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How did the little girl feel at first in the Land of the Dead?
-Scared, frightened, confused. What did the atmosphere of the Land of the
Dead feel like?-Happy, cheerful, alive.
Who was the skeleton that showed the little girl around the Land of the Dead?
-Her mother Were you supposed to feel scared?
DIA DE LOS MUERTOS VIDEO
“5 Dia De Los Muertos Questions You Were Too
Afraid To Ask”
Posted: 11/01/2013 8:20 am EDT Updated: 11/03/2013 11:20 am EST
THE HUFFINGTON POST
5 DIA DE LOS MUERTOS
QUESTIONS YOU WERE
TOO AFRAID TO ASK
THE HUFFINGTON
POSTPOSTED:
11/01/2013 8:20 AM EDT
UPDATED: 11/03/2013
11:20 AM EST
Día de los Muertos -- also known as "Día de Muertos," or "Day of the Dead" in English --
is a holiday with Mexican origins that is celebrated on
November 1 - 2.
WHAT’S THE DIFFERENCE BETWEEN DÍA DE LOS MUERTOS AND HALLOWEEN?
While some imagery might be close to that of Halloween, there
are significant differences between the two. Día de los
Muertos is a day to celebrate death -- or, more specifically, the deceased -- while on Halloween, death is seen as something to be
feared.
WHAT’S THE DIFFERENCE BETWEEN DÍA DE LOS MUERTOS AND HALLOWEEN?
Día de los Muertos has both indigenous origins from the
Aztec festival for Mictecacihuatl, The Lady of
The Dead, and Catholic origins from the Spanish
conquistadors’ All Saints and All Souls Day.
WHAT’S THE DIFFERENCE BETWEEN DÍA DE LOS MUERTOS AND HALLOWEEN?
Yes, the original Aztec holiday was actually a month long event, but
when the Spanish conquistadores arrived and turned Mexico
Catholic, the celebration became intertwined with All Saints Day
(Nov. 1) and All Souls Day (Nov. 2).
WAIT, IT’S A TWO-DAY HOLIDAY?
Traditionally, Nov. 1 is when you welcome the souls of children that have passed away, known as Día de los Inocentes (Day of the Innocents) or Día de los Angelitos (Day of the
Little Angels).
Nov. 2 is when the adult souls arrive.
WAIT, IT’S A TWO-DAY HOLIDAY?
Those who celebrate Día de los Muertos will usually
put up altars honoring those members of the
family who have passed away.
HOW DO YOU CELEBRATE THE DEAD?
They decorate the altars with candles, sugar skulls, marigolds,
food, beverages and clothes.
These offerings, or "ofrendas," are gifts for the dead and are usually a combination of his or her favorite
things.
HOW DO YOU CELEBRATE THE DEAD?
Like the holiday itself, the altar also has mixed imagery of both
indigenous and Catholic background.
The graves of the deceased are also visited and honored with
offerings as well as vigils.
HOW DO YOU CELEBRATE THE DEAD?
No, although Día de los Muertos is a Mexican National Holiday it is actually
celebrated in other countries as well such as Guatemala, Brazil and Spain.
It is also becoming more and more popular in the U.S. due to the large number of Mexican immigrants and
Mexican Americans.
WOULD YOU HAVE TO GO TO MEXICO TO SEE THESE CELEBRATIONS?
Skulls are everywhere during Día de los Muertos. The origins trace back to
the pre-Hispanic era, when they were kept as trophies
and used during rituals.
WHAT’S UP WITH ALL THE SKULLS?
The most recognized skull on Dia de los Muertos is the Calavera Catrina. The image as we know it today originated
with José Guadalupe Posada, a Mexican Artist who depicted a fancy female
skeleton as a dig against the Europhile Mexican elite during the Porfirio Díaz
dictatorship. It became an iconic image of the Mexican Revolution at the
beginning of the twentieth century.
WHAT’S UP WITH ALL THE SKULLS?
But the actual Catrina is said to have originated thanks to the Aztec tale of Mictecacihuatl, the
Lady of the Dead.
WHAT’S UP WITH ALL THE SKULLS?
5 DIA DE LOS MUERTOS QUESTIONS YOU WERE TOO AFRAID TO ASK
THE HUFFINGTON POSTPOSTED: 11/01/2013 8:20 AM EDT UPDATED:
11/03/2013 11:20 AM EST
La Calavera de la Catrina
» José Guadalupe Posada (Mexican, 1852–1913)
Intended as social satire, José Guadalupe Posada’s calaveras (images of skulls or animated skeletons) commented on the
social and political lives of Mexicans in the late nineteenth and early twentieth centuries.
LA CATRINA
Although originally conceived by Posada’s contemporary Manuel Manilla, the calavera was popularized by Posada, whose cartoons circulated widely in newspapers, street
gazettes, broadsides, and commercial posters. Perhaps the most famous of Posada’s calaveras is La Calavera de la
Catrina, the skeleton of a high-society lady wearing a large, fancy hat. This figure, in particular, has become an icon of
the Mexican Dia de los Muertos, or Day of the Dead.
LA CATRINA
La Catrina as painted by Diego Rivera.
This fifty foot fresco takes the viewer on a Sunday walk through Alameda
Park, Mexico City's first city park that was built on the grounds of an ancient
Aztec marketplace.
DIEGO RIVERA
The large mural represents three principal eras of Mexican History: The
Conquest, The Porfiriato Dictatorship, and The Revolution of 1910.
SUENO DE UNA TARDE DOMINICAL EN LA ALEMEDA CENTRAL
FRESCO 1947-1948
In chronological order starting from left to right we meet numerous prominent figures from Mexican history.
In the center of the mural is Diego Rivera at the age of ten being led by the hand by the Dame Catrina ("La Calavera Catrina"), a skeleton figure parodying vanity created by the popular Mexican engraver Jose Guadalupe Posada.
The well-dressed gentleman in a black suit and derby hat is Posada, who stands on the right of Dame Catrina and
gallantly offers her his arm. Posada was highly respected by Rivera, who claimed him as one his artistic luminaries
and teachers.
SUENO DE UNA TARDE DOMINICAL EN LA ALEMEDA CENTRAL
FRESCO 1947-1948
Posada's narrative style was an extremely influential model for Rivera's mural painting. Calavera Catrina, a symbol of the urban bourgeoisie at the
turn of the nineteenth century must be taken here as an allusion to the Aztec Earth Mother Coatlicue, who is frequently represented with a skull.
Coatlicue wears the plumed serpent, symbolic of her son Quertzalcoatl, around her neck as a boa. Her belt-buckle displays the Aztec astrological
sign of Ollin, symbolizing perpetual motion.
The adjacent figure is Frida Kahlo in a traditional Mexican dress holding in her left hand the Yin-Yang symbol of duality taken from Chinese philosophy, which also represents the duality from pre-Columbian
mythology. Kahlo's other hand rest maternally on the shoulder of the young Diego, who sets out on his walk through life and through the world
under her protection.
SUENO DE UNA TARDE DOMINICAL EN LA ALEMEDA CENTRAL
FRESCO 1947-1948
http://www.brownpride.com/history/history.asp?a=diegorivera/rivera_dream
DREAM OF A SUNDAY AFTERNOON IN ALAMEDA PARKSUENO DE UNA TARDE DOMINICAL EN LA ALEMEDA
CENTRALFRESCO 1947-1948