©2019 Disney Enterprises, Inc. All Rights Reserved. · I A SUZANNE TODD Production Written and...

©2019 Disney Enterprises, Inc. All Rights Reserved.

I

ASUZANNE TODD

Production

Written and Directed by . . . . . . . . . . . . . . . . . . . . . . . MARC LAWRENCEProduced by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SUZANNE TODD, p.g.a. Executive Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN G. SCOTTI Director of Photography . . . . . . . . . . . . . RUSSELL CARPENTER, ASCProduction Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . MAHER AHMADEdited by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HUGHES WINBORNE, ACECostume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GARY JONESVisual Eff ects Supervisor . . . . . . . . . . . . . . . . . . ARIEL VELASCO SHAWMusic by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CLYDE LAWRENCE and CODY FITZGERALDCasting by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DENISE CHAMIAN, CSA

Unit Production Managers . . . . . . . . . . . . . . . . . . . . . JOHN G. SCOTTI HEATHER MEEHANFirst Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PETE WHYTEVisual Eff ects Producers . . . . . . . . . . . . . . . . . . . . . . . . LAUREN RITCHIE CHARLENE EBERLE DOUGLASAssociate Producer/Post Production Supervisor . . . . . . . . . . . . . . . . . . . . . LUCA BORGHESE

CASTNoelle Kringle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANNA KENDRICKElf Polly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SHIRLEY MACLAINENick Kringle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILL HADERJake Hapman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KINGSLEY BEN-ADIRMrs. Claus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JULIE HAGERTYGabe Kringle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILLY EICHNERAlex Hapman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MACEO SMEDLEYHelen Rojas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DIANA MARIA RIVAElf Ted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ANTHONY KONECHNYElder Elf Abe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL GROSSElder Elf Billy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILLY GRIFFITHTech Elf Jojo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALIZA VELLANITech Elf Robrob . . . . . . . . . . . . . . . . . . . . . . . . . . AMITAI MARMORSTEINElf Mortimer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RON FUNCHESTech Elf Maxwell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GARY SEKHONElf Chris . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EDWIN PEREZElf Mary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANNA VAN HOOFT

Elf Serge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SEAN AMSINGElf Simon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . STEVEN RUDYElf Bop Beep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JAGEN JOHNSONSanta’s Helper #1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KURTIS D’AOUSTSanta’s Helper #2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL DELLEVASanta’s Helper #3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . EMMA PEDERSENSanta’s Helper #4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS OLSONJessie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALVINA AUGUSTDr. Shelley Sussman . . . . . . . . . . . . . . . . . . . . . . . . . . CHELAH HORSDALAngry Father . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TYLER MCCONACHIEKid In The Crowd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BENTLEY HIXSONClara Torres . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JACKIE BLACKMOREDesk Sergeant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CRAIG MARCHElectronics Santa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRENDAN TAYLORLisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARISA NIELSENMall Santa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDY NEZMichelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SHAYLEE MANSFIELDCop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHAD RILEYAjeet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ISHAAN VASDEVOmar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON ANTOONPhone Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VIVIAN LANKORoberto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RIAN RAFIQSanta . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAY BRAZEAUShelter Worker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANGELA MOORETonya . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .VIOLA ABLEYTonya’s Mom . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SHAUNA JOHANNESENYoung Nick . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OWEN VACCARONews Anchor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ARRAN HENNElf Band #1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CLYDE LAWRENCEElf Carol . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .GRACIE LAWRENCEElf Flobo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SIMON CHINEvelyn’s Dad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ALEX ROCKHILLEvelyn’s Mom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .LISSA NEPTUNOYoung Evelyn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ARIANA NICAArguing Man #1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DARCEY JOHNSONArguing Man #2 . . . . . . . . . . . . . . . . . . . . . . .KEITH BLACKMAN DALLASHomeless Father . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . THOMAS CADROTHomeless Mother . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KELLY METZGERHomeless Daughter . . . . . . . . . . . . . . . . . . . . . . . . . . .ELEFTHERIA KINFEHomeless Son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JESSE FILKOWMr. Ortega . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSA VARGASElf Band #2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CODY FITZGERALDTonya’s Dad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ASH LEEYoga Pants Customer . . . . . . . . . . . . . . . . . . . . . . . . . LAUREN HALPERINDRM Security Guard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOEL ISHMANJean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LUCA SAMMARCELLITeenage Noelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TAYLOR BEDFORD+Petco Dan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BURGESS JENKINSYoung Noelle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OAKLEY BULLNew York Father . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JON KOHLERElf Tracey . . . . . . . . . . . . . . . . . . . . . . . . . . . . INEZ SANCHEZ-NAGAKANEBus Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CARA MANTELLA

