2009 ACDA National Convention · 2009 ACDA National Convention Program Book Oklahoma City, Oklahoma...

2009 ACDA National ConventionOklahoma City, Oklahoma | March 4-7, 2009

2009 ACDA National Convention Program Book Oklahoma City, Oklahoma | March 4-7, 2009

Concert Session 1Gold Track: Wednesday, 9:30 am-11:30 am Civic Center Music HallScarlet Track: Wednesday, 12:00 pm-2:00 pm Civic Center Music Hall

Lawrence Children’s Choir Janeal Krehbiel - Kansas

Loveliest of Trees John Duke (1899-1984)arr. Janet Klevberg Day

Text: A. E. HousemanG. Schirmer 50486460

Schlafe, mein Liebster BWV248 J. S. Bach (1685-1750) arr. Tandy Reussner

Santa Barbara Music Publishing SBMP 813

And One Bee Charles K. Hoag (b. 1931)Text: Emily Dickinson


Every Night When the Sun Goes In Appalachian Folk SongText: traditional

arr. Paul Epp (b. 1982)

Linstead Market Jamaican Folk SongText: traditional Jamaicanarr. Paul Tucker (b. 1955)

Music in My Mother’s House arr. Marilyn Epp (b. 1950)Text: Stuart Stotts

Mark Foster MF 0978

Seal Lullaby Eric Whitacre (b. 1970)Text: Rudyard Kipling

Hal Leonard HL 8740149

Come and Sing Wallace Hornady (b. 1964)arr. Marilyn Epp

Text: Paul Hindemith Santa Barbara Music Publishing SBMP 849

Pacifi c Youth Choir - Coro Pacifi ca Mia Hall Savage - Oregon

Cantate Domino Heinrich Schütz (1585-1672)ed. Nancy Grundahl

Text: Psalm 98:1Colla Voce Music 20-96690

Finale from Midsummer Night’s Dream Felix Mendelssohn (1809-1847)Text: William Shakespeare

Novello NOV954888

Et in Terra Pax Joan Szymko (b. 1957)Text: Ordinary of the Mass


Lux Aeterna Z. Randall Stroope (b. 1953)Text: Ordinary of the Mass

Alliance Music Publications AMP 0275

Now Is The Time Robert Kyr (b. 1952) *world premiere Text: Robert Kyr

ECS Publishing ECS 7376

Ride On, King Jesus arr. Moses Hogan (1957-2003)Text: traditional spiritual


Green Valley High School Madrigal/Chamber Singers Kimberly Barclay Drusedum - Nevada

Venite Exultemus Jan Pieterszoon Sweelinck (1562-1621) Hal Leonard

Sing Me to Heaven Daniel E. Gawthrop (b. 1949)Text: Jane Griner

Dunstan House DH 9101

Si ch’io vorrei morire Claudio Monteverdi (1567-1638) ed. Kenneth Fulton


Concert Session 1 continued



Sweet Honey-Sucking Bees John Wilbye (1574-1638)ECS Publishing ECS 3.0704

A Boy and a Girl Eric Whitacre (b. 1970)Text: Octavio Paz


The Barber of Seville Overture Gioacchino Rossini (1792-1868)arr. Daryl Runswick (b. 1954)


Luther College Nordic Choir Craig Arnold - Iowa

Exsultate Deo Alessandro Scarlatti (1660-1725)Mercury Music Corporation 352-00071

Ave Maria Pawel Lukaszewski (b. 1968)Edition Ferrimontana-Frankfurt EF2130

Excerpt from An Apostrophe To The Heavenly Hosts Healey Willan (1880-1968)Leslie Music Supply HC4030

The Old Church Stephen Paulus (b. 1949)Paulus Publications SP388-6

O Lord God Paul Tschesnokoff (1877-1944)Boston Music Company 7723-7

Concert Session 2Gold Track: Wednesday, 2:30 pm-4:30 pm Civic Center Music HallScarlet Track: Wednesday, 5:00 pm-7:00 pm Civic Center Music Hall

Mirinesse Women’s Choir Rebecca Rottsolk and Beth Ann Bonnecroy - Washington

Exultate, justi, in Domino Herman Hollander (1600-1637)Text: Psalm 33:1-3

ed. Rebecca Rottsolk Alliance Music Publications AMP 0700

Evening Star Valerie Shields (b.1951) 2. Awed by Her Splendor Text: Sappho/Translation: Mary Barnard 3. Tonight I’ve Watched the Moon ECS Publishing 6401 4. The Evening Star

Duerme Negrito Atahualpa Yupanqui (1908-1992)arr. Emilio Solé

Text: Atahualpa Yupanqui earthsongs S117

Joy John MuehleisenText: Sara Teasdale


Canticle to the Spirit Eleanor Daley (b.1955)Text: Hildegard of Bingen


Ain’t No Grave Can Hold My Body Down arr. Paul Caldwell and Sean IvoryText: traditional spiritual

earthsongs S243



Hamilton High School Chamber Singers R. John Hamilton - California

Mi Zeh Y’maleil Joshua R. JacobsonEnglish text: Joshua R. Jacobson


Star In The East ed. Brad HolmesText: early American

Brad Holmes Publishing

Nächtens, Op. 112 No. 2 Johannes Brahms (1833-1897)Text: Franz Kugler ; English by Maynard Klein


Nocturnes Morten Lauridsen (b. 1943)3. Sure On This Shining Night Text: James Agee

Peer Music 62128-122

Cosita Linda Pacho Galan (1906—1979)arr. Alberto Carbonel, ed. William Belan

Text: Pacho GalanEmerson Music TEOO-08

A Set of Chinese Folk Songs Volume 3 Chen Yi (b. 1953)9. Diu Diu Deng Text: Taiwanese folk song (Han)

Theodore Presser 312-41733

Two Japanese Proverbs Gary Kent WalthText: ancient Japanese Proverbs

Roger Dean Publishing Company 15/1641

Three American Folksongs arr. Ronald StaheliHow Can I Keep From Singing Text: American folk song

