© 2018 IJRAR November 2018, Volume 5, Issue 4 Artist ...ijrar.org/papers/IJRAR1BHP139.pdfArtist...

© 2018 IJRAR November 2018, Volume 5, Issue 4 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138)

IJRAR1BHP139 International Journal of Research and Analytical Reviews (IJRAR) www.ijrar.org 806

Artist Vision to See Beauty of nature

1.0Abstract:

In this research paper, the researcher wants to examine the artistic visual language of nature in the field

of art and how nature can play an important role in the mind of the artist, this bring radical change and

has changed the whole vision to art.

Many artists work on nature, artists like Andy Goldsworthy and Richards Shilling. Art in this nature

Nature has established the perspective of architectural landscapes, country art is the most interesting

artistic experience and how natural materials, working techniques and landscape are managed by the

artist. The art is created with specific materials from the surrounding area and converted into the

landscape. landscape also has an aesthetic effect and an ecological aspect. Through works artists seek to

raise awareness of the destruction of nature made by humans and the impact can be seen in global

warming on the environment. Artists' penchant for unprocessed materials, love of art and landscape has

led to amazing works that have a special and great visual effect, and at this point create a scene, we can

say that pure art that we will find in works of art. The visual effects of these works are very impressive

both by the harmony between the working dimensions and the shapes, the material (plants, trees, stones,

sand, etc.) and the landscape chosen to create these incredible artworks.

Keywords: Land Art, Richards shilling, Andy Goldsworthy, nature, environmental art stone, sand,

leaves, modern ,

Shyam Singh Rawat

Department of Humanities

Lovely Professional University, Punjab, India

http://www.ijrar.org/



2.0 Introduction:

The modern artist, who is looking for many plastic methods to express, must express himself to fix these

combinations of artistic language.The tendency of the modern artist is to dedicate the modern, dynamic

world and free up the paintings and traditions of the past to constantly evolve. The art of the 21st century

undergone a revolution change. New styles were born due to myriad influences, themes used and new

materials that created an astonishing variety and power. Earth art is an artistic movement that combines

landscapes and human artistic creation in the original way. These artists strive for landscape and

environmental potential through unprocessed materials and are selected for their earthworks

3.0 Methodological procedure:

The purpose of this article is to show how artists can create landscape architecture with simple natural

means, even in the place where work will be put. In this way, they always sample the ability of different

materials, techniques, locations to create fantastic works. Art Art of the Earth/Art Nature/Nature

Landscape is one of the perspective of architecture's most interesting artistic experiences. The art created

with integrated specific field material in the landscape has aesthetic effects. Through their terrestrial

works, artists try to raise awareness of the effects of the destruction of nature and heating up the

environment. Robert Smithson, for example, transformed a place where industrial waste was collected in

one of the world's most famous land art, in place to protect nature. Those who make artist works and land

looks are: Andy Goldsworthy and Richard Shilling.

4.0 The purpose of research:

The current research problem concerns our modern life. Art products from the last nine decades have a

strong impact on the recent development of rural art activity in our country. And this research will help

find the beauty of nature and natural objects.

5.0 Scope of the research problem:

The investigator believes that the problem area is very large. There is still a chance, an opportunity for

sculptors, social scientists and art historians to improve the standard of knowledge. The lack of

professional written content and qualified analysis was a weakness for this investigator. The shift that

took place in the art trends and evolved from the first to the second phase of experimentation and

subsequent creative journey the respective thought processes of the graphic artists in the corresponding

stages must be balanced. This study has the potential to provide current generation art enthusiasts with

multifaceted information that has been elusive to this date generation




6.0 Analysis of the material evidence: Artist whose who are working fantastic works with natural

material are Andy Goldworthy and Richards Shilling are the artist working with environment, they give

many evidence of their artwork from interview, videos, artist writings.

6.1 Andy Goldworty:

He is a British sculpture artist ,photographer and land artist . Also an environmental producing site –

specific sculpture land art situated in natural and urban settings.

