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User Guide

KeyStudio49-Note USB Keyboard Controller

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Table o Contents

Introduction

Features

Whats in the Box?

About this Guide

Minimum System Requirements Mac OS

Windows

Connecting the KeyStudio Keyboard

Getting Started with Music Creation Sotware

Key Names

Octave Buttons

Pitch Bend Wheel

Modulation Wheel

Volume Slider Sustain Pedal Jack

Advanced Features in Edit Mode

Advanced Functions in Edit Mode

Octave Buttons Options

Octave Shit

Transpose

Channel

Program Change

Bank LSB and Bank MSB

Other Assignable Controllers 1

The Modulation Wheel

The Volume Slider 1

MIDI Messages In-Depth

Program & Bank Changes 1

NRPN/RPNs 1

Troubleshooting 1

Useul MIDI-Specifc Troubleshooting Features

All Notes Off 1

Reset All Controllers 1

Appendices - Useul MIDI Data

Appendix A - General MIDI Instruments

Appendix B - Standard MIDI Controller Numbers (MIDI CCs)

Appendix C - Additional RPN Messages

Warranty 1

Technical Ino 1

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|KeyStudio User Guide

Introductio

1Congratulations on your purchase o M-Audio KeyStudio: a 49-key ull-size, velocity sensitive USB keyboard designed or easy

ntegration with your Mac OS X computer KeyStudio can be used with a multitude o music creation applications including

GarageBand, Logic Express, and Logic Pro

Feature

2 49-keyvelocitysensitivekeyboard

PitchBendwheel

Modulationwheel;MIDIre-assignable

Volumeslider;MIDIre-assignable

Octaveup/downbuttons;MIDIre-assignable

EditModebuttonforadvancedfunctionsandprogramming

Sustainfootpedalinput

nodriverinstallationneededsimplyconnectandpoweron

bus-poweredthroughUSB

Whats in the Box

3 M-AudioKeyStudioUSBkeyboard

USBcable

PrintedKeyStudioQuickStartGuide

fanyoftheabovelisteditemsaremissing,pleasecontacttheretailerwhereyoupurchasedtheproduct.

About this Guid

4ThisUserGuidecoverssetupandfeaturesofKeyStudio.EvenifyouareexperiencedwithMIDIandcomputer-basedmusic

production, we still recommend reading this User Guide to help you get the most out o KeyStudio This keyboard can be used wi

many third-party music sotware applications See your specifc sotwares documentation or more inormation on this

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Minimum System Requiremen

5Mac OS

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Getting Started with Music Creation Sotwar

7fyouarenewtoMIDI(MusicalInstrumentDigitalInterface),youmaynditchallengingtounderstandwhysoundshavenotsimply

been included in the keyboard You will fnd that using a sotware-based sound source and recording system allows or accessto an extremely large array o high quality sounds, a large graphic user interace, and reedom to work with many music creation

applications.AbasicunderstandingofMIDIwillenableyoutotakeadvantageofitswealthofcreativepossibilities.

PressingoneofKeyStudioskeyscausesthekeyboardtosendoutMIDI(MusicalInstrumentDigitalInterface)data.MIDIdatajust

gives instructions on how a sound should play These instructions dictate parameters such as what note to play, when to play it, h

oud to play it, and which sound to use

When using a virtual (sotware) instrument within your recording sotware, data rom the KeyStudio keyboard is sent to the

sequencersoftware,routedtoavirtualinstrument,andsenttoanaudiooutput.ThisprocessturnsMIDIdataintoaudiblesounds.

Forthis,youmustcongureyourmusicsoftwaretoreadMIDIdatabeingsentfromKeyStudio,andplaythesoundbackaccording

nmanymusicapplications,muchofthisprocessisautomated.GarageBand,forexample,onlyrequiresyoutohighlightaSoftwar

nstrumenttrackinordertobeabletohearwhatyouareplayingonyourKeyStudiokeyboard.Providedyourcomputerhasbuilt-inspeakers, or you have external speakers connected (and these speakers are not muted or turned down), you should hear sounds

correspondingtonotesyouplayonKeyStudio.SeethedocumentationassociatedwithanyMIDI-compatiblemusicsoftwareyoua

using or more inormation

Key Names

The letters printed above the white keys stand or the names o the musical notes the keys represent The number next to each

etter marks the octave each key belongs to (More inormation on octaves can be ound in the ollowing section) Black keys are

semitonestotheiradjacentwhitekeysanddonthaveadedicatedletter.Asemitonerepresentsthedistanceinpitchfromonen

to its immediate neighbor

Blackkeysusuallyhavethesamenameasthenexthigherorlowerwhitekey,buthaveanadditionalsharpsymbol(#semitonehigherthantheletterindicates),oratsymbol(bsemitonelowerthantheletterindicates)attachedtothem.Forexample,thena

oftheblackkeytotherightofC3isC#3(C-sharp3),butitcanalsobecalledDb3(D-at3),sinceitisalsoadjacenttotheDkey

onitsright.Inotherwords,blackkeyshavetwovalidnames,dependingonthecontextofthemusicalnotationtheyarepartof.

