2. Amy souffres Pierre Moulu (?)

! " # $A-

%&my

%&souf-

%&fres

'()que

%*ie

%*vous-

() % %-

%& '%& % % %-

% % % % %*ay-% %

-

% % '%& %+ %&

!, ,"#

,"#

,$%

,"# # &-

"# %

,&

,#%

,#

,"-" %

,"#$"#- %" %

$-#

$%#- # %- # $- "

" %"#$- %"#- $

%#- % #-

! "-

%& %&me

() $Et

%&ne

%&me

%&te-

%&nes

%&la

'%&-

%.-

%* '%* % % %-

% % % % %& %*-

% % %ri-

%*gueur

(/

,%#

,%-,"#"# &

"# %

,"#

#$ "- #$ #- %% #-

,%

,"# # %

,"# %$ #

,#- #

%"- %" #- " $-

,%#,"#

#% #-

,#%

,"# # %

! " $De-

%&me

%&di-

%&re

'%* %.que

%& %*vos

% %-

()tre

0%&cueur

() '' $Por-

%&te

%&pour

%&moy

() $Por-

%&te

%&por

%&

"# %-,# #- & "# %-

,"& "& %

,###% "-

,$

,"##% #

,#%

1%

''', ,"#

,"#

,$%

,"#

,% # $-

,"#

,"#

,$%

! "moy

'()dou-

%*luer

%* ()ex-

% %-tre-

%& '%& % % %-

% % % % %* % %-

% % '%& %+ %&-

%& %& ''-me.

()

,"# # &

"# %

,"&

,#%

,#

,"-& %-

"# %

$"#- %" %

$" #

$%#- # %- # $- "

& %"#$- %" #- $

%#- % #-

,%#

,%- '''1"#

Adieu mes amours Josquin

! " #A-

$%dieu

$&mes

$%a-

$%mours

'$& ( ( $& $& 5 ) $% ( ( $% $% )on

$& ( ( (*m'a-

$% (+ (+tent.

( ( ( ( ( (,- !

."

$%# "

(+

$#

$%"%

(+$" #

$%"$

#&$

(+

"

(/$ "

$%#'

"$

$" #( '+ '%$

(/#

(+% "

"

(/

'#

(+#

$%

10! " . 0Ma

$%bours-

'$% (*se

$& $& ) $& ( (15 '(* (/ (* ( ( $% $% )

n'enf-

'(+ ( ( (,- ( '+ '

#"

(/" $ #

(+"%

(/" #

(+#

$$ #

$"

(/

" # % "

$%

$'

( '+ '"$

(/%

(+#'

" $ #( '+ '%$

(/# "% $

(+#"

(/"$$

(+"

$''

$ '% '"$

(+

"

! "fle

'(* (1 ( (ne

(* ( (n'e-

$% 2(+20

-

'$% (* (* ( (-

$&-

'$%-

(* (* ( ( ( ( ( (-

$% $%25

-

'$% (+ ( (-

$& ( (,- (/

#' $ " %

(+#" %$

(/

$ " %##

( '+ '""$

(/#

.""$

$%

$" "

$#'

"" $ #' " %$

(+"

(/"" $

$%""$

#$#

! "tend.

. 3 0Et

$& 30 (*brief

'(* ( ( ( (+je

$& ( ( (+suis

'(+ (1en

(* (*de-

( ( ( ( ( (sar-

$% $%35

roy.

'$% (+,- $ '% '

""$

(+"

( '+ '$#

(/# " $

(+#%

(/

$$(+"

" #."$

$%

$" "

$#'

"" $ #' " %$

(+"

(/"" $

! " ( ( $& ( ( . 0 $% (+ $% 2(+40

Jus-

$%quez

$&a

$%ce

$%qu'il

'$& ( (plai-

$&se

$& )au

$% ( (,- $%

""$

#$#

(+""$

%#

(/

" " $ $'#'&%

(+#"

(/

$ $%'""

(+%$ #

#

$%""$ $

" # "(+

$#

$%"%

(+$" #

$%"$

#&$

(+

"

(/$ "

45! "roy.

$% $% ) $& ( ( (* $% (+ (+ ( ( ( ( ( ( .50 0

Me

$%fai-

'$% (*-

$&re

$&,- $%

#'

"$

$" #( '+ '%$

(/#

(+% "

" '#

$%

( '+ '#"

(/" $ #

(+"% " #

$$ #

$"

(/

" # % "

$%

$'

( '+ '"$

(/%

! " )a-

$& ( (van-

'(* (/ (* ( (55

cer

$% $% )du

'(+ ( ( (con-

'(* (1 ( (tent.

(* ( ( $% 2(+ .60 4.,

- (+#'

" $ #( '+ '%$

(/# "% $ #

""

"$$

(+"

$''

$ '% '"$

(+

"

(/#' $ " %

(+#" %$

(/

$ " %" ##

$%""$

(+

$ %

( '+ '%

(/" (

.""$

Che debo far?Tromboncino

Boss. 1, fol.7v-8v

! " # $ %Che

&'de-

&'bo

&'far?

&'che

&'me

&'con-

&'si-

&'gli,

()A-

()mo-

*5

re?+ %

Tempo_è

&'

!,-"#

.$/ ## %/ " #/

,$#

,"$

,#

,#/

,$#

,"/

,$#

,"/

,$ $ #/

.$$

,"

.$/

,"#

,%/

##/ " %/

! "è

&'ben

&'di

&'mo-

&'ri-,gra-

&'re,ve;

&' %Et

&'ho

&'tar-

&0da-

&'to

&'più

&'che

&'non

+10

vor

&'-

+re-

&'i.