Time and place is the most important part of his artwork. He also constructed his artwork without

interrupting the nature or surrounding. Balance is the strong part and most important part of his art work.

Even we can see lots of patience in his work and best part of his work is that he only uses natural material

from the surrounding where he is creating his artwork. Colour also plays an important role in his art

work. The best thing in the artwork is hat artist doesn’t think too much he only make what he see in

nature and creating in his own way and Andy Goldworthy artworks are visually very appealing and

attractive.

6.1.1 Red leaf patch :fig.1 the patch from colored leafs has been created by Andy Goldworthy and the

inner circle is created by red leafs and the outer part of the circle is with some dry and wet leafs and the

whole composition is in the ground level, this work was executed in November 1983. the use of

red, circles, leaves, patches, torn can be seen in whole composition.

6.1.2Hanging hole:fig.2 this art work is created in Holbeck , leeds , this beautiful hanging hole is created

between the hollow space covered with green plants and trees and the pattern created in the center made

from the sticks which is very difficult to make and take lots of time to make this whole artwork which

tell how beautifully the natural material can be used to create a meaningful artwork .

6.1.3Sand edged: fig.3The Sand Wiggle was not only about the material I used, but about the conditions

around it. He firmly believes that the material is not only about itself, to understand it correctly, you need

to understand the space around it. mean you said why and how he got there, where he's going and the

rest. But the Sand Wiggle was pretty much the light very early in the morning it was a very sunny

summer and I could depend on the sun, which is unusual. started this work just before the sun rose in the

morning and brought the sand to an edge to catch the morning light its in a very fluid form which,

suppose, subconsciously reflects the presence of the sea.

6.1.4 Broken stone spiral:fig4In the evening went to the little beach to work like the sunwent down and

the time of the completion of the work sunset evening time. It was not easy to broke stones cracked in

two . White striped around cracks makes a kind of spiral that adapted to this work that's how shapes


https://www.goldsworthy.cc.gla.ac.uk/search/?what=*red&search=99

https://www.goldsworthy.cc.gla.ac.uk/search/?what=*red&search=99

https://www.goldsworthy.cc.gla.ac.uk/search/?what=circles&search=99

https://www.goldsworthy.cc.gla.ac.uk/search/?what=leaves&search=99

https://www.goldsworthy.cc.gla.ac.uk/search/?what=patches&search=99

https://www.goldsworthy.cc.gla.ac.uk/search/?what=torn&search=99



such as spirals/circles/balls appear out of manufacturing and not taken there to be taxed When this job is

steep the stone are broken very carefully to create spiral

6.1.5sycamore leaves, stitched together with stalk hung from tree:fig5 This approached the

commission and the city like any new place - a map in one hand, looking for places to work. And really

couldn't say what my stress could get to come first with my eyes, especially in a place not to be easily

associated with my work. It was the highlight of the Commission and having a free brief allowed my

work to grow day by day in response to location, weather, weather and content. Rough strips of parks

and especially land that often limit them. Although my work is very private and private, it is usually done

in a public place. Enjoy the social nature of parks and feel comfortable working among dog walkers,

joggers, kids, footballers... There is still something to find. Duff, elm, chestnut - the most intense has

arrived during a week of autumn and has experienced the most extraordinary range of colors in scattered

leaves everywhere... Worked with leaves and a light that changed dramatically each day — from dark

cover to an intense autumn glow that only comes on a clear day after heavy rain. Glasgow brought

through the leaves developed over the years to achieve cleavage and a yellow streak - the idea of finding

the right time, location and material. Innovation has done — a hanging sheet of yellow leaves, one of the

best pieces ever made — and among many other starting points — markers for work will be discovered in

the future.

6.2 Richard Shilling: Richard Shilling is also a British artist and photographer working in the field of

land art and sculpture in North East England. He is inspired from Andy Goldsworthy and his dream is to

become like him. He also uses natural material to make his artwork and the material is from the

surrounding where he is making his sculpture or installation. He create his work with leafs, stones, sticks

and many other natural materials and balances those materials.

