Printed in Japan
This document is printed on chlorine-free (ECF) paper with soy ink.
www.yamahaproaudio.com
LPA549
STAGEPAS 500 STAGEPAS 300
STAGEPAS 250M STAGEPAS 150MBlock Diagrams
• Specifications and appearance subject to change without notice. • All trademarks and registered trademarks are property of their respective owners.
INPUT(CH1~4)
LOW
HIGH
L
INPUT(CH5/6)
R
BAEQ
BA
BA
LOW HIGH
EQ
EQ
BA
BA
BA
LEVEL
LEVEL
REVERB
SUM
SUM
SUM
L/L+R
LLIMITER[-8dBu]
BA
BA
MONITOR OUT
BALIMITERSP EQ
REVERB
R
L
MONITOR OUT
R
R
[-8dBu]
L
INPUT(CH7/8)
R
BA
BA
LOW HIGH
EQ
EQ
BA
BA
LEVEL
HPF
HPF
DIGITAL EFFECT BA
HA
MUSIC
LIMITER
MASTER LEVEL
SPEECH
MUSICL
R
REC OUT
SPEAKER OUTMIC/ LINE
SPEECH
MUSIC
SPEECH/ MUSIC
EFFE
CT
L R
PA
PA
-1SP EQ
[+4dBu]
[-8dBu] [+23dBu][+10dBu]
[-10dBu]
PAD: 30dB
[-60 ~ +15dBu]
[-50 ~ +25dBu]
[-20 ~ +25dBu]
[-20 ~ +25dBu]
INPUT(CH1-2)
LOW
HIGH
L
INPUT(CH7/8)
R
BA
EQ
BA
BA
LOW HIGH
EQ
EQ
BA
BA
BA
LEVEL
LEVEL
REVERB
SUM
SUM
SUM
L/MONO
LLIMITER
[-8dBu]
BA
BA
MONITOR OUT
BALIMITERSP EQ
REVERB
R
L
MONITOR OUT
R
R
[-8dBu]
L
INPUT(CH9/10)
R
BA
BA
LOW HIGH
EQ
EQ
BA
BA
LEVEL
HPF
HPF
DIGITAL EFFECT BA
HA
MUSIC
LIMITER
MASTER LEVEL
SPEECH
MUSICL
R
REC OUT
SPEAKERS OUT
MIC/ LINE
SEECHP
MUSIC
SPEECH/ MUSIC
PA
PA
-1SP EQ
[+4dBu]
[-8dBu] [+25dBu][+12dBu]
[-10dBu]
PAD: 30dB
[-60 ~ +15dBu]
[-50 ~ +25dBu]
[-20 ~ +25dBu]
[-20 ~ +25dBu]
L/MONO
INPUT(CH5/6)
BA
BA
LOW
EQ
EQ
BA
BA
LEVEL
[-8dBu]
R
[-20 ~ +25dBu]
COMP/LIMIT
INPUT(CH3-4) EQ BA
LEVEL
REVERB
[-8dBu]HA
MIC/ LINEPAD:30dB
[-60 ~ +15dBu]
[-50 ~ +25dBu]
OFFON
PHANTOM +15V
LIMIT/ COMP
EFFE
CT
L R
HIGH
LOW
HIGH
INPUT(CH1-2)
LOW
HIGH
BAEQ
BA
BA
EQ
EQ
BA
BA
BA
LEVEL
SUM
SUM
L/MONO
(L/MONO)
LIMITER[-8dBu]
BA
BA
STEREO SUB OUT
REVERB
STEREO SUB OUT[+4dBu]R
HPF
HPF
DIGITAL EFFECT BA
HA
MUSIC
LIMITER
MASTERLEVEL
SPEAKER OUT
SPEECH
MUSIC
EFFE
CT
L R
PASP EQ
[+4dBu]
[+27dB/ +21dBu *1]
PAD: 30dB
[-60 ~ +15dBu]
[-50 ~ +25dBu]
L/MONO
INPUT(CH3/4)
BA
BA
EQ
EQ
BA
BA
LEVEL
R
[-20 ~ +25dBu]
REVERB
[-26dBu]
[+4dBu]
[0dBu]
INV
INV
MIC
L
R
[-20 ~ +25dBu]
[-26dBu]
[-26dBu]
[-26dBu]
LOW
HIGH
LOW
HIGH
LEVEL
[-8dBu]
[-8dBu]
[-11dBu]
SPEECH
MUSIC
SUM
[-8dBu]
[-26dBu]
[-8dBu]
L/MONOINPUT(CH5/6)(CLICK)
BA
BA
EQ
EQ
BA
BA
LEVEL
R[-20 ~ +25dBu]
[-26dBu]
LOW
HIGH
[-8dBu]
[-8dBu]
CLICK TOSP/PHONES CLICK TO
PHONES
INPUT(CH7/8)
SUM
SUM
SUM
STEREO LINK OUT (R)[0dBu]
SUM
SUM
BA
BA
PHONES
100
100
PHONES[20mW/40ohms]
[-26dBu]
[-26dBu]
[-26dBu]
[-26dBu][-26dBu]
[-26dBu]
[-26dBu]
