From theEditorUnderstanding Each OtherTony Hillerman is more than anaward-winning author ofNavajo mystery novels, relatesAssistant Editor CatherineWalsh. He is a "reversemissionary" helping otherpeople understand the waysand beliefs of NativeAmericans.

It wasn't easy for Jim andMary Lou Beers to reestablishcommunication andunderstanding after a stroke leftJim paralyzed and speechless.But today, discloses MarianneSlattery, they teach families andengaged couples what it meansto communicate heart to heart.Julie Sly explains the need of

those growing older for self-understanding and aspirituality of aging.Southwest Chicago, relates

Jay Copp, has had a reputationfor racial intolerance. To createbetter understanding amongraces and successfully achieveneighborhood integration, 17Catholic institutions areparticipating in the SouthwestCluster Project.For many of us,

understanding our parentscomes only with time. GinaIsaac (pen name) confides howtime has enabled her to tell heralcoholic father, "I love youanyway, Dad."Karen Jessen's short-story

partners find insight and betterunderstanding with the help ofa sightless dog.Peace and all good!

lST THONYMESSENGERJUNE 1991 VOL 99/No. 1

PI TONY HILLERMAN: BEST·SELLING AUTHOR• OF NAVAJO MYSTERY STORIES His detective heroes

are a pair of Navajo tribal policemen. Robert Redford is turning TonyHillerman's mystery novels into movies. A committed Catholic, Hillerrnan says hehas been influenced by the spiritual values of Navajos and other Native Americans.By Catherine Walsh

FEATURES DEPARTMENTS

IICOMMUNICATING HEART LETTERS 2

TO HEART: JIM AND MOVIES/tv 4MARY LOU BEERSBy Marianne Slattery NEWS AND 6

VIEWS FOR BUSYI CHRISTIANS

IIWHY WE NEED A FOLLOWERS OF 8

SPIRITUALITY OF AGING FRANCIS ANDANTHONY

By Julie Sly Cynthia louden, S.F.0.

POETRY 15

II'HERE COMES THEEDITORIAL 45NEIGHBORHOOD': What's an Editor

CHICAGO CATHOLICS 10 Do?

BUILD RACIAL HARMONY THE WISE MAN 46By Jay Copp ANSWERS

If 51. Francis Didn'tWrite the Peace

&IPrayer, Who Did?

I LOVE YOU ANYWAY, DADBOOKS 49

By Gina Isaac The Sptrttccl tlfeof Children

BETWEEN 54

IIFICTION: YOUTH AND MEHolograms and the

PARTNERS Body of Christ

By Karen Jessen LAUGHING 56MATTER

COVER PHOTOS BY MARCIA KEEGAN

HEN SOME NAVAJOS meet Tony Hillerman forthe first time, they are surprised to discover he iswhite. Upon reading his best-selling mysterynovels featuring Navajos as protagonists, they hadassumed he belonged to the Dineh-a Navajo termmeaning "The People." "I don't do many booksignings anymore, but when Navajos come up tome at these events and say, 'I thought you were aNavajo: 1like that:' says Hillerman.

Perched prominently on a bookcase inHillerman's home is a wooden plaque calling theauthor a "special friend" of the Dineh. The NavajoNation gave Hillerman the award in 1987 "...forauthentically portraying the strength and dignity oftraditional Navajo culture." Hillerman, who con-siders himself a "reverse missionary" to non-Indian

America, says the award came as a complete surprise tohim. "They called me down to the middle of the rodeogrounds and presented it to me:' he says. "I was verytouched because it expresses what I've been trying to doin my books all these years."For more than 20 years now, Tony Hillerman has

been writing mystery novels involving two fictional,university-educated Navajo tribal policemen: the older,

more assimilated Joe l.eaphorn, andJim Chee, a young Navajo who is alsostudying to be a medicine man orshaman.There are IObooks in the seriesso far. The last four-Coyote Waits,TalkingGod, A Thief of Time and Skin-walkers-made The New York Timesbest-seller list. The books are also pub-lished in 14 foreign languages. Acouple of years ago, actor and producerRobert Redford bought the movie op-tions on Hillerman's books. He is cur-rently filming The Dark Wind-basedon a mystery of the same title-withHillerrnan serving as an adviser. Themovie is due to be released in the fall.