Octave Buttons

An octave contains 12 notes, and each octave is marked out clearly on your KeyStudio keyboard by black and white sections start

on C Each octave is given a number

KeyStudio is able to shit the pitch o its keys up or down by one or more octaves When the keyboards octaves are not shited

(octave shit set to zero), the lights above both the Octave buttons will be lit The deault octave shit designa

s zero and will be the octave setting each time you power up the keyboard

fyoupresstheOctave>buttononce,thelightabovetheOctavebuttonagain,thekeyboardwillbeshifteduptwooctaves.Itispossibletoshiftthe

keyboard up a total o our octaves using the Octave > button To shit the octave down, press the Octave button,theoctaveisshiftedup.IfthelightisonlylitabovetheOctave

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Pitch Bend Wheel

As the name indicates, the Pitch Bend wheel is usually used to bend the notes played on the keyboard up or down This allows yo

to play phrases not normally associated with keyboard playing, including guitar-style ris Your sound source determines how ar y

can bend the note The usual setting is two semitones but can be up to two octaves up or down

Modulation Wheel

The Modulation wheel is typically used or modulation o the sound you are playing This real-time controller was originally introduc

onelectronickeyboardinstrumentstogivetheperformeroptionssuchasaddingvibrato,justlikeplayersofacousticinstrumentsd

KeyStudios Modulation wheel is assignable to control many possible parameters (See chapter Advanced KeyStudio Features in

Edit Mode or more inormation on this)

Volume Slider

TheVolumeslidercansendMIDImessagesthatcontrolthevolumeofthenotesyouareplaying.TheVolumeslidercanalsobe

assigned to control dierent parameters such as pan (balance), attack, reverb, and chorus (See chapter Advanced KeyStudio

Features in Edit Mode or more inormation on this)

Sustain Pedal Jack

Youcanconnectamomentary-contactfootpedal(notincluded)totheSustainjackonthebackofyourM-Audiokeyboard.The

keyboardwillautomaticallydetectthecorrectpolaritywhenpoweringup.Ifyouwanttoreversethepolarity,simplypressthepeda

when you switch on your keyboard

The oot pedal is normally used or sustaining the sound you are playing without having to keep your fngers pressing down the ke

This is similar to an acoustic pianos sustain pedal unction

Advanced Features in Edit Mod

8The button to the let o the keys labeled Edit Mode is used to access additional advanced unctions o the keyboard When this

button is pressed, the keyboard will enter Edit mode and the keys on the keyboard can be used to select unctions and enter data

The light above the Edit Mode button indicates whether or not the keyboard is in Edit mode When in Edit mode, the black keys on

the keyboard are used or selecting unctions, while the white keys are used or data entry and channel selection

Your keyboard will exit Edit mode as soon as either a unction is selected or the CANCEL or ENTER key is pressed The light abov

the Edit Mode button will then turn o and the keyboard can then be used to play notes again Some unctions do not require any

additional data entry When these unctions are selected, the keyboard will automatically exit Edit mode and return to Perormanc

mode

Note: Not every music application can process all types o MIDI messages KeyStudio is capable o sending. Please consult you

sotwares documentation or inormation on what messages it can accept.

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Advanced Functions in Edit Mode

Octave Buttons Options

TheOctavebuttonscanbeassignedtocontroloneofsixpossibleMIDIfunctions:

OctaveShift ProgramChange BankMSB

Transpose BankLSB MIDIChannelChange

nthediagramabove,therstsixblackkeysarelabeledDATA=OCTAVE,DATA=TRANSPOSE,DATA=PROGRAM,DATA

=BANKLSB,DATA=BANKMSB,andDATA=CHANNEL.Thesekeysareusedtoselectthedesiredalternatefunctionofthe

Octave buttons

To select an alternate unction:

1 Press the Edit Mode button

2 Press the black key that represents the unction you want to assign to the Octave buttons KeyStudio will exit Edit

mode as soon as you push one o these keys

PLEASE NOTE: Some o the unctions that the Octave buttons can be used or cannot send out a value less than ze

When used to control these unctions, both lights above the buttons will remain on, regardless o the current setting

that unction.

