for fashion.

We celebrate your

and we proudly support ccad and its senior fashion show.

© 2

013

congrats, ccaD Designers

EXPRESS 614 415 4000File: may2013_ccad.inddMac Operator: JBCreation Date: 3/7/13Modified Date: 3/7/13Software: InDesign CS 5.5Finish Size: 10x8”

COLORBREAK - dO nOt pRint program ad

COLOR swAtChEs

CmYK photo

WelCOme tO the 2O13 FAShiOn lOOKbOOK!

It’s supremely fi tting that we’re looking closely at process this year. Because there’s simply nothing an artist or designer likes better. It’s what transforms an idea into an achievement.

In the case of this book, process is the fi rst conversations among students and faculty about how to approach the senior collections. The sketches and swatches and mood boards. The draping. The dyeing. The sewing. The critiques and rehearsals and meetings. Pre-jury photo shoots. Post-jury photo shoots. Interviews.Ads, posts, tweets, tickets! THE SHOW!

process, in other words, is what we pretty much call the fun part. And its results are now in your hands. Fresh, vivid, surprising—just like the wave of creative talent that will graduate this year from CCAD. Enjoy!

Dennison W. Griffi thPresident, Columbus College of Art & Design

03_

intRODucti0n

Before it walks down a runway,Before it hits the red carpet,Before it hangs on a rack,

it iS pARt OF A pROceSS. For some designers, the process is methodical. For others, it’s unpredictable. But no matter what it entails, we all know that it’s just as important as the fi nished product. Because while the garments we create help others defi ne their style, the process helps us defi ne ours.

inSpirAtiOnbefore it was a dress, a blouse, or even a collar, it was a vision that existed only in the mind of the designer. before that, it was nothing at all. and that’s where this stage of the process starts.

INSPIRATION can come in many shapes and forms. Some students sort through bolt after bolt of fabric, waiting for something to pop out at them. Others spark their imaginations by looking at architecture or paintings, or even listening to songs. Still others are inspired by experiences—both in their own lives and in the lives of others.

The bottom line is, there’s no one “right” way to get inspiration. This part of the process is highly personal, and often unpredictable. But without it, there wouldn’t be an idea to begin with—and there would be nothing to send down the runway at the end.

05_

Step 1 _

inSpiRAti0n

Step One

M y Mood boa r ds a r e the br a in behind it a ll .” AntOiné SlAter

“

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inSpirAti0n

the noMa d ColleCtion is a story of M y tr av els , ha r dships , loss , a nd the beaut y of ba l a nCe . it 's inspir ed by the wonder s of the a r a b wor ld a nd its MesMer izing Cultur e , a s w ell a s the outl a ndish fa shions of Ja pa n.” DAx thOmAS KAuSeR

“

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inSpirAti0nFA S H I O N D E S I G N E R DA x thOmAS K AuSer O P P O S I T E PA G E , M O D E L S F R O M L E F T T O R I G H T iAn m. Gr eenblOt t, emily Zimmer , tr Av iS WA ller , ryAn m AtSui, JOhn r . h AliburtOn, A nD DOnGhOOn h An

FA S H I O N D E S I G N E R K R iStA GuAnl AO SiSOn M O D E L S F R O M L E F T T O R I G H T pAiGe Fruechtnicht A nD Julie WAr D

i lov e dev eloping a ConCept, gather ing differ ent inspir ations , a nd dr awing Cr a z y, stupid, ugly, beautiful things .” KriStA GuAnlAO SiSOn

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experimentAti0n

the idea is in place, the mood boards have been created, and the sketches have been drawn. now, it’s time to explore all the options.

EXPERIMENTATION is a necessary part of the fashion design process. It’s very rare to get something right on the fi rst try—and even when designers think they have, most keep working just to have something to compare it to.

So they take it apart. Put it back together in diff erent ways. Play with diff erent fabrics and pattern concepts. Sometimes, they improve upon their original idea. Other times, they end up right back where they started—or fi nd themselves going in an entirely new direction. But no matter where they land, they’ve explored enough options to be confi dent that they’re moving forward with the right one.

