English handbook.pdf - Shoreditch Park Primary School

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English Handbook

2

Shoreditch Park Primary English Handbook 2017/ 18

Contents

Working at the Shoreditch Park expected standard: English p.3

POR curriculum map Year 1-6 p.5

Guidance for non-fiction writing genres p.8

Guidance for marking, feedback and presentation p.11

Exemplification for working walls (POR) p.19

Example of POR 3 week overview p.20

Example of SPAG MTP p.25

Hot and Cold Assessment Guidance p.26

Differentiated Success Criteria p.27

What is Read Write Inc. Phonics? p.30

Read Write Inc. Resources p.31

Handwriting Phrases for Helping Children p.32

Summary of Activity purpose p.33

Example of Read Write Inc. Word Time 1 Plan p.34

Example of Read Write Inc. Ditty Plan p.35

Example of Read Write Inc. Green, Purple, Pink, Orange book planning p.36

Example of Read Write Inc. Yellow, Blue, Grey book planning p.37

Introducing / reviewing a focus sound p.38

Exemplification for Read Write Inc. working walls p.39

Example layout and marking in Read Write Inc. books p.40

Marking Keys for Read Write Inc. P.41

Example of Destination Reader MTP p.42

Exemplification for Destination Reader working walls (Reading in KS2) p.43

Reading Albums- guidance for marking and presentation p.44

Class Book Corner expectations p.46

Home Reading expectations p.49

Handwriting and Pen licences p.50

3

English at the Shoreditch Park expected standard

Coverage

Medium Term Plans for SPaG and 3 weekly overviews are saved in T Drive: Power of Reading: Year group.

Year 2-6 follow the 3 weekly cycle. Where a book is taught for more than 3 weeks the cycle is repeated.

The 3-week cycle ensures SPaG and handwriting is taught in depth once weekly. It also ensures 3 long writing

lessons per 3 week cycle, one of which includes the opportunity to deconstruct a genre in greater depth and

to redraft.

The cycle in Year 1 ensures there is 1 long writing task completed every week.

Check it, Beat it, Prove it activities link clearly to end of year objectives and children complete 1 of each

activity every other week. This rotates on a cycle with grammar/ word games at the start of the lesson.

Productivity

The following is guidance and it is fair to take into account the size of children’s handwriting and the size of lines in

the books. Through a summer term long writing task we are aiming for most children to achieve:

Year 1 - 1 page

Year 2 - 1-2 pages and increasingly using paragraphing

KS2 - 1-2 pages using paragraphing

NB. Children identified in pupil progress reviews as making less than expected progress/ SEND may not reach these

expectations. However, there is the ambition that all children are working towards these.

Presentation, marking and feedback

All books should be marked daily against the success criteria.

Teachers use the generic marking key.

Teachers use differentiated feedback stickers (symbols) 2-3 times per week. The question is printed on to the

sticker.

Long writing tasks should use SOLO verbs to inform questioning through red pen personalised comments.

This may also be done through the use of feedback stickers, where appropriate. Year 1 and 2 are more likely

to use feedback stickers as it may not yet be appropriate to expect children to read and respond to

personalised comments.

Redrafting is marked either against the redrafting key or with personalised feedback linked to the success

criteria.

Reading Albums (KS2) are marked in line with guidance shared by KS2 reading leader. All ‘selfies’ are

acknowledged with a tick and through marking key. Where children’s selfies need further challenge,

M T W Th F

Wk1 SPaG and handwriting

POR approach (e.g. Book Talk, shared writing, drama etc.)

POR approach (e.g. Book Talk, shared writing, drama etc.)

Planning for writing (story-mapping, box up method etc.)

Writing (specify genre)

Wk2 SPaG and handwriting

POR approach (e.g. Book Talk, shared writing, drama etc.)

Introduction of genre for writing on day 10

Planning for writing (story-mapping, box up method etc.)

Writing

Wk 3 Redrafting SPaG and handwriting

POR approach (e.g. Book Talk, shared writing, drama etc.)

Planning for writing (story-mapping, box up method etc.)

Writing

4

teachers will add in green pen comments. Big Picture lessons are taught every two weeks and diagnostically marked with

red pen questions for children to respond to.

Teacher handwriting is in line with end of year expectations for their class.

Children awarded ‘pen licences’ join fluently and with the correct joins. All other children write in sharp pencil.

Books are covered in tacky back and have correct POR cover.

The date is underlined twice in green pen. Success criteria, worksheets and stickers are stuck in neatly on the lines.

Displays

Working Walls are clearly identifiable at the front of the classrooms and include support materials linking to spelling,

punctuation and grammar. These are added to on a weekly basis.

Working Walls include whole class shared ideas that reflect the journey through the Power of Reading text e.g. Book

Talk, collecting words and phrases, shared writing, images, prompts for language features linked to genre etc. These too

are added to on a weekly basis.

Reading Walls display the sentence stems linking to the focus reading strategy e.g. predication, clarifying etc. Displays

also include the focus stems for reading ‘learning behaviours’. The class text is also displayed alongside new vocabulary

from the book.

Grapheme charts are displayed at the front of every classroom and referred to when teaching spelling and modelling

shared writing.

5

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tum

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rin

g 1

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rin

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epo

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ctio

ns

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on

)

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ve

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ou

nt

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epo

rt)

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cou

nt

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spap

er r

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rt)

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ve

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lan

atio

n T

ext

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lock

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etry

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ries

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om

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se B

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rriv

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an

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tin

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cou

nt

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ry E

ntr

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curs

ive

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rati

ve

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ructi

on

s (p

layi

ng

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ar ti

me

gam

e)

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lan

atio

n

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rati

ve

Re

cou

nt

(bio

grap

hy)

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rati

ve

Po

etr

y

Re

cou

nt

(new

spap

er

rep

ort

) D

iscu

rsiv

e

No

n c

hro

no

logi

cal R

epo

rt

Exp

lan

atio

n

N

arra

tive

(m

yth

s an

d

lege

nd

s)

Pla

y sc

rip

ts

D

iscu

rsiv

e

8

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n-fi

ctio

n

gen

re

Pu

rpo

se

Au

die

nce

Ty

pic

al S

tru

ctu

re

Lan

guag

e Fe

atu

res

Exam

ple

s o

f w

riti

ng

Inst

ructi

on

s In

stru

ctio

ns

aim

to

en

sure

so

met

hin

g is

d

on

e co

rrec

tly

and

a

succ

essf

ul

ou

tco

me

ach

ieve

d. I

f th

ere

is a

p

roce

ss t

hen

th

e in

stru

ctio

ns

are

give

n in

th

e o

rder

in

wh

ich

it n

eed

s to

be

un

der

take

n.

Som

eon

e w

ho

w

ants

to

kn

ow

h

ow

to

do

so

met

hin

g.

Op

enin

g th

at e

xpla

ins

wh

at t

he

inst

ructi

on

s ar

e fo

r an

d w

hy

they

mig

ht

be

nec

essa

ry.

List

of

wh

at is

nee

ded

in o

rder

of

use

. Li

st o

f st

ep

s to

be

take

n in

ch

ron

olo

gica

l ord

er.

Oft

en u

ses

dia

gram

s.

End

ing-

th

at a

dd

s in

an

y e

xtra

p

oin

ts, r

emin

der

s, w

arn

ing

or

enco

ura

gem

ent.

Tim

e co

nn

ecti

ves

e.g.

Fir

st, n

ext,

aft

er t

hat

, th

en fi

nal

ly.

Step

s to

be

take

n o

rgan

ised

by

nu

mb

ers,

le

tter

s o

f th

e al

ph

abet

or

bu

llet

po

ints

. Fa

irly

fo

rmal

as

the

read

er m

ay b

e u

nkn

ow

n.

Use

of

sho

rt s

ente

nce

s to

mak

e th

e w

riti

ng

clea

r.

Use

of

imp

erati

ve (

bo

ssy)

ver

bs

e.g.

Tu

rn,

pu

sh, ti

p, s

tir.

Su

bje

ct s

pec

ific

and

te

chn

ical

vo

cab

ula

ry.

Co

mm

as u

sed

wh

en w

riti

ng

a lis

t o

f in

gred

ien

ts o

r to

ols

. P

oss

ible

use

of

a co

lon

bef

ore

a li

st e

.g. W

hat

yo

u n

eed

: flo

ur,

su

nfl

ow

er o

il an

d w

ate

r.

Rec

ipes

. R

ule

s.

Dir

ecti

on

s.

Inst

ructi

on

s o

n

pac

kagi

ng.

Im

agin

ed

inst

ructi

on

s e.

g. H

ow

to

ta

me

a u

nic

orn

, ho

w

to d

efea

t a

Vik

ing.

No

n

Ch

ron

olo

gica

l R

ep

ort

No

n

chro

no

logi

cal

rep

ort

s in

form

th

e re

ader

ab

ou

t th

e to

pic

d

escr

ibin

g it

s ch

arac

teri

stics

in

an

en

gagi

ng

and

in

tere

stin

g w

ay.

Som

eon

e w

ho

kn

ow

s litt

le

abo

ut

a su

bje

ct

and

wo

uld

like

to

lear

n m

ore

.