The available functions of the octave buttons are:

Octave Shit

TheOctavebuttonscontroloctaveshiftbydefault.However,ifthesekeyshavebeenprogrammedtocontrol

another unction, you may wish to re-assign them to control octave shit once again

To assign the Octave buttons to control octave shit:


2. PresstheblackkeyaboveC1(C#1),representingDATA=OCTAVE.KeyStudiowillexitEditmodeassoonas

C#1 has been pressed

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AnothermethodofshiftingKeyStudiosoctavesiswiththeuseoftheblackkeyslabeledOCTAVE+,-,and0onthe

Advanced Functions in Edit Mode diagram This octave shit method can be useul when the Octave buttons have been

reassignedtocontrolanotherMIDIfunction.


2. PresstheblackkeybelowB2(Bb2).InEditmode,thiskeyfunctionsasOCTAVE+,shiftingthekeyboardupone

octave.Itispossibletoshiftthekeyboardupatotaloffouroctaves.

3. PresstheblackkeyaboveF2(F#2).InEditmode,thiskeyfunctionsasOCTAVE-,shiftingthekeyboarddownon

octave.Itispossibletoshiftthekeyboarddownatotalofthreeoctaves.

4. PresstheblackkeyaboveG2(G#2).InEditmode,thiskeyfunctionsasOCTAVE0toresettheoctaveshifttoz

5 When you have chosen your octave shit, either press C5 representing ENTER, or press the Edit Mode button to

Edit mode

Transpose

Insomecasesitisusefultoincreaseordecreasethetransmittedpitchbyasmallnumberofsemitonesratherthanawhole

octave.Forexample,youmaybeplayingasongwithasingerandthesingerishavingtroublehittingthehighnotes.Inthis

case, you can try reducing the pitch by one or more semitones This is achieved using a unction called TransposeTranspose works similar to octave shit, except the shit is not limited to multiples o 12 semi-tones As with octave shit, the

are two ways o transposing the keyboard When in Edit mode, you can assign the Octave buttons to control th

transpose eature Alternatively, you can use the black keys F#3, G#3, and Bb3 to shit the transposition These black keys

representTRANSPOSE-,TRANSPOSE0andTRANSPOSE+respectively.

To assign the Octave buttons to transpose:


2. PresstheblackkeyaboveD1(D#1),representingDATA=TRANSPOSE.KeyStudiowillexitEditmodeasso

asD#1hasbeenpressed.

When the Octave buttons are assigned to transpose the keyboard, the lights above the buttons indicate the direction o the

transposition To return the keyboards transpose shit to zero, press both the Octave buttons at the same time

Channel

MIDIdatafromthekeyboardcanbesentonanyof16MIDIchannels.KeyStudiosdefaultistotransmitMIDIdataonchanne

However,certainMIDIperformanceorrecordingscenariosmayrequirethekeyboardtosenddataonadifferentchannel.Yo

can change the channel on which data is sent using the ollowing method:


2. Pressoneofthe16channelkeysfromD1toE3,whicheveronerepresentsthechannelyouneed.KeyStudiowillex

Edit mode as soon as a channel key has been pressed

For example, i a device specifes that you need to send data on channel 10, press the Edit Mode button, and then F2 to se

channel 10 This channel is usually dedicated to drum sounds when working with GM compatible synthesizers and sound

modules

The channel can also be assigned to the Octave buttons by pressing the Edit Mode button and then C#2 Thi

will allow the Octave buttons to increment or decrement through the channels When channel 16 is reached

and>ispressed,channel1willbeselected.IftheOctavebuttonsareassignedtovarythechannel,thelight

above the buttons will not change, since it is not possible to have a channel with a negative value Pressing both the buttons together will recall KeyStudios deault, channel 1

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Program Change

Program changes are used to change the instrument or voice you are controlling with your KeyStudio Program change

messagescanbebenecialwhenusingtheKeyStudiokeyboardtocontrolMIDIsoundmodulesorsynthesizers.Somemus

sotware applications support these messages, however, others do not Check your sotwares User Guide to fnd out i it c

process program change messages

Inthisexample,wewilldemonstratehowtochangetheinstrumentonaGeneralMIDIsoundmoduletoacellosound.Todo

thisweneedtosendaprogramchangeof42,whichwillselectacellosoundfromtheGeneralMIDIInstrumentsstandard(see Appendix A) There are two methods to send the program change:

1) Increment/Decrement Program Change:


2 Press the black key above F1 (F#1) Now the Octave buttons can be used to change the program

2) Quick Select Program Change


2 Press the black key above F4 (F#4), representing program

3. PresskeysD4,thenB3,thenC5.Thisentersthecombination:4,2,ENTER.

NowthekeyboardissettoplaytheGMcellosound42(fromtheGeneralMIDIInstrumentsstandardlist).Thefulllistof

GeneralMIDIprogramnumbersisgiveninAppendixAattheendofthismanual.