Richard shilling plays with natural light very much and take photographs of his each work because some

of them are not durable. How to play with light he know very well and making surrounding the part of his

sculpture. There are some sculpture below we can see how beautifully he has used the materials and

played with natural light.

6.2.1 Maple Vein Squares:fig.6 It's been pretty much non-stop rain, it's been very windy and autumn is

definitely upon us as nights are drawing so clearly. Feeling really sad and directionless and can't save to

curl into a corner and deal with that despite having had endless lymasy things to hide. One consequence

of this mood is that my creativity has dried up and so I didn't feel the satisfaction or much needed console

that comes from creating some art with all the stress that was beginning to destroy the creative edge and

won't know how to ignite it once more. But perhaps all the land art after this behavior draws to a close of

a period of abundance as dredge to deep feelings of sadness coming into the season. Perhaps Mother

Nature should be turning as all beings at this time of year. As the work week started to draw a close sun to




shine then a dinner took away blowing cobwebs. The warmth on my face started to change from sadness

to a glow in my stomach and it soon grew to genuine satisfaction. It is those things we call little things

that have the most profound impact on us whether we know about them or not. Small things should be

called really big things because of how they really feel. A new leaf and dappled sunshine shine through

transparent leaves in your first autumn flush through that where you lose a season you have another

benefit and autumn is as wonderful as spring. A maple tree and leaves on three of it branches were now

changing every color under the sun and one of those little things — the beauty of nature — is all it

glorifies in front of me. Some of those and a black poplar took some yellow leaves from the tree and just

followed wherever my imagination took me. The right angle veins of dark maple leaves, bananas of black

poplar were combined together red of yellow and maple stalks until it felt just right. The wind was still

blowing strong so some would need luck to get a picture in the can. The leaves kept twisting in the air,

but as my camera stepped back to tiltthe hardcore frame and put the whole sculpture under stress keeping

it upright and straight and still. It seems that fate had returned to me and my art where just hours ago I

thought there was none. We can find happiness in all the little things you just need to leave yourself open

to find them. And as to my right in the garden write these last sentence glances and a beautiful sparrow

hawk is sitting on the wall in a pool of sunshine.

6.2.2 Rainbow Sun Wheel:fig.7It's completely unexpected. Never seen that done before.0 "At first the

wheel of the sun was getting a little too big for it to have shoes. All the attention is getting a few weeks

ago that it has been swanning around the demanding house and how humming about how's not it. "No-

one understands me, its hard being a celebrity. "Well bringing her down to a peg or two then made her

slap a bit around to a big sister. There has been a remarkable improvement, you will be happy to know, he

has even brushed his hair and doesn't only interact in grunts and frowns now. Some travel to work earlier

this week and put in a few extra hours friday and weekend as fair work are set early and got home just

before lunch. It was met with a frown. I think the clever excitement for a fair weather weekend won't go

down well with someone who works Friday afternoon and evening and Saturday morning! Especially

after we went out yesterday evening and collected a bounty of beautiful coloured leaves that she then

lovingly arranged on the dining room table. I'm them I thought! Guess there's someone else round here

who needs to slap around a bit. It was constructed in the same way before using hazel, to pin it all

together to divide leaves, reed grass circles and thorns from several different bushes. The leaves

themselves were fixed. Some large leaves then went in those middle, the rest were much smaller and

therefore sought to put in the smaller frame. Also available were more orange, red and brown with only a

few yellow leaves collected and the green leaves were fresh and therefore had to be used sparingly as they

quickly withered in strong sunlight. Lessons of other land art learned today. The sun moves! No, actually

it does! The banks of the cloud kept rolling past and when the sun reappeared I had to keep the sunwheel




moving so it wasn't in the shade. As I've explained before land art is a lot "Deep and meaningful 0 "And I

think this sun movement could be on something with the thing, I think that could explain what happens at

night. It's never, ever the right temperature. It's only ever too hot or too cold. Today the sun was very

strong and it was far warmer for anyone other than Lizard and California.

