1 ŒÛÊË ‚Ò„‰‡ ÒÓ˜ÂÚ‡ÎÓ ‚ Ò· Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ÒËÎÂ, ÏÓ„Û˘ÂÒÚ‚Â Ë Í‡ÒÓÚÂ. »ÏÂÌÌÓ ÔÓ˝ÚÓÏÛ Ú‡‰ËˆËÓÌÌÓ ÒÛ˘ÂÒÚ‚ÛÂÚ ÔÓÌˇÚË ËÒÍÛÒÒÚ‚‡ ÓÛÊÂÈÌËÍÓ‚. ›ÚË Î˛‰Ë Ò‚ÓËÏË Û͇ÏË ÒÓÁ‰‡‚‡ÎË Ë ÒÓÁ‰‡- ˛Ú ˝ÚË ÔÂ͇ÒÌ˚Â Ë „ÓÁÌ˚ ÔÓËÁ‚‰ÂÌˡ. ÃËÓ‚Û˛ Ò·‚Û ËÏÂ˛Ú ÓÛÊÂÈÌËÍË “ÓÎÂ‰Ó Ë ƒ‡Ï‡Ò͇, —Â- ‚ÂÌÓÈ »Ú‡ÎËË Ë √ÂχÌËË, ‰Û„Ëı ÒÚ‡Ì. ¬ ˝ÚÓÏ ˇ‰Û Á‡ÒÎÛÊÂÌÌÓ ÏÂÒÚÓ Á‡ÌËχ˛Ú ËÁ‰ÂÎˡ “ÛθÒÍËı, «Î‡ÚÓÛÒÚÓ‚ÒÍËı χÒÚÂÓ‚. ÃÛÁÂÈÌ˚ ÍÓÎÎÂ͈ËË ÒÓı‡ÌËÎË ÏÌÓ„Ó Á‡Ï˜‡ÚÂθÌ˚ı ‚¢ÂÈ ÓÛÊÂÈÌËÍÓ‚ Ë ËÁ ‰Û„Ëı ÓÒÒËÈÒÍËı „ÓÓ‰Ó‚. ƒ‚‡‰ˆ‡Ú˚È ‚ÂÍ ‚ÌÂÒ ÏÌÓ„Ó ËÁÏÂÌÂÌËÈ ‚ ̇¯Â Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ÚÓÏ, ˜ÚÓ Ú‡ÍÓ ÓÛÊËÂ. ¬ χÒÒÓ‚ÓÏ ÒÓÁ̇ÌËË ÓÌÓ ÒÚ‡ÎÓ ‡ÒÒÓˆËËÓ‚‡Ú¸Òˇ ÒÓ ÒڇθÌ˚ÏË ˜Û‰Ó‚ˢ‡ÏË, ËÁ˚„‡˛- ˘ËÏË ‰˚Ï Ë ÔÎ‡Ïˇ, ÌÂÒÛ˘ËÏË ÒÏÂÚ¸ Ú˚Òˇ˜‡Ï Ë Ú˚Òˇ˜‡Ï ·ÂÁ‚ËÌÌ˚ı ÊÂÚ‚. ÃÌÓ„Ë „Ó‰˚ ÔÓÌˇÚË ÓÛÊÂÈÌËÍ ·˚ÎÓ Ò‚ˇÁ‡ÌÓ Î˯¸ Ò ËÏÂ̇ÏË ‚ÓÂÌÌ˚ı ÍÓÌÒÚÛÍÚÓÓ‚, ˜ÂÈ Ú‡Î‡ÌÚ ÌËÍÚÓ Ì ÓÒԇ˂‡Î, Ó‰- ̇ÍÓ ÚÓ, ˜ÚÓ ÓÌË ÒÓÁ‰‡‚‡ÎË, Ò ÚÛ‰ÓÏ ‚ÓÒÔËÌËχÎÓÒ¸ Í‡Í ËÒÍÛÒÒÚ‚Ó. œÓ˝ÚÓÏÛ ÒÓÁ‰‡ÌË √Ëθ‰ËË Ï‡ÒÚÂ- Ó‚-ÓÛÊÂÈÌËÍÓ‚ ÓÁ̇ÏÂÌÓ‚‡ÎÓ Ì ÚÓθÍÓ ÔÓˇ‚ÎÂÌË ¢ ӉÌÓ„Ó Ó·˙‰ËÌÂÌˡ β·ËÚÂÎÂÈ ÓÛÊˡ. ›ÚÓ ·˚ÎÓ ‚‡ÊÌ˚Ï ÒÓ·˚ÚËÂÏ Ì‡¯ÂÈ ÍÛθÚÛ˚. ÇÒÚ‡, ‚ӯ‰¯Ë ‚ ÌÂÂ, ÔÓÒÚ‡‚ËÎË Ô‰ ÒÓ·ÓÈ ‚˚ÒÓÍÛ˛ ˆÂθ ÒÓı‡ÌÂÌˡ ̇ˆËÓ̇θÌ˚ı Ú‡‰ËˆËÈ ‚ ˝ÚÓÏ, ͇Á‡ÎÓÒ¸ ·˚, Ô‚‡˘‡‚¯ËÏÒˇ Î˯¸ ‚ ÂÏÂÒÎÓ, ‚ˉ ÔË- Í·‰ÌÓ„Ó ËÒÍÛÒÒÚ‚‡. «‡ „Ó‰˚ Ó·˘ÂÌˡ Ò ˝ÚËÏË Î˛‰¸ÏË ˇ ÔÓÌËÍÒˇ „ÎÛ·ÓÍËÏ Û‚‡ÊÂÌËÂÏ Í Ëı ‰ÂÎÛ, Í Ëı Ú‚Ó˜ÂÒÚ‚Û. ◊Û‚ÒÚ‚Ó ·Î‡„Ó‰‡ÌÓÒÚË ‚˚Á˚‚‡ÂÚ ÚÓ, ˜ÚÓ ÓÌË ‚Áˇ- ÎË Ì‡ Ò·ˇ ÌÂ΄ÍÛ˛ Á‡‰‡˜Û ÔÓÔÛΡËÁ‡ˆËË ÓÛÊÂÈÌÓ„Ó Ï‡Ò- ÚÂÒÚ‚‡ Ë ÍÓÏϘÂÒÍËÈ ËÌÚÂÂÒ ‰Îˇ ÌËı Á‡ÌËχÂÚ Ì „·‚- ÌÓ ÏÂÒÚÓ. ’Ó˜Û ÔÓÔË‚ÂÚÒÚ‚Ó‚‡Ú¸ ‚ÒÂı ˜ÎÂÌÓ‚ √Ëθ‰ËË Ë ˜Ë- Ú‡ÚÂÎÂÈ ÊÛ̇· Ë ÔÓÊ·ڸ ‰‡Î¸ÌÂȯËı ÛÒÔÂıÓ‚ ‚ Ëı ‰ÓÒÚÓÈ- ÌÓÈ Ë Á‡ÒÎÛÊË‚‡˛˘ÂÈ ‚Òˇ˜ÂÒÍÓÈ ÔÓ‰‰ÂÊÍ ‰ÂˇÚÂθÌÓÒÚË. «‡ÏÂÒÚËÚÂθ ‰ËÂÍÚÓ‡ √ÓÒÛ‰‡ÒÚ‚ÂÌÌÓ„Ó ›ÏËڇʇ √ÂÓ„ËÈ ¬‡‰ËÏӂ˘ ¬ËÎËÌ·‡ıÓ‚ The weapon always has combined an idea about force, might and beauty. Just for this reason a notion of the art of armour- ers traditionally exists. These people by their hands created and continue creating these fine and redoubtable pieces. Armourers of Toledo and Damascus, of Northern Italy and Germany, and other countries have the world glory. In this line the pieces of Tula's and Zlatoust's masters hold the deserved place. The Museum's collec- tions have kept many remarkable works of armourers from other Russian cities too. The twentieth century has brought many changes in our idea about weapon. It began to associate in mass