+ %Ma

&'

,#$

,%$

."#

,#

.&&

1#$

,-#$

.&

,"#

,#

"

.$#

,"

.$/

,"$

#$ # "

"/,%

##/ $ #/

1$#

,#'

,$/##

,"

! "don-

&'na_è

&'mor-

&'ta_e

&'ha

&'seco

&'el

&'mio

() ()co-

*15

re;+ %

E

&'vo-

&'len-

&'dol

&'se-

&'

,$#

,"$

,#

,$/

,$#

,"/

,$#

,"/

,$ $ #/

.$$

,"

.$/

,"#

,%/

##/ " %/

,#$

,%$

."#

,#/

.&&

! "gui-

&'re,

&' %In-

&'te-

&'romp

&0per

&'con-

&'vien

&'ques-

&'ti_on-

+20

ni

&'re

+-

&'-i:

&'Per-&'

ché,

&'mai

&'

1#$

,-#$

.&

,"#

,#

"

.$#

,"

.$/

,"$

#$ # "

"/,%

##/ $ #/

1$#

1##

,-%"

.#/

! " &' () ()re-

&'der

&'le-

&'i

&' %Di

&'qua

&'non

&'spe-

&'ro_e

&'25

l'as-

&'pet-

&'tar

&0m'é

&0no

*ia;

&'Pos-

&0cia

-&0ch'og-

()

,$#

,#/

1$#

,#'

,$/

##/ ,"#

,$#

,"$

,#

,$/

,-"#

.$/

,#$

,#/ ,

$#

,"/

,$

,$/

,"#

,%/

,#$

,"#

-1-Che debo far?-B. Tromboncino

! "ni

#$mia

#$gio-

%ia,

% &Per

#$30

il

#$suo

#$di-

#$par-

#$tir,

%in

% #$pian-

'() () #$to_é

#$volta,

% &E_o-

#$gni

#$dol-#$

cez-

#$za

#$35

di

%mi-

%

*!"

*#+

*!

*!

,#"

*-#"

.$

*!

*"+

*$

*$+

*-"!

.#+

*%!

*#"

*"!

*!

*!

*"

*!

*"+

*%"

*#

*!!

*#"

*!

*!+

,#"

,"!

! " #$a

() ()vi-

#$ta_to_é

#$tol-

#$ta.

#$ &E_o-

#$gni

#$dol-

#$cez-

%za

#$di

-#$ ()mi-

#$40

a

#$ () ()vi-

#$ta_é

#$tol-

/ta.

/

*-!"

."+

,!"

*-#"

.!+ "" %+ # "+

*!"

*#! "

"+*!

*-"!

.!+

,"!

*-!"

."+

,!"

0##"

1##"

2-Amor, tu'l senti, ond'io teco mi doglio,Quanto è il danno aspro e grave;Et so che del mio mal ti pesa & dole,Anzi del nostro perché ad uno scoglioHaven rotto la naveEt in un punto ne è obscurato il sole.Qual ingegno a parolePoria aguagliar il mio doglioso stato?Ai! Orbo mondo ingrato!Gran cagion hai di dover pianger meco,Ché quel ben che era in te, perduto hai seco.

F.Petrach- Canzioniere CCLXVIII

-2-Che debo far?-B. Tromboncino

Chi se pò slegar d'amore B Tromboncino

! """" #Chi

$%se

$%pò

&'sle-

&'gar

&(d'a-

&(mo-

$)re

$)pre-

&(so_è

&(ben

$) 5

con

$)pi-

&'tol

&(la-

$%tio

$%

!1)*"#

*$+

#$+ # "+

*%#

*"#

,#

"

,$"

,$"

*$"

*"$

*$+#

*"+

*"

*#+ *"#

*#

"

-%#

*"+

-% $#

#+ $ "+

! """" ..$%ben

&(á_il

&(cor

$)de

$) 10

fre-

&'do

&(gia-

$%tio

$%nean-

&'che

&'sen-

$%te_il

&'so

&'-

&'do-

/&'lo-

$%re.

$%Che

$%*% ...*#

*&$'"

*"$

*$#

*"+

*"

*#+ *

"#

*#

"

-%#

*"+

-%

*"#

*$+##+ " $+

*#

"

" $+ #""+ $ "+ %# #+

*%#

,"#

,"#

*"#

*$+

15! """"se

$%pó

&'sle-

&'gar

&(d'a-

&(mo-

$)re

$)pre-

&(so_é

&(ben

$)con

$)0 1pi-

&'tol

&(la-

$%20

tio,

$% 2pre-

&'so

&'é

&'ben

&'con

&(

#$+ # "+

*%#

*"#

,#

"

,$"

,$"

*&$'"

*"$

*$#

*"+

*"

*#+ *

"#

*#

"

-%#

*"+

-%

*"#"+

%

*.&"'&"'

-$+ "#

#*$#

*"#

*$%

! """" &(pi-

&'col-

.&( &3-

& & $%-

&(-

& & & &-

& & & &25

-

& /&-

$%-

& &-

&'4/5

&'la-

$%tio.

6,"#

,#$

,$"

,""

,&"'&"'

,$"

,$"

*%#

*#%

,%#

,"#

7"#

1) Notes in positions 2 4 & 5 have been moved up a line editorially.

(Juan Boscán)53. Canción 3 - Claros y frescos rios

Alonso Mudarra

Vihuela in G

! "" #Cla-De-

$ros

sier-

%&y

tos,

%&fres-mon-

%&costes

%&ri-mi-

$os,os,

$que

que_en

$man-

un

%&sa-es-

%&

!'"#$

'"#$

'$%"

'%&%

'%%"

()%%"

*$

(%%'

(%%&

! ""men-

ta-

%&te

do_es-

%&vays,tays,

+$10

,si-de

%&-+.

guien-so-

%&dole-

%&vues-dad

%/tro

muy

%&na-tris-

%/tu-te

%/ralde

%&ca-con

%/

("#$

($%"

'""$

( (""$

*#$

*$

(%%"

(%&&

(%%"

(%'

*""$

*$

(%%"

("#$

15! "" 01 01mi-ti-

%& %& %&-+. ))

no;no;

$A-

$ves

%&en

%&20

quien

%&ai

%&ti-

$no

$de_es-

$

()#%"

*#

*""$

*$

(""$

)))'"$"

'"#$

'"#$

'$%"

'%&%

'%%"

()%%"

*$

! ""tar

%&siem-

%&25

pre

%&can-

%&tan-

$do,

$ar-

$bo-

%/les

%/30

que

%&vi-

%&vis

$y_al

$

($%'

(%%"

("#$

($%"

'""$

'""$

()"#$

*"

*"#$

*"

("#

(%%"

("#$

'%&$

()%&$

*"

Tres Libros de Musica 1546, Lib.3, f.21.