Hinshaw Music HMC1591

John Saw Duh Numbuh arr. Alice Parker (b. 1925) and Robert Shaw (1916-1999)Text: Negro spiritual

Alfred Publishing LG51109


Michigan State University Women’s Chamber Ensemble Sandra Snow - Michigan

Alleluia, laus et gloria Tarik O’Regan (b. 1978) Text: Revelation 19:1-2 Novello NOV200420

a little innocence Daniel Brewbaker (b. 1951) Text: e.e. cummings

Daniel Brewbaker Music

Ecstatic Songs David Brunner (b. 1953) All I was doing was breathing Text: Mirabei *World premiere B&H

Amazing Grace arr. Michael Hanawalt (b. 1978)*World premiere Text: John Newton

B&H

Song of perfect propriety Carol Barnett Text: Dorothy Parker

earthsongs S-291

Lay earth’s burden down arr. Paul Caldwell and Sean Ivoryoriginal text

paulicaldwell.com

University of Texas at Austin Chamber Singers James Morrow - Texas

Psaume 24 Lili Boulanger (1893-1918)Durand Éditions Musicales DF, Hal Leonard HL 50561026

Psaume 108 Jan Pieterszoon Sweelinck (1562-1621)manuscript

Ode à la Musique Frank Martin (1890-1974)Text: Guillaume de Machaut

Bärenreiter BA 6725

Messe en Sol Majeur Francis Poulenc (1899-1963)Kyrie Text: Latin MassGloria Éditions Salabert SRL 11991, Hal Leonard HL 50406970Sanctus


Grand Opening CeremonyGold Track: Thursday, 9:30 am-12:00 pm Civic Center Music HallScarlet Track: Thursday, 12:30 pm-3:00 pm Civic Center Music Hall

Welcome - Hilary Apfelstadt, ACDA National President

Welcome - The Honorable Mick Cornett, Mayor, Oklahoma City, OK

Native American Blessing - Zack Morris, Citizen Potawatomi

Introductions - Hilary Apfelstadt, ACDA National PresidentExecutive Committee, Convention Steering Committee and Tim Sharp, Executive Director

Charter Member Acknowledgement - Hilary Apfelstadt, ACDA National President

Verleih’ uns Frieden Felix Mendelssohn (1809-1847) Paul Salamunovich, conductor Music located on page 126.Jean Shackleton, accompanist

Grant us peace, in your mercy, Lord God, in our time;There is indeed no one else who can fi ght the fi ght for usExcept you alone, our God -Martin Luther, 1528

Closing Comments - Hilary Apfelstadt, ACDA National President

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Tascosa High School Women’s Choir Billy Talley - Texas

Universal Song Daniel J. Hall (b. 1971)*World premiere Text: based on Shaker tune

manuscript

Nada te turbe Joan Szymko (b. 1960)Text: St. Teresa of Avila


Minoi, minoi Christopher Marshall (b. 1956)Text: Samoan folk song


Homeland Z. Randall Stroope (b. 1953)Text: Sir Cecil Spring-Rice and Z. Randall Stroope

Colla Voce Music 45-21106

I Am Not Yours David Childs (b. 1969)Text: Sara Teasdale


Ride On, King Jesus Moses Hogan (1957-2003)Text: Traditional spiritual


Unity Singers Ruth Palmer - Minnesota

Always Singing Dale Warland (b. 1932)*World premiere Text: Fred Mitchell

Unpublished

Swanee River Stephen Foster (1826-1864) Harmonized by William Grant Still (1895-1978), arr. Dana Paul Perna

Bardic Edition (BD 0252)

Same Train Spiritual/arr. Alice Parker (b. 1925) and Robert Shaw (1916-1999)Text: traditional spiritual

Alfred Publishing LG51113

Concert Session 3Gold Track: Thursday, 9:30 am-12:00 pm Civic Center Music HallScarlet Track: Thursday, 12:30 pm-3:00 pm Civic Center Music Hall



Timor et Tremor Terry Schlenker (b. 1957)Text: traditional Latin


There Will Be Rest Frank Ticheli (b. 1958)Text: Sara Teasdale

Hinshaw Publications HPC-7095

By And By Spiritual/Setting by Carol Barnett (b. 1949)Text: traditional spiritual


Iowa State Singers James Rodde - Iowa

Justorum animae Charles Stanford (1852-1924)Text: Song of Solomon 3:1-3

Choral Public Domain Library #401

Requiem Herbert Howells (1892-1983)Text: Requiem Mass

1. Requiem aeternam Novello Nov 29 0491

So, I’ll Sing with My Voice Dominick Argento (b. 1927)Text: Dominick Argento

Boosey & Hawkes

Born of the Sun Dobrinka Tabakova (b. 1980)Text: Blaga Dimitrova

manuscript

The Sounding Sea Eric Barnum (b. 1979)Text: George William Curtis

Walton Music

Jubilate Deo Ko Matsushita (b. 1962)Text: Psalm 100

manuscript


Voces8 Barnaby Smith - Berkshire, England

O Clap Your Hands Orlando Gibbons (1583–1625)Oxford University Press 9780193804357

Nunc Dimittis Gustav Holst (1874–1934)Novello NOV290459R

Fever Otis Blackwell arr. Jim Clements for VOCES8unpublished

Maria from West Side Story Leonard Bernstein arr. Jim Clements for VOCES8unpublished

Opera Medley arr. Jim Clements for VOCES8unpublished


Concert Session 4Gold Track: Friday, 4:30 pm-6:30 pm Civic Center Music HallScarlet Track: Friday, 12:30 pm-2:30 pm Civic Center Music Hall

American Boychoir Fernando Malvar-Ruiz - New Jersey

Songs Eternity Stephen Paulus (b. 1949)III. Sing creations music on Paulus Publications SP 382

Laudi alla Vergine Maria Giuseppe Verdi (1813-1901)Choral Public Domain Library #955