Op

enin

g th

at in

tro

du

ces

the

read

er

to t

he

sub

ject

. C

hu

nks

of

info

rmati

on

, lo

gica

lly

org

anis

ed p

oss

ible

wit

h

sub

hea

din

gs, i

nfo

rmati

on

b

oxe

s, li

sts,

bu

llet

po

ints

, d

iagr

ams

and

imag

es.

Par

agra

ph

s u

sual

ly b

egin

wit

h t

op

ic

sen

ten

ce e

.g. A

rsen

al F

C w

as

fou

nd

ed…

, Th

e to

tal n

um

ber

of

tro

ph

ies

wo

n b

y th

e cl

ub

to

d

ate

is…

En

din

g- t

his

mak

es a

fin

al ‘a

maz

ing’

p

oin

t o

r re

late

s th

e su

bje

ct t

o

the

read

er.

Gen

eral

iser

s su

ch a

‘mo

st’,

‘man

y’, ‘

som

e’, ‘

a fe

w’.

Co

nn

ecti

ves

to a

dd

info

rmati

on

- ‘f

urt

her

mo

re’,

‘als

o’,

mo

reo

ver’

, ‘a

dd

itio

nal

ly’.

Sub

ject

sp

ecifi

c an

d t

ech

nic

al v

oca

bu

lary

. O

ften

in t

he

pre

sen

t te

nse

an

d t

hir

d p

erso

n

e.g.

‘Pro

fess

ion

al f

oo

tbal

lers

tra

in h

ard

’. U

sual

ly f

airl

y fo

rmal

, esp

ecia

lly if

wri

tten

fo

r an

un

kno

wn

rea

der

. D

etai

l an

d d

escr

ipti

on

, in

clu

din

g th

e la

ngu

age

of

com

par

iso

n a

nd

co

ntr

ast-

fo

r an

eff

ect,

no

t to

cre

ate

an

em

oti

on

.

Info

rmati

on

le

aflet

, m

agaz

ine

arti

cle,

to

uri

st g

uid

ebo

ok,

en

cycl

op

aed

ia

entr

y,

pag

e fr

om

a n

on

-fi

ctio

n b

oo

k.

9

Exp

lan

atio

n

text

s Ex

pla

nati

on

te

xts

hel

p

som

eon

e u

nd

erst

and

a

pro

cess

or

wh

y so

met

hin

g is

, o

r h

as

hap

pen

ed

Som

eon

e w

ho

w

ants

to

u

nd

erst

and

a

pro

cess

or

an

even

t.

Seri

es o

f lo

gica

l oft

en c

hro

no

logi

cal

- ex

pla

nat

ory

ste

ps.

P

arag

rap

hs

usu

ally

beg

in w

ith

a

top

ic s

ente

nce

. O

ften

illu

stra

ted

by

dia

gram

s to

aid

u

nd

erst

and

ing.

Form

al la

ngu

age.

P

rese

nt

ten

se.

Cas

ual

co

nn

ecti

ves

(W

hen

, so

, sin

ce, t

his

al

low

s, b

ecau

se.

Gen

eral

isati

on

. D

etai

l to

un

der

stan

d p

oin

ts-

oft

en in

th

e fo

rm o

f in

form

atio

n.

Tech

nic

al v

oca

bu

lary

.

par

ts o

f a

no

n

ficti

on

bo

ok

e.g.

ex

pla

inin

g w

hy

volc

ano

es

eru

pt.

q

ues

tio

n a

nd

an

swe

r le

aflet

, C

ross

cu

rric

lin

ks

e.g.

Exp

lain

wh

y C

hri

stian

s ce

leb

rate

C

hri

stm

as (

RE)

, h

ow

so

met

hin

g w

ork

s (T

ech

no

logy

, m

ath

s), w

hy

thin

gs h

app

en

(sci

ence

, ge

ogr

aph

y)

Re

cou

nt

To r

etel

l a

real

eve

nt

in

an

inte

resti

ng

and

en

gagi

ng

way

.

Som

eon

e w

ho

w

ants

to

kn

ow

w

hat

has

h

app

ened

. A

ud

ien

ce v

arie

s d

epen

din

g o

n

the

pu

rpo

se o

f th

e w

riti

ng.

A b

egin

nin

g, m

idd

le a

nd

en

d in

ch

ron

olo

gica

l ord

er.

Op

enin

g p

arag

rap

h t

o h

oo

k an

d

ori

enta

te t

he

read

er (

oft

en

incl

ud

es W

ho

? W

hat

? W

her

e?

Wh

y? W

hen

?).

Par

agra

ph

s o

ften

beg

in w

ith

a t

op

ic

sen

ten

ce.

Pas

t te

nse

. In

ch

ron

olo

gica

l ord

er, u

sin

g ti

me

con

nec

tive

s.

Spec

ific

and

des

crip

tive

, oft

en in

th

e st

yle

of

info

rmati

on

an

d e

xpla

nati

on

. D

irec

t sp

eech

.

Lett

ers

and

p

ost

card

s.

Wri

te u

p o

f a

trip

. N

ewsp

aper

rep

ort

. D

iary

, jo

urn

al o

r au

tob

iogr

aph

y.

Mag

azin

e ar

ticl

e.

Ret

ellin

g a

his

tori

cal

even

t.

10

Pe

rsu

asio

n

To p

rom

ote

a

par

ticu

lar

view

or

pro

du

ct in

o

rder

to

in

flu

ence

w

hat

peo

ple

th

ink

or

do

.

Som

eon

e yo

u

are

tryi

ng

to

infl

uen

ce.

Logi

cal o

rder

. A

ser

ies

of

po

ints

bu

ildin

g o

ne

view

po

int.

P

arag

rap

hs

wit

h t

op

ic s

ente

nce

in

tro

du

ctio

n.

Oft

en in

clu

des

imag

es t

o a

ttra

ct

atten

tio

n.

Wri

tten

in s

imp

le p

rese

nt

ten

se.

Mai

nly

logi

cal c

on

nec

tive

e.g

. Ho

wev

er,

bec

ause

, th

is s

ho

ws.

Em

oti

ve la

ngu

age,

str

on

g ad

jecti

ves:

d

evas

tati

ngl

y, s

urp

risi

ngl

y, d

ange

rou

s,

life-

chan

gin

g.

Use

of

lan

guag

e th

at s

ou

nd

s go

od

incl

ud

ing

slo

gan

s, a

llite

rati

on

, rh

yme

etc

.

Pro

du

ct p

ost

ers

. TV

ad

vert

s.

Pam

ph

let

fro

m

pre

ssu

re g

rou

p.

Mag

azin

e ar

ticl

e.

Bo

ok

blu

rb.

Trav

el w

ebsi

te

blu

rb.

Dis

cuss

ion

To

pre

sen

t a

reas

on

ed

and

bal

ance

d

ove

rvie

w o

f an

issu

e.

Usu

ally

so

meo

ne

wh

o is

in

tere

sted

in t

he

top

ic a

nd

wan

ts

to k

no

w b

oth

si

des

of

an

argu

men

t.

Op

enin

g p

arag

rap

h t

hat

intr

od

uce

s th

e re

ader

to

th

e is

sue

Follo

we

d b

y a

seri

es o

f p

arag

rap

hs

in a

logi

cal o

rder

eit

her

: A

ll th

e ar

gum

ents

‘fo

r’ f

ollo

wed

by

all t

he

argu

men

ts ‘a

gain

st’.

A s

erie

s o

f co

ntr

asti

ng

po

ints

en

din

g w

ith

a r

easo

ned

co

ncl

usi

on

.

Wri

tten

in s

imp

le p

rese

nt

ten

se

Co

nn

ecti

ves

and

sig

np

ost

s to

gu

ide

the

read

er t

hro

ugh

th

e ar

gum

ent:

Th

at h

elp

to

ad

d o

n a

nd

ord

er id

eas

and

vi

ews

e.g

. ‘Th

e fi

rst

reas

on

…’ ,

‘als

o’,

‘f

urt

her

mo

re’,

‘mo

reo

ver’

. Th

at h

elp

to

intr

od

uce

oth

er v

iew

po

ints

e.g

. ‘H

ow

ever

’, ‘o

n t

he

oth

er h

and

’, ‘m

any

peo

ple

bel

ieve

th

at’.

That

hel

p t

o c

on

clu

de

e.g

. ‘In

co

ncl

usi

on

’,

‘hav

ing

con

sid

ered

all

the

argu

men

ts’,

loo

kin

g at

th

is f

rom

bo

th s

ides

’.

Bal

ance

d le

aflet

. W

rite

-up

of

a d

ebat

e.

No

n-fi

ctio

n b

oo

k o

n

an is

sue

e.g

. gl

ob

al w

arm

ing.

11

Guidance for Assessment and Feedback in English

The aim of this guidance is to ensure consistency in assessment and feedback in English across the school.

Learning Objectives and Success Criteria All work must be dated and contextualised with a clear learning objective and success criteria. When children are working at self-regulatory level it may be appropriate for them to discuss and build the success criteria at the start of the lesson with the teacher. Marking against the success criteria is highlighted with a tick (met), PM (partly met) and left blank (not met). From Year 2 onwards the success criteria should contain two columns- one for teacher assessment and one for pupil self-assessment. Generic Marking Keys for RWI activities Generic success criteria for writing activities to be stuck in the front of each book. Teachers to mark activities using the KS1 marking code.

