Iohn Patitucci - 60 Melod.ic Etudes for Acoustic and Electruc Bass I would" like to thank God, my wife Sachi, and my daughters-Gracie and Bella, and all the other members of my Farnily especially my brother Thomas, my Mom and Dad, and sisters. Thanks are also due to Chris Poehler, David Baker and all of the other teachers I have had in my musical journey to this point (whose names could take up as many pages as this book). Thanks also to the many musiciàns I have *àrÈed with who have inspired me and taught me (another very long list) and to Sandy Feldstein and John Castellano for urging me to write this book. Special Thanks to Mindy Sax, for the preliminary music copying. Finally, thanks also to all the folks at Carl Fischer for the fine work and support, especially Alex Teploff. Cover photo by Bill Bytsura. CARL FISCHERo 65 Bleecker Street, New York, NY 10012 Copyright O 2005 by Carl Fischer, LLC I ntern ational Copy rig ht Secu red. All rights reserved including performing rights. WARNINGI Th s pLrb ication is protected by Copyr ght lalv. To photocopy or reproduce by any method is an infr ngement of the Copyrìght law Anyone who reproduces copyrighted matter is subject 1o substantial penaÌt es and assessments for each rnfringement. Printed n the U.S. A. BF22
Transcript
Iohn Patitucci- 60 Melod.ic Etudes
for Acoustic and Electruc Bass
I would" like to thank God, my wife Sachi, and my daughters-Gracieand Bella, and all the other members of my Farnily especially mybrother Thomas, my Mom and Dad, and sisters. Thanks are alsodue to Chris Poehler, David Baker and all of the other teachers Ihave had in my musical journey to this point (whose names couldtake up as many pages as this book). Thanks also to the manymusiciàns I have *àrÈed with who have inspired me and taught me(another very long list) and to Sandy Feldstein and John Castellanofor urging me to write this book.
Special Thanks to Mindy Sax, for the preliminary music copying.
Finally, thanks also to all the folks at Carl Fischer for the fine workand support, especially Alex Teploff.
Cover photo by Bill Bytsura.
CARL FISCHERo65 Bleecker Street, New York, NY 10012
Copyright O 2005 by Carl Fischer, LLCI ntern ational Copy rig ht Secu red.
All rights reserved including performing rights.WARNINGI Th s pLrb ication is protected by Copyr ght lalv. To photocopy or reproduce byany method is an infr ngement of the Copyrìght law Anyone who reproduces copyrighted
matter is subject 1o substantial penaÌt es and assessments for each rnfringement.Printed n the U.S. A.BF22
B Locrian Scaie (Bm7bs) ...721G Melodic-minor Scale (Em7b5\... .....125
C Melodic-minor Scale (Am7b5)... .....126F Melodic-minor Scale (OmZbS).. ......127
G Locrian Scale (Gm7b5) .....................128
John Patitucci BiographyJohn Patitucci has been at the forefront of the jazz world for the last tu,entyyears and active in all sryles of rnusic. He is a two-time Grammy award r,vinnerand has been nominated eleven times. He has won many rnagazine poils andawards as a double bassist and bass guitarisr, most recently as a member ofthe lVayne Shorter Quartet which won the 2003 Downbeat critics'poll for BestAcoustic Jazz Group and Best Jazz Recoding for Footprints - Liue!. He hasperformed andf or recorded wtrh jazz giants such as Dizzy Giliespie, WayneShorter, Herbie Hancock, Chick Corea, Stan Getz, Freddie Hubbard, RoyHaynes, Wynton Marsalis, Michael Brecker, John Scofield, Joe Lovano, KennyGarrett, Victor Feldman and countless others.
John has been active as a composer u,rth eleven solo recordings of his own. Hehas also been commissioned to write for various chambe r music groups, mostrecently the New York-based string quartet Elements. John r.l,as nominated fora Grammy rn 2003 for Best Instrumental Arrangement Accompanying a Vocalfor his arrangement of In the Bleak Midwinter From l-ris CD Song Stories andSpiritwals. He was nominated for a Grammy rn 2002 for Best InstrurnentalComposition for a piece encitled Communion that featured Branford Marsalis,Brad Mehldau and violist Lawrence Dutcon of the Emerson String Quartet.
Mr. Patitucci has been involved in education for many years, writing books,making instruccional videos and giving master classes around the world. Hewas formerly the Artistic Director of The Bass Collective, a specialized schoolin New York. In 2002, he began teaching at The City College of New York(CUNY) and was named Associate Professor of Music there in2003.
ForewordThis book is designed for acoustic bassists, electric bassists and cellists whowant to:
. Improve their knowledge of the fingerboard.
. Practice interpreting and phrasing melodies.
. Improve their intonation and time.
. Learn to play with more flexible time by practicing rwbato passages.
. Strengthen their ears to hear the five basic chord sounds within the diatonicmajor scale: major, minor 7, dominant 7, minor 7b5 andrnajor 7#1I.
. Learn to hear and use various diatonic modes and scales against these fivebasic chords: Major, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, andLocrian.