There is no rose Z. Randall Stroope (b. 1953)Alliance Music Publications AMP 0392

Psalm XIII, Op. 27 Johannes Brahms (1833-1897)Carus-Verlag CV 40.182/03

South African medleyFreedom is coming collected & edited Anders NybergSiyahamba collected & edited Anders NybergSivela kwazulu arr. E. van EykFarewell song Traditional

St. Mary’s Varsity Ensemble Randy Stenson - Tokyo, Japan

Exultate justi in Domino Brant AdamsSanta Barbara Music Publishing SBMP 172

Ubi Caritas Ola GjeiloWalton Music 08501631

Kyrie eleison Randall JohnsonSanta Barbara Music Publishing SBMP 821

Vita De La Mia Vita William HawleyHinshaw Music HMC1505

Ramkali Ethan Sperryearthsongs S251


Rocky Road To Dublin arr. Randall JohnsonPavane Publishing - Hal Leonard HL 08301874

Da Coconut Nut Ryan CayabyabSanta Barbara Music Publishing SBMP 834

Taishime arr. Miki MinoruOngaku No Tomo Sha Corp.

Cornell University Glee Club Scott Tucker - New York

Absalon, Fili Mi Benjamin May (b. 1986)manuscript

*World premiere - 2008 Brock Memorial Student Composition Contest Winner

Khorumi Mamia Khatelishvili (1932-1988)earthsongs S-162

Not Heat Flames Up And Consumes from We Two Steven Sametz (b. 1954)EC Schirmer Publishing 6900

Bawo Thixo Somandla Mxolisi Matyila, arr. Sidumo Nyamelezeearthsongs – (Not Yet in Print)

Last Letter Home Lee Hoiby (b. 1926)Schott ED30013 - Hal Leonard HL 49016738

Ave Maria Franz Biebl (1906-2001)Hinshaw HMC1253

The Vocal Majority Jim Clancy - Texas

I’m On My Way Frederick Lowe, arr. Jim ClancyText: Alan Jay Lerner

What Kind of Fool Am I Anthony Newley, arr. Jim ClancyText: Leslie Bricusse

Luck Be A Lady Tonight Frank Loesser, arr. Jim ClancyText: Frank Loesser



Deep River Harry Thacker Burleigh, arr. Greg Lyne

Armed Forces Medley arr. Jim Clancy1. The Marines Hymn Jacques Offenbach (1819-1880)

Text: anonymous2. Anchors Away Charles Zimmerman, revised Dominic Savino

Text: Capt. Alfred Miles, revised George Lottman 3. Semper Paratus Capt. Francis Saltus Van Boskerk Text: Capt. Francis Saltus Van Boskerk4. And The Army Goes Rolling Along Brig. Gen. Edmund L. Gruber

Text: Harold W. Arburg5. The U.S. Air Force Robert Crawford Text: Robert Crawford

You Raise Me Up Brendan Graham & Rolf Lovland, arr. Jim ClancyBrendan Graham & Rolf Lovland

Joshua Fit de Battle of Jericho arr. David Wright Text: David Wright

Brock Memorial Student Composition

Absalon, Fili Mi by Benjamin May, Westminster Choir College

Performed by: Cornell Men’s Glee Club, Scott TuckerGold Track: Friday, March 6, 5:30 pmScarlet Track: Friday, March 6, 1:30 pm

The 2008 ACDA Student Composition Contest Winner is Benjamin May. This composition was funded by the American Choral Directors Association Endowment in memory of Raymond W. Brock, who served ACDA as Director of Development and Administrative Assistant.

Since writing his fi rst choral composition at the age of sixteen, Benjamin Paul May (b. 1986) has been drawn to composing vocal and choral works because of the unique communicative ability of musical texts. Additionally, his instrumental compositions are often based on programmatic ideas that stem from poetry or philosophy.

While studying for an undergraduate degree in composition and theory at Vanderbilt University’s Blair School of Music, May regularly wrote music for the marching band and other student ensembles as well as high school choral and instrumental groups. He is currently studying for a Master of Music in choral conducting at Westminster Choir College of Rider University, where he sings as a member of Westminster Choir and Westminster Kantorei. May is an active member of Phi Mu Alpha Sinfonia, ACDA, and the Barbershop Harmony Society. He also enjoys playing trombone, piano, and jazz.


Concert Session 5Gold Track: Saturday, 1:00 pm-3:00 pm Civic Center Music HallScarlet Track: Saturday, 10:30 am-12:30 pm Civic Center Music Hall

Alamire David Skinner - England

Hec est preclarum Anonymous (from a choirbook gifted to Henry VIII in 1516)

Suscipe, quaeso Domine Thomas Tallis (c.1500-1585)

Attolite portas William Byrd (c.1535/41-1623)

In ieiunio et fl etu Thomas Tallis

Diliges Dominum William Byrd

Chor Leoni Diane Loomer - Canada

Ave Maris Stella* traditional Nova Scotian Latin canticlearr. Diane Loomer

Cypress Choral Music CP1007

Immortal Bach Knut Nystedt (b. 1915) Norsk Musikforlag A/S NMO10137

Loch Lomond* traditional, arr. J. QuickCypress Choral Music CP1046

Der 23 Psalm Franz Schubert (1797-1828)B. Schott - Hal Leonard HL 49001099

Five Ways to Kill a Man Bob Chilcott (b. 1955) Oxford University Press 9780193356054

Zornicka (Song #3) Jaroslav Kricka (1882-1969)Hudebni Matice Umelecke Besedy, Prague