Deep Admiration for Navajo CultureSt. Anthony Messenger interviewed

Tony Hillerman at his home in Al-buquerque, New Mexico, on a sunnyspring morning. A large, friendly man,Hillerman says he chose to write aboutthe Navajos "because 1deeply admiretheir culture." He relaxes behind hisoffice desk and tells a favorite storythat accounts in part for that admira-tion."A Navajo 1 know wanted very

badly to be a surveyor:' Hillerman re-calls. "He wanted to work outdoorsand he liked math. So he got a job witha company where he was running thesurveying group on a power line. Now

one of his relatives had been recently killed in a caraccident. Then another relative died. And the wordco~es to this fellow that a sing, a curing ceremony, isgomg to be held for some member of the family to gethim back m harmony after all this tragedy. So he goes tohis boss and says, 'I've got to go to this curing ceremony

ST. ANTHONY MESSENGER

and it takes eight days: The boss says, 'Look, we've gota contract. We're behind. And you've been with us lessthan six months; you don't have any time off comingyet: So this Navajo has got a value judgment to make.And he makes it in the Navajo Way. Family comes first. Hegoes to the curing ceremony and he loses his job. Almostany Navajo would make the same decision."Another Navajo friend of Hillerrnan's has a brother

who is a "hot-shot" bronco rider in rodeos. "He had wonseveral ribbons at one point," says Hillerman. "But myfriend told me that his brother Joe was going to lose somerodeo contests because he thought he had been winningtoo much."To win too much at the expense of others, to have a lot

of money and material goods when people around youare without, puts one "out of harmony" in the Navajoculture, explains Hillerman. "It is taken for granted

readers by weaving complex thrillers in which Navajopolicemen use their wits and traditional ways to battleevil in a modern world.

Navaja Way and Franciscans vs. CrimeLt. Joe Leaphorn is "sort of our supercop," says

Hillerman character Jim Chee, the young officer withwhom Leaphorn eventually teams up, in Coyote Waits."Old as the hills. Knows everybody. Remembers ev-erything. Forgets nothing." Leaphorn works alone inHillerman's first three novels. In The Blessing Way, hepursues a Navajo who is posing as a witch in order tocarry out a massive, military intelligence-connectedcrime. After a young Navajo man is killed by this"witch," Leaphom tries to make sense of the murder inthe Navajo Way:

Why? Why did Navajos kill? Not as lightly as white men,because the Navajo Way made life the ulti-mate vaLue and death unrelieoed terror.Usually the motive for homicide on theReservation was simple. Anger, or fear, or amixture of both. Or a mixture of one withalcohol. Navajos did not kill with cold-blooded premeditation. Nor did they kill forprofit. To do so violated the scale of values ofThe People.... Where, then, was the motive?There was something about all this that wasstrangely un-Nauaja.Franciscan friars have worked with

Native Americans in the Southwest forthe last 400 years. And Franciscan char-acters figure prominently in twoLeaphorn mysteries, Dance Hall of theDead and Listening Woman. In the formernovel, a fictional Franciscan friar at theZuni Indian mission, Father Ingles,helps Leaphorn search for a missing Na-vajo boy-"the kind of boy if you canmake a Christian out of him will make

you a saint." Twin Navajo brothers in Listening Womango separate ways-one becomes a Franciscan priest andthe other an Indian-rights militant and criminal. Thebrothers end up confronting each other, much like themythological Hero Twins who represent human intelli-gence and aggressiveness in the Navajo origin story,their Book of Genesis."I'm very proud of the Franciscans in the Southwest,"

says Hillerman. "I'm made very cheerful by going toplaces like the Zuni Mission. They know how to savesouls there-by respect." The mission church at Zuni isfamous for its paintings of kachinas (deified ancestralspirits that personify different animals), a project thatwas supported by the Franciscans. Hillerman points to aposter of the Navajo alphabet in his office and says thatthe friars are responsible for the Navajo written lan-guage.Hillerrnan's novels are popular with Franciscans. Fa-

ther Gilbert Schneider, O.F.M., who serves as provincialfor Our Lady of Guadalupe province in the Southwest,has corresponded with Hillerman and highly respectshim. "Tony Hillerman has given me great insight intoNavajo metaphysics," says Father Schneider. "He hashelped me to see the process of evangelization amongthe Navajos more dearly. And he has also been very