Generic Marking Keys for KS1 and 2 All teachers should follow these generic marking keys which are stuck into the front of books. This should also be enlarged and displayed at the front of classrooms.

I can write a list of ingredients in order

I can use time connectives

I can organise the steps with num-

I can write short, clear sentences

12

NB. Reception teachers should introduce the KS1 marking key for children working on Read Write Inc. green story books and above. For full guidance, please see page 42.

Marking Pens Teacher marks in red pen. All response work from pupils is written in green pen. Verbal Feedback During the lesson teacher feedback to pupils should focus primarily on relating to the learning objective and success criteria. Where verbal feedback is given and an edit is made by the pupil this should always be in green pen. It is therefore not necessary to write ‘VF’ in books.

13

What adjectives can you use to

describe spaghetti?

Marking Closed Tasks Wherever possible children should, led by the teacher, self-mark closed tasks. This should be done in green pen. This will include the marking of spellings, closed tasks in grammar (e.g. circle the adverbs in this sentence) and punctuation (e.g. correctly punctuate the sentence). Self-marking needs to be checked daily by the teacher.

Observations and Recording Much of children’s learning will take place through practical tasks and speaking and listening activities (e.g. drama and role-play). To capture and comment on this learning the teacher should take a photo and ask the children to reflect on the learning that has taken place in the picture. Children must demonstrate that they can engage with the learning through a follow up question which accompanies the photo.

End of the day marking expectations All books should be marked daily:

All books should be marked daily against the success criteria. Teachers use the generic marking key. Teachers use differentiated feedback stickers (symbols) 2-3 times per week. The question is printed on to the

sticker. Long writing tasks should use SOLO verbs to inform questioning through red pen personalised comments.

This may also be done through the use of feedback stickers, where appropriate. Year 1 and 2 are more likely to use feedback stickers as it may not yet be appropriate to expect children to read and respond to personalised comments.

14

This will determine the pitch and focus of the lesson for the following day. Once children’s work has been checked the teacher will decide which pupils will need focused intervention and teaching at the beginning of the next lesson (5 – 10 minutes). Year 1- For children in Key Stage 1 who are learning to read and write, the majority of feedback is given orally. In addition, teachers may write comments in their books explaining what they are saying as they write. Children will spend 5-10 minutes at the start of the lesson on a feedback challenge (see examples below). The class teacher will ‘catch and intervene’ with the focus group. In Year 1 there will just be two symbols; either a star to indicate working with the class teacher or a square to respond to a process level task. This means all children working independently at tables will be responding to the same question. Throughout the year this may increase to the three levels of feedback. Year 2, 3, 4, 5 and 6 Children will spend 5-10 minutes at the start of the lesson on a feedback challenge (see examples below). The class teacher will ‘catch and intervene’ with the focus group.

Marking Long Writing Marking against the success criteria is highlighted with a tick (met), PM (partly met) and left blank (not met). All pieces of long writing should be marked in-depth. Setting next steps:

If a child meets some (process level) of the success criteria the feedback should prompt learners either through an example, steps or a reminder.

If a child meets all (self-regulatory level) of the success criteria the feedback should give a challenge or self-assessment.

Child acknowledges their next step in green pen. Red pen comments and green pen response questions should be introduced in Year 2 when a child can read

at age expected level. For most children this will be at some point in Year 2. Children’s green pen responses should be acknowledged and responded to by the teacher. Ensure feedback given is targeted and don’t make too many corrections on a single piece of work. Too many

corrections will be demotivating and confusing (e.g. marking numerous spelling mistakes in a long writing task. This should be noted by the teacher and inform the planning and teaching cycle).

15

Examples of Feedback

Feedback tasks are written up on the board alongside the marking symbol. Teacher uses a sentence stem (where appropriate) to help children structure their responses in green pen in their books.

Task level (Improve- go back and

re-teach)

Process level (Consolidate- reminder/ steps /another example)

Self-regulatory level (Extend- apply, challenge,

reason or self-assess)

LO: I am learning to punctuate sentences with capital letters and full stops. SC: I can use capital letters at the start of my sentences. I can use full stops at the end of my sentences.

Pupil omits capital letters or full stops or puts them in the wrong place. Teacher will ‘catch and intervene’ on the carpet. Feedback task: Go and work with your teacher.

Pupil uses a capital letter at the start of the sentence but omits full stops at the end. Feedback task: Complete these sentences by putting the full stops in, to separate one sentence from another.

Pupil’s work demonstrates they have a high degree of proficiency in the task. Feedback task: Explain why we need to use full stops in our writing.

LO: I am learning to write poems with a pattern (theme- a train ride). SC: I can use rhyme. I can use words that start with the same letter (alliteration). I can use words that sound like their meaning (onomatopoeia). I can correctly punctuate my poem.

Pupil may have failed to use any alliteration or onomatopoeia. Teacher will ‘catch and intervene’ within the focus group and re-teach. Feedback task: Go and work with your teacher.

Pupil’s work demonstrates some understanding of the task. In this case they may have used correct punctuation throughout and used an example of alliteration, but not yet used onomatopoeia. Feedback task: Onomatopoeia is words which sound like their meaning. Look back at our examples on the working wall. Write down all the onomatopoeia examples you can think of for the noise of a train.

Pupil’s work demonstrates they have a high degree of proficiency in the task. Feedback task: Look back at your poem. List any examples of alliteration and onomatopoeia.

LO: I am learning to write instructions (for making a bird feeder). SC: I can use sequencing vocabulary correctly. I can put the instructions in the correct order. I can use correct punctuation when I write my instructions.

Pupil has not used capital letters or descriptive vocabulary. Teacher will ‘catch and intervene’ with the focus group and re-teach. Feedback task: Go and work with your teacher.

Pupil’s work demonstrates some understanding of the task. In this case they have used sequencing vocabulary and ordered the process correctly. They are not punctuating their sentences with capital letters and full stops. Feedback task: Every new sentence needs to start with a capital letter. Go back and check this is done.

Pupil’s work demonstrates they have a high degree of proficiency in the task. Feedback task: Explain what would happen if you didn’t use sequencing vocabulary in your instructions.

16

LO: I am learning to write a narrative (character profile for a wolf). SC: I can describe my character’s appearance. I can describe my character’s characteristics. I can use full stops and capital letters accurately. I can write sentences that make sense.

Pupil’s work demonstrates some understanding of the task. In this case they have described their character’s characteristics and used full stops and capital letters correctly but some of the sentences don’t make sense. Teacher will ‘catch and intervene’ on the carpet. Feedback task: Teacher uses a couple of sentences from the pupil’s writing and models how they would redraft it to make it make sense.

Pupil’s work demonstrates they have a high degree of proficiency in the task. Feedback task: Summarise below the important features of a writing a character profile.

Example of ppt slide:

Check it, Beat it, Prove it To develop and evidence mastery across the curriculum teachers will use the evidence in pupil’s books, as well as Check it, Beat it and Prove it activities. Each activity will be clearly linked to an end of year objective. Children should complete 1 of each activity every other week.

17

Check it Check it is a process level question designed to check if pupils can recall knowledge from previous lessons.

Beat it Beat it is a timed challenge, used to access a pupil’s rapid and accurate recall.

Prove it Prove it is a self-evaluation task designed to assess a pupil's recall and explanation of previous teaching.

Redrafting Redrafting takes place once every 3 weeks within the POR 3 week cycle.

18

To make the task purposeful and manageable you may: Select just one paragraph for redrafting as opposed to the whole piece of writing. In year 1 or 2, choose one focus for the redrafting e.g. ‘to ensure you have used appropriate time connectives’

and to ‘improve handwriting’. All pupil books from Y1- Y6 will ensure each redraft has an appropriate redrafting success criteria. Teachers model to the children how they would take a piece of writing that has been marked using the redrafting code and improve it. They then give time for the children to redraft the marked parts of their writing.

To then mark a redraft teachers are expected to: Give a red pen comment stating how successful they have been with their re-drafting Give red pen feedback linked to LO and SC either:

Example Steps Reminder Challenge

Teacher will finally respond to the GPR with an acknowledgement.

Handwriting Feedback Marking should be timely and relevant. Teaching staff should give immediate feedback during handwriting lessons, modelling correct formation and joins in pupil’s books before giving an opportunity for the pupil to practise. Teacher handwriting in pupil’s books is expected to follow the Penpals Sassoon font at the end of year expectations for their year group. We expect all staff to work towards using the school font as consistently as possible (see Handwriting Policy).

Presentation Guidance for English All sheets of paper to be stuck in on the lines. Learning feedback ‘star, square or circle’ to be printed on a sticker and stuck into book (see below). Materials chosen for drawings or paintings must be of a high quality e.g. charcoal, chalks, watercolours,

drawing pencils. No felt tips. Paper for drawing/ painting on should be of high quality.