La Cucaracha traditional, arr. Robert Sund manuscript

We Rise Again* Leon Dubinsky (b. 1939)arr. Stephen Smith

Cypress Choral Music CP 1136*Canadian Arrangements or Compositions


Incheon City Chorale Hak Won Yoon - Korea

Mae-Na-Ri Hyowon Woo (b.1974)Text: Hyowon Woo

Choruscenter, KOREA, ccc100003

Alleluia Hyowon Woo (b. 1974) Text: Hyowon Woo


When David Heard Eric Whitacre (b. 1970) Text: Samuel II 18:33

Walton WJMS1019, Hal Leonard HL 08501407

Pal-So-Seong (Eight laughters) Hyowon Woo (b. 1974)Text: Hyowon Woo



Cantoria Alberto Grau Maria Guinand - Venezuela

Alleluia Ernani Aguiar (b. 1950)Text: Latin Mass

manuscript, arch. Fundacion Schola Cantorum de Venezuela

Laus Trium Puerorum Fosco Corti (1935-1986)Text: Book of Daniel

Editions A Coeur Joie #ACJ953

Søk Herren Knut Nystedt (b. 1915)Text: Book of Psalms

Norsk Musikforlag, N.M.O. 8694

Caracolitos Chicos Alberto Grau (b. 1937)Text: Federico Garcìa LorcaEd. GGM/earthsongs S511

Caramba Music: Otilio Galíndez (b. 1935)Text: Otilio Galìndez

Choral Version: Alberto Grau (b. 1937)Kjos 8807

El Garrote Encabuya’o Venezuelan popular song, arr. Albert Hernàndez (b. 1956)Text: Venezuelan folklore

manuscript, arch. FSCV

Nuestras Navidades Jesùs Ochoa (b.1965)Text: Venezuelan folklore

manuscript,

Concert Session 5 continued Concert Session 6Gold Track: Saturday, 8:00 am-10:00 am Civic Center Music HallScarlet Track: Saturday, 3:30 pm-5:30 pm Civic Center Music Hall

Children’s Chorus of Greater Dallas Cynthia Nott - Texas

Hey Now! Bob Chilcott (b. 1955)Text: 15th century English poem

Oxford University Press 9780193426153

Mid-Winter Bob Chilcott (b. 1955)Text: Christina Rossetti


Farewell! Advent Bob Chilcott (b. 1955) Text: James Ryman


Cantata No. 1 Johann Sebastian Bach (1685-1750)Wie schön leuchtet der Morgenstern Text: William Mercer, after Philipp Nicolai

Boosey & Hawkes 48004206

Cantata No. 37 Johann Sebastian Bach (1685-1750)Herr Gott Vater, mein starker Held! Boosey & Hawkes 48004201

Ten Children’s Songs, Opus I Gerald Finzi (1901-1956) Text: Christina Rossetti

Margaret Has a Milking Pail Boosey & Hawkes 48010821A Linnet in a Gilded Cage Boosey & Hawkes 48010819Rosy Maiden Winifred Boosey & Hawkes 48010822

Memories Charles Ives (1874-1954)A. Very Pleasant Text: Charles IvesB. Rather Sad Peer Music Classical

When We Played House Alice Parker (b. 1925) Text: Jean Janzen

Reprinted with permission, Copyright 1991 Alice Parker Music Company

Old American Songs, Set II Aaron Copland (1900–1990)At the River Boosey & Hawkes 48004940



Clear Creek High School Symphonic Chorale Kyle Pullen and Sean Pullen - Texas

Domine ad adjuvandum me festina Antonio Vivaldi (1678-1741)Text: Psalm 69

Choral Public Domain Library #14622

Selig sind die Toten Heinrich Schutz (1585-1672)Text: Revelation 14:13


Liebeslieder Walzer, Op. 52 Johannes Brahms (1833-1897)Wenn so lind dein Auge mir Text: Georg Friederich Daumer O wie sanft die QuelleNein, es ist nicht auszukommen Alfred 783556001652

It Was a Lover and His Lass John Rutter (b. 1945)Text: William Shakespeare


Shenandoah arr. Mack Wilberg (b. 1955)Text: traditional American folk song


Skip to My Lou arr. Paul Busselberg (b. 1969)Text: traditional American folk song

manuscript

Taylor Festival Choir Robert Taylor - South Carolina

O Clap Your Hands Ralph Vaughan Williams (1872-1958)ECS Publishing 1.3296

Deutsche Messe Johann Nepomuk David (1895-1977)Kyrie Breitkopf & Hartel PB3703Gloria

On Meditation Brian Galante Colla Voce Music 42-96860

Poemas de Amor Stephen Paulus (b. 1949)Soñaba Paulus Publications SP487Si lo dicen, digan

The Coolin/Fionnghuala arr. Robert Taylormanuscript

Lawrence University Concert Choir Richard Bjella - Wisconsin

Knowee Stephen LeekText: Stephen Leek

Te Lucis ante Terminum Pablo Casals (1876–1973) arr. of Song of the BirdsText: 7th century Ambrosian hymn

manuscript arr. Edwin Higginbottom/ed. by Richard Bjella

Svatba (The Wedding) Khristo TodorovText: anonymous

Vox Bulgarica Music Publications

Laboravi in Gemitu Meo Phillippe Rogier, ed. Philip CaveText: Psalm 6.6

Chorworks

Les Voici! Voici La Quadrille! from Act 4 of Carmen Georges Bizet (1838-1875)Librettists: Henri Meilhac and Ludovic Halévy

G. Schirmer - Hal Leonard

How Can I Cry? Moira SmileyText: Moira Smiley

MoraMusic BMI

La Arestinga Otilio Galíndezarr. Alberto Grau

GGM Editores



Jazz Night Concert SessionGold Track: Thursday, 5:00 pm-6:30 pm Stage Center, Tolbert Theatre or Thursday, 6:45 pm-8:15 pmScarlet Track: Friday, 6:00 pm-7:30 pm Stage Center, Tolbert Theatre or Friday, 7:45 pm-9:15 pm

OneVoice Stephen Widenhofer - Illinois

Program to be selected from the following:

Come Rain or Come Shine Johnny Mercer/Harold Arlen/arr. Gene PuerlingHal Leonard - out of print

Samba Voce Greg Jasperseunpublished

Seems Like Old Times Carmen Lombardo/John Jacob Loeb/arr. Gene PurelingHal Leonard - out of print