[-26dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[12dBu]
[0dBu]
[-8dBu]
[-11dBu]
INV
INV
[-8dBu]
*1: plugged in STEREO LINK OUT(R)
SPEECH/ MUSIC
SP/PHONESPHONES
LINE
[12dBu]
INPUT(CH1-2)
LOW
HIGH
BAEQ
BA
BA
EQ
EQ
BA
BA
BA
LEVEL
SUM
SUM
L/MONO
(L/MONO)
LIMITER[-8dBu]
BA
BA
STEREO SUB OUT
REVERB
STEREO SUB OUT[+4dBu]R
HPF
HPF
DIGITAL EFFECT
BA
HA
MUSIC
LIMITER
MASTER LEVEL
SPEAKER OUT
SPEECH
MUSIC
EFFE
CT
L R
PASP EQ
[+4dBu]
[+28dB/ +22dBu *1]
PAD: 30dB
[-60 ~ +15dBu]
[-50~+25dBu]
L/MONO
INPUT(CH3/4-5/6)
BA
BA
EQ
EQ
BA
BA
LEVEL
R
[-20 ~ +25dBu]
LIMIT/ COMP
PHANTOM +15V
REVERB[-26dBu]
[+4dBu]
[0dBu]
INV
INV
BA
[-26dBu]
OFF
MIC LIMIT
L
R
[-20 ~ +25dBu]
[-26dBu]
[-26dBu]
[-26dBu]
LOW
HIGH
LOW
HIGH
LEVEL
[-8dBu]
[-8dBu]
[-8dBu]INV
SPEECH
MUSIC
SUM
SP EQ
[-8dBu]
[-36dBu]
(SLIDE SW)
[-8dBu]
L/MONOINPUT(CH7/8)(CLICK)
BA
BA
EQ
EQ
BA
BA
LEVEL
R
[-20 ~ +25dBu]
[-26dBu]
[-26dBu] [-26dBu]
LOW
HIGH
[-8dBu]
[-8dBu]
CLICK TO SP/PHONES CLICK TO
PHONES
INPUT(CH9/10)
SUM
SUM
SUM
STEREO LINK OUT (R)[0dBu]
SUM
SUM
BA
BA
PHONES
100
100
PHONES[20mW/40ohms]
[-26dBu]
[-26dBu]
[-26dBu]
[-26dBu]
[-26dBu]
[-26dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[-8dBu]
[12dBu]
[12dBu]
[0dBu]
[-8dBu]
[-8dBu]
[-8dBu]
INV
INV
[-8dBu]*1: plugged in STEREO LINK OUT (R)
SPEECH/ MUSIC
SP
PHONES
COMPLINE
ON
Maximum Output Power
Output Power (RMS)
Maximum Output LevelFrequency Response (Nomimal output level @ 1 kHz)
Total Harmonic Distortion
Hum & Noise (Equivalent Input Noise, Rs = 150 Ω, MIC/LINE = MIC)
Crosstalk (1 kHz)Power ConsumptionWeightInput Channel Equalization
EnclosureCrossover Frequency Frequency Range
Speaker Unit
STAGEPAS 500250 W + 250 W (±10 %)4 Ω@ 10 % THD at 1 kHz (SPEAKER L/R)200 W + 200 W4Ω @ 1 % THD at 1 kHz (SPEAKER L/R)116 dB (1 m)
<= -106 dBu (CH1/2) <= -112 dBu (CH3/4)<= -65 dBu Residual output noise (SPEAKER L/R) 65 W24 kg (52-7/8" lbs.) (Speaker x 2 + Powered Mixer)
STAGEPAS 300150 W+150 W (±10 %)6 Ω @10 % THD at 1 kHz (SPEAKER L/R)100 W+100 W6 Ω @1 % THD at 1 kHz (SPEAKER L/R)112 dB (1 m)
<= -65 dBu Residual output noise (SPEAKER L/R)
70 W18 kg (39-5/8" lbs.) (Speaker x 2 + Powered Mixer)
STAGEPAS 250M250 W (±10 %)4 Ω @ 10 %THD at 1 kHz (SPEAKER) 200 W4 Ω @ 1 % THD at 1 kHz (SPEAKER)116 dB (1 m)
<= -106 dBu (CH1/2) <= -65 dBu Residual output noise (SPEAKER)
35 W13 kg (28-5/8" lbs.) (Speaker + Powered Mixer)
STAGEPAS 150M150 W (±10 %)6 Ω @ 10 % THD at 1 kHz (SPEAKER)100 W4 Ω@ 1 % THD at 1 kHz(SPEAKER)112 dB (1 m)