Method 1 is useul i you want to cycle through dierent instruments or the purpose o comparing and choosing which sou

works best in your song Method 2 is more useul i you want to select a specifc sound patch, as is the case here

IftheOctavebuttonshavebeenassignedtocontroltheprogramnumber(Method1),thelightsabovethe

buttons will not change, since it is not possible to have a program with a negative value Pressing both the

buttonstogetherwillrecallProgram0,whichselectstherstsoundpatchonanysynthesizercapableofprocessingMIDI

program changes

Bank LSB and Bank MSB

Programchangesarethemostcommonlyusedmessagestochangeinstrumentsandvoices.However,thenumberof

instrumentsaccessibleusingonlytheprogramchangeMIDIcommandislimitedto128.Sincesomedeviceshavemoretha

128 voices, they require a method to organize their large number o sounds into banks These devices then access the sou

withinthesebanksbyusingprogramchangemessages.SeechapterMIDIMessagesExplainedforadditionalinformation

Generally, these devices use Bank LSB (Least Signifcant Byte) and Bank MSB (Most Signifcant Byte) change messages

KeyStudio can send these bank change messages in two possible ways:

1) Incremental/Decremental Bank LSB and Bank MSB Change:


2 Press the black key above G1 (G#1) or Bb1 (A#1), representing Bank LSB or Bank MSB respectively Now the

Octave buttons can be used to change Bank LSB or Bank MSB

2) Using the Quick Select Method:


2 Press the black key above G4 (G#4), or Bb4 (A#4), representing Bank LSB or Bank MSB respectively

3 Press the white keys associated with the bank number you wish to select, and then press C5 (Enter) For exam

pressing the C4 (the number 3), A3 (the number 1), and C5 (Enter) keys in this step selects bank 31

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| 1KeyStudio User Guide

As with Program changes, i the Octave buttons are selected to vary the Bank LSB or MSB number (Method 1

the lights above the buttons will not change, since it is not possible to have a Bank with a negative value Pressing both the

buttons together will recall Bank 0

Bank change messages must be ollowed by a program change message in order to recall a sound Bank change message

by themselves do not activate a sound, but only locate and access a predefned location o a set (bank) o 128 sounds

PLEASE NOTE: Each time the keyboard is turned o, optional MIDI parameters assigned to the Octave buttons will be l

When the keyboard is powered up, the Octave buttons will deault to controlling octave shit.

Other Assignable Controller

9The Modulation Wheel

tispossibletoassigndifferentMIDIcontrollernumberstotheModulationwheel.TheseparametersarecalledMIDIcontinuous

controllers.Thereare132(countingfromandincludingzeroto131)MIDIcontinuouscontrollers(MIDICCs).Forthesecontrollevaluestohaveanyeffectonthesound,thereceivingsoftwareordevicehastobeabletoreadandrespondtotheseMIDIcontroll

messages KeyStudio accepts controller numbers 0-131 Numbers beyond 127 are a proprietary method M-Audio uses to simpliy

thetransmissionofcertain,otherwisemorecomplicatedmulti-partMIDImessages.Afulllistofcontrollervaluesisgivenatthebac

o this manual in Appendix B

Some useul MIDI CCs are:

< 01 Modulation

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As an example, lets assign eect number 10 to the Modulation wheel. This means the Modulation wheel will control Pan

balance). To do this:


2. PresstheblackkeyaboveC4(C#4),representingWHEELASSIGN.

3 Press A3 to enter 1

4 Press G3 to enter 0 so you have entered 10

5 Press C5 or ENTER

The Volume Slider

AswiththeModulationwheel,theVolumeslidercanalsobeassignedtoanyofthe132controllers(0-131)shownatthebackof

manual

To assign the Volume slider to a certain MIDI parameter:


2. PresstheblackkeyaboveD4(D#4),representingSLIDERASSIGN.

3. UsetheNumericalDataEntrykeysG3B4toenterthenumberofthecontrollervalueyouwanttoassigntothe

Volumeslider.

4 Press the ENTER key (C5)

Ifyoumakeanerrorwhileenteringthenumericaldatavalue,youcanpresstheCANCELkey(C1)toexitEditmodewithout

changingtheMIDICCassignedtotheVolumeslider.

PLEASE NOTE: Each time the keyboard is turned o, optional MIDI parameters assigned to the Volume slider or

Modulation wheel will be lost. Each time the keyboard is powered up, the Volume slider will deault to being assigned toVolume (MIDI CC 07), and the Modulation wheel will deault to being assigned to modulation (MIDI CC 01).