Example of page layout:

I can redraft my writing to…

Make edits linked to the success criteria (specify- e.g. use direct speech)

Edit my spelling errors

Proof read to check it makes sense

Improve my handwriting

19

Example of Working Walls for Power of Reading

20

Day

Fo

cus

of

less

on

Ch

eck

it, b

eat

it, p

rove

it/

gram

mar

ga

me

s

Po

we

r o

f R

ead

ing

- A

ctivi

ties

R

eco

rdin

g/

Re

sou

rces

Day

1

Bo

ok

talk

Ch

eck

it:

Co

mm

as t

o

emb

ed

clau

ses

Re

adin

g, b

oo

k ta

lk

Lear

nin

g O

bje

ctive

s:

I am

lear

nin

g to

infe

r a

char

acte

r's

feel

ings

, acti

on

s an

d m

oti

ves.

(Lo

nd

on

Eye

Mys

teri

es)

S.C

. I k

no

w w

hat

infe

ren

ce m

ean

s I c

an m

ake

infe

ren

ces

abo

ut

a ch

arac

ter

I can

wri

te n

ote

s ab

ou

t a

char

acte

r (f

eelin

g, a

ctio

n)

I can

exp

lain

wh

y a

char

acte

r fe

els

th

is w

ay

Rea

d c

hap

ter

12

An

oth

er F

ine

Mes

s. H

ave

the

top

hal

f o

f p

. 92

en

larg

ed f

or

the

clas

s to

see

. In

sm

all

gro

up

s, c

hild

ren

ro

lep

lay

the

emo

tio

ns

des

crib

ed, t

hen

ch

oo

se a

n e

xpre

ssio

n f

or

oth

ers

to g

ues

s. C

hild

ren

co

nti

nu

e th

is c

od

e w

riti

ng

des

crip

tio

ns

on

po

st-i

ts f

or

the

WW

. R

ead

ch

apte

r 1

3 T

he

Eye

of

the

Hu

rric

ane.

H

ow

is A

un

t G

lori

a fe

elin

g?

Ch

ildre

n w

alk

aro

un

d t

he

clas

sro

om

as

Au

nt

Glo

ria

loo

kin

g fo

r Sa

lim. T

each

er s

pea

ks. F

reez

e fr

ames

. C

hild

ren

des

crib

e th

eir

emo

tio

ns.

Te

ach

er s

crib

es.

Shar

e vo

cab

ula

ry id

eas

fro

m t

hes

e a

ctivi

ties

an

d d

emo

nst

rate

ho

w t

o s

elec

t an

d e

nh

ance

des

crip

tio

ns

for

pre

cisi

on

an

d e

ffec

t.

Ch

ildre

n c

reat

e th

eir

ow

n W

ord

Ban

ks o

f p

ow

erf

ul v

oca

bu

lary

des

crib

ing

ho

w A

un

t G

lori

a fe

els

, to

be

use

d

ove

r th

e w

eek

aro

un

d a

pic

ture

.

Wh

ole

cla

ss b

oo

k ta

lk.

Rec

ord

on

WW

. P

ho

tog

rap

h t

he

WW

an

d a

dd

to

b

oo

ks.

Ch

ildre

n's

wo

rd

ba

nks

in t

hei

r b

oo

ks.

Day

2

Shar

ed

wri

tin

g G

ram

mar

G

ame

: 2

min

ute

ga

me

to

rh

yme

wo

rds

Re

adin

g, b

oo

k ta

lk, s

har

ed

wri

tin

g Le

arn

ing

Ob

jecti

ves:

I a

m le

arn

ing

to u

np

ick

the

feat

ure

s o

f a

po

em

S.C

. I u

nd

erst

and

th

e m

ean

ing

of

rhym

e

I can

ch

oo

se r

hym

ing

wo

rds

I can

un

der

line

feat

ure

s o

f p

oe

m

Giv

e c

hild

ren

a p

oem

wit

h a

n u

nu

sual

str

uct

ure

– e

.g. P

anto

um

– h

ow

do

es it

wo

rk?

Ch

ildre

n t

o a

nn

ota

te

rhym

e an

d r

epea

tin

g lin

es.

Pu

t u

p s

ever

al c

hild

ren

's w

ord

ban

ks o

n t

he

WB

(at

diff

ere

nt

leve

ls)

and

mo

del

mag

pie

-in

g vo

cab

ula

ry a

nd

p

hra

ses.

Ch

ildre

n a

dd

to

th

eir

Wo

rd B

anks

. U

sin

g al

l ch

ildre

n's

Wo

rd B

anks

th

rou

gh m

od

elle

d a

nd

sh

ared

ap

pro

ach

es, c

om

po

se a

cla

ss p

oem

, se

lecti

ng

and

seq

uen

cin

g w

ord

s an

d p

hra

ses,

fro

m t

he

per

spec

tive

of

Glo

ria,

dra

win

g o

n h

er e

mo

tio

ns

of

loss

an

d s

adn

ess

at S

alim

’s d

isap

pea

ran

ce.

Enco

ura

ge c

hild

ren

to

wo

rk w

ith

yo

u t

o im

pro

ve la

ngu

age

cho

ices

an

d e

nh

ance

des

crip

tio

ns.

An

d t

o t

ell

teac

her

ho

w t

he

po

em s

ho

uld

be

stru

ctu

red

fro

m t

hei

r an

no

tati

on

s.

Mo

del

led

-sh

are

d

po

em f

or

wo

rkin

g

wa

ll a

nd

stu

ck in

b

oo

ks.

An

no

tate

d p

oem

.

21

Day

3

Wri

tin

g

(pre

sen

tin

g)

Be

at it

: Sp

elli

ng

of

cio

us,

su

ffix

wo

rds

Ind

ep

en

den

t w

riti

ng

Lear

nin

g O

bje

ctive

s:

I am

lear

nin

g to

wri

te a

po

em (

Lon

do

n E

ye M

yste

ry)

S.C

. I

can

ch

oo

se a

ccu

rate

vo

cab

ula

ry

I can

ap

ply

my

ban

k o

f rh

ymin

g w

ord

s I c

an r

e-re

ad m

y p

oem

to

ch

eck

for

chan

ges

I can

mak

e n

ece

ssar

y ch

ange

s C

hild

ren

wo

rk in

gu

ided

gro

up

s o

r in

dep

end

entl

y to

wri

te t

hei

r o

wn

po

ems

bas

ed o

n t

he

wh

ole

cla

ss e

xam

ple

. En

cou

rage

ch

ildre

n t

o e

dit

an

d

exte

nd

th

eir

wri

tin

g.

Shar

e p

oem

s at

th

e en

d o

f th

e le

sso

n.

Day

4

Gra

mm

ar/S

PA

G

Exp

and

ed

N

ou

n

Ph

rase

s

SPA

G

Lear

nin

g O

bje

ctive

I a

m le

arn

ing

to u

se e

xpan

ded

no

un

ph

rase

s to

de

scri

be

S.C

. I c

an c

ho

ose

acc

ura

te v

oca

bu

lary

Day

5

Bo

ok

talk

-

dis

cuss

ion

P

rove

it:

Spe

ech

P

un

ctu

atio

n

Bo

ok

Talk

Le

arn

ing

Ob

jecti

ves:

I a

m le

arn

ing

to p

arti

cip

ate

in d

iscu

ssio

ns

abo

ut

ficti

on

al e

ven

ts.

S.C

. I c

an f

orm

op

inio

ns

abo

ut

an e

ven

t I c

an u

se in

fere

nce

s to

su

pp

ort

my

op

inio

n

I can

use

th

e t

ext

to

justi

fy m

y vi

ew

s R

ead

ch

apte

r 1

4 -

Eig

ht

Theo

ries

up

to

p. 1

05

'Sal

im e

mer

ged

fro

m t

he

po

d h

idin

g b

enea

th s

om

ebo

dy

else

’s c

loth

es.'

Ask

ch

ildre

n t

o w

ork

in

pai

rs t

o d

iscu

ss e

ach

of

the

eigh

t th

eori

es a

nd

ord

er t

hem

fro

m m

ost

to

leas

t lik

ely

. Jo

in p

airs

to

geth

er a

nd

ask

eac

h n

ew g

rou

p o

f fo

ur

child

ren

to

rev

isit

th

e th

eori

es

and

agr

ee t

he

top

th

ree

theo

ries

. Exp

ect

each

gro

up

to

arti

cula

te r

easo

ns

for

thei

r ch

oic

es.

You

may

wan

t to

m

od

el t

his

be

fore

giv

ing

the

child

ren

tim

e to

rec

ord

th

eir

cho

ices

an

d r

easo

ns

in t

hei

r re

adin

g jo

urn

als.

As

a cl

ass,

vo

te f

or

the

mo

st

con

vin

cin

g th

eori

es a

nd

exp

ect

child

ren

to

giv

e re

aso

ns

for

thei

r vo

tin

g ch

oic

es.

Fin

ish

rea

din

g th

is c

hap

ter

to fi

nd

ou

t w

ha

t K

at t

hin

ks.

Bef

ore

th

e n

ext

sess

ion

rea

d c

hap

ters

15

- In

fin

ity,

16

- C

lou

d C

ove

r an

d 1

7 -

Lig

hte

nin

g St

rike

s.

