very distant
release on marimba entry
senza sord.
Slower = 60
186
3
63
(
pont.3 3
)
183
180
177
VIOLIN -11
P A L L A D I O
RICHARD FELCIANO
for Violin, Piano, and Percussion
PERCUSSION
1" 1"
subito
( )(Keep vibes pedal depressed until sound dies completely away)
MARIMBA1"
(Soft yarn)1" 1"
( = 60)1"
( )
( = 60)
3
3
3
to MARIMBA
2"
(Vln.)
8va
PERCUSSION
= 60 (Violin)
XYLOPHONE (medium yarn)
(Pedal remains depressed)
3"
After beginning together, do not synchronize
P A L L A D I Ofor Violin, Piano, and Percussion
(Vln.)
RICHARD FELCIANO
( ) ( ) ( )
2
3
3
MARIMBA
VIBES
= 60 (Coordinated)
Strike damper bar
(1.5")
Lightly 3Strike sharply
(less)
7
(less)
11
(less)
(Keep pedal depressed through rests)
16
28
Top voice in foreground
2"-3"
VIBES
44
42 MARIMBA (medium yarn)
legato
(niente)
38
subito
VIBES (a little in the foreground)
34 (MARIMBA)
(Accent G only)
( )
31
4
MARIMBA
V.S.
62
Large W.Block (Medium yarn)
Very large W.Block
58
( ) (niente)
54
less
Med. rubber mallet
51
subito
(niente)
47
5
VIBES
with vertically held rattanmallet handle. Should producea pitchless "groan."
Slowly scrape on marimba key
release
entryviolinon
82
78
Finger muffle instantly afterstriking (choke the resonancebefore it develops)
(MARIMBA) staccatissimo
74 (MARIMBA) 3
lessdim.
70
non dim. ( )
3
66
6
( )
DistantMedium yarn
5
Loud enough so as not tofade completely away.
short - col violino
violin entryRelease at
106 short - col violino
( )
(Medium yarn)
Hard yarn
101Don’t accent final note (one hand tremolo)
Hard yarn
(Medium yarn)
3
Medium yarn
(Keep pedal depressed always)
96 Soft rubber Medium yarn
Marimba just loud enough to modulateamplitude of vibraphone note
Medium rubber
91 Hard rubber
7
141
63
3
5 33
6
Repeat until violin low G drops out
6 6
140
(Continue together, on cue from piano - coordinated)
= 84
3
3 6 6 3
137 = 60
CROTALES: (with violin bow)
ca. 12" ( = 60)MARIMBA
Medium yarn
3
Piano
2x 4x
129 = 72 = 60
16"MARIMBA
7.5"
(Highest octave)
Hard plastic
Stop 1" after piano stops
Vln.
112
8
= 66
159As fast as possible, exaggerated crescendos, all entries on downbeat.
( ) ( )
156 5
3 6
Distant
153 5
3
3
3
150
6 33
147
144 5
56
9
( )less
183MARIMBA
rapid
Stop abrubtly a split-second beforedownbeat. Do not connect with pianochord which follows.
Scrape marimba key with rattanstick held vertically. Make itmoan!
175
Lift pedal abrubtly at climax (Keep pedal depressed through rests)
171
( )
3 3
c r e s c . m o l t o3
(VIBES) 3Medium yarn
subito
3
l o n g , s l o w c r e s c e n d o
3 3
166
(Full range)
sempre
VIBES - Hard plastic
No pedal
( )
162
10
( ) ( )
(Medium yarn)
( )
189
11
(MARIMBA) Stop at piano entry.
VIBES - Soft rubber or hard yarn
(Wah - wah) Mouth resonance fast to slow.Stop when piano re-enters. Release pedal at piano entry.
192
197MARIMBA - Soft yarn
( )
= 60 Slower
Dynamic unchanging as piano gets softer.
200
203
206
Hard!
non dim.