<= -112 dBu (CH3/4)<= -65 dBu Residual output noise (SPEAKER)
20 W9.6 kg (21-1/8" lbs.) (Speaker + Powered Mixer)
-3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz, 1 W Output (MUSIC/SPEECH=MUSIC, without Speaker EQ) (STAGEPAS 500/300: SPEAKER L/R) (STAGEPAS 250M/150M: SPEAKER)
0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN= nominal (STAGEPAS 500/300: MONITOR OUT, REC OUT) (STAGEPAS 250M/150M: ST SUB OUT, ST LINK OUT)
-70dB between input channels
±15 dB, HIGH 10 kHz shelving, LOW 100 Hz shelving
General Specifications (Mixer)
General Specifications (Speaker)STAGEPAS 500
LF: 10" (25 cm) ConeHF: 1" (2.54 cm) Compression Driver
STAGEPAS 300
LF: 8" (20 cm) ConeHF: 1" (2.54 cm) Compression driver
2-way bass-reflex type, Polypropylene, Black4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct)
55 Hz-20 kHz (-10 dB)
STAGEPAS 250M
LF: 10" (25 cm) ConeHF: 1" (2.54 cm) Compression Driver
STAGEPAS 150M
LF: 8" (20 cm) ConeHF: 1" (2.54 cm) Compression Driver
For InstrumentalistsThe versatile STAGEPAS mixer has more than enough input capability to directly handle many different instruments—from electric-acoustic guitars to electronic keyboards.
For SingersVocalists will appreciate the built-in, high-quality reverb on all STAGEPAS systems. Plus, the 250M and 500 models feature a built-in limiter/compressor to let you dial in a smooth, punchy vocal sound.
For Keyboard PlayersPlayers needing a simple, yet exceptionally high-quality keyboard amplifier will find ideal solutions in the STAGEPAS 150M and 250M. These compact, highly portable and easy-to-use systems can serve as your main system for small gigs, or as a sub-mixer for direct connection to the main mixer at large events.
For GuitaristsThe STAGEPAS 150M and 250M are excellent systems for guitarists playing in small venues, since they deliver outstanding sound for the house as well as great monitor sound for the player.
Whether your Portable PA needs are Pro Audio (for music performance) or Public Address for school, church and meeting assemblies, the STAGEPAS systems are lightweight, compact and simple to setup—and fit a wide variety of applications.
Multi-purpose Portable PA
For BandsMultiple microphone inputs make the STAGEPAS series an ideal choice for band rehearsals and performances. The STAGEPAS 500 in particular is well suited for many sources and larger venues, while the optional MSR100 powered speakers can be used for monitoring.