senses with steel monsters disgorgening smoke and fire, wafting death to thousand and thousand innocent victims. Many years the idea of the weapon-master has been connected only with names of military designers, whose talent was rejected by nobody, but the result of their creativity could be hardly perceived as art. Therefore the creation of the Guild of masters-knifemakers has marked not only an appearance of one more association of weapon fans. It became an important event of our cul- ture. The masters who created it, have put before themselves a high aim of retention of national traditions in this kind of applied art that apparently was transforming in a simple craft. For years of contact with these people I have been filled them with a deep respect for their affairs, for their creativity. The feeling of gratitude causes the fact that they have resolved a hard problem of popularization of weapon skill and commercial interest is not the ques- tion number one for them. I'd like to greet all members of the Guild and readers of magazine and wish them more success in their activity deserving to be supported. The deputy director of State Museum Hermitage Georgiy Vadimovich Vilinbakhov ŒÀ≈—Õ» Œ¬ ¿Ì‰ÂÈ ÕËÍÓ·‚˘. 1960 „. . KOLESNIKOV Andrey Nikolaevich. 1960 year of birth. ÕÓÊ ÓıÓÚÌ˘ËÈ ‚ ÌÓÊ̇ı ´fl˚Ȫ. ÃÓÒÍ‚‡, 2007 „. ¿‚ÚÓ ñ ¿. √ÂÓ„Ë‚. ÎËÌÓÍ ñ ¬. Ë‚Ó¯ÂËÌ. The hunting knife in a scabbard ´Ardentª. Moscow, 2007. Author ñ A. Georgiev. Damascus by V. Krivoshein √≈Œ–√»≈¬ ¿ÎÂÍ҇̉ √ÂÓ„Ë‚˘. 1958 „. . GEORGIEV Alexander Georgievich. 1958 year of birth. ËÌʇΠ´ƒÊÓͪ ¬Î‡‰ËÏË, 2007 „. ÎËÌÓÍ ñ ¬. Ë‚Ó¯ÂËÌ. A dagger ´Jokerª Vladimir, 2007. Author ñ Kolesnikov. Blade by V. Krivoshein.
The weapon always has combined an idea about force,might and beauty. Just for this reason a notion of the art of armour-ers traditionally exists. These people by their hands created andcontinue creating these fine and redoubtable pieces. Armourers ofToledo and Damascus, of Northern Italy and Germany, and othercountries have the world glory. In this line the pieces of Tula's andZlatoust's masters hold the deserved place. The Museum's collec-tions have kept many remarkable works of armourers from otherRussian cities too. The twentieth century has brought many