. Gain valuable experience on the use of the melodic-minor scale over theminor-seventh b5 chord.
As far as I know, this is the first book to have a separate melodic etude for eachof these five chord sounds in all twelue key. I also left room on a few occasionsfor you to try your hand at improvising for a few measures within an etude. Theetudes have tempo markings, but should be practiced at different tempos andeven rubato (í.e., elastic and flexible time with room for speeding up andslowing down to enhance the freedom of the artist's expression). These etudesalso help the bassist and cellist tackle the common technical problems that allmust deal with, such as shifting on one string, string crossing and alternatingright-hand plucking and bowing. For acoustic bassists and cellists, every etudecan be played pizzícato andf or arco. I deliberately shied away from providingfingerings and bowings because I would rather you explore many alternativesfor each passage.
In Part II of the book (pp. 69-L28), I have included a complete fingering chartfor both acoustic and electric bass for all the scales. The scale examples are
given in two ways: 1) Starting on the root note and 2) starting on the lowestnote available on the fingerboard. The second example is provided to foster amore comprehensive knowledge of the instrument.
If you have a teacher*which I feel is extremely important-s/he may want towrite down ideas for you as well. Also, as you vary the tempo of each etude, youmay have to alter fingerings and bowings.
In closing, I sincerely hope and believe that this book will help you grow as amusician and be a useful tool for manv vears to come.
-John Patitucci
Pa:tt I:60 Melod"ic Etud-es
C Major Scale
F Major Scale
Bb M ajor Scale
-:- J LJI J -J- JL-J -J J
| -l-l _; LJ
10
Eb vtajor Scale
):132
BF22
11
Ab Major Scale
T2
Db Major Scale
'3'
D.C. al Fine
r3
Gb M ajor Scale
Lento rubato ):54
To Coda-rS
D.C. al Coda
$ cooaA
L4
B Major Scale
D.C. al Fine
l5
E Major Scale
Rubato
To Coda I
opt. D.C. al Coda $ coou
t6
A Major Scale
,:88
D.C. al Fine
1'7tt
.: 66r--J ----r
D Major Scale
r-_J -----r r-J _____--r
To Coda$t-- J ------t
18
G Major Scale
rl-
poco rit.
19
C Aeolian Scale (Ballad)(Cm7)
To Coda$
20
F Dorian Scale(Fm7)
(Ballad)
D.C al Fine
2I
Db Aeolian Scale
optional repeat at m. l3
22
Eb Dorian Scalepbr.r.T)
):162
L-')
G# Ph rygian Scale(Gf m7)
J:86
3422
D.C. al Fine
1A
Cf Phrygian Scale(C#rn7)
To Coda $ l_J ____r
t:70
'--J_: tr r_J _-__r I r-l ---r
r-J ----r r- J -]r __ì.-_
T-J-------] | J I
r_J ____r r-J ____r
D.C. al Coda $ coou r-J --r
2-5
Ff Ph rygían Scale(F#mZ)
r-J -r r-J -r
r-J --r r-J --r
I r ll
26
B Phrygian Scale(Bm7)
,:118
r-JJJ D.C. al Coda $ coou
J:130
21
E Dorian Scale(Ern7)
To Coda$
D.C. al Coda
t8
A Aeolian Scale(Am7)
J:80
To Coda$
D.C. al Coda
29
D Dorian Scale(DmZ)
J:101
30
G PhrygLan ScaleE\(bm/)
):128
To Coda$
D.C. al Coda $ coou
3l
C Lvdian Scale(Cr.'r'aj7f"II)
To Coda$
D.C. al Coda
45 S."9"
JZ
F Lvdian Scale(rmaj7# 11)
To Coda $
D.S. al Coda $ coou
33
Bb Lydian Scale(Bbnajz#Ir)
):132
To Coda$-
D.C. al Coda $ cooa
1, /1
Eb Lydian Scale(Ybmajz#rr)
j:89
35
Ab Lydian Scale(Abmaj7#rI)
): ll2
D.C. al Fine(no repeats)
36
Db Lvdian Scale,/(Dbmajz#11)
,:130
To Coda
J8 D.C. al Coda $' cooa
37
Gb Lvdian Scale,/(Gbmaj7l"IL)
Rubato
r-- J --r
D.C. al Fine
3B
B Lydian Scale(Bmaj7# 11)
t:124
)7
J-t
D.C. al Fine
39
E Lydian Scale(Emaj7ilrr)
J:89
To Coda$
D.C. al Coda $ cooa
-10
A Lvdian Scale(ArnajzilII)
^ /-\ /,_- /--G€>+
Amaj7fi1l (Improvise on A Lydian)
r-3 ___- r-J ----r-1----r r-J -r
AmajTfrWlmprovise on A Lydian),--.-----^,---.,.......-*- /-----
41
D Lvdian Scale/(Drnaj7#II)
,: 115
To Coda$^-o-*
D.C. al Coda
ltoco ritcrtdartclo .-
A)
J :100
G Lydian Scale(Grnaj7|"LI)
[ ---- + ll f-
-=.---- -----/
D.S. al Fine
----/-
43
C Mixolydian Scale(c7)
i:162-200
To Coda$