There Is No Greater Love Isham Jones/lyrics, Marty Symes/arr. Jennifer BarnesSound Music Publications

Esperanto Vince Mendoza/lyric, Kurt Elling/arr. Kerry Marshwww.kerrymarsh.com

Just Kidding Elaine Eliastranscription

Too Late Now Alan Jay Lerner/Burton Lane/arr. Jennifer Barnesunpublished

All The Things You Are Jerome Kern/Oscar Hammerstein II/arr. Ward SwingleUNC Jazz Press

In Your Eyes Peter Gabriel/arr. Billy Childs/adaptation by Kerry Marshwww.kerrymarsh.com

Jazz Concert Session continued

Phil Mattson Singers Phil Mattson - Iowa

Program to be selected from the following:

Grown-Up Christmas List David Foster/Linda Thompson-Jenner, arr. Phil Mattson

Snow Covers The Valley Bobby Sharp, arr. Phil Mattson

Song For Gene Simon Akesson/Petter Sandstrom

You Are My Sunshine arr. Gene Puerling (1929-2008)

Never Let Me Go Livingston/Evans, arr. Phil Mattson

I Wish You Love Trenet/Beach, arr. Peder Karlsson

The Earth Begins To Sing Bill Comstock, arr. Ken Albers

Jesu, Meine Freude Johann Sebastian Bacharr. PDQ Bach, “Dizzy Bach,” “Bird Bach”

How Shall I Fitly Meet Thee (O sacred Head now wounded) arr. Phil Mattson

Count Your Blessings (instead of sheep) Irving Berlin, arr. Phil Mattson

Ain’t Doin’ Bad Doin’ Nothin’ Jarvis/Venuti, arr. Gene Puerling

Johnny One Note Rodgers/Hart, arr. Gene Puerling

Harvest Home Charles Ives (1874-1954)Theodore Presser/Carl Fischer 352-00361


Peace EventBoth Tracks: Friday, 9:02 am Oklahoma City National Memorial & Museum Prelude music begins at 8:45 am

In the event of severe weather, notifi cation will be placed on www.acda.org as to the cancellation of the Peace Event. There is no indoor location or rescheduling plan. Please check the ACDA website on the morning of March 5 for any update.

The 28-minute Peace Event will begin at 9:02, the moment of the explosion on April 19, 1995. Just as the memorial is dedicated “to educating visitors about the impact of violence and inspiring hope and healing through lessons learned by those affected,” the ACDA Peace Event is intended as a great coming together of the diverse membership of ACDA and of guests from around the region. It is hoped that the musical ceremony can create a space both for remembering and for deep and meaningful refl ection on hope and healing within our human community. The event is open to the public.

In addition to brief presentations by the featured musicians and ensembles, the expected 2500-plus attendees will participate in an extraordinarily special collage of community singing, spoken word and shared silence. The words of American and Native American poets Mary Oliver, Wendell Berry and Joy Harjo will be read. Music from Maurice Durufl é’s Requiem will be featured as well as the moving song (Requiem) dedicated to victims of disaster by singer-songwriter Eliza Gilkyson. The experience of gathering together though music in remembrance and hope at the extraordinarily moving Oklahoma City Memorial site promises to be an event of deep signifi cance and meaning.

From the Oklahoma City National Memorial and Museum web site:

We come here to remember those who were killed, those who survived and those changed forever. May all who leave here know the impact of violence. May this memorial offer comfort, strength, peace, hope and serenity.®

Canterbury Youth Chorus Judith Willoughby - Oklahoma

Conspirare Craig Hella Johnson - Texas

Unversity of Oklahoma Trombone Choir Irv Wagner - Oklahoma

Music in WorshipGold Track: Friday, 7:30 pm-9:00 pm St. Luke’s UMCScarlet Track: Thursday, 5:30 pm-7:00 pm St. Luke’s UMC

Lafayette-Orinda Presbyterian Church Chamber Singers Julie Ford - California

St. Charles Borromeo Choir Paul Salamunovich - California

Through Many Faiths, Humanity is Indivisible

The 2009 Music in Worship event is a two-part worship presentation affi rming a capacity for spiritual wholeness through meditation upon messages of unity from various faith traditions.

Part one of the Music in Worship experience features the choral expertise of Julie Ford and the Lafayette-Orinda Presbyterian Church Chamber Singers, drawing together centuries of choral literature with prayers, congregational singing, and messages from various faith traditions to highlight common sacred threads that bind us together.

The second part honors the sacred music contribution of Paul Salamunovich, director of music at St. Charles Borromeo Church in North Hollywood, California since 1949. In his fi nal appearance at an ACDA national convention, Salamunovich will present a choral presentation that will continue to explore the topic of religious unity, grace and peace.


Convention ConcertGold Track: Thursday, 8:30 pm-10:30 pm Civic Center Music HallScarlet Track: Saturday, 8:30 pm-10:30 pm Civic Center Music Hall

Randi Von Ellefson - Oklahoma Canterbury Choral Society

Joel Levine, Music DirectorOklahoma City Philharmonic

Kent Hatteberg - KentuckyUniversity of Louisville Cardinal Singers & Collegiate Chorale

Mark Lucas - Oklahoma University of Oklahoma Choir

Dominick ArgentoComposer

Ann Howard JonesConductorPhoto courtesy Boston University Photo Services

Mark Lawlor - Oklahoma Oklahoma State University Singers

Natasa Kaurin-Karaca - Oklahoma Oklahoma State University Concert Chorale

Lynn Eustis - TexasSoprano

Judith Willoughby - Oklahoma Oklahoma City University Singers

Joshua Copeland - ConnecticutBass

This concert is dedicated to honor the memory of Gene Brooks, who served ACDA as Executive Secretary from 1977-1989 and as Executive Director from 1989-2007. As a skilled administrator, visionary leader, shrewd businessman, and friend to ACDA members, his contributions to the growth and health of our organization during his thirty years of full-time service are inestimable. They will serve as a lasting legacy in the history of the ACDA.