IOi i~

I'•~A"special friend" of the Nevaios, as designated by the award behind him, Hillermon re,ently received theMyslery Writers of Americo's Grand Moster of Crime Fiction prize.

among traditional Navajos that if you have a lot ofmoney you're not a good person," he says. "Because, ifyou're a Navajo, you've got poor relatives. It goeswithout saying that you shouldn't have so much becauseyou should be sharing."To Hillerman, a lifelong practicing Catholic, the Na-

vajo philosophy of sharing goods in common sounds"dangerously Christian"-not Christianity as it is oftenpracticed in the United States in 1991, he says, butChristianity as it was meant to be lived. The religiousbeliefs of the Navajos and other Southwestern Indiantribes like the Hopi are in many ways different fromChristian beliefs. But Hillerman sayshe is deeply influ-enced by those Native Americans he knows who followtheir traditional religions. "When you're around Na-vajos and Hopis whose lives are very much affected by abelief in God, a faith, then you can't help but be affectedby that and made a little bit better yourself," he says.In an interview with National Public Radio last year,

Hillerman said he considered himself to be a "reversemissionary" to non-Indian America through his mysterynovels. America, he tells St. Anthony Messenger, hasbecome "a pagan, materialistic society" and could learnmuch from the Navajos and other Native Americans. YetHillerman doesn't preach in his books. He entertams

JUNE 199131

"

32

generous in supporting the work of the friars."

'Walking in Beauty' in NavajolandAfter several books involving Lt. Leaphorn,

Hillerrnan introduced Officer Jim Chee in People of Dark-ness. In contrast to Leaphorn, who is skeptical aboutwitchcraft and more assimilated to ways of the whiteworld, Chee is a romantic. His efforts to be both tribalpoliceman and traditional medicine man are like aRoman Catholic priest trying to serve also as a bankexecutive, Leaphorn thinks early in their relationship.Marilyn Stasio, who writes a crime column for The NewYork Times Book Review, has called Chee "a mystic and theChrist figure of the series."In People of Darkness, young Chee proves his mettle by

facing off with a sociopathic hired gun and falls in lovewith Mary Landon, a white schoolteacher on the reserva-tion. In The Dark Wind, he stumbles into a drug war. Apilot and his passenger are killed while flying cocaineinto a remote section of Navajo-Hop! country, and itsoon becomes apparent that the plane crash was notaccidental. As a policeman, Chee can aid the pilot's sister

in finding out who was responsible for the crash. But asa Navajo raised in the traditional way, he is culturallyhelpless to deal with her desire for revenge.Someone who violated basic rules of behavior and harmed

you was, by Navajo definition, "out of control." The "darkwind" had entered him and destroyed his judgment. Oneavoided such persons, and worried about them, and waspleased if they were cured of this temporary insanity andreturned again to hazro. But to Chee's Navajo mind, the ideaof punishing them would be as insane as the original act.The Navajo goal of hozro, of "walking in beauty"

and being in harmony with all creation, permeatesHillerrnan's novels. After confronting the killer in Peopleof Darkness, Chee decides to ask his uncle-who is ashaman and is training Chee to become one-to performan "Enemy Way" ceremony to heal him from his en-counter with evil, to allow him to "go again with beautyall around him." In Dance Hall of the Dead, Leaphornreflects on the Navajo Way taught to him by his grandfa-ther: "that the only goal for man was beauty, and thatbeauty was found only in harmony, and that this har-many of nature was a matter of dazzling complexity."

Tony Hillerman seems to take more pleasure inknowing that his books are read and loved by Na-tive American schoolkids than by the fact that theyare nationwide best-sellers.He laughingly recalls a Navajo student who once

told him: "Mr. Hillerman, I have to read your booksor drop out of school!" One of his "proudestawards" was when an Indian woman librarian toldhim that "kids, especially boys, read your books andsay, 'Yeah, this is us and we win in them!' II

Although he doesn't speak at schools as much ashe would like to, Hillerrnan has a basic message forIndian youth. '1 like to point out to them that theirown life is raw material for writing, for fiction-which never dawned on me when I was growing upin a very similar kind of circumstances, poor, ruraland isolated." He also emphasizes to the kids that"they can do anything they want to do, as long asthey get an education." A week doesn't go by, saysHillerman, when he doesn't get a fan letter from aNative American youngster.Students at 51. Catherine's Indian School in Santa