Versatility and Power—in Four Portable Systems
Combining high-performance power and accurate sound reproduction with remarkable versatility in a portable package, Yamaha’s STAGEPAS Series Portable PA Systems are fast becoming the standard for musicians and other PA users on the go.
These combination mixer/amplifier/speaker systems are exceptionally lightweight, portable and full-featured. Since virtually everything you need is in one, easy-to-use package, you can be set up and playing within a matter of minutes. And when you’re done, you can be packed and back on the road again with the same ease and speed. Yet despite the simplicity and compact size, these systems cut no corners in sound quality or versatility, and in fact give you some advanced features not normally found in systems of this class.
The series now includes the new single-speaker STAGEPAS 150M and 250M, which can be expanded to a stereo system by simply adding a second speaker. They can also function either as an ultra-portable PA system, or as a powerful keyboard amplifier—with sound quality and portability that far surpasses any other conventional keyboard amp. No matter what system you choose, you have a high-power, high-performance sound system ready for a wide variety of venues and events, both indoors and out.
For Public SpeakersIf you’re a speaker or giving presentations, you can instantly optimize the system settings with the special Speech mode—giving you maximum clarity for speech applications. Naturally, you can mix background music from a CD player or other source with the mic input.
All-in-one SystemsVirtually everything you need is right here in each of these systems: one versatile, powerful mixer/amplifier, two top-quality speakers (or one speaker, with the STAGEPAS 250M and 150M systems), and even the necessary speaker cables for quick setup!
Two-way Full-range Speaker SystemThe STAGEPAS delivers a remarkably large and powerful sound despite its compact size—thanks to the two-way speaker system and bass reflex design. All models feature a 1" titanium tweeter. The 250M and 500 employ a 10" woofer while the 150M and 300 have an 8" woofer. The sound is exceptionally clean, clear and free from break-up, even at high levels.
Detachable Powered MixerThe high-performance combination mixer/amplifier comes in 8- and 10-channel configurations, providing all the inputs you need, as well as all the power you want. Fitting neatly inside one of the speaker cabinets, it can be used as is, or detached for convenient placement and easy access.
Optional BMS-10A for Convenient Mic Stand MountingThe detachable mixer can be conveniently mounted on a conventional microphone stand for easy access, using the optional BMS-10A Mic Stand Adaptor.
Dimensions■ Mixer■ Speaker Dimensions
■ Mixer■ Speaker
Unit: mm (inch)
Unit: mm (inch)
342 (13-1/2")175
(6-7/8")54
4.5
(21-
1 /2"
)
330
(13"
)
120 (4-3/4")
152
(6")
2-M8 x 25
298 (11-3/4")111.5
(4-3/8")
Tripod pole diameter 35-36 mm* Use of the stand should refer to stand manufacturer's instructions.
96.3 (3-3/4")
160 (6-1/4")
290
(11-
3 /8"
)
255 (10-1/8")
455.
5 (1
7-7 /
8")
275 (10-7/8")
2-M8 x 25
120 (4-3/4")
137
(5-3
/ 8")
Stereo Link Out A dedicated Stereo Link Out jack is provided for connection to optional MSR100 powered speaker—allowing you to easily create a powerful stereo setup for larger venues and greater sound projection.
Click Assign Switches This convenient feature lets you connect a drum machine, synthesizer or metronome to Channels 5/6 and route a click/metronome or rhythm signal through the mixer for monitoring purposes only. Turning this switch on takes the Channel 5/6 signal out of the ST SUB OUT jacks. A second Click switch lets you route the click signal to the PHONES out for headphones monitoring.
Balanced ST SUB OUT These outputs let you connect additional powered speakers to the STAGEPAS 150M or send the mixer’s output to a main mixer or recording device.
Stereo Link Out Balanced ST SUB OUTThese outputs let you connect additional powered speakers to the STAGEPAS 250M or send the mixer’s output to a main mixer or recording device.
A dedicated Stereo Link Out jack is provided for connection to optional MSR250 powered speaker—allowing you to easily create a powerful stereo setup for larger venues and greater sound projection.