Convention Concert continued

Cenotaph* Dominick Argento (b. 1927)Boosey & Hawkes

1. Dedication-preludeII. Parade (Song-Books of the War) Text: Seigfried SassoonIII. Elegy (For the Fallen) Text: Laurence BinyonIV. Chorale (Let Us Now Praise Famous Men) Text: Ecclesiasticus, paraphrasedV. Admonition (There Will Come Soft Rains - War Time) Text: Sara TeasdaleVI. Cenotaph (On Passing the new Menin Gate) Text: Seigfried SassoonVII. Finale (The Last Post)

The 2009 Raymond Brock Commission - This composition was commissioned by the Endowment of the American Choral Directors Association in memory of Raymond W. Brock who served the American Choral Directors Association as Director of Development and Administrative Assistant.

*Read about the conception of this work on page 156.

Dona Nobis Pacem Ralph Vaughan Williams (1872-1958)Oxford University Press

I. Agnus Dei Text: MassII. Beat! Beat! Drums! Text: Walt WhitmanIII. Reconciliation Text: Walt WhitmanVI. Dirge for Two Veterans Text: Walt WhitmanV. The Angel of Death Text: John Bright & Book of JeremiahVI. O Man Greatly Beloved Text: Books of Daniel and Haggai and other scriptural adaptations


Brock Memorial Commission

Cenotaph by Dominick Argento

In lieu of program notes about my music I prefer to write a few words on the subject of its title. After a lifetime of furnishing notes for my pieces I am convinced that if the music on its own isn’t self-explanatory or self-revealing, no amount of special pleading is going to be very useful.

Dictionaries defi ne cenotaph as ‘a monument to someone buried elsewhere, especially one commemorating people who died in a war.’ The original Greek term is more graphic and chilling: it means simply ‘empty tomb.’ I remember, as a boy of seven or eight, seeing my fi rst cenotaph in one of my hometown’s public parks. Its proximity to the children’s play area – the swings, merry-go-rounds, hopscotch diagrams chalked on sidewalks – did not occur to me as incongruous then. Only much later was I struck by the irony of how brief a span of time – often less than a decade – might lapse between romps on a playground and having one’s name engraved in memorial stone.

That fi rst cenotaph, like the dozens later encountered in America and Europe – from those humble, ubiquitous tablets on village greens all over England to the monumental Menin Gate in Belgium (bearing 55,000 names, more than the entire population of my hometown) – was intended to honor soldiers killed in World War I. Since then, they have proliferated. (Even here in Oklahoma City there is a touching example, although related to a different kind of war.) In the recent past we have built the striking Vietnam Veterans Memorial, which catalogs even more names than Menin Gate, and the immense World War II Memorial in Washington, DC, which displays no names at all but is intended to honor the 400,000 American soldiers who were killed and the 16 million who served. These sites and structures are generally referred to as War Memorials, but I believe they might be more instructively regarded as Memorials Against War. Standing in contemplation before them undeniably evokes what Wilfred Owen called ‘the pity of war.’ But as his fellow -poet and fellow-soldier, Siegfried Sassoon, skeptically asks: “Who will remember. . . who will absolve?”

Three-quarters of a century after learning that the obelisk near my playground commemorated those who died ‘gloriously’ for their country, I have come to view cenotaphs very differently. Today, more than ‘celebrating’ the victims of war, they serve as grim icons, powerful reminders of the cruelty, the futility, and the insanity of war. More than simply honoring those forlorn names engraved in memorial stone, cenotaphs must teach us to annihilate the causes and reasons for erecting cenotaphs in the fi rst place.

Dominick Argento is an American composer best known as a leading composer of lyric opera and choral music. Among his most prominent pieces are the operas Postcard from Morocco, Miss Havisham’s Fire, and The Masque of Angels, and the song cycles Six Elizabethan Songs and From the Diary of Virginia Woolf, the latter of which earned him the Pulitzer Prize for Music in 1975. In a predominantly tonal context, his music freely combines tonality, atonality and a lyrical use of twelve-tone writing, though none of Argento’s music approaches the experimental avant garde fashions of the post World War II era. He is particularly well-known for sensitive settings of complex, sophisticated texts.

As a student in the 1950s, Argento divided his time between America and Italy, and his music is greatly infl uenced both by his teachers in the United States and his personal affection for Italy, particularly the city of Florence, where he spends part of every year and where many of his works were written. He has been a professor (and, more recently, a professor emeritus) at the University of Minnesota in Minneapolis, and he frequently remarks that he fi nds that city to be tremendously supportive of his work and that he thinks his musical development would have been impeded had he stayed in the high-pressure world of East Coast music.He was one of the founders of the Center Opera Company (now the Minnesota Opera), and indeed Newsweek once referred to the Twin Cities as “Argento’s town.”

Argento has written fourteen operas as well as major song cycles, orchestral works, and many choral pieces for small and large forces, many of which were commissioned for and premiered by Minnesota-based artists. He has referred to his wife, the soprano Carolyn Bailey, as his muse, and she was a frequent performer of his works. She died on February 2, 2006.

Argento, the son of Sicilian immigrants, grew up in York, Pennsylvania. Ironically, although he would go on to become an acclaimed composer, he found his music classes in elementary school to be “fi fty minute sessions of excruciating boredom.”Upon graduating from high school, he was drafted into the Army and spent some time as a cryptographer; he then began studying piano performance at the Peabody Conservatory on the G.I. Bill. He quickly decided to switch to composition.