D.C. al Coda $ coau
44
F Mixolvd.ian Scale/(F7)
):142
-=_----' ---=----' ---=---/
45
Bb Mixolvdian ScaleJpbzl
): l4l-170
46
Eb Mixolydian ScaleSlowly J :81 (Eb7)
r-3-r r_3r r--l-r rJr
47
Ab Mixolydian Scale(^b7)
Medium .: 116
48
Db Mixolvdian Scale1obz1
Slowly and freely i:96
To Coda
D.C. al Coda $ coau
49
Gb Mixolydian Scale(cbz)
,:156
50
B Mixolyd"ian Scale(87)
Slowly ): 67rJ-
opt. D.C. al Fine
5l
E Mixolydian Scale(E7)
To Coda$
Second timeD.C. al Coda
G+--'---
$ coou
52
A Mixolvd.ian Scale,/
( A7\
,: 150
D.C. al Fine
53
D Mixolydian Scale(D7)
J1
G Mixolydian Scale(G7)
):770-200
55
C Locrian Scale/^ -l rr(Lm/pJ)
optional D.C. al Fine
3molto rubato
-5 (,
Ab Melodic-minor Scale/n al rr(f m/rJ/
D.C. al Fine
57
Db Melodic-minor Scale(Bbm7bS)
-58
Gb Melodic-minor Scale(Ebrn7bs)
):93
r-J r-3 D.C. al Fine
s9
G# Locrian Scale(c#m7bs)
l: 64
D.C. al Fine
60
C# Locrian Scale(C#m7bs)
): 67
D.C. al Fine(optional repeat at m. l7)
61
F# Locrian Scale(Ff rnzbs)
):112
sub. pD.S. al Fine
(no repeats on D.S.
62
B Locrian Scale(Bm7bs)
.:140 X
To Coda $
D.S. al Coda
63
G Melodic-minor Scale/r al rt(|,m / 2J,l
poco accel
/-\ /-\'€>
r\-/lenÍo
): ll4
Second timeo
D.C. al Coda
64
C Melodic-minor Scale(Am7bs)
):136
To Cod*O
,, + Coda
65
F Melodic-minor Scale(Dm7bs)
66
G Locrian Scale
) :66
r-J ---Gmlb5 ftmprovise on G Locrian)
3
Rtrbato ctd libitunt
68
Pa:rt II:60 Melodic Scales
69
C Major Scale
11
T*l3r;.ia l,trl,ll
1+74t4 )t
24 41174C 240
2
14 lo42o4,
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2412 a 12 2 + !3 1,t!2 2142,
III--J II ' I II I III-J
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o 1 402- o_4 2 o 4 | O
241
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4_21o4to
II I ilI 'IV IIV rIIl rII | ]
- "T" denotes thumb (for Acoustic Bass only).
nt- lvl- r n
À lr t.- -!- .)cíllc
I
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1412. +131 t A-141 J ^e I LL!, t 4 31 4) 1t
-- r + I
IVtIV IIII I ilrI
EcousticJa"sn^r4o11u'- '.L:!z o + z
o_4 t o 4 2 o
IV-----r Ill I II I I [I I III 'IV I
Eiiltriclasto1412- /, 1-) 1 1 3 !:LLiIV IilT III I I
iLLt.' | 4 3 '- o'' ' 4 1 o
Ilrlllrlv-
71
Bb Major Scale
lAcoustic Bass I
t40l
-:, 1T412 r;I I-z14147l-+
1
r3t_1L 17
17 I2g 4 | O 4 |
II I TI--J
^f/-,1 I
j+ 3l'112I
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IV-r III r lI I
O4
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),l1
2_t 4 2
rII_rIIIrIVl
12
Eb Major Scale
Ecousiic Ba;al
t401
31T413qT
III III
III
ECA;Enasalt41
IIIIIII
\++ll3l1li134T^4
4l1
4I2141
t24l+or+ gl !ro+
TV I ilI.I II I II I IIII IV I
1-lat-242-+ 1 2 ? LLíLir42t2F ?; 2
'?^ | 4
IV'IIIIIIII II IIII I
t3
Ab Major Scale
2
4T ii ll 3rIT_tFamAcia*t
is.l24 4ì 1yt) tJ, t' --) 2r o +
IV lll I II---r I II I IIII
3y4
IV_J II] I II I I
ar31L"/
31
3r1i
II ìIII IIV '
Eóóustic Bassl
t2412+14'147
e , \ iLitf Lit I o + | 42_1421
41
IV 'III I II---J IIJ III I IV I
Et$tíc Ba"{l
l-+l*1221t I:2 t q z z
urlt]rIVlIV ]ilI I II II
1A
Db Major Scale
Ecou-stic BaslA1t4l
IIIII I I
[I I III_J
"r3r.t '^: *711 tlTcoustic Bast
1z4lzqtz '$*r 1
TI IIII fIV IIV_____J III I Il I I____
IEtecffi Ba$l
tz41+z+t
)Jl
-1 I-l--l
IV-r III r ll--__r I---------
|Lir ! " ,+lAl;-'!+ 2l
II I III rIV r
75
Gb Major Scale
Eaoustic Bassl
r472nr'',4L1-l
+/1t
il |III I I IIVIIII III '
3
2Llt! \' ,-t412)Ar)' À L -
4,'!IiiiIVrlil rII I I
4-2i+
II IIII IIV '
Jr'llr-aL
Fcousticiafttz.4lzqrz
[I IIII IIV rUI- | II I I
3
11 14 31 A^
IV I III- | II I I I IIII I
76
B Major Scale
FóoumcBast, o t,'r
4
1{:T
t3)1/'l 7,t
+13T)+
4lÀ
I2d4i 1t4)
III-J II I
42141
II I III-J
EìAEFBast
III-J II I
1-+ z 21
II I IT--J
ílt3'tI
3TEcousrFBa$l
or4tzi,"1 4t,l+i14
4114ò 4 L ^ tl
+)r4Lt:t^14214 2-rq1 o
-a4l'
IVIilI'IIII II |III IIV______J
tiLLL\, ,EGA;ióu-a*l
Aln12 2 4 , 7:Lii Li t^ 4 2 2 | 4 2-1 4 r o
IV-----J III I II I II ITII IIV-----J
7',|
Ecoustic Ba$l
or40r-L
E Major Scale
,'tl4l'-.