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YouwillndmanyMIDIdevicesrespondtoprogramchangecommandsandmanyareorganizedaccordingtotheGMlisting.In

GeneralMIDIdevices,differentsoundsareorganizedinthesamewayfromdevicetodevice.Pianosoundsareintheirparticular

place, string sounds are in their place, drum sounds are in their place, and so on All GM devices (both hardware and sotware

soundmodules)areclearlylabeledassuch,soyouknowthattheirsoundsareorganizedintheGeneralMIDIstructure.WhenaG

devicereceivesaMIDIprogramchange,itcallsupatypeofsoundthatyouexpectfromtheGMsoundset.Allnon-GMMIDIsou

modulescallupuniquesoundsfromtheirmemoryuponreceivingMIDIprogramchanges.Sincethesoundsinanon-GMdevicea

not arranged in a particular order, you need to take a look at the device itsel to see which sound you want and at which location in

thememoryitresides.ManyVSTinstrumentssuchasNativeInstrumentsFM7orthesynthmodulesinPropellerheadReasonarenon-GM devices

You can send program change, bank LSB and bank MSB messages directly rom the KeyStudio keyboard Please consult the

Advanced KeyStudio Features in Edit Mode section o this User Guide or urther details

NRPN/RPNs

Non-registered parameter numbers (NRPNs) are device-specifc messages that enable you to control synths and sound modules

viaMIDI.TheMIDIspecicationdenesopenparameternumberstoallowmanufacturerstospecifytheirowncontrollers.Themor

commonoftheseareregisteredbytheMIDIManufacturersAssociationandarenowpartoftheMIDIspecication(hencetheterm

RegisteredParameterNumbersRPNs).(SeeAppendixB)EachNRPN/RPNhasanassociated2-bytenumber.Thetwobytes

allow or 128 values each (An RPN or NRPN message is made up o two parts: the MSB and the LSB message Both o thesemessages together constitute an RPN or NRPN command) This allows or 16,384 values in total

MIDIcontrollers98and99representtheNRPNLSBandMSBrespectively,while100and101representtheRPNLSBand

MSBmessages(seetheMIDIcontrollerslistinAppendixB).TotransmitanNRPN/RPNmessage,theseLSBandMSBcontroller

messages are sent along with their user-specifed values A urther controller message and value needs to be sent to speciy the

(coarseorne)valueadjustment.Thisisspeciedbycontrollernumber6(dataentry)forcoarseadjustmentsornumber38forne

adjustments.

AlistofNRPNsisusuallygivenintheusersmanualofanydevicethatreceivesNRPNmessages.Itisalwaysnecessarythatthe

NRPN MSB and LSB be sent together Both will be specifed in the devices manual

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Troubleshootin

11KeyStudiohasbeentestedinawiderangeofsystemsandoperatingconditions.However,therearevirtuallylimitlessnumbersofoperating scenarios, any o which could aect your systems perormance Though this section cannot cover all possible situation

youmayencounter,wewouldliketooffersomesuggestionsfordealingwithpossibleproblems.Ifyouarestillnotabletondthe

answer you are looking or, please eel ree to contact M-Audio technical support or urther assistance

Problem 1: My KeyStudio suddenly stopped working ater having perormed fne since installation.

Solution 1: Close any music applications you are using, switch KeyStudio o, and restart your computer Once your compu

has completely restarted, switch KeyStudio back on

Problem 2: I have connected a sustain pedal to my M-Audio keyboard, but its unction is reversed.

Solution 2: The polarity o the sustain pedal is calculated by the keyboard when it is powered up On power up, the sustainpedalisassumedtobeintheOFFposition.Ifyouwantthesustainpedaltobeoffwhenitisnotpressed,makesurethepe

isnotpressedwhenyoupowerup.Alsochecktoseeifthereisapolarityswitchonyourfootpedal.Itispossibletousethis

switch to change oot pedal polarity as well Another way to reverse the sustain pedals polarity is to keep it pushed while

powering on your KeyStudio keyboard

Problem 3: KeyStudio does not trigger sounds in my music sotware application.

Solution 3:BesureKeyStudioisselectedastheMIDIinputdevicewithinyoursoftware.

Problem 4: I cannot locate the KeyStudio USB keyboard in my sotwares MIDI devices dialog box.

Solution 4: KeyStudio requires a powered USB port Try plugging KeyStudio into a dierent USB port or powered USB hubconnected to your computer

Problem 5: My synthesizer always recalls the sound next to the program number that I have sent to it rom KeyStud

For example, i I send a program change with the number 40 (Violin), my sotware loads sound number 41 (Viola).