Fe, New Mexico, are among Tony Hillerman'syoung fans. Before and after roller-skating in the

;I•~

1hese boys ot St. Colherine's Indian School in Santo Fe New Mexico avidlyread Tany Hillerman's mysteries. "

school's gymnasium on a recent Saturday night,a .group of them shared their reasons for likingHillenna~ mysteries. They mentioned, among otherth~gs, bemg pleased with the author's portrayal ofa fictional 51. Catherine's student in The Glws/way

ST. ANTHONY MESSENGER

f

ash. But as, cui turally

ind harmed, The "darkrment. One1, and was.sanity andnd, the ideanal act.n beauty"permeates"in People-who is a:0 performrm his en-ith beautyleaphorns grand fa-, and thatt this har-plexity."

The vast, desolate beauty of the Southwest permeatesHillerman's books as well. "The sense of place in mynovels is very important; it' 5 almost another character. Itaffects the plot in every book almost without exception,"Hillerman tells St. Anthony Messenger. Readers quicklybecome familiar with a sacred land not their own: theredrock canyons, arid deserts and moonlit mesas of the25,OOO-square-mile Navajo Reservation sprawled acrossNew Mexico, Arizona and Utah. The author makes it apoint to learn well the locations he uses. "Spots I want towrite about I really need to memorize sensually," he toldThe American West, "in terms of lights and shadows, theway things smell, feel and look. Then when I am reallycomfortable with a place r can write about it."

No Money, Sex or Violence in NovelsIn Skinwalkers and later novels, Joe leaphorn and Jim

Chee forge a wary alliance. Hillerman's recent booksdelve more into each character's personal life than didhis earlier novels. The tensions in Chee' 5 cross-culturalromance are explored, as is his growing friendship withJanet Pete, a Stanford University-educated Navajo

lawyer. The reader vividly experiences Leaphorn's grieffor his recently deceased wife, Emma, and sees thesolace he finds in a friendship with Professor LouisaBourebonette, a white woman.

"I get quite a few letters from readers who hated itwhen Emma died," says Hillerman. Her death from abrain tumor actually came about in the author's imagina-tion quite by accident. "I was trying to figure out how tomotivate leaphorn to do what I needed him to do in AThief of Time, which was go off on a wild-goose chaselooking for a missing anthropologist. I suddenly sawthat as a widower, grieving, leaphorn would do thisbecause he could picture Emma saying, 'Go find her.'Emma alive would not have said it."One of the challenges in his next novel, says the

author, will be to develop the friendship betweenl..eaphorn and Professor Bourebonette. "Here are twopeople, both mature, both intelligent, who have a lotof intellectual interests and things in common," saysHillerman. "Now most of his adult life leaphorn wasmarried to Emma, a woman he dearly loved but whoseinterests centered around family. Then he meets Pro-

iI•~

IXico, ovidy

Y night,,r likingng othertrayalof;/wstway

ents about the Navajo Way,"says Marci Platero, 18, a Navajofrom Crownpoint, NewMexico. "Some of our parentsdon't know some of our cere-monies because they are mod-ernized. But Hillerman's booksshow us how to get back to theold way; they show us how tolive."Marci's first cousin, Sha

Marie Delgarito, 14, comments:'When you say 'reservation,'many people think of Navajos

as drunk and stupid in Gallup [a city adjacent toNavajoland inNew Mexico.] But Hillerman's booksshow that Navajos are respectable and have dignity.When you read his books, you are proud to be aNavajo."Kurt Begay, 18, a Navajo also from Chinle, says

that Hillerrnan's books "have powerful spiritualmeaning behind them. They help me to respect myIndian culture and to become an all-round betterperson."

who courageously saves OfficerJim Chee's life and her own.

Marklyn Chee, 18, is a Nava-jo from Chinle, Arizona."Hillerman's descriptions ofeveryday Indian life are accu-rate and all the places he writesabout are very familiar," he ~says. "I like the way lim Chee's ~ •character uses the Navajo Way ito solve modern problems.Hillerman emphasizes in his Shu Marie DeIgor~o ond Mor<iPIotero olso like Hllerman.books that to become someone,to make a name for yourself,you have to know where you came from, you haveto know your culture. That encourages me person-ally." .Nolan D. Esquibel, 15, hails from San Felipe

Pueblo in Algodones, New Mexico. He believes"more Indians should read Hillerman's books sothey can understand how other tribes live, instead ofmocking them."