î I t'\!rltlrlT
JTt3i 1a4) L!, , o L , + r-o 4 r o
IV--J III I II ' ] il 'III 'IV I
lEGctrlóT-aGlot+o1-
,)4')
* 4,2?l|ii LZz t 4 2 t 4 1-o + r o
IV------JIII Iil ' I II |III |IV____J
78
lAcoustic Bass I
^ r 4 O
-2-a4 | 4
A Major Scale
t'î t 3
"')41.1ài3I z \iLírt lT it 4,trz 1rr2 loroaJl
III'UrI II -r ilI I
FtectrftEasslz4t2 ,14 \2124v2 2
IV--JIII III II
42t^n.141-rîLLÈ
II 'ilI - rIV_r
r2l1rlT3
"[crltÀcousti-cBa$l
o1401: .- 4 'Liilli ':!l I ^
| o 4 t o 41 oIt
IV IIII 'II I I II rIIl rry
LLLLIL o ,ECA;itE-assl
ot+24- 'Z 4121Li,Lì
l\-1 | III ' II --J
I
tr!, 1 4 2 21 4241o
II 'III I IV I
79
D Major Scale
22
22
Fcoustic Basto 14 o 1
III
III-J II I I T I TI.-I
t3t lt?lITlTcoustmast
^ r 4OO21U' r
y41
T^+ t.,t24
+o t )al+),ri 1 I o 41o+to+z o
€>IV IIII III II il |III rIV
'
EGA;ìcBassl
or2ot-! r z 2-! ríii ;;??t??;:^+l 14r^j^- L t424lo2r o
€>IV IIII I II I I II 'III IIV I
80
G Major Scale
i\?rIA
31+liiEcoustL Bast
+o21ot,+o4t+\
l+r1l+ O-t r -..LJ
IVIIIIIIII
I ..,
-' t l'ì
-1 | ^Za-Èl iíLLL\' ,
IV-J III I II I I lI I lll l\' I
1313T
,)l+
3rT1 ìlii 11
it^+\l++o
fÀcoGtic Bass"l
o2 402j o+ro4
IV ITI III II
'.iLi:t r 4IEtAt[ Basl
or )41 , 2 ^ LSLL|
IV rIlI I II I I Ilrlllrl\',
=î22
81
C Aeolian Scale (Ballad)(Cm7)
a
-ttllL
II
-J
III
I |III rIV r
82
F Dorian Scale (Ballad)(Fm7)
II I IIIJ IV I
I IIII IIV '
83
Db Aeolian Scale
4)t4lr
BbmT)
tTl3
(
21Ecousric Ba$l
t)41^
I\4 a.1
IV IIII III I
IV I III
84
Eb Dorian Scale(Ebm7)
trcoustitFass-l1)41
tEtecrricB-assl
134
IIIilIIIII
lAcousticBassl r 4I1r 1124t,2+12 +tlliitl ,iLL3 : o ,
'lA1)^
IV------rI[ 'il rI II IIII ' IV I
IEtec iE Basil
tz41,z+13 4 , ) rlZii LiírLi, ^
3
7\0, 421
IV------rIIIrilrI II IIII I lvl
8,s
tTcoustic Ba$lA,o14l
(cfim7)
r 4l" dl31a ilZe ttt 4t1,+r
2;lLl r 4 2l_4 t O 4
TIIIIIIV
G# Ph rygian Scale
IVilI I II I I
EtectiióEa$l124'1
IIrilIrIVl
31lTcoustióEa$l
o140r-.42
IV'ilIIUII
412 t4l',414 | ) Liiel
lt4i I).