Solution 5:SomeGeneralMIDImodulescounttheirsoundpatchesfrom1128insteadof0-127.Bothmethodsare

common.Asaresult,anddependingonthesoundmoduleyouuse,theremaybeanoffsetof+/-1betweenthesentprogra

change number and the recalled sound patch

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Useul MIDI-Specifc Troubleshooting Feature

12KeyStudiohasbeendesignedtomakeworkingwithMIDIonyourcomputerassimpleaspossible.However,sometimesthingscagowrong.Tocounterthis,therearetwousefulMIDIfunctions.

All Notes O

Usethisifyoundtherearesustainingnotesthatyoucannotstop.TosendanAllNotesOffMIDImessage:


2. PresstheblackkeyaboveD3(D#3),representingALLNOTESOFF.

3 Edit mode will exit, and there will no longer be any sustaining notes

Reset All Controllers

foneormoreoftheloadedsoundpatchesdoesntsoundasexpected,thenitmaymeanthataMIDICChasappliedanundesire

effectorothertypeofsoundmodulationtothatvoice.IfyouareunsurewhichMIDIcontrollertoadjusttoeliminatetheeffect,

youcansendaResetAllControllersMIDImessagetosetallcontrollervaluestotheirdefaults.TosendaResetAllControllers

message:


2 Press the black key above C3 (C# 3), representing RESET ALL CONTROLLERS

3 Edit mode will exit, and all controller values will be reset to their deault values

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Appendices - Useul MIDI Dat

13Appendix A - General MIDI Instruments

PLEASE NOTE: The ollowing table lists all General MIDI patch names using numbers rom 0 127. Be advised that some GMmodules count their sound patches rom 1 128 instead. Both methods are common. As a result, and depending on the sound

module you use, there may be an oset o -1 between the sent program change number and the recalled sound patch.

Piano

0 Acoustic Grand Piano

1 Bright Acoustic Piano

2 Electric Grand Piano

3HonkyTonkPiano

4 Electric Piano 1

5 Electric Piano 2

6Harpsichord

7 Clavinet

Chromatic Percussion

8 Celesta

9 Glockenspiel

10 Music Box

11Vibraphone

12 Marimba

13 Xylophone

14 Tubular bells

15Dulcimer

Organ

16DrawbarOrgan

17 Percussive Organ

18 Rock Organ

19 Church Organ

20 Reed Organ

21 Accordion

22Harmonica

23 Tango Accordion

Guitar

24 Nylon Acoustic

25 Steel Acoustic

26 Jazz Electric

27 Clean Electric

28 Muted Electric

29 Overdrive

30Distorted

31Harmonics

Bass

32 Acoustic Bass

33 Electric Fingered Bass

34 Electric Picked Bass

35 Fretless Bass

36 Slap Bass 1

37 Slap Bass 2

38 Syn Bass 1

39 Syn Bass 2

Strings/ Orchestra

40Violin

41Viola

42 Cello

43 Contrabass

44 Tremolo Strings

45 Pizzicato Strings

46OrchestralHarp

47 Timpani

Ensemble

48 String Ensemble 1

49 String Ensemble 2 (Slow)

50 Syn Strings 1

51 Syn Strings 2

52 Choir Aahs

53VoiceOohs

54 Syn Choir

55OrchestralHit

Brass

56 Trumpet

57 Trombone

58 Tuba

59 Muted Trumpet

60FrenchHorn

61 Brass Section

62 Syn Brass 1

63 Syn Brass 2

Reed

64 Soprano Sax

65 Alto Sax

66 Tenor Sax

67 Baritone Sax

68 Oboe

69EnglishHorn

70 Bassoon

71 Clarinet

Pipe

72 Piccolo

73 Flute

74 Recorder

75 Pan Flute

76 Bottle Blow

77 Shakuhachi

78 Whistle

79 Ocarina

Synth Lead

80 Syn Square Wave

81 Syn Sawtooth Wave

82 Syn Calliope

83 Syn Chi

84 Syn Charang

85SynVoice

86 Syn Fiths Sawtooth Wave

87 Syn Brass & Lead

Synth Pad

88 New Age Syn Pad

89 Warm Syn Pad

90 Polysynth Syn Pad

91 Choir Syn Pad

92 Bowed Syn Pad

93 Metal Syn Pad

94HaloSynPad

95 Sweep Syn Pad

Synth Eects

96 SFX Rain

97 SFX Soundtrack

98 SFX Crystal

99 SFX Atmosphere

100 SFX Brightness

101 SFX Goblins

102 SFX Echoes

103 SFX Sci- Fi

Ethnic

104 Sitar

105Banjo

106 Shamisen

107 Koto

108 Kalimba

109 Bag Pipe

110 Fiddle

111 Shanai

Percussive

112 Tinkle Bell

113 Agogo

114SteelDrums

115 Woodblock

116TaikoDrum

117 Melodic Tom

118SynDrum

119 Reverse Cymbal

Sound Eects

120 Guitar Fret Noise

121 Breath Noise

122 Seashore

123 Bird Tweet

124 Telephone Ring

125Helicopter

126 Applause

127 Gun Shot

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Appendix B - Standard MIDI Controller Numbers (MIDI CCs)