6.2.3 Maple Sun:fig.8Thinking about taking a break or at least slowing down as everything has been a bit

frantic lately. Just start churning them out, but it seems almost obsessive. But then everything is true and

honest, comes from the heart and means something to me. I blame the weather. It was great recently that I

loathe good sunshine when working this morning to change the weather definitely. After not exceeding a

fortnight of rain, it was absolutely chucking it. The garden will be grateful and an applied comfort from

doing anything will do me good. Pretty sunshine in either afternoon and couldn't waste an opportunity.

Two maple trees in the garden in the pot. Produce dark red leaves in one spring and the other is pink.

Yellow and yellow orange. They are small and delicate and beautiful. Another cycle with leaves rested it

in mind that it looked like the flaming sun. Then attach it to a box. Painstakingly planted small leaves on

the post frame they soon became limp and won't remain honest. It wasn't going to work, but unseen what

the fact that the sun was looking for a patch to take a picture. A place and can't ignore it now - it wasn't

really going to work. An empty to score 100 out 99 times is rare for me. So, what needs to be done is

prepare another frame with a small strut to catch the edges of the leaves, which can work and try again in

a few days. As out in the park anyway I went to reconnaissance different places to see where the sun hit at

this time of evening when the light is good. Park traipsed past several courtship couples on the bench.

Luckily they were embarrased to see me so the score was as nonchalantly faked as one was taking the

sticks what leaves on what people make me to wonder for me. Just before about went to leave the park

and tried another place, a good place with the sun in a right place. It's my luck that the Suns won't come

out again for a while, thought, but here's something can do and get a good shot when an opportunity next.

Then looked in front of the load of snakehead fritili planted everywhere. Three times recently after

seeing someone ever before now. And the next one spied on beautiful red maple leaves. So killer - corner

maple was adorned with the most amazing Japanese gorgeous pink leaves that were much more sturdy

and perfect for what orginally in mind. Added that the light was right and these pictures are just as they

came out of the camera. The sun was falling as much time fast, but where some in the quick and muddy

build it up with the spectacular opposite. It has convinced me not to slow down yet. The beautiful weather

over the years was both sides

6.2.4 Maple Leaf Lantern:fig.9 The idea steeped on the back of the mind only for it to reappear now that

started messing around with weaving. The weather at the weekend began to foul so some dogwood and

willow sat indoors with collecting and splattering rain against the window and building a tear drop-shape

frame. Bright yellow of the willow against the rich green of Dogwood. It covered with leaves but that




didn't work so much bark paper birch instead and I failed on it either. It was probably just as well as it

would have been highly flammable! Finally she decided to leave it open with a candle inside as it casts a

nice shade on the roof. Decide what the shadow will create for the lantern. Well there was nothing more

to it but something with strong colours. The hole in the front frame found a nice maple leaf, rich red and

perfectly shapefit. And finally wove a stand on the inside on which the candle place. Now the admit didn't

make candles out of things collected in nature. A wick may be woven from underarm hair and made

candles to collect ear wax, but Frank can't be bothered. This land art stuff is supposed to be fun you

know! Love to learn about nature and its contents, but 24 hours later drag the line on earwax candles,

there was still injury against the rain window. The land was destroyed and rivers were ripped off. The

wind was bending over trees until their canopies touched the ground. After Elvis left, the summer

certainly went off the stage. The autumn storm and rain definitely took place with full strength. Forty-

eight hours later it finally stopped raining, but the wind wasn't abated. I tried to take pictures of lanterns

inside the house. A ring through my top and hung from the lampshade in the front room. It was still

impossible to keep it and it scored very slowly. There was no way long shutters could get a sharp picture

with the time that needed to be. But anyway my picture needed to be taken on the road and indoor

problems were irrelevant. It will need to happen soon as the ingredients will soon curl up and dry. Finally

saw in the evening that the wind had gone. Not just weakened, but was completely closed. It was still as