IV|IIIrIJr
42141041 0
€>il ,III IIV I
FGcÍilBa*lo1341- 4 | , !:iii iLLLL\,, 42r4143r o
-eIV 'III I II I I [I I III IIV I
86
C# Phrygian Scale(Cfrrn7ìr
EcousticJ-Basil , a
^ " t ^ t ) L:
IIIIIIII UIIIII
fÀcoustF Mssl,n74
II IIII 'IV-[V IIII III I I
[I 'III IIV I
81
F# Ph tygLan Scale(Ff,m7)
f1t:-ZA.r-..rltalÀ.?+?:1^4)144r
oiLij4r
291
t4AZ
1t!1 o +24or+otq
IVJ III I II I II IilI IIVI
22'.ííLí.i, 4
EGmcEaTs.lr241,2413 4 1 i tl'lti 421
II IIII I IVIIV rilI- | II | ì
3T'.,
i4rlrlrl 3rîiEcoust]iBasl
o24oljr'l1+
t1)4
4tl4 lr+l
/1
240 o41o4 1-o+zo
II IIII IIV IJV------J III I III I I
22,.iLl: t ? ,fEGctric Bassl
ot z4 341 3 4 ,iiiii L? t- o . | 4 3l-4 2 1 o
II IIII IIV I[V IIII ìII II
88
B PhrygLan Scale(Bn;'7)
.? ,ì, | 4; Í l'' II i :;;ttr
1îiit4 | o 4 2
III.J II I I
4 13 1Liii iL:L!,
III'III
t)
11r3li3i3
I
3rîir)l+
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lil t ^ 1 o 4 2 o + z o+olo2+o2 4O
lvrlllrllrl II rlll rlv I
,ill L:1 ,EiéAiiciafslor 24
2^3 4,1:Lit
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89
E Dorian Scale(Em7)
EGcÍic Ba$l
or )41
IIIilIIIVIIVIIIIIIII
90
FaousticJasslnr 4O"?arrìl
A Aeolian Scale(Am7)
4 I IZLLLL LLLLLz', 4 r ^ 2Ol ); r () I
III I II_ I I II IIII I
431,l'-t' + 2
EAEFBasslr 141lt-ìlt4_
L-+ 2 lt31t,:
-- l J 3 I
II-J III I IV Jlv rIII- | II_J
)tl?.-lL-rl
llt"
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ot 402: iLr! t o + zo-0,2 o 4 I o
IVIIIIIIIII lI rilI rIV I
4 t 1Llr^ 0 ,EGctriclassl.?
^1tl
413 4 , 1 tlLLi \il:t, 4 3| 41rts--"r4lO
Ilr IIT I IV_IVIilIIil--JI
91
D Dorian Scale(Dm7)
3l r^ 1t 4tt7
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IIIIIII
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3T
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9)
G Phrygían Scale/A E\(Lrm,/ l
II 'III IIV.l
II IIII I
ECArfc Ba$lr ) 41
IV IIII III II
IV IIII '
93
C Lydian Scale(Crnaj7frrr)
r3)252
IIIII I I II IUI
ilIril
1T4/. 11311r:TrFcousti-cBass-l
o24024 ii:!, o o ,o4)ntÉ--v42O
II rlll rIV_
4 t^ it.-t- a zECArLEassl
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iL3 L I , 1 4 '-',t o 2 I o
II IIII IIV I
ol
F Lydian Scale11)(F
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lL
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IVJ III I II I II ' III 'IVI
EtecEic Bast
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,. lil!1,,
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-lIT4riTr
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o1z4 \L3: ^ , 2, o3-ro2ro241
IV IIII III II I ilI IIV I
95
gb Lvdian ScaleJ(BbmajzfrII)
fÀcoustia Basal
t4o2^2'rtrt--.é -l f I
)t* +j+1 iiII
12 o 41
III---I II I I
ECA;icla{lt1l-r
IIIIIVIIIII
lrl1
rZll/l3
TI))+
lAcoustic Bass I
IV--J III I
1
t4 iI )tL!'^, ^
2 | + r-o 4 1oo 1 4 o r + o,z
IVIIIIIIII]
+O
II IIII II\'-
EGAricra$l
or+ol- ,iiil 1 , ,
IVIIIIIIIII
1-o + I o
IIIIII,IVI
96
Eb Lvdian Scale/(Ebmaj7f,rI)
II'
r3irt47lEcoust6Bassl
tqol+ trig2
9',l
Ab Lydian Scale(AbnajzilrI)
Faoumc Ba$l
t 1+O
II I III.I IV
ECAric BÍì-{l
tltzl
IIII IIIIIVI
Tt1,I
I + '^ tl
lriÀFconsttr-Basil
t2al+o11 or! o+ro4J42 7
I\/ I III I TT I [I I IIIJ IV I
'?./,1-',-) ' ^a'-r1,2+ i +
-1
ElécÍitBaEl1311,2124 1421t-]--03 r
IIIIIIIIVI
Db Lydian Scale(DbrnajZIrr)
EcousJir Ba*lI
A1t(1 14
^?tlz
I *; -c?tl
lTcoustEBtCltz4\,2+r4
IV IIII IIIJ
t4À1 4r.'t3't.lI r-:oZ'^tî
t4gl
99
FcousticBAt14y412 4
IVJIII 'II I
Gb Lydian Scale(Gbmaj7HII)
r q ?lriii '.-LlLLt, o r^qzl 12t A
II IIII IIV I
13ECAri-c Ba*l
2413 qt34 2ilLly o , 1- 4 3 | o-', t o
I rIII rIV-IVrIIIrill
lÀóoustfEasll24rz+12 4 , r zLlif ti|Lz t o , 41A.