! ""fin

#$tan-

#$bien

#$mo-

#$35

ris,

%&'(

per-

%&'(

dien-

)#$&'(

do_a

*+&'(

ve-

)*+ *, * *zes

* *tiem-

#$pos

#$

-!"#

-$

.!!%

.%&#

.&!%

/%%#

/%%#

/%%#

/%&#

.!#%

-%

-&

40! ""y

#$ga-

#$nan-

#$do,

#$o-

% %yd-

%45

me,

%o-

%yd

%me

#$iun-

#$

.%%#

.&#

/%%#

.)!$"

-&

.!$"

.&!

.!%

.%

/%&!

/&#!

/!#!

/%%#

! "" *+ *+ *+ *+50

#$ta-

#$men-%

te,% %

mi%

55

box#$

a-#$

/&!

.!&

.&!

.!%

-%

-&

.)%&!

-!

-&

-%

-#

-%

/&#!

.&#!

.&%#

! ""mar-#$

ga,

#$ron-

%ca

#$y

#$tan

#$do-

#$60

lien-

)*+ *, #$ *+ *+ #$ #$ '#$te.

%

.%!"

.&%!

.%

.%!

.&%!

.#

.!#%

.&

/%%#

.&#

.&!%

/%%#

/%%#%

-2-

Con que la lavare Vasquez

! " #1.¿Con4.La -

$%quévo -

&'(la -me

')la -yo,

'(va -cui -

'( réta

$%

da,

$% *Lacon

'(tezan -

'+de

sias

'+lay

$, 5

mipa-

'+ca-

ssio-

$%--

'(- ra?nes.

$% -

.!

/&"

0"

/"

/"

."#

/&!#

0!#

/#!

/!#

/!

"

/!#

/#!#

/"

/!

/"$

/!%

/!

/"$

/

#

/!#

/%#

! " 1 *¿Con

'(qué

'+la

'+la-

$%va -

$%10

ré?

$% -Que

$%vi -

$%vo

$%mal

'(pe -

'+na

$%-

'( '(

!!

/!#

/

"

/!#

/"!#

/"

/#

/"

/!

/"!

/"

/#"

/!#

/!

/"#&

/$

.!!#

/#!

/"

/""!

/&

/!%#

/!!

/"$

/#$

/!% # !

! "-

' ' '(-

$%15

da.

$% - 1 *¿Con

'(qué

'+la

'+la -

$%va -

$% ré?

$% -

%# "/!%

/$

/$

/!#

/!

/"

/"$

/"$

#

!/##!

/#!

/!!#

/!#

/#

#

/" !

/!

/"

/#"!

/"!!

/"! #$

! #$"

20! " *Que

'(vi -

'(vo

'(mal

'(pe -

'(na -

'( '(-

$%-

$%Fine

da.

2 1 25

2.&3. Lá-

$%va -

$,

/!##

/#

/!

/#!

/!#

"$&! #"

!"

/"# "

##

!# !

/$#

/$

3!!#

.!

/"

/"

/!#

/!

.#!

! " #$se

#$las

#$ga -

#$la -

%&nas

%& 'con

#$a -

%(gua

%(de

%&30

li -

%&mo -

%&nes,

%& )

*!

+,!"

-#$ $%

#

!+#!!

! $!

#+!#

+#

*$&

+&

+! !! " $ !

+##

+!#

+&

+&&#

+!!$

+

$

+!

+#!

! " ) 'con

#.a -

,#$gua-

#/de

#.li -

#.mo

#.-

#.-

#.-

#.35

#-

#-

%&-

0#.D.C.al Fine

nes.

1

*$!#

*$#

+#

+$!

+$ #

!"

+!!#!! #

$#!$ $&

#$

+"#$

+#

*!&#

2!!#

22. D'estre amoureux

! " # $D'estre

%&a-

'(mou-

'(reux

') $ia-

%&mais

%&ne

%&se-

%&ray

'( % %-

% % % %-

*%+ %,-

%& *%&-

%- %& %& %&-las

')

!. ."#

/"$

.#%%0

.*"#

1%0

1"#0

.%#

%#

%#

."#

#

"

#1"#&0

1#% $0 # %0

.##

1# &0

."# &"

1%#0 %% #0

.%# %#

.*"#

1$0

! "Car

%& $je

')suys

'(ne

'( $d'u-

%+ne

*%+tel-

%,-

% %na-

*%+tu-

%- %&-

%& %&re

2')

Que

')vray

%&a-

%&mour

%&me

%&don-

*%& %-

1# %0

.#

1"# #0 &"0

.&% &%

.*##

1%0

1# &0

.##

.*##

1&%

."#

#

"

1#"0 & #0

.&% &%

2##%

/"#

."# "#

.#%

#%

.*&%

1"#

! "-ne

%+nour-

*%&ri-

%-tu-

%& %& 3%&-re

') $ **En

4%&

ce

'(mon-

'(de

') $En

%&ce

'(mom-

'(de

')

.#%

"#

1% &

.%"

1#% #

.#%

1%##0 &"0 # &0 ***

.

4"#

.*"$

1"0 #

%"0 # %0.*"#

1%0 "#0

."#

."$

."0

1#%%"0 % "0

1% "#%0 " %0

! " $n'y

%&a

%&point

%&tel

%& '( % % % % % % *%+ %, %& *%& %-sou

%&-

%& %&-las.

')

" #0.%#

.%#

.%#

."#

.#

.#

""#

&0 #% $0 # %0

.## # &0

."#

.&" %

#0 %% #0.%#

.%#

2"$'

Deh si, deh no Tromboncino! "" # $Deh

%&si,

%' (deh

%)no,

%'deh

%&si!

*+5 $

Deh_il

%&tuo

%&bi-

"%'so-

%'gno

%'di!

*+ $Deh

%'! "" # %' %' %' %' %, %' -%, %' %' % .% % % % %' ( %, % -% % %' %' %' %' %'/ "" # %' %' %& %' %& %& %& %& %& "%& %& %& %' %' %& %& %' %'

!0"

#

0"

#

0$#

0"

##"

#%

%0#"

0#"

#" # #

" $ #0"

# "#

1"

% "0%"

0#"

0#"

0"

#

0"

#10! ""

si,

.% %deh,

.% %no,%'

deh

%'di!