possible as possible. It's quite a concierge on the west coast of England. The Atlantic rarely gives us air

still. So things were finally coming together. This time I put a stick inside the lantern so that it could be

put at stake in the ground and it would not spin. I took it from the back to the bottom trees and set it

against the dark foliage. The ground was muddy and saturated and I squeaked around as I tried to light the

candle inside. There was some scrabbling around in the undergrowth before a planop in the water, which

revealed its aquatic nature. Wonder what it was? There aren't many snakes or crocodiles round my way

so think it was a mammal of some kind. Set the shutter speed for the 'bulb' and the minutes in my head

were numbered, tick-folded my head left and right like a metronome as I reached the numbers until two

minutes. After many go he was happy and trudged through the mud towards the home. The wind was

really miraculously still. Two and three minutes of exposure were completely sharp and I wanted the

picture. Didn't believe it would manage as willow frames are light enough and will easily blow up even

in the lightest air. However, there may be further trouble, as now the idea wants to be purified. But if still

relying on the wind my opportunities could be few and far between. Great first to succeed, but going well

before can lead to frustration and disappointment when he tries again. But actually it has to do with many

lanterns of different colors again




7.0 Conclusion:

There are some very beautiful artwork created by artist and the all are well balanced and creative the

best thing is that all artwork are created from the local material which can be very easily available and the

best part is that the whole material used by artist are from the nature the actual beauty can be seen in the

works and one thing artist do is that he create his artwork between nature which is also plus point for art

and best part is that hoe artist see the world and find creativity from the same nature in which we are also

living, we also fine some disadvantages while working on there works what ever they are making is not

permanent . all over they are a fantastic artist for land art and there vision to see beauty in the nature.

8.0 References:

1.Visual Melt - Andy Goldsworthy's Natural Sculptures

2.Official Site of Andy Goldsworthy Digital Catalogue

3.Richard Shilling. Co .uk.

4.www.lep.co.uk/news/artist-richard-shilling-talks-about-lancashire-countryside-inspires-his-

breathtaking-work-

6 lecture ,.National museum, Scotland (feb,9,2012) publishd on (nov,10,2014) Image

5. Goldsworty .A (sep 1 1990) Andy Goldsworthy: A Collaboration with Nature


http://visualmelt.com/Andy-Goldsworthy

http://www.goldsworthy.cc.gla.ac.uk/

https://www.amazon.com/Andy-Goldsworthy-Collaboration-Nature/dp/0810933519/ref=sr_1_1?keywords=andy+goldsworthy+book&qid=1585573582&sr=8-1



10.0 Image Gallery:

Fig.1 Red leaf patch Image Source Retrieved on 30 March 2020 from

www.goldsworthy.cc.gla.ac.uk

Fig.2Hanging hole Image Source Retrieved on 30 March 2020 from





Fig.3 Sand edged Image Source Retrieved on 30 March 2020 from


Fig.4 Broken stone spiral Image Source Retrieved on 30 March 2020 from





Fig.5 sycamore leaves, stitched together with stalk hung from tree Image Source Retrieved on 30

March 2020 from www.goldsworthy.cc.gla.ac.uk

Fig.6 Maple Vein Squares Image Source Retrieved on 30 March 2020 from flickr.com




Fig.7Rainbow Sun Wheel Image Source Retrieved on 30 March 2020 from flickr.com

Fig.8 Maple Sun Image Source Retrieved on 30 March 2020 from flickr.com




Fig.9 Maple Leaf Lantern Image Source Retrieved on 30 March 2020 from flickr.com


https://www.flickr.com/photos/escher1/3864345717/

https://www.flickr.com/photos/escher1/3864345717/

Date post:	27-Sep-2020
Category:	Documents
Upload:	others
View:	1 times
Download:	0 times

© 2018 IJRAR November 2018, Volume 5, Issue 4 Artist ...ijrar.org/papers/IJRAR1BHP139.pdfArtist...

Documents