--L
r42l
II |III I IV IIV |III I II I I
EGAri-cia*ltz4rzq13 4 I ? LLZL| Liir!2, o 2-,4
3
IV |III I II I I II |III I IV I
r00
B Lydian Scale
4t3rt4
11)
I3
-zIl/tl
3T
(Bmaj
tl2+ 4t
zlît
IIIIIII
Eb-Aiió Ba#lt)4, 1
IIIrilrl
LàeàL! z qEcoustic Basl
alZa
II IIII IIV I
101
Ecoustic Ba$l^A11la
E Lydian Scale@rnaj7|rI)
'4r),r41- tt2!LtÈ.|
ataTI
T14 14
'r!lt42tq 2-t4ro
IV----JIII rII rI T IIII IJV----J
,iLLLt, ,EleciirBa*loz4t2- Atz
2 4, ?llii L? t 4 2 2 t 4 2_t+zo
IV------JIII ril rI II IIII IIV '
iìl
Eaousti--Eassl
o14l.t
A Lvdian Scale/(Amaj7f,rI)
4 I \ LLLL| iLLi:,^ , ,4^1,4
IIIIIIII II IIII I
IV IIII I II '] llrlllrlvl
Ecousti-c Bassl
^11o l4u \L:t, , 4 2t,.1-!4ro
IVIIIIIIIII IITIII rIV I
t t),LLt.. '
Etecr'itBa{lArÀ12 ^,4rl
IV IIII III I I
+?zi!12 | 4 ? t-1 2 | 4 r o
II iIII IIV I
103
D Lydian Scale(Dmaj7frrr)
III
III-J II I IIITII
t T --l 3r.i 3 litttl)coustic Bass
0410,*9'+)lr
T,I3j 1q+l )t
'lI21
I
124
t)+-it'
IV IIII III 'I
4 | O 4 t_o 4 | O
{€}II 'III IIV I
f1'1tI + I -t - \ 1 lECA;ic Ba{l
^14ol4u'-21) L+:.,t411 | - ^a 42t41o40 0
<>IV r lll---------------- lI r I II | III rIV I
104
G Lydian Scale(Gmaj7frIL)
FcoustitBasslzol4014o
^)I
fr rl-l2r -lr-ttri. l r j
L'f!1 ,o+r uJ, rczt)14
14
IVIII III II
lElectric Bass I
Z+13+t-r4
IV-JIII IT I
!+-r I
II I III IIVI
. .1.T l:o?o-^l r4EcousriE Baft
o24o1-f:t-1i=o
4ot!í+"1l4 I
)t-+ lg
IV IIII Iil II{€}
ll ,lll rIV r
z+lll^ll-EtdrrF Basal
o 1 2 + 1J 3 4, !riiiIV IIT III 'I I |III rlv I
105
C Mixolydian Scale\\-/i
,ììl:1'rt1
FcousdaBast11o24c
II I III
r r r ________________ TT I III I
rì))?ìlT l: ta'- T t
lIl
iAcoustF Basil
o l 401: ai:!, o o , oS?o,o
IV IIII III I I
Emt'[ easn
II IIII IIV '
, | 2.4:1 "+ i+2+l+ 2
_:ruo1+ol
IV I III IIII II ITI
r06
F Mixolydian Scale
t+o1,+ot+ O Z ! LLLL; LLt 2 o + r o 4-1 041
iI I ilI 'IVI
13raii
(F7)
3I i+ 41
IVJ III I II I
tz42+r24 a-2+zr
lIrlllrlv,IIII'I
r07
Bb Mixolvdian Scale/(Bb7)
LiTr ll ii 2T
r--:---------=--lAcoustrc lJass
I
r 4 O | ^ r 4'---- j | |
14 l;1y1 o-.+ r
II ' IIII
IECA;icJasslt4t2
III I IV-IIV-J III I II I III
|RcoustióBa$l
1241,+ot+
1
s 1 \ LLLLil L),\, o 4to +fAt
-a / I
ll I III--I IV IIV I IIII II I
EÉÍ[ MCltl42cl24 LI), ,4 2 r
4) A t
lVtIV ITI I
108
Eb Mixolydian Scale
fEiamEml24r 2 + lt
AIaz,i '- t- 4 2 |
lll'll'l [I|IIIr
"t3trIJA?ÀJII J ^t}t'^)musrFBa$l
tz4r24r4
IV 'III IIIJ
2
OI \ILLLI lil;! z o , o4t4'!0, 1
IIJ III 'IV '
,3 r! lLLiLiLt ilElectric Bass I
tr4l34r2 ^t24
_IV IIII III I
4), 4 214tJ! t 1
IIl UI IIV I
BF22
109
Ab Mixolydian Scale( b7)
IIIII I II I I II IIII I IV
