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© Boardworks Ltd 20031 of 19
Twelfth Night Act Two
For more detailed instructions, see the Getting Started presentation.
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© Boardworks Ltd 20032 of 19
Plot summary exercise
Complete the plot summary by filling in the blanks:
We find out that ____________ is still alive, rescued
from the sea by ___________. Sebastian wants to go to
visit ________, but this is dangerous for Antonio. Olivia
talks about her love for Cesario. Sir Toby and Sir
Andrew are having a party. Malvolio tells them to stop,
as they are disturbing _______. Maria has a plan to
send Malvolio some __________, pretending that Olivia
is in love with him.
Sebastian
AntonioIllyria
Olivia
letters
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Cesario talks to ____________ about love, saying that
‘he’ loves someone like the Duke. Feste, the Duke’s
__________ sings about love. Orsino sends Cesario to
visit ________ again. Malvolio finds the __________
that Maria has written, and thinks that it is from Olivia. In
the letter, Maria tells Malvolio to wear __________
stockings. Malvolio believes that he can marry Olivia.
Orsino
clown
Olivia letter
yellow
Plot summary exercise
Complete the plot summary by filling in the blanks:
© Boardworks Ltd 20034 of 19
The comic sub-plot
The characters in the comic sub-plot reappear in Act Two, Scene Three.
On the next slides you will find blank character studies for three of the characters. Complete the character studies for each person, then look at the suggested answers to check what you have written.
All the information you need to complete the character studies can be found in the text of Act One and Two. If Shakespeare does not specify a particular detail, write ‘unknown’.
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Name(s): ___________________________________
Occupation: ___________________________________
Relatives: ___________________________________
___________________________________
Personality: ___________________________________
___________________________________
___________________________________
Maria
© Boardworks Ltd 20036 of 19
Name(s): Maria
Occupation: Olivia’s maid
Relatives: Unknown
Personality:
Clever - she appears to be well educated, as is shown by her letter writing skills and her witty dialogue.
Fun loving – she suggests writing the letter to Malvolio.
Sensible – she tells Sir Toby off for drinking and making a noise. She is confident of her position in the household.
Maria
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Name(s): ______________________________
Occupation: ______________________________
Relatives: ______________________________
______________________________
Personality: ______________________________
______________________________
______________________________
Sir Toby
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Name(s): Sir Toby Belch
Occupation: none
Relatives: uncle to Olivia
Personality:
Lazy – he doesn’t work and borrows money from Sir Andrew. He drinks constantly.
Good humoured – he teases Maria and makes fun of Sir Andrew. He seems to enjoy life, making up words and jokes.
Sir Toby
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Name(s): ___________________________________
Occupation: ___________________________________
Relatives: ___________________________________
___________________________________
Personality: ___________________________________
___________________________________
___________________________________
Sir Andrew
© Boardworks Ltd 200310 of 19
Name(s): Sir Andrew Aguecheek
Occupation: knight
Relatives: unknown
Personality:
Foolish, he is easily persuaded to give money to Sir Toby, and to stay on in the house in the hope of wooing Olivia.
Sir Andrew
© Boardworks Ltd 200312 of 19
Questions – Act Two, Scene Three
1. Why do the other characters want to make fun of Malvolio?
2. What does Maria mean when she calls Malvolio a ‘kind of’ Puritan?
3. What is Maria’s plan?4. What do you learn about the relationship between Sir
Andrew and Sir Toby in this scene?5. What do you learn about the relationship between Sir
Toby and Maria in this scene?
© Boardworks Ltd 200313 of 19
Detailed analysis
On the next slides, you will find an extract from Act Two, Scene Four, with a detailed analysis of this piece of text. This will help you learn the techniques that you will need to employ when approaching the play as a whole.
There are various themes and images which become apparent in this section, and some of these are explored in more detail in the presentation on Act Three.
Remember, when you are analysing the text, never lose sight of the fact that Twelfth Night is a play. Think about how you might put across some of these themes and images on stage. What could the characters do to ‘point’ to these particular words?
© Boardworks Ltd 200315 of 19
Viola: Say that some lady, as perhaps there is,Hath for your love as great a pang of heartAs you have for Olivia: you cannot love her;You tell her so; must she not then be answered?
Orsino: There is no woman’s sidesCan bide the beating of so strong a passionAs love doth give my heart: no woman’s heartSo big, to hold so much, they lack retention.Alas, their love may be called appetite -No motion of the liver, but the palate -That suffers surfeit, cloyment and revolt;But mine is all as hungry as the sea,And can digest as much. Make no compareBetween that love a woman can bear meAnd that I owe Olivia.
Viola is talking about herself. The dramatic
irony (see Act Five) creates tension.
Orsino believes that male and female love
are very different.
Orsino uses an extended metaphor about food to describe the difference.
Here, he uses the sea to describe his love: an image used frequently
in this play.
Act Two, Scene Four
© Boardworks Ltd 200316 of 19
Viola: Ay, but I know -Orsino: What dost thou know?Viola: Too well what women to men may owe:In faith they are as true of heart as we.My father had a daughter loved a man,As it might be, perhaps, were I a woman,I should your lordship.Orsino: And what’s her history?Viola: A blank, my lord: she never told her love,But let concealment like a worm i’th’ budFeed on her damask cheek: she pined in thought,And with a green and yellow melancholyShe sat like Patience on a monument,
Smiling at grief.
Viola’s only way to hint to Orsino of her love is by describing ‘her father’s daughter’, i.e. herself.
Viola puts the case for women’s love: they are
as true as men.
Viola describes the ‘daughter’, suffering because she keeps
her love a secret.Viola explains how
concealment is like a worm in a plant – it eats away at her.
Act Two, Scene Four
© Boardworks Ltd 200317 of 19
Viola: Was not this love indeed?We men may say more, swear more - but indeedOur shows are more than will; for still we proveMuch in our vows, but little in our love.
Orsino: But died thy sister of her love, my boy?
Viola: I am all the daughters of my father’s house,And all the brothers too … and yet I know not …[they muse]Sir, shall I to this lady?
Orsino: [starts and rouses] Ay, that’s the theme,To her in haste; give her this jewel; say,My love can give no place, bide no denay.
Viola continues to challenge Orsino’s view of male love. Again, the
irony is bitter.
Viola almost gives away her secret. She
also alludes to the fact that she believes
her brother to be dead.
They both ‘muse’, or think deeply. Some people
suggest that Orsino already feels love for
Viola, but cannot express it to his ‘boy’.
Act Two, Scene Four
© Boardworks Ltd 200318 of 19
Questions – Act Two
Look closely at Viola’s speech in Act Two, Scene Two. What does she have to say about the theme of disguise?
Look closely at Act Two, Scene Five.
What is it about Malvolio’s character that makes him susceptible to the ‘practical joke’?
What does the letter say?
Answer the following questions to develop your understanding of Act Two.