*+ $Deh_il

%'tuo

.% %bi-

%-

%-%

-%

15

so%

-%

gno%'

di!*+

.. $Oi-

%&me

%&che

%)s'el

%)

! "" %' .% % %, %' %, % % % % % % % %' .% % % % % % %, %' %, *+.. %' %' %' %'

/ "" %& %' %& %& %' %' %' %' *2 %& %& *+ .. %& %& %& %'0$#

1.#"

3$ "" $ " "

1$#

" % "#

$##

0"

#

1.$#

3" # $ " % "" $ " "

4$#

...0"

#

0"

#

0"

#

0#

#

! ""de

%&-

%& 20 ..ro,

*2 $So

%&ben

%&chi'io

%&mo-

"%'ri-

%'ro.

*+25 $

Me-

%'glio_e

%'las-

%,ciat

%)-

%-

%-

%la

%'qui.

*2

! "" %' "%' %' ..%' %' %' "%' % % % % %, %' -%, %' %' %' %' .% % % % %' %' *+/ "" %& "%& %& ..%& %& %& "%& %& %& %' %& %& %' %' %& % % %& %& *+0"

#

0$#

0"

#...

0"

#

Deh si, deh no,.....Che sera poi de mi?Da se mi scaciara,La se corocciara,

Se il dico, che sera?

0"

#

0"

#

0$#

"

## $ " #"

#"

%

Deh si, deh no, Che sera poi de mi?Se non mi vora piu,Amor, che farai tu?

Ecco, vo dirlo hor su,

0#"

0#"

0"

#

0"

#

1.$#

3" #" $%

0#"

0#"

4$#

In te, Domine, Speravi Josquin

! " #In

Rot-Lo

$%te,

to_alce-

$%do-ven-ca-

&'(mi-

to_o-to

')ne,gnivo-

'*spe-spe-ler-

'*ra-ran-mi-

$% $%---

+5

---

'* $% '*-vi-za,-o

$% ' ' ' 'Per

Veg-Per

+---

$,tro-

gio_ilsin

$,

!-"#

-"#

.&#

"

/"

.$"

.#

-%#

-##

-&$"

.#

.%#

.#%

-%#

-"#

-"&

.# ' % # $% "&

#$.%""$ #

.%

.%

! "varcielqui

&$%pie-vol-m'ha

'*10

tà_untar-fat-

$%e-

mi_into

$%ter-

pian-mu-

+no,to;to

+In

Sus-Et

$%te

pir,hor

$%do-la-po-

&'(mi-

chry-co_al

')ne,medo-

'*spe-m'a-lor

'*15

ra-van-mi-

$% $%---

+ '*---

$% '*-vi-za-o

$% ' ' ' '

."#% #

."

."&

.%

.%

-"#

-#%

-#%

-%#

-%#

-"#

-"#

.&#

"

/"

.$"

.#

-%#

-##

-&$"

.#

.%#

.#%

-%#

-"#

-"&

! "PerDelPer

+ 20 $,tro-mio-mio

$,vartri-dir

&$%pie-sto

vien

'*tà_unspe-pro-

$%e

rarve-

$%ter-tan-du-

+no,to;to.

+25

MaFu

Deh!

+

.# ' % # $% "&

#$.%" "$ #

.%

.%

."#

% #."

."&

.%

.%

-"#

-#%

-#%

-%#

-%#

.&#'

/% ## $% "&

#$

! "in

$,unfe-si-

$,tri-ri-

gnor

&$%sto_e

topor

'*scu-segi-

$%ro_in-non

me_a-

$%fer-

quan-diu-

+30

nototo

+Fui,Tri-Quia

&$%et

bu-de

'*fru-lan-me

$%stra

do_adiam

'*la-te

de-

'*

.%" "$ #

.%

.%

."#

% #."

."&

.%

.%

-"#

-#%

-#%

-%#

. ." # $ # % ## $

."&

.%

.%

-"#

The lute accompaniment covers only the Tenor and Bass parts, as was usual with frottole. The Altus part can be found in London Pro Musica edition EML 199.

! "---

# # # # $%bo-cla-spe-

#&ra-ma-ra

$%---

#&35

vi,vi,vi.

'In

$%te,

$%do-

(#)mi-

#*ne,

#&spe-

#&ra-

$% $%-

'40

#& $% #&

+!"

+!

## $ !

+"!

+!"

,"!

+!

+(#

-$ ! "

,#! #! % " !

+(!

#

-#

+$#

+!

,"!

,!!

,($#

+!

+"!

+!"

,"!

! "vi,

.$% /

spe-

'ra

$%-

$%vi.

'45

' '

,

!

+!

+!

+!

+$

,#

+(!

#

-#

+$ ! "

+!!

+$

+!

+!

+($#

-#

,!

0#!

The lute accompaniment covers only the Tenor and Bass parts, as was usual with frottole. The Altus part can be found in London Pro Musica edition EML 199.

Isabel Alonso Mudarra 1546

! " # # # # 5 # # # # # 10 # # # # #

$!

$"

%#

$!

$# "! $ % $ !" $

$!&$!%

$!"

$% & $ !"

%$$!%%$! $!'

% ! $$!%

$!'

$$&$

$%%%

$$'

$'

$%%$!

$$%

15! " # # # #Y-

&'sa-

&' 20

bel,

(Y-

&'sa-

&'bel,

( )per-

&'dis-

( 25

te

&*la

&' &'tu

&*fa-

(

!$$ %!

$%

!

$!$

$$!%%

& '%$ %

$$

$%$

$%% !

!

$ %! %

!

$ !% $% $ % $ !$ $!'

!$%%$ &

$$!!%

$%&$ $!

$"%

$$'

$'

! "xa,

+(e-

+,-la,

,-por

,-do

,-30

va,

.+&*na-

,-dan-

,-do

,-por

,-el

,-a-

+(/ 0gua,

+&*/ 0or

&* &*el

&*35

a-

+(/ 0gua,

( # #

%%%$

%%$

$ ' % $%%$ % $ '

!'"$ !

%&

$.%%$

1%

%$! &$ % !$

&$!! %%

$ %

$$

$.%$%

1%

1%& $ %&%&!