00 Bank Select

01 Modulation

02 Breath Control

03 Controller 3

04 Foot Control

05 Porta Time

06DataEntry

07ChannelVolume

08 Balance

09 Controller 9

10 Pan

11 Expression

12 Eects Controller 1

13 Eects Controller 2

14 Controller 14

15 Controller 15

16 Gen Purpose 1

17 Gen Purpose 2

18 Gen Purpose 3

19 Gen Purpose 4

20 Controller 20

21 Controller 21

22 Controller 22

23 Controller 23

24 Controller 24

25 Controller 25

26 Controller 26

27 Controller 27

28 Controller 28

29 Controller 29

30 Controller 30

31 Controller 31

32 Bank Select LSB

33 Modulation LSB

34 Breath Control LSB

35 Controller 35

36 Foot Control LSB

37 Porta Time LSB

38DataEntryLSB

39ChannelVolumeLSB

40 Balance LSB

41 Controller 41

42 Pan LSB

43 Expression LSB

44 Controller 44

45 Controller 45

46 Controller 46

47 Controller 47

48 Gen Purpose 1 LSB




52 Controller 52

53 Controller 53

54 Controller 54

55 Controller 55

56 Controller 56

57 Controller 57

58 Controller 58

59 Controller 59

60 Controller 60

61 Controller 61

62 Controller 62

63 Controller 63

64 Sustain Pedal

65 Portamento

66 Sostenuto

67 Sot Pedal

68 Legato Pedal

69Hold2

70SoundVariation

71 Resonance

72 Release Time

73 Attack Time

74 Cut- o Frequency

75 Controller 75

76 Controller 76

77 Controller 77

78 Controller 78

79 Controller 79

80 Gen Purpose 5

81 Gen Purpose 6

82 Gen Purpose 7

83 Gen Purpose 8

84 Portamento Control

85 Controller 85

86 Controller 86

87 Controller 87

88 Controller 88

89 Controller 89

90 Controller 90

91ReverbDepth

92TremeloDepth

93ChorusDepth

94Celeste(De-tune)

95PhaserDepth

96DataIncrement

97DataDecrement

98 Non- Reg Param LSB

99 Non- Reg Param MSB

100 Reg Param LSB

101 Reg Param MSB

102 Controller 102

103 Controller 103

104 Controller 104

105 Controller 105

106 Controller 106

107 Controller 107

108 Controller 108

109 Controller 109

110 Controller 110

111 Controller 111

112 Controller 112

113 Controller 113

114 Controller 114

115 Controller 115

116 Controller 116

117 Controller 117

118 Controller 118

119 Controller 119

Channel Mode Messages:

120 All Sound o

121 Reset all Controllers

122 Local Control

123 All Notes O

124 Omni O

125 Omni On

126 Mono On (Poly O)

127 Poly On (Mono O )

Extra RPN Messages:

128 Pitch Bend sensitivity

129 Fine Tune

130 Coarse Tune

131 Channel Pressure

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Appendix C - Additional RPN Messages

Youmayhavenoticedthatalthoughwehavestatedthereare128MIDIcontrollermessages(0127),AppendixBshows132

assignablecontrollermessages.Thisisbecausemessages128131areadifferenttypeofMIDImessage,denedintheMIDI

SpecicationasRPNmessages.M-AudiohascreatedfourmessagesthataresentlikeMIDICCs,butactuallytransmitaseriesof

RPNmessages.Thismakessendingthesecomplexmulti-partmessagesaseasyassendingaMIDICCmessage.Youcanassign

thesetothecontrolsonyourKeyStudiokeyboardinexactlythesamewayasanyotherMIDIcontrollermessage.TheRPNmessag

control the ollowing:

Controller Number MIDI Message Use

128 Pitch Bend Sensitivity Alters the range o a pitch bend message

129 Master Tune (coarse) Adjuststhetuningofyoursoundmoduleorsynthesizerinlargesteps

130 Master Tune (fne) Adjuststhetuningofyoursoundmoduleorsynthesizerinsmallsteps

131 MonophonicAftertouch* Adds a vibrato eect

*Monophonic atertouch is not an RPN message. However, it is an additional eect message defned in the General MIDI

specifcation and this is why we have included it in Appendix C.