Day

6

and

7

Bo

ok

talk

– s

tory

m

app

ing

Gra

mm

ar

Gam

e:

Alli

tera

te

This

!

Sto

ry M

ap

pin

g:

Lear

nin

g O

bje

ctive

: I a

m le

arn

ing

to u

se s

tory

ma

pp

ing

to e

mb

ed

a s

tory

(Lo

nd

on

Eye

Mys

tery

) S.

C.

I un

de

rsta

nd

th

e k

ey

eve

nts

I c

an o

rde

r th

e k

ey

eve

nts

ch

ron

olo

gica

lly

I can

mak

e n

ote

s ag

ain

st t

he

ke

y e

ven

ts

In p

airs

ask

th

e ch

ildre

n t

o id

enti

fy t

he

key

even

ts s

o f

ar. F

or

exam

ple

: lett

er f

rom

Glo

ria,

Glo

ria

and

Sal

im a

rriv

e, v

isit

to

Lo

nd

on

Eye

an

d

dis

app

eara

nce

, in

spec

tor

visi

t, fi

nd

ing

Salim

’s c

amer

a, e

tc..

Set

a c

hal

len

ge: f

or

the

child

ren

to

pri

ori

tise

five

key

eve

nts

an

d ju

stify

th

eir

cho

ices

an

d

allo

w c

hild

ren

tim

e to

wo

rk t

oge

ther

to

pri

ori

tise

th

e m

ost

imp

ort

ant

even

ts. E

nco

ura

ge c

hild

ren

to

exp

lain

an

d g

ive

reas

on

s fo

r th

eir

ann

ota

tio

ns

and

op

inio

ns

usi

ng

the

text

to

su

pp

ort

th

em. M

od

el h

ow

to

cre

ate

a st

ory

map

of

thes

e ev

ents

. N

ote

th

e s

tory

ma

p s

caff

old

or

form

at

use

d h

ere

ne

ed

s to

be

su

ita

ble

fo

r ch

ildre

n t

o r

e-u

se it

wh

en t

hey

wri

te t

hei

r o

wn

sto

ries

i.e

. it

wo

uld

be

bett

er if

it c

on

tain

ed a

ll th

e el

em

ents

we

wan

t th

em t

o r

epro

du

ce (

som

eth

ing

like:

setti

ng

-ch

arac

ters

> n

ew s

itu

atio

n o

ccu

rs >

mys

tery

hap

pen

s >

char

acte

rs m

ust

wo

rk t

o s

olv

e m

yste

ry >

res

olu

tio

n)

Cla

ss s

tory

map

pin

g o

n d

ay o

ne

ind

ivid

ual

day

tw

o.

22

Day

8

SPA

G

Figu

rati

ve

Lan

guag

e

Lear

nin

g O

bje

ctive

: I a

m le

arn

ing

to u

se fi

gura

tive

lan

guag

e t

o d

esc

rib

e (

sim

ile a

nd

me

tap

ho

r)

S.C

. I k

no

w w

hat

a s

imile

is

I kn

ow

wh

at a

me

tap

ho

r is

I k

no

w t

he

diff

ere

nce

be

twe

en

a s

imile

an

d m

eta

ph

or

I can

use

a s

imile

I c

an u

se a

me

tap

ho

r

Rec

ord

ed in

bo

oks

.

Day

9

Bo

ok

talk

pla

nn

ing

char

acte

r d

esc

rip

tio

n

Gra

mm

ar

Gam

e

De

scri

be

th

is!

Ch

arac

ter

De

scri

pti

on

Pla

nn

ing

Lear

nin

g O

bje

ctive

s:

I am

lear

nin

g to

pla

n a

de

taile

d c

har

acte

r d

esc

rip

tio

n

S.C

. I c

an u

se b

ulle

t p

oin

ts t

o p

lan

I c

an m

ake

no

tes

abo

ut

the

char

acte

r’s

acti

on

s I c

an m

ake

no

tes

abo

ut

the

char

acte

r’s

fee

lings

I c

an li

st d

esc

rip

tive

vo

cab

ula

ry

Rea

d u

p t

o p

age

17

6. S

top

just

bef

ore

yo

u r

each

th

e co

de.

A

sk t

he

child

ren

to

wo

rk w

ith

a p

artn

er t

o d

iscu

ss a

nd

mak

e a

no

te o

f p

oss

ible

wo

rds

wh

ich

co

uld

hav

e b

een

on

th

e ja

cket

. R

ead

to

en

d o

f ch

apte

r 2

4. D

iscu

ss w

hat

Ted

mig

ht

do

nex

t: w

ill h

e b

e b

rave

en

ou

gh t

o fi

nd

th

is m

an o

n h

is o

wn

if it

in

volv

es ly

ing?

Exp

ect

child

ren

to

arti

cula

te t

hei

r re

spo

nse

s, ju

stify

ing

thei

r an

swer

s u

sin

g th

e te

xt.

Rea

d c

hap

ter

25

Th

e TV

Cre

w a

nd

dis

cuss

th

e q

ue

stio

ns

on

p. 2

04

: o

Was

th

is t

he

righ

t th

ing

to d

o?

o W

hat

if m

um

fo

un

d t

he

no

te a

nd

did

n’t

bel

ieve

it?

o W

hat

if I

did

n’t

fin

d K

at in

Ear

l’s C

ou

rt E

xhib

itio

n C

entr

e?

o W

hat

if I

did

n’t

fin

d E

arl’s

Co

urt

at

all?

o

Wh

at if

I d

idn

’t e

ven

mak

e it

to

ou

r lo

cal u

nd

ergr

ou

nd

sta

tio

n?

A

dd

an

y n

ew in

sigh

ts in

to T

ed’s

ch

arac

ter

to t

he

role

on

wal

l. Fo

r ex

amp

le: d

eve

lop

men

ts in

his

ch

arac

ter;

his

in

crea

sed

bra

very

an

d c

on

fid

ence

in h

is d

rive

to

fin

d h

is c

ou

sin

; his

ab

ility

to

kn

ow

wh

en t

o t

ell a

wh

ite

lie. A

dd

th

ese

tho

ugh

ts t

o W

W.

Dis

cuss

pla

n f

or

the

char

acte

r d

escr

ipti

on

of

Ted

. M

od

el d

oin

g th

is a

s a

clas

s.

Ch

ildre

n t

o c

reat

e o

wn

pla

ns.

WW

refl

ecti

on

s.

Pla

nn

ing

Sh

eet

to b

e co

mp

lete

d a

nd

a

dd

ed t

o b

oo

ks

23

Day

1

0 W

riti

ng

a ch

arac

ter

des

crip

tio

n

Fro

nte

d

Ad

verb

ials

Sh

are

d w

riti

ng

and

ind

epen

den

t w

riti

ng:

Le

arn

ing

Ob

jecti

ves:

I c

an w

rite

a d

etai

led

ch

arac

ter

de

scri

pti

on

(Te

d L

on

do

n E

ye M

yste

ry)

S.C

. I c

an u

se a

pp

rop

riat

e v

oca

bu

lary

to

des

crib

e a

ch

arac

ter

I can

des

crib

e th

e ch

arac

ter’

s ac

tio

ns

I can

use

co

nn

ecti

ves

to e

xte

nd

my

sen

ten

ces

I can

use

a r

ange

of

diff

ere

nt

op

en

ers

(fr

on

ted

ad

verb

ials

) Th

rou

gh s

har

ed a

pp

roac

hes

, su

pp

ort

th

e ch

ildre

n in

wri

tin

g a

char

acte

r st

ud

y o

f Te

d. U

sin

g th

e kn

ow

led

ge

they

hav

e d

raw

n f

rom

re

adin

g an

d in

tera

ctin

g w

ith

th

e te

xt, d

evis

e a

suit

able

str

uct

ure

fo

r th

e st

ud

y. F

or

exam

ple

: gen

eral

info

rmati

on

, per

son

alit

y, li

kes

and

dis

like

s, h

op

es a

nd

fe

ars.

Th

rou

gh m

od

elle

d a

nd

sh

ared

wri

tin

g, d

raft

a c

har

acte

r st

ud

y, f

ocu

sin

g o

n o

ur

kno

wle

dge

of

Ted

fro

m t

he

text

. Dem

on

stra

te h

ow

to

use

a r

ange

of

dev

ices

to

bu

ild c

oh

esio

n w

ith

in a

nd

acr

oss

par

agra

ph

s, s

ele

ctin

g an

d u

sin

g ap

pro

pri

ate

gr

amm

ar a

nd

vo

cab

ula

ry a

nd

usi

ng

a ra

nge

of

sen

ten

ce t

ypes

to

mak

e m

ean

ing

clea

r. S

up

po

rt c

hild

ren

to

p

roo

f-re

ad c

har

acte

r st

ud

ies

and

mak

e ch

ange

s w

her

e ap

pro

pri

ate.

Su

pp

ort

th

em t

o c

hec

k th

eir

wo

rk a

nd

sh

are

wit

h r

esp

on

se p

artn

ers

to e

dit

an

d im

pro

ve t

hei

r w

ork

aga

inst

su

cces

s cr

ite

ria.