Click Assign SwitchesThis convenient feature lets you connect a drum machine, synthesizer or metronome to Channels 7/8 and route a click/metronome or rhythm signal through the mixer for monitoring purposes only. Turning this switch on takes the Channel 7/8 signal out of the ST SUB OUT jacks. A second Click switch lets you route the click signal to the PHONES out for headphones monitoring.
Flexible 8-channel Powered MixerThe STAGEPAS 150M provides a total of eight input channels: two mono microphone/line inputs and three stereo line inputs. Along with the output for the supplied speaker, the built-in yet detachable mixer also has line outputs that can be used to connect additional powered speakers or to send the mixer’s output to a main mixer or recording device. A convenient PHONES jack is also included for connecting a set of headphones.
150 Watt Class D Power AmplifierThis power amplifier is all you’ll need for most small venues and street performance situations, as well as personal monitoring applications.The advanced Class-D design delivers exceptional efficiency—ensuring high power amplification with low power consumption and minimal heat generation. This means you get superior sound quality and reliability in a remarkably compact unit.
Ideal for Monitor Speaker UseThe STAGEPAS 150M is also effective as a monitor speaker system (especially for keyboard players, drummers and solo performers), thanks to its full-range reproduction, convenient mixing controls, and versatile speaker placement.
Speaker Stand Mountable (with optional accessory)The STAGEPAS 150M speaker can be mounted onto a standard speaker stand, using an optional mount adaptor such asthe ADP138, the Ultimate BMB200, or an equivalent.
Versatile 10-channel Powered MixerThe built-in yet detachable mixer of the STAGEPAS 250M provides a total of ten input channels: two mono microphone/line inputs and four stereo line inputs. In addition to a speaker output for the supplied speaker, the mixer has line outputs that can be used to connect additional powered speakers or to send the mixer’s output to a main mixer or recording device. It also features a convenient PHONES jack for connecting a set of headphones.
250 Watt Class D Power AmplifierThis high-power amplifier is capable of filling a relatively large club or room with sound, and can even project well outdoors. The advanced Class-D design delivers exceptional efficiency—ensuring high power amplification with low power consumption and minimal heat generation. This means you get superior sound quality and reliability in a remarkably compact unit.
Built-in Compression/LimitingChannels 1 and 2 feature LIMIT/COMP switches that let you apply either limiting or compression to those channels. Limiting is useful in preventing input overload and distortion with sources that suddenly surge in level, while compression can smooth out vocals, bass, guitar and other signals that have widely varying dynamic range, giving those sources added punch and helping them “sit” better in the mix.
Phantom Power for High-performance Condenser MicrophonesThe STAGEPAS 250 mixer features switchable phantom power for the two mono microphone/line inputs. This lets you use high-performance phantom-powered condenser microphones in situations where you want the extended, natural response they provide.
Ideal for Monitor Speaker UseThe STAGEPAS 250M is also effective as a monitor speaker system (especially for keyboard players, drummers and solo performers), thanks to its full-range reproduction, convenient mixing controls, and versatile speaker placement.
Pole Mount Receptacle for Direct Speaker Stand MountingThe STAGEPAS 250M speaker is directly mountable on 35mm pole with securing thumb screw.
Exceptionally Compact System —8 Channels, 150 Watt Output
10 Channels for More Sources, Plus 250 Watt of Power
Useful Features for keyboard players
Useful Features for keyboard players
NEW NEW
Comprehensive sub mixerfor keyboard players
APPLICATION EXAMPLE APPLICATION EXAMPLE
In this versatile sub-mixing system, a click track can be monitored in the headphones or monitor speaker while the click-less keyboard signal is fed to the main mixer. The Stereo Link output lets you hook up an optional MSR250 powered speaker for stereo monitoring.
Headphones
ST SUB OUT
Optional MSR250 for stereo monitoring
Keyboard
Keyboard
To Main PA
Mics
OFF ON
STAGEPASSPEAKER
STAGEPASSPEAKER
AudioSupplied cable
Monitoring for home studio owners and MIDI keyboard players
This ideal solution provides excellent quality high-power sound for recording—and a compact live performance system as well. Play your synth/sample playback plug-ins (such as HALionOne, included with Cubase AI) with the KX MIDI keyboard, and use the AUDIOGRAM3 interface to feed the computer sound to the 150M. For live work, the computer click can be routed through the monitor only, and you can set the speaker on stage as a floor monitor.
