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“The building of the architecture of a novel—the craft of it—is something I never tire of.” ...

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Page 1: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.
Page 2: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

“The building of the architecture of a novel—the craft of it—is something I never tire of.”

Irving did not reach any popularity until his fourth book “The World According to Garp”

which was written in 1972 and became his first film in 1982

The Hotel New Hampshire, Cider House Rules, and A Prayer for Owen Meany (Simon

Birch) also all became films

Irving worked as a professor at many universities throughout New England, and even

writes about the University of New Hampshire in his books

Many of his works are semi-autobiographical

Irving travelled to Vienna shortly after graduating University, then married at 23. Vienna

had a profound impact on his writing

Page 3: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Fact About The Author Effect on the novel

John was born in Exeter, New Hampshire on March 2nd, 1942

The book takes place in New England which is where New Hampshire is located.

John was born during WWII; his father served as an airman in the Pacific

The book Owen Meany also has the element of War in it. Owen fights in the Vietnam War near the end of the book.

John’s mother remarried when he was two years old, John never met his biological father

One of the main objectives of John Wheelwright in the book is to find his biological father who he never met.

John claims he has a “love of solitude” which helped him grow as a writer. He was also dyslexic as a child.

John Wheelwright is a meek, quiet, isolated boy who also is not outwardly smart when it comes to school work.

John is publically scrutinized for his “pro-choice” opinion on abortion

Questions of religion, right and wrong and morality are themes of “A Prayer for Owen Meany”

Page 4: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

"I've read about myself that I am not to be taken seriously because I am a shameless entertainer, a crowd pleaser…You bet. I am. My feeling is I'm not going to get you to believe anything if I can't get you to finish the book. I have a very simple formula, which is that you've got to be more interested on page 320 than on page 32."

Page 5: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

“"There's a procedure I go through when I write," he told People's Hubbard. "I always try to think: Okay, this is what you think is coming. But what would be worse?...It is my deliberate decision to create someone who is capable of moving you and then hurting him.”

Page 6: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

“ I wanted to write a book, if I could, with a happy ending, because I didn't feel I had a happy ending in me, and I wanted to get one.”

Page 7: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Setting Free the Bears (1968) The Water-Method Man (1972) The 158-Pound Marriage (1974) The World According to Garp (1978) The Hotel New Hampshire (1981) The Cider House Rules (1985) A Prayer for Owen Meany (1989) Trying to Save Piggy Sneed (collection, 1993) A Son of the Circus (1994) The Imaginary Girlfriend (non-fiction, 1996) A Widow for One Year (1998) My Movie Business (non-fiction, 1999) The Cider House Rules: A Screenplay (1999) The Fourth Hand (2001) A Sound Like Someone Trying Not to Make a Sound (2004) Until I Find You (2005) Last Night in Twisted River (2009)

Page 8: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Title New England

Prostitutes Absent Parent

Deadly Accident

A Prayer for Owen Meany

Setting Free the Bears

The Water Method Man

The158 Pound Marriage

The World According to Garp

The Hotel New Hampshire

Cider House Rules Last Night in Twisted River

Page 9: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.
Page 10: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Disfiguration, Amputation, Armlessness or overall “lacking”

Used many times throughout the book:

Owen as the Baby Jesus Armadillo John’s finger amputation Mary Magdalene’s disfiguration Owen’s death

Page 11: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Loss of a loved one: - Tabby Wheelwright’s death would never “be okay”- The armadillo is as maimed as Tabby, as well as dignified as

Owen feels Armlessness- arms being the tool of God to kill:

-Owen claims God used his arms to kill Tabby, therefore Owen cutting off the armadillo’s claws show himself trying to take away the guilt and responsibility for her death

Control- Owen in the Christmas pageant does not want his arms swaddled because

without arms he is weakened, and vulnerable and is therefore not in control - When Owen cuts off John’s finger so he doesn’t have to go to Vietnam, he is

gaining control of his fate - Ultimate loss of control comes at Owen’s death when the ultimate control of

having life is lost. Owen represents faith, truth, morals. His arms being gone represents the ultimate loss

Disrespect - It is well known that Owen hates the Catholic religion, therefore him

disfiguring the figure that represents Catholicism is showing the ultimate disrespect. It questions and mocks the religion’s credibility.

Page 12: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Occurs frequently throughout the plot, linking together events in a unified way

Creates a visual depiction of emotion. Sadness= removal of claws, Anger= removal of statues arms etc.

Relatable to the reader. Lack of limbs creates a feeling of unrest , connotes negative, uneasy feelings.

Page 13: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

“ I was quite upset at how my best friend could have done this to me, until Dan Needham informed me this was precisely what Owen felt he had done to me, and to himself: that we were both maimed and mutilated by what had happened to us.

“Your friend is most original,” Dan Needham said with the greatest respect. “Don’t you see, Johnny? If he could, he would cut off his hands for you- that’s how it makes him feel, to have touched that baseball bat, to have swung the bat with those results. It’s how we all feel- you and me and Owen. We’ve lost a part of ourselves.” And Dan picked up the wrecked armadillo and began to experiment with it on my night table, trying- as I had tried- to find a position that allowed the beast to stand, or even to lie down, with any semblance of comfort or dignity; it was quite impossible. The thing had been crippled; it was rendered an invalid. And how had Owen arranged the claws? I wondered. What sort of terrible altarpiece had he constructed? Were the claws gripping the murderous baseball?

And so Dan and I became quite emotional, while we struggled to find a way to make the armadillo’s appearance acceptable- but that was point, Dan concluded: there was no way that any or all of this was acceptable. What had happened was unacceptable! Yet we still had to live with it.

Page 14: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Themes Faith and Doubt

Owen believes that everything that happens is the will of God

Owen has an absolute faith in God John has no particular beliefs of

faith Reverend Merrill believes doubt is

the essence of faith

Page 15: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

What it means Strength:

• Faith drives Owen and gives him strength to do things that involve immense courage

Acts as a plot-shaper:• Doubt triggers Johns behaviour throughout

the plot of the novel In the beginning he has little faith, by the end he is a

true believer

Page 16: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Why It Works Adds depth to characters:

• Makes them more relatable (John)• Makes them more fantastic (Owen)

Creates unity – theme is carried throughout the book

Creates a “timeless” feel to the novel

Page 17: “The building of the architecture of a novel—the craft of it—is something I never tire of.”  Irving did not reach any popularity until his fourth book.

Used in the book… "Doubt one minute, faith the next — sometimes

inspired, sometimes in despair."

“Never confuse faith, or belief – of any kind - with something even remotely intellectual."

"Watch out for people who call themselves religious; make sure you know what they mean––make sure they know what they mean!"

“We kept our heads bowed; and we kept praying. Even as awkward as he was, the Rev. Mr. Merrill had made it clear to us that there was no end to praying for Owen Meany."


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