'"' ' '

! " # 40 # # # #e-

+,-la,

,-por

,-do

,-45

va,

.+&*/ 0na-

,-dan-

,-do

,-por

,-el

,-a-

+(gua,

+&*/ 0por

&* &*el

&*50

a-

+(/ 0$'""

% $

$

%'$$$

$'"$ $

$$'"$

%&%% !&

%%!$

'%$ % $ $

$%$%'

!'" " " '

$.%%$

1% !$

$&%

%

$!%%%$%

$$

! "gua.

#$

Y-

%&sa

%& bel,

$ %&'a

%& 55

tan

$ga-

'$rri

(%& )* $ $60

da,

$[Y-

%&sa-

%&bel,]

$ %&'a

%&

+!"!

,"#

!" !

$##! " #

#! " %#!! "

"#%%

+!!"

,("$!

-!

,%&"

,!

,&"

,% !!

!

"#&,. /'&

&!# "

"

!#" #"

! "#

! "tan

$ 65

ga-

'$rri

(%& )* $ $da.

$70

,&"%

,#

,!"

! #,"#%

""

#!

!" !!%

%

,&"

,%

+!!"!

La manana de Sant Juan Diego Pisador,1552, f.5

! "" #$La

%&'ma-

()ña-

&* &*-na

&*de

&*Sant

&' &* 5

-

&* &'Juan

+al

&'tiem-

()po

() ()que_al-

()bo

(,re-

()

-%.%!!"

/0#!"

-.!!"

-."$!

-.$$%

/0!%$

/0!

-."$!

-.$%"

-.$$!

-."

-$!%$

-."$$!

/0"$$!

/0"$$!

/0 /0"$$!

/0$!%"

/0"!"

! ""a-

+10

-va,

1+gran

1&'fies-

()ta

() ()ha-

1()zen

()los

()mo-

+ros,

+15

por

&'la

()ve-

() ()-ga

()de

()Gra-

()na-

+da,

+

/ %0 %!$"#

/2"

-.$

-#!"

-.#!"

/0#!"

/0#!"

/0 /0#!"

/0#!"

/0#!"

-!!""

-"$"!

-."$"!

/0"$"!

/0"$"!

/0 /0"$"!

/0"$"!

/0"$"!

-!!%"

-#!"

! ""al

%&*tiem-

(, 20

po

&*que_al-

&*bo-

&*re-

&*-a

&'-

&' &'-

1&'-va,

+25

gran

&*fies-

(,ta_ha

(, (,-zen

(,los

""&*mo-

1&* &*

-%. %$$%

/0$$%

-.$$%

-.$$%

-."$!

-.!!"

/0$&"

/0!

/0"#

/0$

-!!"

-!!"

-.!!"

/0!!"

/0$$%

/0 /0$$%

-.!$

-.""#

-.!!%

! ""-

&* 1&*-ros,

+ 30

por

%&*la

(,ve-

&*ga

&*de

&*Gra-

&* &*-na

&'-da,

+ 35

ri-

&'cas

()al

()-

()ju-

()vas-

(,ves-

()

-"!

-!!"

-%. %$$%

/0$$%

-.$$%

-.$$%

-.!%$

/0!

$

/0!

-$$!

-$$&$

-."$$!

/0"$$!

/0"$$!

/0 /0"$$!

/0$!"

/0"!"

-1-

! ""ti-

#das

$#de

%&'se-

() 40

da

&'y

&'o-

&'ro

&'la-

&*bra-

&* &*-

$&* +-das.

#

, %- %!"#$

,.#

/0"

/$!#

/%0 %""%

,-""%

/0""%

/0""%

/0#"!

/0!!#

,-"&#

,-!

,-!#$

,-"

/!!# '

/!!#

Assumes a vihuela in G. Pisador's tablature includes the entire vocal line, making it very hard to play! The original is in F minor-I have transposed it up a tone and removed the upper voice.

-2-

Mille Regertz Josquin des Pres

! " #Mil-

$le

%&re-

%&gretz

'%& ( ( '() (* %&5

()de

(+vous

(+a-

(+ban-

()don-

()er

%& ,Et

%-d'é-

%&lon

%&

!.""#

/$%

/$"

/'""#

$" %

0'"#

1

"

/"#

0#"

0"

0"

0"#

0%"

0#

0$%

0"

/"$#

/"

/%"

/$#

! "-

() ( (-ger,

%&10 ,

Et

%-d'é-

%&lon-

%& ()-

( (-

%&-ger

()vo-

()tre

()fa-

()ce_a-

()mou-

()reu-

"%&15

se;

$ 2

."#

."$

/%"

/$#

/"#

/"$%

/'$%

0$%

0"$%

0"$%

/%#"

0$"

0"$#

0"$#

0"$#

0"""

0"""

/%#%

! "J'ai

$si

%-grand

%&dueil

%&et

%- 20 '%- (+ () () 3%& $ 2 ,Qu'on

%&25

me

%&ver-

%&ra$

/""#

/%&#

/"$#

/"$#

/""#

0 0"

/'$

0"

0%

0$

/""#

/'%#%

0$#

0""

0#%

/$#

.#"

/""

/%#

/"

/%""

! " 4brief

(+mes

(+jours

(+dé-

$-fi

%&-ner,

%&30 2 ,

Qu'on

%-me

$ve-

%&ra

%& 4brief

()mes

()jours

()

/$%"

/%

0#

0"0"0"

/%

/$%"

0""#

0$"

0"#

0$%

"0#"

0

#

0$

/$#"

0 0#

0%"

0#

0$%

0"

0"#

0$#%

0$$%

0$$%

35! "déf-

%&fi-

"%&ner,

()brief

()mes

()jours

()déf-

%&fin-

"%&ner,

()bfrief

()mes

()jours

()déf-

%&fi-

'() "(*40

-ner.