Stunt Coordinators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHRIS WEBB STEVE RITZI“Noelle” Stunt Double . . . . . . . . . . . . . . . . . ASHLEY NICOLE HUDSON“Elf Polly” Stunt Double. . . . . . . . . . . . . . . . . . . . . . CASEY ANN ZELLERDRM Mall Cop #2 . . . . . . . . . . . . . . . . . . . . . . . . .JWAUNDACE CANDECEDRM Mall Cop #3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD MARRERODRM Mall Cop #4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JACOB GARCIA

II

Precision Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LOUIE NORTHERNReindeer Utilities . . . . . . . . . . . . . . . . . . . . . . . . . . . .NOAH BAIN GARRET LAURENCE CHAVEZ DANTE WAN HA MARVIN ROSSStunt Utilities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . THIRL HASTON LEX D. GEDDINGS JUSTIN T. WOODS

StuntsTREVOR ADDIE CAROLYN ANDERSONAARON AU MARCUS AURELIOMARCUS AURELIO JR. BERNADETTE BECKMARSHAL BINGHAM GEORGES BOUTROSROB BOYCE SHERRY BOYDMIKE CARPENTER COLBY CHARTRANDLUCAS CHOE BRENT CONNOLLYFRASER CORBETT COLIN DECKERNIGEL DERASP CASSANDRA EBNERTOMMY EUROPE CAROLYN FIELDLANI GELERA NILO GHAJARLARS GRANT KORY GRIMBRADEN HAGGERTY DANNY HOSPESCOULTON JACKSON DAVID JACOXTREVOR JONES IRMA LEONGMIKE MITCHELL GASTON MORRISONDAVE MYLREA JEN MYLREANICOLE ORFORD ADRIAN PERSADMATT PHILLIPS EDWIN RODRIGUEZJACOB RUPP DAVID SOOLORI STEWART KATIE STUARTJOHN ULMER SUTTON VAN DYKPIERCE WHYTE RHYS WILLIAMSMATT YANAGIYA

Stunt RiggersCHRIS ATKINSON IAN RICHARD BINNIEKATHERINE FRASER KAI HIRVONENALISTAIR KING GRANT SMITHStunt Safety. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVE EDGAR LARS GRANTStand-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHANTAL HOLMES CHRISTINA SCHIMMEL

Supervising Art Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . JIM STEUARTArt Directors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW LI DAVID CLARKEAssistant Art Directors . . . . . . . . . . . . . . . . . . . . . . . . ANGIE O’SULLIVAN TARA ARNETTSet Decorator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CAROL LAVALLEEAssistant Set Decorator. . . . . . . . . . . . . . . . . . . . . . . . . . . LEE CAMPBELLSet Decorating Coordinator . . . . . . . . . . . . . . MICHELLE CHUDLEIGHSet Decorating Co-Coordinator . . . . . . . . . . . . . . . . . . . ELIZA HOOKERSet Dec Buyers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RENEE BARIL ALEXANDRA JASTRZEMBSKA ELIZABETH ROBERTS JENNIFER ABRAMS MARY LOU STOREY MIKE KEELLeadmen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GEOFF COULTER ED HUERY STEVE ROWLAND

On-Set Dresser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHAD CHILIBECKSet Dressers

MARY-ANN CHARNEY SIF ASMUNDSDOTTIRJASON DAN KYLE EERBEEKMITCHELL MCKENZIE SAMUEL STINEKATHLEEN URBAN THOMAS WALKERDENNY BAYLIS BRIAN MITCHELLROBERT SHANE NICHOL AGNIESZKA KACZOROWSKAERNEST MUKHIA DANA NYEHOLTSet Wiremen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LEE REMPEL GARETT JANSEN CLINTON ZUCHT DALLAS NICKEL

Costume Designer . . . . . . . . . . . . . . . . . . . . . . . . . . .MITCHELL TRAVERSCostume Supervisor . . . . . . . . . . . . . . . . . . . . . . JENNIFER GROSSMANAssistant Costume Designer . . . . . . . . . . . . . . . . . . . . . ALISON FRASERCostume Set Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . JEFFREY FAYLECostume BG Set Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . LISE HACHEExtras Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .LAURIE GILES

CostumersDARLENE GAZZOLA ALISON WALLPHUONG CHAU LUISA DAL MAGROMARNIE ANDER ALI KENNEDYAMIE PAYNE CAT MUDRYKHEATHER OSBORNE TESSA ARMSTRONGCostume Breakdown . . . . . . . . . . . . . . . . . . . . . . . . . . . .KAREN DURANTCostume Cutters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .GLORIA CHAN ELIZABETH RAAP KIEU NGUYEN

SeamstressesVINA GUINGCANGCO NORA BAUTISTAPETRA WRIGHT SULTANA SALAMPASSISROMUALDA WNUK KARLEY SCOVELLNU QUAN NICOLA RYALL

