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1914 1929

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54
1914 - 1929 “THE ROARING ERA”
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Page 1: 1914 1929

1914 - 1929“THE ROARING ERA”

Page 2: 1914 1929

WORLD WAR I

Page 3: 1914 1929

The 4 years of the “Great War” saw unprecedented levels of carnage and destruction.

Page 4: 1914 1929

INFLUENCE OF THE WAR ON FASHION

Page 5: 1914 1929

Flapper Girl Both the sexes started dancing in close proximity

Page 6: 1914 1929

Women started smoking and drinking.

Page 7: 1914 1929

CHANGES IN THE SOCIAL LIFEOF WOMEN IN THE 20’S.

Page 8: 1914 1929

Women voted for the first time post the war

Page 9: 1914 1929

After the war, people started to believe started wanting to

live a luxurious life

Page 10: 1914 1929

Two inventions that helped cause the social changes: automobile and radio.

Page 11: 1914 1929

The Black Bottom

The CharlestonThe Cakewalk

Page 12: 1914 1929

“You can blame the flappers mother everytime.. while mother is flapping around at the afternoon tea.. or bridge game, daughter goes out flapping in an auto. it’s only natural, let the mothers stay at home, then they would find that their daughters would come flapping home, flap into an apron and spend their out of school cars in a thoroughly wholesome way.”

Page 13: 1914 1929

The Flappers

Page 14: 1914 1929

The psychology of flappers

Page 15: 1914 1929

ART DECO

Page 16: 1914 1929

Influence of Art Deco on fashion

Page 17: 1914 1929

ARTISTS OF THE 20’S

Page 18: 1914 1929

Edward Alexander Wadsworth, 1889 - 1949.

facade 1914 -1915

Page 19: 1914 1929

Margarete Burger Hamerschlag 1902 - 1952

self portait, 1948raskolnikoff in a dialouge with

the judge, 1919

Page 20: 1914 1929

Paul Nash, 1889 - 1946

Genesis, the void 1924

Page 21: 1914 1929

ICONIC DESIGNERS

Page 22: 1914 1929

Madeleine Vionnet

Madeleine Vionnet developed all her designs on a wooden doll.

Page 23: 1914 1929

Vionnet's designs were photographed against the mirror, which helped her view all the 3 directions of her designs

Page 24: 1914 1929

Jeanne Lanvin

Jeanne Lanvin's ankle length dresses

Page 25: 1914 1929

Lavin's design :a 1924 dinner dress made of ivory silk satin with red silk applique

Page 26: 1914 1929

Jean Patou

French tennis champion, Suzanne Lenglen , in Patou’s design

Page 27: 1914 1929

Two light creations of organza with lace and velvet ribbons, by Jean Patou. On right, by contrast, is a severe design with pleated insests and matching shoes by Jacques Doucet. All three have a low waist, as was fashionable in 1924. This illustration by Cristopher Demiston was for the lifestyle magazine Art, Gout Beaute.

Page 28: 1914 1929

Coco Chanel

A line designed by Gabriella Chanel, the lines are loose and not supported by a corset, and the ankles are shown, which were said to be scandalous that time.

Page 29: 1914 1929

Gabriella Chanel in her youth. Where she already wears her hair short , and wears a relatively short skirt as well as two tone shoes, which somewhat became a trademark.

A classic. The plain shape of Chanel’s first perfume bottle has an almost masculine feel. The fragrance itself stood out against the sweet, flowery scents of the time. Not least because of the convincingly modern yet timeless design of the bottle, Chanel N 5 Became the most famous perfume in the world.

Page 30: 1914 1929

A group of women wearing Chanel on the streets of Paris,1925

Page 31: 1914 1929

COSTUMES FOR WOMEN

Page 32: 1914 1929

During the war, a more practical look was adopted. Clothes were simply made “functional”

Page 33: 1914 1929

Womens’ dress patterns, (wrap over coat and the shift dress)

Page 34: 1914 1929

A more sleek and sophisticated look was adopted. The silhouette became straighter; inspiration was drawn from a “tube or cylinder”

Page 35: 1914 1929

Every day casuals

Page 36: 1914 1929

Evening Wear

Page 37: 1914 1929

Women’s lingerie.

Page 38: 1914 1929

Little Black Dress or LBD was a black evening cocktail dress, cut simply and often short.

“A sort of uniform for all women of taste.”

Page 39: 1914 1929

Trousers for Women; in late 1910’s women wore pants for the first time and were ridiculed upon by the same sex

Page 40: 1914 1929

HAIR & MAKEUP

Page 41: 1914 1929

The ideal hair and makeup of 1920’s

Page 42: 1914 1929

Advertisement in magazine “Photoplay”, 1926

Page 43: 1914 1929

FOOTWEAR

Page 44: 1914 1929

Designers such as Ferragamo were immensely

popular in the 1920s

The latest trends of 1920s

Page 45: 1914 1929

The Cloche Hat was the most popular

headwear amongst women at that time

Page 46: 1914 1929

Smaller looking and tight fitted hats.

Designs by Jeanne Lanvin & Paul Poiret

Page 47: 1914 1929

MEN’S FASHION

Page 48: 1914 1929

Types of Men’s wear

Page 49: 1914 1929

Oxford Pants

Page 50: 1914 1929

Men’s tie’s were no longer plain, they included polka dots, stripes and plaid.

Page 51: 1914 1929

Black patent shoes were popular in this ear Popular Hats

Page 52: 1914 1929

IDOLS

Page 53: 1914 1929

Josphine BakerLouise Brooks

Page 54: 1914 1929

Kiki de Montparnasse Nancy Cunard


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