He earned bachelors (1951) and masters (1953) degrees from Peabody, where his teachers included Nicholas Nabokov, Henry Cowell, and Hugo Weisgall. While there, he was briefl y the music director of Weisgall’s Hilltop Musical Company, which Weisgall founded as a sort of answer to Benjamin Britten’s festival at Aldeburgh—a venue for local composers (particularly Weisgall himself) to present new work. This experience gave Argento broad exposure to and experience in the world of new opera. Hilltop’s stage director was writer John Olon-Scrymgeour, with whom


Argento would later collaborate on many operas. During this time period he also spent a year in Florence on a Fulbright Fellowship, and has called the experience “life-altering;” while there, he studied briefl y with Luigi Dallapiccola. Argento went on to receive his Ph.D. from the Eastman School of Music, where he studied with Alan Hovhaness, Bernard Rogers and Howard Hanson. Following completion of this degree, he received a Guggenheim Fellowship and spent another year in Florence, thus inaugurating a tradition of spending long periods of time in that city.

Argento moved to Minneapolis in 1958 with his new wife Carolyn to begin teaching theory and composition at the University of Minnesota. Within a few years he received commissions from virtually every major performing group there. He has remarked that this constant feeling of strong community interest in his work made him feel particularly at home in Minnesota, despite the fact that he resisted moving there at fi rst and hoped for several years that a position on the East Coast would beckon. Argento became involved in writing music for productions at the then-new Guthrie Theatre, and in 1963, he and Scrymgeour founded the Center Opera Company to be in residence there. Argento composed the short opera The Masque of Angels for the occasion, and the work—with its complex harmonic language and an emphasis on expansive choral writing that prefi gures his later role as a prominent choral composer—fi rmly established his local prominence, as well as providing a role for his wife.

By 1971, when his daring surreal opera Postcard from Morocco opened at Center Opera, his national reputation was secure, in part thanks to a glowing review by the principal music critic of the New York Times. He eventually received commissions from New York City Opera, the newly-formed Minnesota Opera, Washington Opera, and the Baltimore and St. Louis Symphonies, among others. He also developed close professional relationships with several prominent singers, notably Frederica Von Stade, Janet Baker, and Håkan Hagegård, and some of his best-known song cycles were tailored to their talents.

In addition to his Pulitzer Prize, the recording by Frederica Von Stade and the Minnesota Orchestra of his song cycle Casa Guidi won the 2004 Grammy Award for Best Contemporary Classical Composition. Argento’s book Catalogue Raisonné as Memoir, an autobiographical discussion of his works, was published in 2004.

Argento is now retired from teaching but he retains the title of Professor Emeritus at the University of Minnesota. He still lives in Minneapolis, and his musical output has remained steady.

Honor Choir ConcertBoth Tracks: Saturday, 6:00 pm-8:00 pm Cox Convention Center Ballroom AB (second fl oor)

Junior High/Middle School Honor Choir Judy Bowers, conductorJudy Arthur, accompanist

Come Travel With Me Scott FarthingText: inspired by Walt Whitman

Walton Music Hal Leonard HL 08501454

When I Think of You Laura FarnellText: Sara Teasdale


Music, Spread Thy Voice Around (Solomon) G.F. Handel/SpevacekText: Solomon

Heritage 15/1876H

I Love All Graceful Things Z. Randall Stroope*World premiere Text: Kathleen Boland Colla Voce Music 48-96710Commissioned to honor the memory of Gene Brooks, Executive Director of the American Choral Directors Association 1977-2007.

I Dream a World André ThomasText: Langston Hughes

Heritage Music 15/1752H

Little Liza arr. Ken BergText: American folk song

National Music Company NMP 375

Words of Lincoln Earlene RentzText: Lincoln addresses



Honor Choir Concert continued

High School Honor Choir Tim Sharp, conductorTim Marek, accompanist

Heilig Felix Mendelssohn (1809-1847)Text: Ordinary of Lutheran Liturgy

Hinshaw CCS215

Tango to Evora Loreena McKennittHal Leonard HL 08501469

Little David, Play! Traditional Spiritual/Ken Berg*World premiere Text: Traditional spiritual

Walton Music - Hal Leonard

Dominus regit me Carl NielsenText: Psalm 22:1-2

Carus-Verlag 23.407/20

I Shall Keep Singing! Brian HolmesCarol McClure, Harp Text: Emily Dickinson

Thorpe Music - Theodore Presser 392-03085

Leonardo’s Riddle Wes Ramsay*World premiere Text: Leonardo da Vinci

August Press (manuscript)

All day and night, Music from The Here and Now Christopher TheofanidisText: Rumimanuscript

The Old Man With a Beard Margaret Ruthven LangText: Edward Lear

Library of Congress Project

Waltzing Matilda Bob ChilcottText: A. B. (Banjo) Paterson

Oxford University Press

High School Honor Choir Christine Bass, conductorCasey Cook-Westfall, accompanist

To Music David Stanley York Mercury Music Corporation 352-00320

Laudate Pueri from Missa Solemnes Wolfang Amadeus Mozart (1756-1791) arr. Robert ShawAlfred LG51166

Ein Deutches Requiem Johannes Brahms (1833-1897)IV. Wie lieblich sind deine Wohnungen Hal Leonard HL 50486753

We Beheld Once Again the Stars Z. Randall StroopeAlliance Music Publications AMP 0525

Tanquendo Oscar EscaladaAlfred LG52729

The Choir Invisible David Childs*World premiere Santa Barbara Music Publishing SBMP 845 Commissioned to honor the memory of Gene Brooks, Executive Director of the American Choral Directors Association 1977-2007.