Warran

14Warranty Terms

M-Audio warrants products to be ree rom deects in materials and workmanship, under normal use and provided that the produc

ownedbytheoriginal,registereduser.Visitwww.m-audio.com/warrantyfortermsandlimitationsapplyingtoyourspecicproduct

Warranty Registration

mmediatelyregisteringyournewM-AudioproductentitlesyoutofullwarrantycoverageandhelpsM-Audiodevelopand

manufacturethenestqualityproductsavailable.Registeronlineatwww.m-audio.com/registertoreceiveFREEproductupdates

and or the chance to win M-Audio giveaways

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Technical In

15Caution: ElectroStaticDischarge,ElectricalFastTransientandConductedRFinterferencemaycausetheunitmalfunctioning.Insuch case, unplug the unit and plug it in again to restore normal operation

Note: YourM-AudioproducthasbeentestedtocomplywithFCCStandardsFORHOMEOROFFICEUSE.Modicationsnot

authorized by the manuacturer may void users authority to operate this device

Note: This equipment has been tested and ound to comply with the limits or a Class B digital device, pursuant to Part 15 o the

FCC Rules These limits are designed to provide reasonable protection against harmul intererence in a residential installation T

equipment generates, uses and can radiate radio requency energy and, i not installed and used in accordance with the instructio

maycauseharmfulinterferencetoradiocommunications.However,thereisnoguaranteethatinterferencewillnotoccurina

particularinstallation.Ifthisequipmentdoescauseharmfulinterferencetoradioortelevisionreception,whichcanbedetermined

turning the equipment o and on, the user is encouraged to try to correct the intererence by one or more o the ollowing measure

Re-orientorrelocatethereceivingantenna.

Increasetheseparationbetweentheequipmentandreceiver.

Connecttheequipmenttoanoutletonadifferentcircuitfromthattowhichthereceiverisconnected.

Consultthedealeroranexperiencedradio/TVtechnicianforhelp.

ASIO is a trademark o Steinberg Sot und Hardware GmbH.

VST is a trademark o Steinberg Sot und Hardware GmbH

KeyStudio

Tested to comply withFCC standards

FORHOMEORSTUDIOUSE

WARNING: This product contains chemicals, including lead, known to the State o Caliornia to cause cancer, and birth deects

other reproductive harm Wash hands after handling.

2007 Avid Technology, Inc. All rights reserved. Product eatures, specifcations, system requirements and availability are subje

to change without notice. Avid, KeyStudio and M-Audio are either trademarks or registered trademarks o Avid Technology, Inc. A

other trademarks contained herein are the property o their respective owners.

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M-Audio USA5795 Martin Rd., Irwindale, CA 91706

Technical Support

web: www.m-audio.com/tech

tel (pro products): (626) 633-9055

tel (consumer products): (626) 633-9066

fax (shipping): (626) 633-9032

Sales

e-mail: [email protected]

tel: 1-866-657-6434

fax: (626) 633-9070

Web www.m-audio.com

M-Audio U.K.Floor 6, Gresham House, 53 Clarenden Road, WatfordWD17 1LA, United Kingdom

Technical Support


tel:(Mac support): +44 (0)1765 650072

tel: (PC support): +44 (0)1309 671301

Sales

tel: +44 (0)1923 204010

fax: +44 (0)1923 204039

Web www.maudio.co.uk

M-Audio FranceFloor 6, Gresham House, 53 Clarenden Road, WatfordWD17 1LA, United Kingdom

Renseignements Commerciaux

tel : 0 810 001 105

e-mail : [email protected]

Assistance Technique

PC : 0 820 000 731

MAC : 0 820 391 191

Assistance Technique

e-mail : [email protected]@m-audio.fr

fax : +33 (0)1 72 72 90 52

Site Web www.m-audio.fr

M-Audio GermanyKuhallmand 34, D-74613 Ohringen, Germany

Technical Support


tel +49 (0)7941 - 9870030

fax: +49 (0)7941 98 70070

Salese-mail: [email protected]

tel: +49 (0)7941 98 7000

fax: +49 (0)7941 98 70070

Web www.m-audio.de

M-Audio Canada1400 St-Jean Baptiste Ave. #150, Quebec City,Quebec G2E 5B7, Canada

Technical Support


phone: (418) 872-0444

fax: (418) 872-0034

Sales


phone: (866) 872-0444

fax: (418) 872-0034

Web: www.m-audio.ca

M-Audio Japan |460-00022-18-10Avid Technology K.K.2-18-10 Marunouchi, Naka-Ku, Nagoya, Japan 460 -0002

Technical Support

e-mail : [email protected]

e-mail (Macintosh ) : mac-support@m-audio .jp

tel : 052-218-085910:00~12:00 /13:00~17:00

Sales


tel: 052-218-3375

fax: 052-218-0875

Web: www.m-audio.jp

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