"'(oung people learn a lot from his books. Theygive us questions to ask our parents and grand par-

\.1ESSENGER JUNE 1991 33

fessor Bourebonette-a woman who shares his interestsin cultural roots, mythology, where ideas come from-someone he sees as a companion. And he's a lonely man.Bourebonette appeals to him, but he doesn't want toopen up an emotional can of worms. Now how can hetell her that? How is he going to find out that maybe shefeels the same way? That two people can love each otherwithout having sex enter the scene. That's going to behard to write. I'm not sure I can do it. There's a lot ofthings I want to do in books that don't get done becauseI'm not a good enough writer to do it."While Hillerman may have occasional doubts about

his ability as a writer, the critical acclaim and awardshe has received should keep them in perspective."Hillerman deserves to be included in any list of the bestliving mystery writers:' the Dallas Morning News pro-claimed. "[He] transcends the mystery genre:' stated TheWashington Post Book World. "Whatever your pleasure,you can't go wrong with this gifted, skillful and ...uniquewriter," according to the San Diego Union. A past presi-dent of the Mystery Writers of America, Hillerman hasbeen given their Edgar Allan Poe Award and GrandMaster of Crime Fiction prize. He has also received theSilver Spur Award for best novel set in the West.Commenting on the fact that his novels are virtually

free of money, sex and violence, Hillerman says that allHarper & Row, his publisher, expects him to do is "tell agood story." He says he is "turned off by people whopander to cruelty" and refuses to do it in his books. Asfor sex, "there are plenty of guys and gals turning it outby the thousands of pages:' says Hillerman. "I don'tthink people particularly buy my books to read that.They certainly haven't been led to believe they are goingto get it."The "exoticness" of Hillermari's first novel. The

Blessing Way, led a New York agent to reject it out-of-hand. "If you insist on rewriting this, get rid of all thatIndian stuff:' she said. But Hillerman refused and in1970 the novel was published by Harper & Row. Today,Hillerman has a contract worth over a million dollarsand is one of the publishing company's best-sellingauthors.

Growing Up With Native AmericansFor Tony Hillerman, Native Americans were never

exotic people. As a boy, the Indians were his neighborsand classmates-poor and rural just like him. Hillermangrew up in Sacred Heart, Oklahoma, on a farm withoutelectricity or running water. He and a few other boyswere allowed to attend St. Mary's Academy, a school forIndian girls run by the Sisters of Mercy. "The nunsforgave us for not being Potawatorrues," he told The NewYork Times, "but they never forgave us for not beinggirls."Hillerman fought in World War II in Europe, where he

sustained severe injuries and earned a Silver Star. Homeon medical leave in 1945, he had an encounter withNavajo Indians that changed his life. While drivingoilfield equipment from Oklahoma City to Crownpoint,New Mexico, in a new job, he came across a group ofNavajos on horseback. Wearing elaborate face paint andfeathers, they were holding an "Enemy Way" ceremonyfor newly returned war veterans-eleansing them of alltraces of the foe. Fascinated by the "living culture" of the

34

Navajos and by the beauty of the land, Hillerman be-came determined to move to New Mexico. A few yearsafter obtaining a degree in journalism from the Univer-sity of Oklahoma, he did just that with his wife Marie.The Hillermans raised six children in Albuquerque, fiveof whom they adopted. Today, they are proud grandpar-ents of 10.After a IS-year career in journalism that included

working for United Press International and serving aseditor-in-chief of the Santa Fe New Mexican, Hillermanbegan to pursue other kinds of writing. While teaching atthe University of New Mexico-where he picked up anM.A. in English literature-he wrote such books as TheSpell o[New Mexico, aFodorguide to New Mexico, and RioGrande. He was then ready to try his hand at fiction.Influenced by mystery writer Raymond Chandler andCatholic writers Graham Greene and G. K. Chesterton,Hillerman decided the mystery genre would be hisformat and the Navajos his subject.