changes in our idea about weapon. It began to associate in mass senses with steel monsters disgorgening smokeand fire, wafting death to thousand and thousand innocent victims. Many years the idea of the weapon-masterhas been connected only with names of military designers, whose talent was rejected by nobody, but the resultof their creativity could be hardly perceived as art. Therefore the creation of the Guild of masters-knifemakers hasmarked not only an appearance of one more association of weapon fans. It became an important event of our cul-ture. The masters who created it, have put before themselves a high aim of retention of national traditions in thiskind of applied art that apparently was transforming in a simple craft. For years of contact with these people I havebeen filled them with a deep respect for their affairs, for their creativity. The feeling of gratitude causes the factthat they have resolved a hard problem of popularization of weapon skill and commercial interest is not the ques-tion number one for them. I'd like to greet all members of the Guild and readers of magazine and wish them moresuccess in their activity deserving to be supported.
The deputy director of State Museum HermitageGeorgiy Vadimovich Vilinbakhov
The sword ´Orthodoxª (It is devoted to theMillennium of Christening of Kievan Russia).Authors ñ O. Gushin, S. Lukashin.Damascus by E. Aseev.Scrimshaw by N. Bobrovskaya.
√”Ÿ»Õ ŒÎ„ ≈‚„Â̸‚˘.1971 „. .
GUSHCHINOleg Evgen'evich.1971 year of birth.
À” ¿ÿ»Õ —„ÂÈ ¬‡ÒËθ‚˘.1959 „. .
LUKASHINSergey Vasil'evich.1959 year of birth.
ËÌʇΠ´ ËÒª.“Û·, 2007 „.¿‚ÚÓ ñ ¿. Û·‡ÚÓ‚.
The dagger ´Chrisª.Tula, 2007.Author ñ A. Kurbatov.
The complete set of the noble warrior. The sword ´Sigurdª on baldric, a knife, a belt.Moscow, 2007.Authors ñ A. Gafarov, K. Chernov, V. Soskov.Blades by V. Soskov.Woodcarving by S. Kudryashov.
The Japanese sward katana´The lunar road on northeastª.Moscow, 2007.Author ñ S. Lunev. Wootz by S. Lunev. Polishing by A. Lunev. Adjustment of all elements, the wicker-work of a cord by P. Prokofiev.
The Japanese sward katana ´Scrolls of summer on the silk of springª.Moscow, 2007.Author ñ D. Ivanov. Wootz by S. Lunev. Forging by R. SarbatovPolishing by A. Lunev, V. Ovchinnikov.Adjustment of all elements, the wicker-work of a cord by P. Prokofiev.
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