$

/"$%

0'%#"

1'

0$"

0$#%

0$$%

0$$%

/"$%

0'%#"

1'

0$"

0$#"

0""#

0$#"

/""#

/$#"

.""#

Mille Regretz

Romance 355. Israel, mira tus montes

Alonso Mudarra

Vihuela in G

! """ #Is-De

$%&'(ra-la

$%&'(el,

san-

)&'( $%&'(mi-gre

$%&'(rade

$%&'(tustus

$%&'( 5

mon-no-

$% $% $%&'( $% *+ *+&'( '$%

!,"#$

,"#$

,"#$

,"#$

,#$#

-"#$

-#$#

,"#$

! """tes

bles,

)co-de

'$%mo_es-

tus

$% 10

tánno-

) $%en-bles

$%san-y_es-

) $%gren-for-

$%ta-ça-

$% $%&'(

,""$

-$"$

.%

.$

-/$%"

.#

.$%$

.

"

-"%

."

.%

.#

.$

.$%#

."

.%

.$

-""&

-"#$

15! """ )dosdos!

)&'( )&'( )&'( )&'( 20

0

-$#

-#

-"#$

-&

."$

" % $ " % $-"$

-#

."#$

.$

.#

."

,#"#$

! """De

¡Ay,

) $%la

do-

$%san-lor!

$%gre

¡Co-

$%demo

$%tusca-

$% 25

no-ye-

$1 $1 )bles,ron

)

.$%"

.#

."

.$

-#

-#"$

-"%"

-$

.$"$

.#

."

.$

-$##

-"

-$#

.#

."

-/#"$

."

Tres Libros de Musica 1546, Lib.3, f 20.

! """ # # 30 #deva-

# #tusro-

$%&'(no-

-

$%

)!"!

)#!

*"

*!

*!

"

*"$

+$"!

*,$

-! $ ! $ "

*$$

*!

*"

*$

)"$!

)!#"

! """ ./ ./&'( $%&'( 35

blesnes

#y

tan

./es-es-

./for-ti-

$%ça-ma-

$% $% # # 40

dos,dos,

#

+"$!

+!#"

+#"

)!!

)"

)$$

*!

*"

*#!

*!

*"

*#

)!!

)%

! """ # # #y_es-tan

$%for-es-

$% 45 $%ça-ti-

./ ./

*!

*"

*$

*!

*$!

! " $ ! " #*!!

*"

*!

*$

),""

*$

)!

"

*"!

*#

! """-

ma-

$%&'( $% ./ ./&'( $%&'(dos!dos!

# # 50 # # #

)!$

)""

+!$

)"!

*!

*"

*#!

*!

*"

*#

)""%

)"$!

)""%

*%

*!

+$"$!

-2-

3. Quand me souvient Crequillon

! "" # $ %Quand

&'me

()sou-

()vient

&' () ()de

()ma

()5

tris-

*&+te

()for-

()tu-

( (ne,

()Tris-

(,

!-"

.#

.$

-%

.%

."

.%

.#

.*$

/#

.$"

.#

.%%

.#

.$"

.#

"$

.%#

.$"%

.###

#$" # " %&

! "" (,-te

()for-

(,tu-

( (ne,

()Quand

()me

()sou-

()vient

*&'de

()10

ma

()tris-

()te

(,for-

() (-

(tu-

&' 0()

#$" %.%'#

.$"

.%&

#$ $ %$ #.$$"

.###

/#"%% " % # $ %

.#$"

.%#

.%#

.$

.%'%

.$%#

.$%

%& "##" #

.##"

! ""-ne

1 2Que

(,j'ay

()per-

()du

()de

()mes

()yeusx

()15

le

*()sou-

(3las,

()de

(,mes

()yeux

&' ()

."

.$ $" % # $

.%#

.$"

.#" "%

# $%%"

#$# #

.$#"

.%"#

#"% # " %

.## $"

$.%##

.$$"##" " #

"$

! ""le

()sou-

&' ()-las

1 &' 2Plain-

()20

()-

*(, ( ( (-dre

()m'y

()fault,

&'

.%"#

$#%

"%## "%

#.$"

.#$

."#

."

.$"

.##"

$% " #

" $

.$"

.#

#$"%

# $ # $ %.$"%

.%%

.##"

.%#"

Quand me souvient-Crequillon

Scopri Lingua Tromboncino

! "" #Sco-

$%pri,

$&lin-

$%gua,

$% 'el

$&cie-

$%co_ar-

$&do-

(re,

(Par

$%la_ho-

$%mai,

$%non

) )5

star

$%piu

*$% ) ) )mu-(

ta;( **

!+"

#

,

##

+$#

,$"

,% $

+$

""

#

-$#

-$#

+*"

#

,#

+$#

,% "

+$#

#$ #

$+"

,& %

-"

***

! ""Che

$%la

$%fiam

$% ). ).ma_e

$%si

*$%cre-

).-).

-).

sciu-(

ta(

10**Che

*$%gia_in

).ce-

$%mer

$%e

$%qua-

$&si_il

). ). ). ).co-

(re.

( **

+*"

#

,#

+$#

,% "

+$#

#$ #

$+"

,& %

-""

***+*$#

,#

+"

#

$#

,"" #

+$%

-#"

-$#

$#

***

! "" #Sco-

$%pri,

$&lin-

$%gua,

$% 'el

$&cie-

$%co_ar-

$&15

do-

(re,

(Par

$%la_ho-

$%mai,

$%non

) )star

$%piu

*$% ) ) )mu-$%

ta.$% '

Par-

$&

!+"

#

,

##

+$#

,$"

,% $

+$

""

#

-$#

-$#

+*"

#

,#

+$#

,% "

+$#

#$ #

$+"

,& %

-""

! "" $& )/ ).la_ho-

$%-

$& 20

-

$&mai,

$& ). ). ). ). $%non

( 0). ).star

0(piu

(muta.

1Par

( (25

la_hor-

(mai,

(+" # "

,$ "

+"" $%

-#"

+*$#

,"

-%"

-%" "'

-""

- +"#

$

,"% %

+"

+%"#

,$#

"

+%

Si me llaman Alonso Mudarra

! "" # # # # 5 # # # #Si

$%&me

'(10

lla-

%&man

%&a

%&mi

%&)$!

*"

)"

#$ #

)$#

)"$

)#%

)$#

)"! ! " #

#"

)$$!

)"#%

)#!#

)"!

)!

)#!"