Shunning Materialism, Following DreamsJack Weatherford, an anthropologist at Macalester

College in St. Paul. Minnesota, and author of the bookIndian Givers, which details Native American contri-butions to the modern world, is a Hillerman fan."Hillerman's books are so captivating that, no matterwhere you are, he pulls you into his world," he tells St.Anthony Messenger. "Hillerman really is a bridge betweencultures and that, I think, is part of his genius. When weread his books, we're being entertained and we're en-joying it. We don't think of it as learning or studying, buthe is actually teaching us more about another culturethan anthropologists ever do in a lifetime."Followers of Hillerman's books include Bishop

Donald E. Pelotte, a Native American who is bishop ofGallup, New Mexico, and Episcopal Bishop Steven T.Plummer, a Navajo. Bishop Pelotte was surprised andpleased when Hillerman "mentioned me in Talking God,'and Bishop Plummer says that "Navajos are more recog-nized across the country because of his books."Perhaps the only visible sign of Hillerman's success as

an author is his new, gray adobe-style home in Al-buquerque. Yet he wonders at times if his spacioushome--built in a rural area with a magnificent view ofNew Mexico's Sandia Mountains-goes against hisvalues. "I'm a good Catholic and a good Christian in thesense th~t I de;,ply believe. But I'm better talking about itthan doing It, says Hillerman. "For example, I don'tneed this big house. It's comfortable and we love it. Butdowntown in Albuquerque, there's a lot of people whoare homeless." .

Hillerman refuses to ease his conscience with the factthat he gives generously to charity. He also refuses toelaborate on this part of his life, saying that he followsthe gospel mJunctIon of giVing quietly, "without eightguys gomg before you blOWing on trumpets." He sayshIS wlfe~Mane, who has taught catechism at Assump-tion Parish ill Albuquerque for many years, "is a muchbetter Christian than I am."Despite his newfound wealth, Hillerman has drawn

t~e line so far at buying a Jaguar automobile. "All my lifeI ve always admired the Jaguar, but I cannot bringmyself to buy one. It just seems obscene. It symbolizesconspICUOUSconsumption, unfortunately." He likes to

ST. ANTHONY MESSENGER

quote the late Louisiana populist politician Earl Longwho once said that "putting me in a Jaguar would be likeputting socks on a rooster."Hillerman feels strongly that "you simply cannot de-

fend a materialistic society. You can't find the material todefend it in the Gospel." If he were ever Pope, he says, hewould "hold the world's biggest garage sale" and sell offall the Vatican's treasures. He would also "dismiss theCollege of Cardinals and thank them for the fine jobthey've done." He would then "appoint new cardinalswho had worked directly with the poor, including a fewwomen like Mother Teresa."Hillennan learned to shun material wealth and to

follow his dreams from his older brother, Barney. "I waslucky in having a brother who is unusually wise," saysHillerman. "Our dad died when we were teenagers andBarney and Iwere very close. I remember telling him oneday about my ambitions-that I was going to be suc-cessful and make a lot of money and get off this damnfarm. He asked what good is money when you've gotyour rent paid and you've got food and clothing. Beyondthat, he said, what can you buy with it?"Barney's point was that the only thing good about

having money is "that you can ransom yourselfback from the system," continuesHillerman. "What you've got to do, hesaid, is find a way to get your basicneeds met doing something you like todo, so you don't have to buy your timeback and thus don't have to have a lotof money."Tony Hillerman found writing and

learned to be frugal. He and Marie still"clip the 15-cent coupon on the marga-rine," says the author. "You don'tchange the habits you've formed over alifetime." Tony is still close to hisbrother Barney, who followed hisdreams by abandoning a career in ge-ology for one in photography. Hiscompany employs "paroled armedrobbers" and others in need of a job anda new start in life. The two HiIlermanbrothers have collaborated on abook about the Southwest entitledHillermans' Country which will be pub-lished soon. Tony is also at work on ananthology called The Best of the I'Ikst.Sometime in the next year, Tony

Hillerman's newest mystery will bewritten and published. In it, JoeLeaphorn and Jim Chee will work moreclosely together as Leaphorn prepares toretire. Though the senior Navajo po-liceman may eventually step down, fansof Tony Hillerman can rest easy and,from their armchairs, continue theirjourney through Navajoland. The au-thor at 65 has no plans of retiring anytime soon. •Catherine Walsh is an assistant editor of this publico/ion. MarciaKeegan, whose color photographs appear in this ctticie, is the author ofEnduring Culture: A Century of Photography of the Southwest Indians.

(Clear l,ght Publishers. $29.95)

JUNE 1991