IV-J III I II I IIIIIIIIVI
FcoustiaEassl
124tzq,')+
4 1 \ at Llr 1 4 2 | 42J+zt
IV IIII I II I I II rilI rIV '
EGctricBastr24Lzq
,34 ,iiL!,1' )4
z + \at t-+ z 414 tJ-1 r,
IV ITI III II II rUI rIV r
il0
Db Mixolydian Scale(Db7)
II ' ilI--J
ECAri-cEa$l"\At')
III-J II ' I
^?^r ),o?o).r 7
IV------J[I rII rl IJ rilI rIV I
,12t24tz+r3 qt-llie
IV---JIII IU I I
111
lÀcousticJaúlI
r4l2^r\d'rll-'--ffiIVJ III I II I
=LLLLI o ,I Z \LLLL| ,l+21,t
Gb Mixolydian Scale(G67)
2
LilLlv o ,
II IIII IIV I
F;---- _-------l-blecmc bass
I
z4l2tt)4 Z + LILLi-
IVJ III ' II I
4z1A
II IIII IIV I
,1l Iol+12412
lv rilI- ì u I
4 t , LLLL| l,ii LLr, o
))3+3 t,.?+i2 3^ r q
[I ITI I IV I
21n\--Z
lElectric B-aTal
024lz+r2 4 , ,- LLtLi 31d,. 42o
lv r III- | lI I I il ITI ' IVI
tt2
B Mixolvd.ian Scale,/(87)
lAcoustic Bass I
III.J II I I
TÀ1/ lr14 lr
îlL 142
II I IIII
II ' IIIJ
ECArfteasslcltL
III_J II I I
|ncoútictassl^r4ot4u'-
t4t,lrtl2o-)r!: I I I ' + I O I | .ì
IV---J UI------r IJr I I[ | ilI_____r IV_ r
3 1.1,1.1,1 .. '
EGctriciasto14o2-
+?2i:1r142'-*, ,o,1 1o
IV-_J III-----.J II I I II , III..---J IV- I
113
EcdsticJasilo 1 4 0 l: LLr r 4 1 o + 1-o 4 1 o
II IIII IIV-
E Mixolydian Scale(87)
^ | t | 4 |y ,,ll;à.c.|
IV-----r III I II I I
EierJlrM;al'----,- r 2 1ol4l*-)4-
, t4t1, 4t--'J t42t 4141o
IVIIIII III I IVI
Ll+
A Mixolydian Scale(47)
mcoustrc M;alol40
t111Il
Ì+ frrT.íJt^rl
)r+', LA o4to4Jo
II -I III I
rlz+íi. 1t 4 l-+
2
IV-J ill I
îi 3rt1313
I
II ,IT IIV-I
tÀcousiicEa{l^r4o1+u'- 1.1
11t7
I
?-\i Itr!t^oo r o4 l-o 4 I o4()
IV rlII I II I I II IIII IIV I
ECAftgasal^14
i,^lii.l t , , 4-1 2 I o
IV r III I ll-j I____ lI I TII I IV r
r15
D Mixolydian Scale
III-J II I I
-l rl3l?,Tr:t?o"-llrîí î) 11
l4 Il9
IVIIIIIilII
IV 'III III II
116
G Mixolydian Scale(G7)
EcoustFBa*l+o24o24o
+\1+tI2+
3r;irt421r3?Íl 4t))-+t)
l+4l r
,1to+zo+
IVIII I II I II IIII IJV
EtdfffBasal)4lL^
IVJIII 'il II IIITIIIVJ
3 o3),3 tT'-atzL- T 4
1, 1.2t'- | 4
àî42
AIL4l
14tÀEousrEBa$l
o 1 402: o4)n-l
- v 4 | O
II IilI IIV '
itt)1+4O o42
IV IIII III '
, ?4r1'^LtLt- 4 ziECAilciassl
o1401- 241 2 1 I:lLLi o-t, t o 4 | o
[I ' TI IIV IIV IIII III II
t4L2 4 | 2 4 L- tr
III-J II I I
tl7
C Locrian Scale(Cm7bs)
T/-a3iíAIl?l- 13214 14),
)t'^+1 4zt4
II I IIIJ
IIIIII' IIIIIII
Tt.-l
t3rî3iT3Fcousîicjast
12412+12 4 , r iLLLi Ii: \ + z t 4 ,-o o , ,
241
IVIilIIIIII II 'IIì IIV I
lElectric Bass | .t 4
| 2 4 1 + z + t z z llíetl4l;-^)c?p -'^ | 4
IVITIIII,I
LIlr, | 4 24_1421
II |III rIV r
118Ab Melodic-minor Scale
(Fm7bs)
IIr III I IV__-_r
Dt Melodic-minor Scale(BbmTbs)
119