)$

)#"

)$#

)"

#

)#"

! ""lla-

+-man%&

q%&

cui-

%&-do

%&15

q

%&me

%&lla-

+-man

$%&a

'(mi

+ #

)"! ! #

)$##

$$

)"$#

)!#

#"$ # ! ""

## $

!"

)"$ $ "

)"$# #

! #"!

$ "$ #

20! "" ,que%&

cui-

%&do

%&que

%&me

%&lla-

+man

$%& '(25

+ # # # #

)$##

)##"

)"#"

)! #"

# " ! #

)$!#

)#"

)"!

! !

)##" ! ! # " ! "

)!!

)##

)""

)!

)"$"#

!

30! "" # # ,q%&

cui-

%&do

%&q

%&me

%&35

lla-

+-man

$%&a

'(mi

%&q%&

cui-

%&do

%&)#"$

)%##

)&

&

)'

)(& "

&)%

"

)# !

!

" !

!

)"

#

)%

"

)"!

)!

%#"

$ ## "

$ # !

! ""q

%&me

%&40

lla-

+man

$%&a

'(mi

+ # # 45 # ,q%&

cui-

%&do

%&)##%

)"

)$$#

)#"

)"$

" #

)!!"

! # "" # !

)"##

)!"

#$!

! " #)$##

)##"

)"#"

)!

Mudarra-Si mi llaman

! ""q

#$me

#$lla-

%50

-man

&#$a

'(mi

)% * * * 55 * * *yen

&#$a

'(

!"

! " # !

+$#!

+!"

+"#

+#

,!#"

, +&#

-#

+&!

-!

+"$! !

"$+&%&!

-% %&

! % % !+!%&

+!

! ""que

#.lla-

#. 60

sierra

#.te

#.gui-

#.-da

#$gui-

#$-do

#$q

#$me

#$lla-

%65

-man

&#$a-

'(-mi

% &&&&+$$! ! " $

!" $ ! "

!

# !$

"!"! $ $ ""

# # "#

+$#!

+$!"

""# #

""#

,"#"

&&&&&! ""

lla-

&#$-man

'(a

#$la

#$mas

#$ga-

#$70

-ri

%-da#$

que#$

cui-

#$-do

#$q

#$me

#$lla-

%

"

!! $ " !!

"+$!

+"$

+!

+"# # !

+$!!

$$

+"$!

+# !"$ ! # "

"

!! $

# "

75! ""-man

#$a

#$mi

% * * * 80 /que#$

cui-

#$do

#$que

#$me

#$lla-

%man

&#$a

'(85

mi.

)%+$

+"

+&"$!

-!

+$!!

+"$!

+!%%

+$!

+"# # !

+$!!

+!"

+"!"

+# !"

! " # !

+"$!

+!"

+"#

+#

,!#"

Mudarra-Si mi llaman

! ""non

#star

#piu

#mu-

#ta

$mu

$ 30

% # &' &' ()* # )*ta.

$+!"

!,#! $

+!

+$#

$,!" #

+$

-#!

+!

#+!

," !

,"!

+#

,"

-#! !"

+."!

,!"

-"!

-#!!%

-

2-El seren suave sguardo 4-L'è bèn ver' che mostra amari,Che già scorsi in un bel viso, Mà so bèn che finge ognhora,Fa, che in foco aghiaccio e ardo, Pur piacer ha de inganamari,E fa el cor da me diviso. E la fiamma crescie ognhora.E cosi, con pocho adviso, Se gli piace pur ch'io mora,Io mi strugo e dir non oso El morir non me dispiace,L'aspro ardor ch'io porto ascoso Ché la morte me sia paceNotte e di nel tristo core. E refugio al tristo core.Scopri lingua... Scopri lingua...

3-Veggio ben che lei se aschiva 5- Poich'io nacqui al suo servitioDe mirar la basseza, De servir non vo lassare,Per che sa che non ariva Ché, per foco o per supplitio,La mia scala a la sua alteza. La mia fé non po manchare.Pu, con solita fiocheza, Staro donche ad aspettareVivo in speme e in desio; De merce, se apran le porte;E perdendo el tempo mio Forsi un si che pietato o morteDi pensier mi pasco il core. Fara lieto el triso core.Scopri lingua... àìòéóè Scopri lingua...

! "" #plain-

$%dre

&' $(m'y

$(fault

&) #ma

$%trop

&' 25 $(grande

$%in-

$%for-

$%tu-

&)ne

&) $% $ $ &)

!"#$*!%%

!%%!&"$# ""

"$# !"##

*!!"

*!

*"*!!"

*"$! #

"*$!

*!&%

*$!

*$#

*!"

*&

*$"!

! " # " $$ !*"$"

*!&

! "" +Dont

&'nuyet

$(et

$%30

jour

,$% $-me

$% $%con-

$%vient

&'dire

$% $ $ &)he-

.$%las,

$%he-

$% $% $%

$# !"$"$*!$#

*!"" $#!

" $#!"

*"#!

*"# #!

" "$ !*$#

*!&%

$$! "

"# !&

"$ $*!!"

*$$# !&! #

*""#

*#"

*"$*!&

*$#

! ""las

&) / 35 /Dont

&'nuyet

$(et

$%jour

,$% $-me

$% $%con-

$%vient

$( $(di-

,$% $-re

$% $%he-

.$%las

&)

*"$"

*!& $# !

"$"$

*!$#

*!"" $#!

" $ !"

*"#!

*"#

*#!

*"$#

*$#

*!&%$$!""

"$# !&"$ $ !""

"*$$# !&! #

0""#

*#"

*"#

40! "" 1 #Tris-$%

te$%

for

$%tu-

&)ne.

2*$!*"$3$! " $ ! $ " $

*"#"

*"

*$#"

*"

!

3!#"" # ! " # !

4##"

Quand me souvient-Crequillon

Passevase el rey moro Fuenllana

4 courseguitar in A

! """ # # # # 5 # # # # # 10

Pas-Las

$

!"

!"

!#$

%# " #

&' $

!"'

