+ All Categories
Home > Documents > © Task Force Schwabing Art Trove Object record …...2016/01/08  · artwork described in this...

© Task Force Schwabing Art Trove Object record …...2016/01/08  · artwork described in this...

Date post: 18-Jun-2020
Category:
Upload: others
View: 3 times
Download: 0 times
Share this document with a friend
3
© Task Force Schwabing Art Trove Object record excerpt for Lost Art ID: 478452 24 September 2015 (interim results) www.lostart.de/EN/Fund/478452 Eugène Delacroix Lion qui se lèche la patte (Lion licking his paw), 1859 Ink and watercolour on paper, 320 x 453 mm (430 x 566 mm) on recto, printed inscription at lower centre: “Eug. DELACROIX”, inscribed in ink lower left: “27 août, Strg [Strasbourg] 59.”, upper left: “[illegible]” on verso, inscribed in white chalk upper right: “12”, in pencil on backing board centre left: “12” Provenance: By 1885: Léon Riesener (per Robaut) (…) By 28 April 1944: with Raphaël Gérard, Paris (per Cornelius Gurlitt Papers) By September 1953: Hildebrand Gurlitt, Dusseldorf (per Cornelius Gurlitt Papers) By descent to Cornelius Gurlitt, Munich/Salzburg From 6 May 2014: Estate of Cornelius Gurlitt Bibliographical references: Robaut, Alfred. L'œuvre complet de Eugène Delacroix: peintures, dessins, gravures, lithographies, 1813–1863. Paris: Charavay Frères, 1885. [no. 1402, ill.] Primary sources: Business records Hildebrand Gurlitt – possible references: Sales ledger 1937–41: 14 December 1938 [no. 65] Imports & exports ledger: September 1941 [fol. J. 49] 17 June 1943 [fol. J. 72] 18 June 1943 [fol. J. 72] Cornelius Gurlitt Papers, Salzburg: Photographs, no. 7.1_F708 [24 March 1944] List Raphaël Gérard, reference no. in process, [28 April 1944], [item no. 12] List of artworks with Raphaël Gérard, reference no. in process, [c. September 1953], [item no. 12]
Transcript
Page 1: © Task Force Schwabing Art Trove Object record …...2016/01/08  · artwork described in this report. This report does not purport to make pronouncements on any legal claims and

©TaskForceSchwabingArtTrove ObjectrecordexcerptforLostArtID:478452

24September2015(interimresults) www.lostart.de/EN/Fund/478452

EugèneDelacroixLionquiselèchelapatte(Lionlickinghispaw),1859Inkandwatercolouronpaper,320x453mm(430x566mm)onrecto,printedinscriptionatlowercentre:“Eug.DELACROIX”,inscribedininklowerleft:“27août,Strg[Strasbourg]59.”,upperleft:“[illegible]”onverso,inscribedinwhitechalkupperright:“12”,inpencilonbackingboardcentreleft:“12”Provenance:

By1885:LéonRiesener(perRobaut)(…)By28April1944:withRaphaëlGérard,Paris(perCorneliusGurlittPapers)BySeptember1953:HildebrandGurlitt,Dusseldorf(perCorneliusGurlittPapers)BydescenttoCorneliusGurlitt,Munich/SalzburgFrom6May2014:EstateofCorneliusGurlitt

Bibliographicalreferences:

Robaut,Alfred.L'œuvrecompletdeEugèneDelacroix:peintures,dessins,gravures,lithographies,1813–1863.Paris:CharavayFrères,1885.[no.1402,ill.]

Primarysources:

BusinessrecordsHildebrandGurlitt–possiblereferences:Salesledger1937–41: 14December1938[no.65]Imports&exportsledger: September1941[fol.J.49]

17June1943[fol.J.72] 18June1943[fol.J.72]

CorneliusGurlittPapers,Salzburg:Photographs,no.7.1_F708[24March1944]ListRaphaëlGérard,referenceno.inprocess,[28April1944],[itemno.12]ListofartworkswithRaphaëlGérard,referenceno.inprocess,[c.September1953],[itemno.12]

Page 2: © Task Force Schwabing Art Trove Object record …...2016/01/08  · artwork described in this report. This report does not purport to make pronouncements on any legal claims and

©TaskForceSchwabingArtTrove ObjectrecordexcerptforLostArtID:478452

24September2015(interimresults) www.lostart.de/EN/Fund/478452

CorrespondenceHildebrandGurlitt–possiblereference: 3November1947[vol.10,fol.316]

SeizureInventory[Sicherstellungsverzeichnis],2012,no.SV(Part2)/132

Furthersourcesconsulted:

Exposition des œuvres d’Eugène Delacroix. Exh. cat., Société Nationale des Beaux-Arts, Paris,1864.EugèneDelacroix.Exh.cat.,SalonPaulCassirer,Berlin,4November–4December1907.VonDelacroixbisPicasso:hundertGemälde,AquarelleundZeichnungenfranzösischerMeisterdesXIX.Jahrhunderts.Exh.cat.,KunsthandlungHugoPerls,Berlin,February–March1925.Handzeichnungen moderner Meister (= Auktion XLVIII). Auct. cat., Paul Graupe, Berlin, 11–12September1925.Escholier,Raymond.Delacroix:Peintre,graveur,écrivain.3vols.Paris:HenriFloury,1926–1929.ExpositionE.Delacroix.Exh.cat.,MuséeduLouvre,Paris,June–July1930.Roger-Marx, Claude. Dessins et peintures des Maîtres du XIXe siècle à nos jours: Choix decinquantedessinsdeEugèneDelacroix.Paris:Braun,1933.Catalogue des tableaux, aquarelles et dessins par Eugène Delacroix composant la collectionM.GeorgesAubry.Auct.cat.,HôtelDrouot,Paris,11March1933.Sérullaz, Maurice. Dessins d'Eugène Delacroix: 1798–1863. 2 vols. Paris: Réunion des muséesnationaux,1984.Delteil,Loys.Delacroix:TheGraphicWork:ACatalogueRaisonné.1sted.,Paris: self-publ.,1908;transl.andrev.bySusanStrauber,SanFrancisco:AlanWofsy,1997.CulturalPlunderbytheEinsatzstabReichsleiterRosenberg:DatabaseofArtObjectsattheJeudePaumeDatabase“CentralCollectingPointMünchen”Database“KunstsammlungHermannGöring”GettyProvenanceIndex,GermanSalesCatalogsLootedart.comLostArtRépertoiredesBiensSpoliésRijksbureauvoorKunsthistorischeDocumentatieVerzeichnisnationalwertvollerKunstwerke(“Reichslistevon1938”)WittLibrary

Note:

ThefirstknownownerofthisworkisthepainterLéonRiesener(1808Paris–1878Paris),whowasEugèneDelacroix’ firstcousin.Furtherresearch isnecessarytoestablishwhetherthisworkmayhavebeenincludedinthesaleofRiesener’sestate(whichwasheldatHôtelDrouotinParis,10–11April 1879) orwhether itwas in fact retained by the family, possibly passing by descent toRiesener’sdaughterLouiseLéouzonLeDuc(1860–1944).This workwas one of over 70workswith the art dealer Raphaël Gérard in Paris in 1944. It isunclearwhetheratthetimeGérardand/orGurlittownedorco-ownedtheseworks,whethertheyhadbeenplacedoncommission,orindeedsimplydepositedwithGérard.Itisconspicuousthataninventory ofworkswithGérardwas drawn up in the very late stages of thewar; one possible

Page 3: © Task Force Schwabing Art Trove Object record …...2016/01/08  · artwork described in this report. This report does not purport to make pronouncements on any legal claims and

©TaskForceSchwabingArtTrove ObjectrecordexcerptforLostArtID:478452

24September2015(interimresults) www.lostart.de/EN/Fund/478452

hypothesis is that Gurlitt placed for safekeeping with Gérard works that he had acquired inoccupiedParis,withtheintentionofmovingtheseobjectsatalaterdate.In1953,someoftheseworkswereshippedtoGurlitt inDusseldorf,whileothersremainedwithGérard until 1957 (at Gurlitt’s cost). The inscription “12” on verso refers to two inventories ofartworkswithGérard,onedated28April1944,theotherdatingfromaboutSeptember1953.Thiswork is respectively referred to herein as “DELACROIX: Dessin à la plume, (lion)“ (1944) and“Delacroix:FederzeichnungLöwe”(1953).ThepersonalpapersfoundinCorneliusGurlitt’sSalzburghomeincludeacollectionofabout2,400photographsofartworks.Photographno.7.1_F708, isa reproductionof thiswork; inscribedonverso, a statement of authenticity by art expert André Schoeller of Paris, 13, Rue de Téhéran,dated24March1944.

Disclaimer

TheresearchoftheTaskforceSchwabingArtTrovefocusedexclusivelyontheprovenanceoftheartworkdescribed inthis report.This reportdoesnotpurport tomakepronouncementsonanylegalclaimsandlegalpositions.TheheadoftheTaskforceSchwabingArtTroveisresponsibleforthecontentsandthepublicationofthisreport.TheTaskforceendeavouredtoensuretheaccuracyandreliabilityoftheinformationprovided.Noliabilitywillbeacceptedfortheaccuracyoftheusedsources;thefacts,andconclusionscontainedtherein; the exhaustiveness of research and evaluation of the available source material; anyanalyses or conclusions drawn from the sources in the course of research; the findings on thesubjectofthereportandhowtheywerederived;theauthenticityoftheartwork, itsattributiontoaparticularartist,or itsmonetaryvalue;and/orconclusionsdrawnbythirdpartiesbasedonthisreport.Thisreportisbasedonthesourcesavailableatthetimeitwaswritten.Itisaninterimreportthatmay be revised and updated, should additional relevantmaterial be discovered. The TaskforceSchwabingArtTrovewelcomesany information thatmayaugmentorclarify theprovenanceofthiswork.


Recommended