NOTE PC
USBUSBAUDIOGRAM3KX Series
Headphones
Keyboard
Keyboard
AudioSupplied cableUSB
Common Features • Detachable Powered Mixer • Two-way Full-range Speaker System• Built-in EQ and High-quality Digital Reverb• MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• One Speaker Cable Supplied
Common Features • Detachable Powered Mixer • Two-way Full-range Speaker System• Built-in EQ and 1-bit Modulation Reverb• MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• One Speaker Cable Supplied
Portable PA System / Keyboard Amplifier Portable PA System / Keyboard Amplifier
Audio
Electric-AcousticGuitar
Electric-AcousticGuitar
Electric-AcousticGuitar
Dimensions■ Mixer■ Speaker
Unit: mm (inch)
Dimensions■ Mixer■ Speaker
Unit: mm (inch)
HIG
H
–15
+15
LOW
–15
+15
LEV
EL
010
9/10
HIG
H
–15
+15
LOW
–15
+15
LEV
EL
010
7/8
HIG
H
–15
+15
LOW
–15
+15
LEV
EL
010
5/6
HIG
H
–15
+15
LOW
–15
+15
LEV
EL
010
4
HIG
H
–15
+15
LOW
–15
+15
LEV
EL
010
3
HIG
H
–15
+15
LOW
–15
+15
LEV
EL
010
2
HIG
H
RE
VE
RB
RE
VE
RB
RE
VE
RB
RE
VE
RB
–15
+15
LOW
–15
+15
LEV
EL
010
1
MO
NIT
OR
OU
T
010
RE
VE
RB
010
LEV
EL
010
MA
ST
ER
(MO
NO
)L R
L
R
RR
LL
MIC
LIN
EM
ICLI
NE
MIC
LIN
EM
ICLI
NE
PH
AN
TOM
CH
1-4
LIM
ITC
OM
PLI
MIT
CO
MP
R
RL(M
ON
O)
LL R
OPEN
LOCK
OPEN
LOCK
SP
EE
CH
PO
WE
R
MU
SIC-2
0-60
+3
+6
LIM
ITE
R
SP
EA
KE
RS
OF
FO
N
MO
NIT
OR
OU
T
POWER
AC IN
ONOFF
MS
C
23
1
MS
C
23
1
MS
C
23
1
MS
C
23
11
MS
C
23
MS
C
23
1
MS
C
23
1
342 (13-1/2")175
(6-7/8")54
4.5
(21-
1 /2"
)
330
(13"
)
120 (4-3/4")
152
(6")
2-M8 x 25
298 (11-3/4")111.5
(4-3/8")
Tripod pole diameter 35-36 mm* Use of the stand should refer to stand manufacturer's instructions.
96.3 (3-3/4")
160 (6-1/4")255 (10-1/8")
455.
5 (1
7-7 /
8")
275 (10-7/8")
2-M8 x 25
120 (4-3/4")
137
(5-3
/ 8")
290
(11-
3 /8"
)
Phantom Power SwitchSupplies phantom power to the microphone inputs on channels 1 through 4, for high performance condenser microphones.
Digital Reverb Renowned Yamaha SPX reverb technology gives you studio-quality ambience on the road.
MUSIC / SPEECH Switch This unique feature optimizes the system settings for maximum clarity with speech.
1-bit Modulation Reverb Advanced 1-bit modulation technology delivers great-sound reverb for natural warmth and ambience.
LIMIT / COMP SwitchesApply limiting or compressionto channels 1 and 2 for added sonic control and versatility.
POCKETRAK2G
POCKETRAK 2G
Monitor SP MSR 250
Vocal Chorus X2
Preamp for Acoustic Guitar
Live performance with a full band
APPLICATION EXAMPLE
This extensive yet compact stereo system has inputs for three mics, an acoustic/electric guitar and two keyboards. Two Yamaha POCKETRAK 2G units are connected—one for recording the performance and the other for playing an additional source. The speakers fit atop stands (without the need for adaptors) for maximum projection of the powerful, high-quality sound.