(##

%" #

()$ #

%"' # " '

(## * #

+ )

! """se-car-

$a-tas

$va-e-

$se

cho_en

$ 15

reyel

$mo-fue-

$ %& %&rogo

$

*#+ #

++#

# "# "'

#)$ # +# +

%*## + # +

*# + +* # #) * )&# +

! """por la

y al men-

$ 20

ciu-sa-

$dadje-

$dero

$Gran-ma-

$na-ta-

$ 25 %& %&

%*## + #

&' $

%++#

&# +

%* ) "## ) # "'

(##+

)++

%## "'

(*#+

%# +

*#+ #

+"#

#

! """da,ra;

$car-e-

$tascho

$le

ma-

'$30

fue-no a

$ronsus

%&ve-ca-

%&ni-be-

$ $

#)+ # ) +*#$ ' #

&' $

(++#

#%'$

" # '#$" '# #+

"'(###

#)+""' ##

%)$

&' )

(+

! """ $35

dasllos

$ # # # # 40 (co-y

)*molas

)*Alha-sus

%+ma e-bar-

%+ra

vas

%+ga-me-

%+

%# + )+ +

"' #(+ # ) )+

%# +

(##

%"' $

(' #+ #

%"' " ## ' #$ #

)$" '(,)-#+

! """na-sa-

#$da.va.

#$!Ay!Ay

% 45

mi,mi,

%!Ay,!Ay,

%mimi

#$Al-Al-

#$ha-ha-

% %50

&' &' #( %ma!ma!

%

!"# $

%"&

##"

"!##"

'" #

%( "

#!# " "## " "

# &%)(*#+ +,

%#&# #+

!$"# " &

%##$

!& $

-#&$

! """ #(Co-

y

&'mo Al-

las

&'ha-sus

#(ma e-bar-

#(55

ravas

#(ga-me-

&) &)na-sa-

#$da.va.

#$!Ay,!Ay,

#$mimi

&)Al-Al-

&)ha-ha-

% #( #(60

&' &' #(

%&$

!"&#

"%# ##+

%#+

!"&#"&

%##"

!#$ &#

##+

"&###

#$

%""&

!## "&

%(#+

!# &# $"

# " &

! """ma!ma!

% %

%##$

!& $

-#&$

-Down a 4thSusanne un jour

Orlando de Lassus Su-

san-

-

ne_un

jour

d'a-

mour

so-

li-

ci-

5

té-

e,

Su-

san-

ne_un

jour

d'a-

mour

so-

li-

ci-

té

-

10

-

-

e

Par

deux

viel-

lardz

con-

voi-

tans

sa

beau-

-

-

té,

Fust

15

en

son

coeur

tris-

te_et

des-

con-

for-

té-

e,

fust

en

son

20

coeur

tris-

té_et

des-

con-

for-

té-

-

-

e,

25

Voy-

ant

l'ef-

-fort

fait

à

sa

chas-

te-

-

té,

El-

le

leur

dict:

si

30

par

des-

loy-

au-

té.

De

ce

corps

mien

vous

a-

vez

jou-

is-

anc-

ce,

35

C'est

fait

de

moy,

c'est

fait

de

moy,

si

je

fay

ré-

sis-

40

tan-

ce,

Vous

me

fe-

rez

mou-

rir

en

des

-

hon-

neur;

Mais

45

j'ai-

me

mieux

pé-

rir

en

in-

no-

cen-

ce,

50 Que

d'of-

fen-

ser

par

pé-

ché

le

Sei-

gneur,

que

d'of-

fen-

ser

55 que

d'of-

fen-

ser

par

pé-

ché

le

Sei-

gneur.

Tant Que Viray Claudin de Sermissy

! " #TantPar

$%queplu-

&'vi-

sieurs

&'vrayiours

($)enm'a

&*aa-te-

&*genu

&'flo-lan-

&'ris-

guis-

+&'santsant

$% ,Je

Mais

$)ser-a-

&*vi-

pres

&*

!-"#

."##

.#$%

-""#

.""#

."&#

.%#

.#"

##% #

.##%

%"#

% " # %"#

$ # %""# ' # %

.""#

.#$%

! "-raydueil

($)d'am'a

&*mourfaict

(&'lere-

&/dieuiou

&*puis--is

&*santsant

0EnCar

$)faitzj'ay

&*enl'a-

&*dictzmour

& &

de

& &enla

&*chan-bel-

&*--

&*sons-le

&*etau

&*a-

gent

&*

##% # % '

.##%

.##%

.("&"

1%"

.#$"

.#

-"%#

."%

.#

-"'&

.##%

.%$%

""# $ # %

."'&

.#$"

.##%

.$#%

."%#

.#

! " ((cordz.corps.

0 ((Son

&*a-

&li-

&an-

&*ce

&*C'est

&*ma

&fi-

&an-

&*ce

&*Son

&'cueur

&est

&mien

$)Le

&'mien

&est

&sien

$)Fi

&*de

&tris-

&tes-

&*se

&*

(((2"'&

(((.#$ #$ #$

.%"

."#

.#$ #$ #$

.%"

.""# #

# %# #

-"# #

# %# #

-"#

.#$ #$ #$

.%"

."#

! "Vi-

&*ve

&li-

&es-

&*se

&*Puis-

&'qu'en

&a-

&mours

$)Puis-

&'qu'en

&a-

&mours

&*a

&*-

& &tant

$)de

&* ((biens

0

.#$ #$ #$

.%"

."#

."##

"###$%

-""#

."##

"###$%

.""#

.%"#

.##%

.$#

."%#

."%#

(((2"'&

4 Ung triste cueur Crequillon

Response

Ung

tris-

te

coeur,

5

rem-

pli

de

fan-

ta

si-

-e

Com-

10

blé

de

dueil

et

de

me-

lan-

-

co-

ly-

15 -e,

En

-tre

lar-

-

dé,

de

tres

grief

-

ve

do-

20 leur,

En-

tre

lar-

dé

de

tres

grief-

ve

4. Ung triste coeur-Crequillon

25 do

-

-leur,

Ne

cher-

che

riens

pour

30 fu-

yr

son

mal-

heur,

Que

des-

es-

-poir

pour

tost

fi-

ner

sa

vie-

35 -e,

Que

des-

es-

poir

pour

tost

fi-

ner

sa

vie

-

e,

Que

des-

es-

40

poir

pour

tost

fi-

ner

sa

vi-

e,

Que

des-

es-

poir

pour

tost

fi-

45

ner

sa

vie.

4. Ung triste coeur-Crequillon