B

efo

re t

he

nex

t se

ssio

n, r

ead

ch

apte

rs 2

6-2

8, t

o t

he

po

int

wh

ere

the

child

ren

hav

e sp

oke

n t

o t

he

secu

rity

m

an b

ut

wh

at h

e sa

id d

oes

n’t

ad

d u

p. K

at a

nd

Te

d f

orm

a t

eam

to

fin

d t

he

tru

th.

Day

1

1 P

lan

nin

g O

rder

ing

even

t ga

me

Sto

ry P

lan

nin

g:

I am

lear

nin

g to

pla

n a

nar

rati

ve (

Lon

do

n E

ye M

yste

ry)

S.C

. I c

an u

se b

ulle

t p

oin

ts t

o a

dd

no

tes

I can

seq

uen

ce e

ven

t lo

gica

lly

I can

incl

ud

e ke

y ev

ents

I c

an in

clu

de

key

ph

rase

s C

hild

ren

to

cre

ate

a s

har

ed p

lan

of

the

sto

ry b

ox

by

bo

x, t

his

to

be

add

ed t

o W

.W. t

o s

up

po

rt m

od

elle

d

wri

tin

g d

uri

ng

the

wee

k.

Ch

ildre

n t

o in

dep

end

entl

y p

lan

th

eir

ow

n v

ersi

on

s o

f th

e L

on

do

n E

ye M

yste

ry S

tory

.

Day

1

3 W

riti

ng

N/A

W

riti

ng

a n

arra

tive

/ Sh

are

d W

riti

ng

LO: I

am

to

wri

te a

nar

rati

ve (

Lon

do

n E

ye M

yste

rie

s)

S.C

. I c

an s

equ

ence

eve

nts

logi

cally

I c

an u

se a

ran

ge o

f o

pen

ers

(tim

e co

nn

ecti

ves)

I c

an u

se a

ran

ge o

f co

nju

ncti

on

s to

ext

end

my

sen

ten

ces

I can

use

par

agra

ph

s ac

cura

tely

I c

an b

rin

g e

ven

ts t

o a

su

itab

le c

lose

I c

an u

se m

y n

arra

tive

ch

eckl

ist

Lon

g W

rite

in

Engl

ish

Bo

oks

24

Day

1

4 Ed

itin

g

Lear

nin

g O

bje

ctive

: I a

m le

arn

ing

to e

dit

a n

arra

tive

(P

eer

Ass

ess

me

nt)

S.

C.

I kn

ow

th

e au

tho

r h

old

s th

e p

en

I can

off

er c

han

ges

to a

par

tne

r I c

an m

ake

chan

ges

agai

nst

th

e S

.C.

I can

imp

rove

my

wri

tin

g I c

an c

hec

k sp

ellin

g w

ith

a d

icti

on

ary

Au

tho

r h

old

s th

e P

en.

On

e b

oo

k at

a ti

me.

A

uth

or

wri

tes

a p

osi

tive

red

pen

co

mm

ent

agai

nst

LO

an

d S

C.

Exte

nsi

on

qu

esti

on

wri

tten

usi

ng

SOLO

ver

bs

fro

m c

lass

ro

om

wal

l.

Gre

en P

en

ed

itin

g in

bo

oks

Day

1

5 R

ed

raft

ing

LO

: I a

m le

arn

ing

to r

edra

ft a

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25

Example of a SPAG Medium Term Plan

26

Guidance for ‘Hot’ and ‘Cold’ Tasks

‘Hot’ and ‘Cold’ tasks are being implemented to support the assessment and target setting process, within English for teachers

at Shoreditch Park Primary School. This idea is being adapted from ‘Talk 4 Writing’ and will allow children real clarity over see-

ing progression with their own writing over a 3 week PoR approach. This process will take place once each half term.

What changes will there be to planning and marking?

Planning:

A day for ‘cold’ task at the beginning of a three week cycle will need to be added and two days for ‘hot’ task planning and

writing. These will both need to be included on the normal PoR cycle overview.

Marking:

Cold (light blue paper) – The cold task does not need to be marked, however teachers should read each piece of writing to set

individual and class English targets to be met, ideally during the next three week cycle. These targets will be taken from the

Target Tracker document in the front of the children’s books.

Hot (light orange) - The hot task will be stuck in books with the child’s name and date written clearly, with Assessment written

at the top of the paper. This will be marked diagnostically by the teacher as this will be in books.

How will it work?

Cold

Everyone’s next cycle will focus upon Narrative. Therefore, this will be the focus genre for the cold task. However, the write

must be in the context of the book you’re focussing on during the next cycle.

For Example: Year 6 focus is upon a 3rd Person Narrative, set in the context of War. Therefore this would be the context of the

write.

Minimal input should be given to the children as it is ‘cold’ (the idea being that potentially you could assess from a cold task

later in the Year as children recall the different areas of the genre after they have revisited them a few times.)

So, the first 15 minutes of the lesson would involve a discussion around the genre explaining that they will be writing a narra-

tive – in the 3rd person – set in the context of War.

Ask children to think about everything they know a narrative should include. Explain to them you would love them to show off

with their writing. Reminding them of any current targets they may have within that area.

Give the children then 45 minutes to write ‘Cold’

Hot

The hot task will focus on the same genre. You will have worked up towards this within your 3 week PoR cycle, children will

have even written a narrative based upon the book that you have been reading.

This will therefore, be the third time they have written a full narrative within a three week cycle.

However this ‘hot’ task is an assessment and should be different to the Narrative written in class.

E.g.

Narrative in Class: 3rd Person Narrative, about a young boy growing up in WW1.

Hot Task Narrative: 3rd Person Narrative, about a soldier fighting in WW1.

So, the genre is the same the context is slightly different.

Planning:

15 Minute Whole Class

45 Minutes Independent

Write:

1 hour

27

Differentiated S.C. and Guidance

Clear 4 Way differentiated S.C.

Further Ways to show differentiated approaches to S.C.

28

Showing greater depth within S.C.

Other differentiated approaches

29

30

SET 1 SET 2 SET 3 Sound Rhyme Sound Rhyme Sound Rhyme

m Maisie, mountain, mountain ay May I Play? ea Cup of tea a Round the apple, down the leaf ee What can you see? oi Spoil the boy s Slither down the snake igh Fly high a-e Make a cake

d Round his bottom, up his tall neck and down to his feet ow Blow the snow i-e Nice smile

t Down the tower, across the tower oo Poo at the zoo o-e Phone home i Down the body, dot for the head oo Look at a book u-e Huge brute n Down Nobby, over his net ar Start the car aw Yawn at dawn p Down the plait and over the pirate's face or Shut the door are Care and Share

g Round her face, down her hair and give her a curl air That's not fair ur Nurse with a purse o All around the orange ir Whirl and Twirl er A better letter c Curl around the caterpillar ou Shout it out ow Brown cow k Down the kangaroo's body, tail and leg oy Toy for a boy ai Snail in the rain

u Down and under, up to the top and draw the puddle oa Goat in a boat

b Down the laces, to the heel, round the toe ew Chew and stew

f Down the stem and draw the leaves ire Fire fire

e Lift off the top and scoop out the egg ear Hear with your ear l Down the long leg ure Sure it's pure h Down the head to the hooves and over his back

sh Slither down the snake, then down the horse's head to the hooves and over his back

r Down his back and then curl over his arm

j Down his body, curl and dot v Down a wing, up a wing

y Down a horn, up a horn and under his head

w Down, up, down, up

th Down the tower, across the tower, then down the horse's head to the hooves and over his back

z Zig-zag-zig

ch Curl around the caterpillar, then down the horse's head to the hooves and over his back

q Round her head, past her earrings and down her hair

x Down the arm and leg and repeat the other side ng A thing on a string

nk I think I stink

Read Write Inc. Phonics

31

32

33

34

Read Write Inc. - Word Time 1 Plan

Monday

Teaching blending/

reading with white

cards

(15 mins)

1. Teacher: Fred says word is

Children: ‘‘p-i-g’ pig

Teacher: The word is ‘pig’

Children: “pig”

2. Teacher: So I will need; ‘p-i-g’ Pulls down white cards.

3. Teacher: ‘‘p-i-g’ pig Pointing to the cards.

Children: ‘‘p-i-g’ pig Teacher points to the cards.

4. Teacher models pushing sound tiles ‘d-o-g’ to the top of the magnetic

board and shows children. Children repeat on their own boards.

Mat, mad, dad,(2 x d’s) sad Sam

Reviewing sounds

(10mins)

Spend 10-15 minutes reviewing speed sound ‘k’ and reviewing reading previously taught

sounds.

Speedwriting

(5 mins- at tables)

Revise the handwriting for 3/ 4 previous taught sounds. ‘r’, ‘y’

Oral Fred Talk Game Fred says game

Tuesday

Blending

(10 mins)

Parents Reading

1. Teacher: Fred says word is

Children: ‘‘p-i-g’ pig

Teacher: The word is ‘pig’

Children: “pig”

2. Teacher: So I will need; ‘p-i-g’ Pulls down white cards.

3. Teacher: ‘‘p-i-g’ pig Pointing to the cards

Children: ‘‘p-i-g’ pig Teacher points to the cards

4. Teacher models pushing sound tiles ‘d-o-g’ to the top of the magnetic

board and shows children. Children repeat on their own boards.