Precious Lord Thomas Dorsey/arr. Arnold SevierAbingdon Press 061784

William Tell Overture Gioacchino Rossini; arr. Julie EshlimanAlfred Publishing 23041

My Soul’s Been Anchored in the Lord Moses HoganHal Leonard HL 08703235




College & University Honor Chamber Choir Gary Graden, conductorJoey Martin, accompanist

Introitus: Veni Sancte Spiritus/Adoro te devoteImprovisation on two Gregorian melodies public domain

Memento Creatoris tui Michael Waldenby (1953)manuscript

Lighten mine eyes Bo Hansson (1950) manuscript

The Spheres (2008) Ola Gjeilo (1978)*World premiere manuscript

The Ground Ola Gjeilo *World premiere manuscript

Pingst Oskar Lindberg (1887-1955) Gehrmans

VespersGold Track: Saturday, 10:15 pm-11:15 pm St. Luke’s UMCScarlet Track: Thursday, 10:00 pm-11:00 pm St. Luke’s UMC

Conspirare Craig Hella Johnson - Texas

All-Night Vigil Sergei Rachmaninoff (1873-1943)1. Come, Let Us Worship2. Praise the Lord, O My Soul (Greek chant)3. Blessed is the Man4. O Gentle Light (Kiev chant)5. Lord, Now Lettest Thou (Kiev chant)6. Rejoice, O Virgin (Hail Mary)7. The Six Psalms8. Praise the Name of the Lord (Znamenny chant)9. Blessed Art Thou, O Lord (Znamenny chant)10. Having Beheld the Resurrection11. My Soul Doth Magnify the Lord12. The Great Doxology (Znamenny chant)13. Troparion: Today Salvation is Come (Znamenny chant)14. Troparion: Thou Didst Rise from the Tomb (Znamenny chant)15. O Queen Victorious (Greek chant)


Undergraduate Semifi nals Wednesday, March 4, 12:00 pmPresiding: Jeffrey R. Carter Sheraton Hotel Plaza Ballroom

Conductors: Joshua Bauder - University of St. Thomas Michael Goodman - Eastman School of Music Sarah Jones - Michigan State University Thomas Hales - Iowa State University Gregory McDaniel - University of Houston Jonathan Riss - Ithaca College Heather Vereb - Christopher Newport University Robert Williams - University of Northern IowaAlternates: Stefan June - Mansfi eld University Sarah Jenkins - University of Tennessee at Martin Sarah Price - Michigan State UniversityChoir : Norman North High School Chorale, Tony Gonzalez - OK

Abendlied Josef Rheinberger (1839 – 1901)Choral Public Domain Library

Salmo 150 Ernani Aguiar (b. 1970)earthsongs S-40

Graduate Semifi nals Thursday, March 5, 12:00 pmPresiding: Jeffrey R. Carter Sheraton Hotel Plaza Ballroom

Conductors: Mark Boyle - Rutgers, The State University of New Jersey J. Arturo Gonzalez - University of Colorado Dominic Gregorio - University of Southern California Deanna Joseph - Eastman School of Music Bradley Miller - University of Arizona Glen Rideout - University of Michigan Jennifer Sengin - Ithaca College Beverly Shangkuan - Yale University Alternates: Alejandro Manso - University of Michigan Christin Toerner - Texas State University - San Marcos Matthew Travis - Pennsylvania State University Choir : Univ. of Louisville Cardinal Singers, Kent Hatteberg - KY

Musicians Wrestle Everywhere Elliott Carter (b. 1908)Mercury Music Corporation, No. 352-00119

Offertorium from the Missa pro Defunctis Tomás Luis de Victoria (1548-1611)Choral Public Domain Library

Student Conducting Competition Schedule

Final Round Friday, March 6, 12:00 pmPresiding: Jeffrey R. Carter Sheraton Hotel Plaza Ballroom

Undergraduate Conductors: To be announced Choir : Norman North High School Chorale, Tony Gonzalez - OK

O Magnum Mysterium Morten Lauridsen (b. 1943)Peer Music 61860-121-Carl Fischer

Rotala Juris Karlsons (b. 1948)earthsongs S-23c

Graduate Conductors: To be announcedChoir : Univ. of Louisville Cardinal Singers, Kent Hatteberg - KY

Lucis Creator optime Vytautas Miškinis (b. 1954)Edition Ferrimontana in Frankfurt, Germany, ed. number EF 2703

Ehre sei Gott in der Höhe Felix Mendelssohn (1809-1847)from Die deutsche Liturgie Choral Public Domain Library

Awards Presentation

Awards presented during the Honor Choir Concert on Saturday at 6:00 pm in the Cox Convention Center Ballroom.

Student Conducting Competition Schedule Continued


2009 ACDA National Convention DVD Recordings Order Form

ORDER at the ViaMedia Exhibit Booth # 1306

or by PHONE, MAIL or ONLINE at: www.viamediaavpro.com

DVD 1._________ 2._________ 3._________ 4._________ 5._________ 6._________ 7._________ 8._________ 9._________10._________11._________12._________13._________14._________15._________16._________17._________18._________19._________20._________21._________22._________23._________24._________25._________26._________27._________28._________29._________30._________

AlamireAmerican BoychoirCantoria Alberto GrauChildren’s Chorus of Greater DallasChor LeoniClear Creek High School Symphonic ChoraleCornell University Glee ClubGreen Valley HS Madrigal/Chamber SingersHamilton High School Chamber SingersHonor Choir– College and University Honor Choir– High School 1 Honor Choir– High School 2 Honor Choir– Junior High/Middle School Iowa State University SingersIncheon City ChoraleJazz NightLawrence Children’s ChoirLawrence University Concert ChoirLuther College Nordic ChoirMichigan State Univ. Women’s Chamber EnsembleMirinesse Women’s ChoirMusic In WorshipPacific Youth ChoirSt Mary’s Varsity EnsembleTascosa High School Women’s ChoirTaylor Festival ChoirThe Vocal MajorityVoces8Unity Singers-Minneapolis, MinnesotaUniversity of Texas at Austin– Chamber Singers

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2009 ACDA National Convention Program Book

Concert Recording Information

Recordings from convention concerts will be available on the ACDA web site approximately 15 days after the convention for $1.00 per track.

Go to www.ACDA.org and click the “Shop” link at the top of the page.

Go to: acda.org/shopand download concert recordings after the convention!

2011 ACDA National Conference

Chicago - March 9-12, 2011

Featuring:Chicago Symphony OrchestraChildren’s Honor ChoirMiddle School Honor ChoirHigh School Men’s Honor ChoirHigh School Women’s Honor Choir

Orchestra HallHoly Name CathedralChicago Hilton Hotel

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