ilI IT II IlIIIIJ
EGcúictsasslr 3 4l
III III I
II |III r IV I
110Gb Melodic-minor Scale
(Ebmzbs)
trcoustlA MGI
Ttt-+ LLi
.T
ìl4i2I
333
I2Ì
T1
.1 I2 h
1
lE-tecJJjr Bast
ri4131l,LLL;L:
II I I
2
331
2fÀcoustlcra$lIt24O1412 4l
)nl424t4t44
,11
2 lnrl'-" - L 1
II I III_r IV IIVrlllrllrI
',aLLi;LL, ,
124O1413 4 1,2 LLLii Ilrtrl + : r qlo,4')-"-'1
IVIIIIIIIII [I IIII I IV I
1ll
G# focrian Scale(cf,m7bs)
) o )2iiiir3T3 it T
14Fcousti-c Ba"{l
+o110141l4 2n!): | 1 -l l o 4
1 r 1!liii LLiL: t 1 4 3rt).+ 3
IV IIII I II I I II IIII I IV r
r1lL
1tl__ il I
t4Fóoustic Basn
o | 4 o I 4 iil:) r 4, Oarn 4ro
IV IIII III I I II IIII IIV I
4L|Ll.^3ECA;ia Bast
ot+21-
2r{
^,1 l''
t z ! lJitf ili ! I ,, 42_1 4 2 4 I O
II IIII IIV IIVIIIIIilI]
r22
Cf Locrian Scale(Cf,m7bs)
EcousticE-assl
4C-140
IIIII I IIIUI
IIIIIIII IrIIIl
,ìatJta
L -^tlt-^ | 4|Acousti-cia$l
o24o1j |i3! t o + to-1, 1 o 4 2 o
IVIIIIIIIII II rIII rIV_
Ei&rricJasno1211-
,13t 3 \Lt l_4 1 4 2 | O
II rul rIV '
t)4
IV I U{_J
123
F# Locrian Scale(Ff;m7b5)
I
O I !:LLLI^ 1^\t<t 1,
'.í+í )r^ q t LI:lo+ro o2o+zEcousticBast24o2+ot+
IV-I III I II , II I III IIVJ
))3+3EteAffiassl,11)+t)
IVIIIIIIIII II IIII IIV I
I .r3rT I 1)cL'-rlAcúsiicia$]
oz4o2-L4li4
.a4il+
3o1í iIz1+
4t14 1940 4ro+2-o+z o
€>IV IIII III I] I rIII rlv I
+t!lL!t'EGctrilBast
or2q13 2ilL1;0, | 4 | 2 t-+ 2 t o
€>IVIIII'IIII II IIII IIV I
124
EcoustiaBassl
24o2
B Locrian Scale(Bm7bs)
r1.f4t.+lJl4t44
^ 1e 2!tr4 4r
^r-a4tl4
III-J II I I
42042
II I II--r
FCAd-c Bast
t''0,'r24
IIIrIIl
4 2l 421
ill IIIl
+1r1+t4rLt?t)\ 2 +lAcousticBassl ^ 12+lttr:.4o2 lîl+o | 4 o 2-L-Z 4 o L l; +21 Lil oo 2o4 2o4ro
IV 'ilI III I II rIIl 'IV I
lElectric Bass | ^, "> 4 r _ , I t o Lliî I j n'_2-- 1 -[ ,
-e 2--
))r3+31^'-tf2t)\ 3 t
lZ 1 4 2 | 4 2 1 o 4l o
lv rilI rII rI [I 'TI IIV '
t25
G Melodic-minor Scale(EmZbs)
tTcousticBast
^^,l-r14 Lrlio 4 | o 4 t.o + z o
II IIII IIV I
IV IIII IT I
1t6
lÀcousficiast
^'>40
C Melodic-minor Scale(Am7bs)
rÀr,tl-ì1
IIIIIIII
EreAiióTa$l
^r24
IllrII'
r3)JI
3
)txrt7 I
t4trcoustia Ba^st
l4o2-+o14 s 1 I:i LLt 1 o + 1 o 12Ot,
IVJ III I II I III I IVJ
ECctrfaEassl
| 2 4I,z +
,.ii1),\, ,
+ r 1 :L4 41a, 32+^ | 4 2 14
IV IIII I II I I Il rilI rIV t
r21
F Melodic-mi nn r,Se;rieíili::l';,ì
ITI I II I I I ll.---,.---i lll_r
trcou-sti.^ Ba^st
.rJ/\rall
T\i r lllJ ll I I
ECEiI Ba{]n14
lv rlll rll rl
128 G Locrian Scale(cm7bs)
, t 2 -l
1 4 7!í"?l =LLL)I gEcousiicJa;n2 412 + | 4 O
IVJ III I II-J ]
Electilc Ba$lt)4, 1
IVIilIIII' IIIIIVI
Ecoúiiciast| 2 q t,z 41 4 O I \ LLLLL liLr!,0 , o+r-+2J-02