FA S H I O N D E S I G N E R SA r Ah Fr eDer icK M O D E L S F R O M L E F T T O R I G H T DiAnA chunG, pA iGe Fruechtnicht, emily Zimmer , A nD A lySSA ehlerS

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experimentAti0n

one of the Most ex per iMenta l teChniques that i used wa s Cut wor k: i l ay er ed t wo fa br iCs together a nd eMbroider ed a patter n that i designed, a nd then i Cut off the top l ay er of fa br iC so you Could see the diMensions in the l ay er s .” SARAh FReDeRicK

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FA S H I O N D E S I G N E R Oliv iA br eZinSK iM O D E L l Aur A th Atcher

M y favor ite pa rt of the design proCess is the patter n-Ma king a nd a lter ing proCess . ther e is soMething inCr edibly satisfy ing in figur ing out w hat is w rong with soMething a nd fixing it.” 0liviA breZinSKi

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FA S H I O N D E S I G N E R K Ate el A ine pOhrt M O D E L S F R O M L E F T T O R I G H T br it tne y cOmbS A nD pe y tOn GODFr e y

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i ta k e the Color s a nd pr ints i lov e sepa r ately, a nd i put theM together in a way that wor ks .” AntOiné SlAter

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FA S H I O N D E S I G N E R JeSS be tZM O D E L emily Geer inG

FA S H I O N D E S I G N E R K A r l A nOrQuiSt M O D E L Oliv iA SichOnG xie

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experimentAti0n

FA S H I O N D E S I G N E R K Ath Ar ine e. hir e M O D E L S F R O M L E F T T O R I G H T A lySSA ehlerS, emily Zimmer , AnD DiAnA chunG

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FA S H I O N D E S I G N E R K ASSie h AJiM O D E L S F R O M L E F T T O R I G H T m AyA eiGel , pr eStOn G. hue y, A nD StephAnie ber r ie

patter n Ma king is neCessa ry for Cr eating a suCCessful ga r Ment. it br ings your v ision a li v e .” KASSie hAJi

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27_

Step 2 _

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FA S H I O N D E S I G N E R Oliv iA mitchell M O D E L S F R O M L E F T T O R I G H T GAur i GArG, A le xie xi AOxiAO, A nD K Ately nn Der r

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“i ha d to disCov er how to ha r Monize M y strongest Con v iCtions , instinCtua l MoMents , a nd lea r ned skill sets, a ll within M y Chosen theMe .” 0liviA mitchell

Step thRee

cOnStructiOnafter it’s been dreamed up, sketched out, designed, and redesigned, it can fi nally be turned into something real.

CONSTRUCTION is where a concept starts to transform into a real, tangible garment. This stage depends heavily on the details: the tiny stitches, the unexpected embellishments, the perfectly tailored seams. It can be a time-consuming and stress-inducing endeavor, but it all adds up to a polished piece that’s a true, wearable representation of the designer’s vision.

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FA S H I O N D E S I G N E R nGOcK h Anh nGOM O D E L S F R O M L E F T T O R I G H T iAn m. Gr eenblOt t, JOhn r . h AliburtOn, DOnGhOOn h A n, A nD ryAn m AtSui

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Step 3 _

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FA S H I O N D E S I G N E R phOebe iSA AcM O D E L S K Ately nn Der r A nD cA rOlin A peGuerO

FA S H I O N D E S I G N E R K Atlin hAtFielDM O D E L Oliv iA SichOnG xie

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FA S H I O N D E S I G N E R r Achel chertOFF M O D E L S F R O M L E F T T O R I G H T K At SK A FF, K r iStA GuAnl AO SiSOn, DAnielle m. Will iA mS, be tSy JuDD, K A ZZi K inG, AnD Z Ar iA A ZiZ A A hmeD

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i a M ha nd - CroCheting a nd ha nd -k nitting big pieCes . it 's one of the Most tiMe- ConsuMing things i hav e done , but it ’s worth it in the end.” rAchel chertOFF

“

FA S H I O N D E S I G N E R nicOle chhuOmM O D E L pA iGe Fruechtnicht

FA S H I O N D E S I G N E R le Ah SlOAne K enneDyM O D E L m AyA eiGel

FA S H I O N D E S I G N E R tin A huGheSM O D E L Z Ar iA A ZiZ A A hmeD

FA S H I O N D E S I G N E R JA ZZmin e vAnSM O D E L br it tne y cOmbS

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cOnStructiOn

for the Most pa rt, M y designs stay v ery M y designs stay v ery siMil a r to the initia l siMil a r to the initia l sk etChes . that ’s not s not to say that i won’t be t be inspir ed in the Midst inspir ed in the Midst of the proCess w hen i of the proCess w hen i see a way i Ca n a lter itsee a way i Ca n a lter itto do soMething else .to do soMething else .JennicA GrAy