TEACH NEW SET 1

SOUND (10 mins)

Spend 10-15 minutes reviewing ‘s’ and reviewing reading previously taught sounds.

Speedwriting

(5 mins- at tables)

Revise the handwriting for ‘v’ ‘e’

Oral Fred Talk Game Fred says

Wednesday

Spelling

on fingers

(10 mins)

Parents- Handwriting

Review sounds

1. Teacher: We are going to spell words on our fingers. Show me your

Stamping finger. Show me 3 Fred Fingers (sounds).

Children hold up stamping finger and 3 Fred Fingers.

2. Teacher: The word we are going to spell is ‘pan’

Children: ’pan’ Repeat in MTYT

3. Teacher: Look at your fingers and stamp on the sounds.

Children stamp on sounds.

WT1 3 x words mat, sad dad

Speedwriting

(5 mins- at tables)

Revise the handwriting for

‘f’, ‘l’

Oral Fred Talk Fred says game

DAY Thursday

Spelling (10 mins)

Spelling words Dad, Mad, sat

TEACH NEW SET 1

SOUND

(10- 15minuntes)

Spend 10-15 minutes teaching ‘ch’

Friday Spelling/

blending

(10 mins)

Mat, mad

Speedwriting

(5 mins- at tables)

Revise the handwriting for ‘sh’ ‘z’

35

Read Write Inc. - Ditty Plan

2 days- Ditty 2 Bad Dog

Speed

Sounds

lesson

(15 mins)

Focus Set 1 sounds U, th, qu

WT 6/7 words Chat, grin, from, black

WT 1-5 Review words

Dig, top, in, sad,

Reading

lesson

(approx.

20-25

mins)

Green words from

Ditty

(on cards)

Dog, bad, yap, rip, dig, can

Red words from Ditty

(on cards/ wall)

N/A

New vocabulary and

story introduction

(Resources, props,

questions, linked texts)

Story about a dog who is very cheeky, he doesn’t listen to his owner and

does not behave in the right way. Because of this his owner calls him a ‘bad

dog’. Talk to the children about what he might be doing for his owner to call

him this using TTYP. Make sure children are using full sentences.

Yap- high pitched bark

Rip- tearing something- tearing paper model this

Props- dog, spade, paper

Read 1- Focus on

decoding accurately

Model how to point underneath the words as the other partner reads.

When partner reading re-teach whole group any tricky words.

Remind chn to swap over at the end of the line.

Remind children if they are speedy at reading when they get to the end they

need to whizz back to the beginning and start again.

Read 2

Jump in, explain a page

and questions to talk

about

What is the last thing that bad dog does?

How do you think the dog’s owner is feeling?

What is the first thing bad dog does?

Do you think the dog is bad?

Read 3

Read with expression,

read like a storyteller

Pretend you are the owner of the dog.

What voice might you use?

Speed Words N/A

Writing

Lesson

(approx.

10 mins)

Oral Build a Sentence The angry/ strong dog ripped the newspaper in half/ into pieces.

Hold a sentence: Bad dog can yap.

36

Teacher: Miss Walters Book: Too Much

Start Date: 9.06.17 Finish Date: 14.06.17

Read Write Inc. Green, Purple, Pink, Orange

Phonics – First Part of lesson

Reading Activities storybook – Second part of lesson Writing – Final

part

Day 1

Mon

Speed sound lesson – igh – i-e ie, y Read and write words containing focus sound. High tries cries cry fry

Speed Sounds – focus sounds identified in storybooks and any other sounds your group may find tricky (oo)

Green/ Syllable/root words/ suffixes (print from Oxford Owl) and red words (written on red paper). Mix of about 10 words.

Partner practise at tables

Story introduction – (print from Oxford Owl) The vocabulary check is done through story introduction. Use props to support.

Read 1- Decode - Children read at tables – teacher to assess decoding skills

Teacher reads story to children. Purpose is reading for pleasure (no

jump in).

No writing

Day 2

Tues

Speed sound lesson – teach or revise a sound ow o-e oa

Read and write words containing focus sound

Boat spoke smoke moat

Speedy green words (view on Oxford Owl website) and red words (written on red paper) Partner practise at tables (speed words at back of book)

Teacher reads with a jump in – model appropriate reading pace

Read 2- Speed - Children read at tables – teacher to assess reading pace

No writing

Day 3

Wed

Speed sound lesson – teach or revise a sound air are

Read and write words con-taining focus sound (Written at back of books – chn self-assess in green pen) Share fair nightmare com-pare

Think about the story – (script for this is in the RWI handbook) Teacher reads

story to the class. TOL to support children with inference and understanding the way tricky vocabulary has been used. This is an essential activity in setting up success for children in the comprehension questions. Use MTYT/ TOL / TTYP / Freeze Frame in order for children to comprehend the story. P8 - Freeze frame the girl’s expression at the start of the story. TTYP – how is she feeling? For example grumpy/tired/irritable. P9 - 12 TOL about things which are not right P13 TOL about what is just right MTYT with feeling – too this and too that – but my mum is just right. Freeze frame the girl’s expression. How is she feeling now? TTYP

Read 3 – Comprehension - Children read at tables teacher to assess fluency

Questions to talk about (back of book) Children go back and partner

read. When children have completed partner reading, teacher asks QTTA (questions to talk about on the last page of RWI book). Children must answer

these questions through partner talk, then feed back to the teacher. Allow children extra time to ‘prove’ answers during prove it questions. (I know this because, I think this because)

No writing

Day 4

Thurs

No speed sounds

Writing day – always complete written comprehension.

Alternate between hold, build and proofread.

Writing day

37

Teacher: Ms Ketchell Book: Looking after a hamster

Start Date: 04.05.17 Finish Date: 10.05.17

Read Write Inc. Yellow, Blue, Grey

Phonics – First Part of lesson

Reading Activities storybook – Second part of lesson Writing – Final

part

Day 1

Mon

Speed sound lesson – teach sound i-e igh y

Smile while flight Read and write words containing focus sound - on whiteboards

Speed Sounds – focus sounds identified in storybooks and any other sounds your group may find tricky ir ur er

Green/ Syllable/root words/ suffixes (print from Oxford Owl) and red words (written on red paper). Mix of about 10 words. Climbers pouches scamper discovering whiskers tube stale

Partner practise at tables

Story introduction – (print from Oxford Owl) The vocabulary check is done through story introduction. Use props to support.

Read 1- Decode - Children read at tables – teacher to assess decoding skills

Teacher reads story to children. Purpose is reading for pleasure (no jump in).

No writing

Day 2

Tues

Speed sound lesson – teach sound oa ow o-e

Read and write words contain-ing focus sound Phone moan snowing

Speedy green words (view on Oxford Owl website) and red words (written on red paper)

Partner practise at tables (speed words at back of book)

Teacher reads with a jump in – model appropriate reading pace

Read 2- Speed -Children read at tables – teacher to assess reading pace

No writing

Day 3

Wed

Read and write words containing focus sound are air (Written at back of books – chn self-assess in green pen) Share fair nightmare compare

Think about the story – Teacher reads story to the class. TOL to support children with

inference and understanding the way tricky vocabulary has been used. This is an essential activity in setting up success for children in the comprehension questions. Use MTYT/ TOL / TTYP / Freeze Frame in order for children to comprehend the story

Read 3 – Comprehension -Children read at tables teacher to assess fluency

Questions to talk about (back of book) Children go back and partner read. When

children have completed partner reading, teacher asks QTTA (questions to talk about on the last page of RWI book). Children must answer these questions through partner talk, then feed

back to the teacher. Allow children extra time to ‘prove’ answers during prove it questions. (I know this because, I think this because)

No writing

Day 4

Thurs

Writing day

Writing day – always complete written comprehension.

Alternate between hold, build, grammar and proofread.

Writing day

38

Speed Sounds Lesson- Word reading

39

Example Read Write Inc. Working Walls

Blue pocket charts contain green, red and

challenge words linked to the book. Teacher also

adds any other words they have identified for

teaching to their group.

Tables and teaching area set up to include:

Grapheme charts at the front of the

classroom (post-it notes added for ‘new’

sounds).

Props and resources linked to storybook.

Linked books.

Green words cards (for review).

Red words cards (for review).

Alien words.

Fred the Frog.

Grapheme chart is at the front of the

teaching space.

‘New’ sounds are identified and added to

the grapheme chart with a post-it note or

in marker pen.

Red Words are added to the ‘Red Word

Wall’ as these are taught.

40

Example layout and marking in Read Write Inc. in books

Evidence of progression through increased expectations e.g. multiple choice comprehension questions

and answering in full sentences.

All books are marked in line with KS1 marking key.

High expectations for presentation from Reception onwards.

Opportunities for children to revisit errors and correct in green pen.

41

Marking Keys for RWI

Initial sounds and word time

Hold a Sentence

LO – I am learning to hold a sentence in my head before writing it with correct spelling and punctuation.