STAGEPASSPEAKERS
STAGEPASSPEAKERS
Mics
POCKETRAK2G
Preamp for Acoustic Guitar
Preamp for Acoustic Guitar
APPLICATION EXAMPLE
Duo performers
This is a perfect system for two guitarists/singers performing on the street or in small venues such as coffee houses. A CD player or portable player (such as the Yamaha POCKETRAK 2G) connects to provide pre-recorded backing tracks.
Keyboard
Keyboard
AudioSupplied cable
Useful Features for Band Useful Features for performer
Dual 150 Watt Class D Power AmplifierTwo 150 Watt power amplifier is plenty for most small venues and street performance situations. And you get clean, reliable power from a Class-D design that provides high-efficiency amplification with low power consumption and minimal heat generation, allowing the amplifier to be built into a smaller, lighter, and cooler package.
8-channel Mixer with Monitor and Record OutputsThe powered mixer is normally stored in the rear of one of the speakers, but it can be easily detached (the only tool you need is a coin) for convenient operation. The STAGEPAS 300 mixer has a total of eight input channels: four mono microphone/line inputs and two stereo line inputs. In addition to speaker outputs for the supplied speakers, the mixer has line outputs that can be used to connect additional powered speakers for monitoring, and to send the mixer’s output to a recording device.
Speaker Stand Mountable (with optional accessory)The STAGEPAS 300 speakers can bemounted onto a standard speaker stands,using an optional mount adaptor such asthe ADP138, the Ultimate BMB200,or an equivalent.
Common Features • Detachable Powered Mixer• Two-way Full-range Speaker System• Built-in EQ and High-quality Digital Reverb• MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• Ideal for Monitor speaker use• Speaker cables supplied
Common Features• Detachable Powered Mixer• Two-way Full-range Speaker System• Built-in EQ and 1-bit Modulation Reverb • MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• Ideal for Monitor speaker use• Speaker Cables Supplied
Dual 250 Watt Class D Power AmplifierTwo 250 Watt power amplifier can fill surprisingly large clubs or rooms, or project your sound over a considerable distance outdoors. The class-D power amplifier has been painstakingly designed to deliver superior sound quality as well as reliability in a remarkably compact unit.
Versatile 10-channel Mixer with Monitor and Record OutputsIf there are more members in your band than the STAGEPAS 300’s 8 input channels can handle, or you simply have a lot of sources to mix, the STAGEPAS 500 gives you 10 input channels in all: four mono microphone/line inputs and three stereo line inputs. The additional stereo channel can be used for either a stereo or mono source. In addition to the main speaker outputs the mixer has line outputs that can be used to connect additional powered speakers for monitoring, and to send the mixer’s output to a recording device.
Phantom Power for High-performance Condenser MicrophonesThe STAGEPAS 500 mixer features switchable phantom power for the four mono microphone/line inputs. This lets you use high-performance phantom-powered condenser microphones in situations where you want the extended, natural response they provide.
Built-in Channel Compression/LimitingChannels 1 and 2 feature LIMIT/COMP switches that let you apply either limiting or compression to those channels. Limiting is useful in preventing input overload and distortion with sources that suddenly surge in level, while compression can smooth out vocals, bass, guitar and other signals that have widely varying dynamic range, giving those sources added punch and helping them “sit” better in the mix.
Pole Mount Receptacle for Direct Speaker Stand MountingThe STAGEPAS 500 speaker is directly mountable on 35mm pole with securing thumb screw.
Convenient Accessory Compartment Neatly pack away your cables, microphones and other small necessities in the speaker accessory compartment, and enjoy a truly streamlined system when on the road. Convenient Accessory Compartment
Neatly pack away your cables, microphones and other small necessities in the speaker accessory compartment, and enjoy a truly streamlined system when on the road.
The Ultimate In Portability with 8 Channels and 150W + 150W Output
10 Channels and 250W + 250W Power for More Sources and Larger Venues