“

FA S H I O N D E S I G N E R JennicA Gr Ay M O D E L S F R O M L E F T T O R I G H T K r iStA GuAnl AO SiSOn, GAur i GArG, AnD Julie WAr D

41_

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02

05

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04

01

01 O l i v i a B r e z i n s k i OBrezinski.1@go.ccad.edu, @LLVBRE

02 a n t O i n é s l a t e r antoine_e_1@hotmail.com

03 O l i v i a M i t c h e l l OMitchell.1@go.ccad.edu

04 J e n n i c a G r a y JGray.2@go.ccad.edu

05 J a z z M i n e va n s JEvans.1@go.ccad.edu, @T00JazziE4U

06 k a t e e l a i n e P O h r t KPohrt.1@go.ccad.edu

07

k a t h a r i n e e . h i r e khire84@gmail.com

08 D a x t h O M a s k au s e r dax@thecreativecult.com, @mynameisdax, thecreativecult.com

09 k r i s ta G u a n l a O s i s O n KSison.1@ccad.edu, kristaguanlao.com

10

r a c h e l c h e r t O f f RChertoff.1@go.ccad.edu, @RachelChertoff

11

s a r a h f r e D e r i c k SFrederick.1@go.ccad.edu, @SarahBFrederick

12 D a n i e l l e n i c O l e J O n e s DJones.2@go.ccad.edu, @DanielleNicoleJ

13 n G O c k h a n h n G O hilifelivin614@gmail.com, @madebyNGO

14

P h O e B e i s a a c PIsaac.1@go.ccad.edu

15 k a t l i n h a t f i e l D KHatfield.1@go.ccad.edu

16 n i c O l e c h h u O M NChhuom.1@go.ccad.edu

17

l e a h s l O a n e k e n n e Dy LKennedy.1@go.ccad.edu, leahsloane.tumblr.com

18 k a s s i e h a J i KHaji.1@go.ccad.edu

19

k a r l a n O r q u i s t KNorquist.1@go.ccad.edu, fashionenvoy.com

20

J e s s B e t z JBetz.1@go.ccad.edu

21 t i n a h u G h e s tinamariehughes126@gmail.com

FAShiOn DeSiGneRS

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FAShiOn DeSiGnerS_

clASS OF 2013

AbOut the FAShiOn prOGrAm

The world of fashion extends from Walmart to Ralph Lauren, Famous Footwear to Louis Vuitton, and its reach is truly international. Studying fashion design at CCAD will get you ready for a role in both high art and big business. You’ll learn hands-on skills in design and construction, including the high-end software used to design and render apparel for today’s global market, complemented by an array of marketing and professional skills coursework. Internships are an important part of the program—and with industry giants like Abercrombie & Fitch, Justice, and Victoria’s Secret headquartered in central Ohio, you’ll have lots of options.

Careers

Fashion designer (women’s, men’s, children’s)

Technical designer

Pattern maker

Costume designer

Accessory designer

Fashion forecaster

Public relations professional

Fiber/textile designer

Stylist

Merchandiser

Buyer

Boutique owner

AbOut ccAD

Columbus College of Art & Design prepares tomorrow’s creative leaders for professional careers, and applied creativity is at our core. We don’t just encourage great ideas; through our BFA, MFA, and community programs, we teach creative people of all ages how to bring their ideas to life and take them out into the world.

SpeciAl thAnKS

Gifted photographer Nick Fancher brought our students' design accomplishments to life on the page —we gratefully thank him for his time and talent.

Ologie is an award-winning agency that creates branding, marketing, and digital media for clients nationwide—and its founder and chief creative offi cer, Bev Bethge, is a CCAD alumna and board member. We are grateful for their work on this year's fashion show campaign, as well as for their steadfast, longtime friendship and support.

CoMMunity prograMs

Local, national, and international exhibitions

Visual arts classes and workshops for all ages

Pre-college prep for high school students

Advanced training for professionals

Visiting artist lectures

events Calendar www.ccad.edu/event/calendar

ContaCt admissions@ccad.edu or (toll-free) 877.977.2223

45_

AbOut ccAD_

SpeciAl thAnKS

DeGreeS OFFereD: bAchelOr OF Fine ArtS (bFA), mASter OF Fine ArtS (mFA)

14 1,350cAmpuS builDinGS 0n 9 AcreS

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Today: ColumbusTOMORROW: MILAN

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