Success Criteria

I will know I have been successful when…

I can say a sentence with the words in the correct order

I can spell words correctly

I can use the correct punctuation

Proofread

LO – I am learning to identify and correct spelling and punctuation errors.

Success Criteria

I will know I have been successful when…

I can read the text and identify errors

I can identify spelling errors and correct them

I can identify punctuation errors and correct them

Build a Sentence

LO – I am learning to build a sentence out loud before writing it down.

Success Criteria

I will know I have been successful when…

I can discuss the text

I can build my own sentence about the text

I can say my sentence before wiring it

I can use phonetically-plausible spellings

Comprehension

LO – I am learning to comprehend a text

Success Criteria

I will know I have been successful when…

I can talk about the text

I can find answers in the text

I can infer information

Purpose of activities displayed at the front of RWI books.

Marking Key for EYFS Green storybooks and beyond

42

EXAMPLE OF Destination Reader Medium Term Plan

Wk. Focus Lesson Objectives (foci) Assessment (Fundamentals)

Green – comprehension

Orange/Red – Being a reader

Blue – Word reading

Recording and

assessment

1 Learning behaviours/ Reading preferences

To support and actively listen to others. To discuss and explain our ideas. To take responsibility for our own and our group’s learning.

Participates in discussion about books taking turns and listening to others’ views. Reads a range of texts including poems and play-scripts

Introduce reading albums to children. Complete reading preferences.

2 Prediction – introduce core text

To predict using the book cover. To predict what might happen based on details stated and implied.

2x Selfie 1X iSpy obs (diagnostic comments linked to the ‘indicators’)

To predict (character) from illustrations.

To predict what might happen based on details stated and implied.

To predict what might happen based on wider experiences.

3 Prediction – introduce core text

To predict using the book cover. To predict what might happen based on details stated and implied.

1x Selfie 1x iSpy obs 1x Big Picture (see sample q’s in guidance booklet)

To predict (character) from illustrations. To predict what might happen based on details stated and implied. To predict what might happen based on wider experiences.

4 Asking Questions

To ask retrieval questions. *Asks questions to clarify. *Checks the text makes sense by discussing their understanding.

2x Selfie 1X iSpy obs

To know what ‘open questions’ are. (Sorting stems) To ask ‘open questions’ to explore the meaning of the text. To answer questions using Point, Evidence and Explain.

5 Asking Questions

To ask retrieval questions. *Asks questions to clarify. *Checks the text makes sense by discussing their understanding.

1x Selfie 1x iSpy obs 1x Big Picture

To know what ‘open questions’ are. (Sorting stems) To ask ‘open questions’ to explore the meaning of the text. To answer questions using Point, Evidence and Explain.

6 Clarifying Use core text

To read unknown words and phrases using a variety of strategies. (Create toolkit)

*Checks the text makes sense by discussing their understanding. *To ask questions to clarify. *Word-reading objectives including decoding, applying knowledge of prefixes and suffixes, using dictionaries and explaining new vocabulary. *Reads for different purposes, engaging with books structured in different ways.

2x Selfie 1X iSpy obs

To check the text makes sense by discussing their understanding. To explain the meaning of words in context. (Vocabulary wall) To use dictionaries to check the meaning of unfamiliar words.

7 Clarifying Use non-fiction relating to topic

To read unknown words and phrases using a variety of strategies. (Create toolkit)

*Checks the text makes sense by discussing their understanding. *To ask questions to clarify. *Word-reading objectives including decoding, applying knowledge of prefixes and suffixes, using dictionaries and explaining new vocabulary. *Reads for different purposes, engaging with books structured in different ways.

1x Selfie 1x iSpy obs 1x Big Picture

43

Example of Reading (Destination Reader) Working Walls

Display the focus reading strategy and the sentence

stems at the front of the Reading Wall. Refer to the

stems and use them when you model during the

whole class teaching input.

Display all the reading strategies at the front of the

Reading Wall. Refer to these as you model the

strategy in the whole class teaching input and when

children apply these in their reading throughout the

lesson.

Display the Destination Reader text at the front of

your Reading Wall. Next to this, write up any new

vocabulary and definitions.

44

Reading Albums- Guidance for Marking and Presentation

Selfie

iSpy

4-5 children per week. To be tracked on iSpy tracking street. This way the whole class should have an iSpy every

half term.

Teachers/TA’s to take iSpy’s in all other lessons to be added to reading albums. E.g. in Lit when they make a

prediction or inference or in Topic when they use learning behaviours.

These will be done on a post it note with the date, iSpy logo and skill being learnt.

Big Picture

Template saved on T:drive – to be used for each Big Picture lesson to ensure consistency in presentation.

Week 1 Selfie iSpy Selfie

Week 2 Selfie iSpy Big Picture

3.6.16 Inferring

I think the character Clare is kind and accepting as

she does not laugh at Tom when he tells the class

about the lion but instead tries to help by showing

him pictures of different lions.

45

Marking

All work acknowledged using KS2 marking key – to be stuck at front of book.

All selfies acknowledged with a tick and through marking key. Where children’s selfies need further challenge

teachers will add in green pen and children respond in red pen.

Big Picture diagnostically marked with red pen questions for children to respond to. Teacher to edit big pictures to

link to types of questions used in summative assessment to prepare children for them and make them common

place.

Response time: at the start of Big Picture and iSpy lessons.

46

Class Book Corner Expectations

FS Book Corner Checklist

Is the area clearly signed as Book Corner? Does it look inviting?

Is there a celebration of your class author? E.g. Julia Donaldson

Are there photos of authors linked to Core Texts? Eric Carle Trish Cooke Julia Donaldson Etc.

Is there art work by the children linked to the Core Texts?

Are there photos of the children using the Book Corner with accompanying prompts?

Are books clearly labelled? Are all book boxes clearly labelled in an appropriate font and with a matching image/ photo? Core Texts Fairy Tales Non-fiction books Animal Stories Stories from other cultures Read Write Inc. Books

Are there props linked to the Core Texts for current week and/or previous familiar Core Texts? Opportunities for re-telling stories with puppets/ costumes/ masks/ props/ story-maps and sequencing/ interactive resources

Are there soft toys for children to share stories with?

Is the area clearly signed as Book Corner? Does it look inviting?

Are there photos of authors linked to Core Texts?

Are there books published by the children in the book corner? Literacy work bound together Topic work

Are books clearly labelled? Are all book boxes clearly labelled? Core Texts Fiction books Non-fiction books Poetry Picture books Chapter books

Is there an opportunity to recommend books and do book reviews? Recommend books to each other or teacher

Is there a class author display?

Is it clear who the class librarians are who monitor keeping it neat and tidy?

Is there a clear system in place for borrowing or returning books (one each for free readers/ levelled readers) Name: Date: Book title/ level: Returned:

KS1/2 Book Corner Checklist

47

Examples of Class Book Corners

Books are well ordered and

include:

Picture books

Novels

Poetry

Newspapers/ magazines

Fiction and non-fiction

Levelled home reader

books (organised in line

with progressions steps

for reading)

Book Corners are vibrant, attractive and well

organised.

48

Collection of levelled home reading books

ordered in their box in their colour bands

Collection of books linked to class author

Collection of books linked to ASPIRE

Opportunities for

children to

interact with the

environment and

with their peers.

Books/ work from

the children added

to the Book

Corner.

Class librarians

identified and

displayed.

System in place for

recording, the

borrowing and

returning of books- one

for free readers and

one for levelled

readers.

49

Home Reading expectations

Children should have the opportunity to change their reading books at least once per week:

Blast off into reading

Blast off into Reading blurb As a way of promoting reading in KS1/2 and to ensure we are following up on children reading at home for 20 minutes a night, Blast off into Reading is a classroom display to track progress and ensure this is happening. Each child is a rocket. They want to zoom through space and reach all the planets. Every week’s worth of reading at home (with evidence) they get to move to a new planet.

Teachers check reading records once a week. (Thursday is preferable) Once a teacher has evidence of a child having read for a whole week – they get to move to the next planet.

(see dates and see if you can see a whole week) Teachers will check this every Thursday morning ready for names to be given for assembly prizes by Thursday

pm. Teachers to keep track on who has received prizes. Once they get through all planets – they can turn into astronauts and do the cycle again.

Free Reader Levelled Reader

Nursery From class book corner Encourage parents to buy phonics sound cards set 1

Reception From class book corner Encourage parents to buy phonics sound cards set 2 and 3 Ditties and RWI Books

KS1 From class book corner RWI Book and colour banded home reading book

KS2 From class book corner Colour banded home reading book

50

Handwriting and Pen licenses

Use of pencils and pens

Children across the whole school write in pencil from Reception onwards. When a child demonstrates they can join

consistently and accurately in pencil (in line with the Penpals scheme of work) they are awarded a pen license. Pen

licenses are awarded in Friday assemblies and children are given a certificate and a handwriting pen. Names of

children who hold a pen license should be displayed on the class working wall.

Penpals Sassoon Font

The official Penpals handwriting font is on all school computers. It can be found in Microsoft Word under ‘Sassoon

penpals font’- see screenshot below. This resource (for displays and ppts) is a useful model to pupils of the correct

letter formation expected in their year group.