Makeup Dept. Head . . . . . . . . . . . . . . . . . . . . . . . . . . . . NAOMI BAKSTAD1st Assistant Makeup . . . . . . . . . . . . . . . . . . . . . . . . . MEGAN HARKNESS CEILIDH DUNNSPFX Makeup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .WERNER PRETORIUSHair Dept. Head . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROBERT PANDINI1st Assistant Hair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ALICIA CHAO FIONA BOBOWSKIPersonal Hairstylist to Anna Kendrick . . . . . . . . . . . . CHERYL MARKS

A Camera Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PETER WILKEFirst Assistant A Camera . . . . . . . . . . . . . . . . . .CRAIG GROSSMUELLERSecond Assistant A Camera . . . . . . . . . . . . . . . . . . JOSHUA MARCOUXB Camera Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .IAN LEVINEFirst Assistant B Camera . . . . . . . . . . . . . . . . . ALEJANDRO MARTINEZSecond Assistant B Camera . . . . . . . . . . . . . . . . . . . . LUKAS FOURNIERCamera Loader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GAÈLLE JEGODIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS BOLTONVideo Assist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JUSTIN JOHNSVideo Assist Assistant . . . . . . . . . . . . . . . . . . . . . . . . .STEVEN JOHNSONPlayback Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . SCOTT STEYNSPlayback Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAWRENCE LAUScript Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SUSAN LAMBIESound Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARK NODABoom Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DON BROWN

III

Sound Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . IAN FERGUSON

Location Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KEN BROOKERAssistant Location Managers . . . . . . . . . . . . . . . . . . . . .KEVIN MCLEAN BRAD ERICKSON MEREDITH HODDERTrainee Assistant Location Manager . . . . . . . . . . . . . . . HAYLEY READLocation Offi ce PA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ELSEY ISRAELKey Location PAs . . . . . . . . . . . . . . . . . . . . . . . . . BRANDON LUNDQUIST SCOTT VANDERHOOK RODRIGO PACHECOLocation PAs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BREYDEN ERICKSON NOLAN LIBBY JAMES HARROLD JAMES WATSON JONATHAN RYANEnvironmental Steward . . . . . . . . . . . . . . . . . . . . . . . . NATASHA WEHN

Additional Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GREG HAYDEN ZENE BAKERFirst Assistant Editors . . . . . . . . . . . . . . . . . . . . . . . . . .HEATHER MULLEN WARREN MAZUTINECSecond Assistant Editors . . . . . . . . . . . . . . . . . ALEXANDER JOHNSON DAN KRIEGER STEVE JACKSAdditional Second Assistant Editors . . . . . . . . . . . CHARLIE B. SPAHT MICHAEL A. WEBBERPost Production Coordinator . . . . . . . . . . . . . . KATHLEEN SHANNONPost Production Assistants . . . . . . . . . . . . . . . . . . . EJON WILLIAMSON CARRIE RADIGAN MATT GOUGHEditorial PAs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HAILY ALICK ALEX WHITEEditorial Interns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN MCCOMBE ELIZABETH BEUGG

Sound Editorial & Mix Services . . . . . . . . . . . . . . . . . . . . . . . . . . HARBOR Supervising Sound Editor/Sound Designer . . . . . . . . . ROBERT HEINSupervising FX Editor/Sound Designer . . . . . . . . . . . . . GRANT ELDER

Re-Recording Mixers . . . . . . . . . . . . . . . . . . . . . ROBERTO FERNANDEZ JOSH BERGER

Supervising Dialogue Editor . . . . . . . . . . . IAN GAFFNEY ROSENFELDDialogue Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BRIAN BOWLESSupervising ADR Editor . . . . . . . . . . . . . . . . . . . . . . . . . KENTON JAKUBFoley Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATTHEW HAASCH IGOR NIKOLIC DAVID WAHNONAssistant Sound Editor . . . . . . . . . . . . . . . . . . . . . . . . ERIC MCALLISTERFoley Recorded at . . . . . . . . . . . . . . . . . . STEPPING STONE FOLEY INC.Foley Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JAY PECKFoley Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GAVIN HECKERADR Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BOBBY JOHANSONADR Recordist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL RIVERASupervising Producer, ADR . . . . . . . . . . . . . . . . . . . . . .TRICIA SCHULTZMix Technicians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARK AMICUCCI KEVIN PETERSSound Engineer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOEL SCHEUNEMANChief Sound Engineer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AVI LANIADO

Senior Producer, Sound Post . . . . . . . . . . . . . . . . . . .KELSEA WIGMORECoordinator, Sound Post . . . . . . . . . . . . . . . . . . . . . . . . JOY JACOBSON

Chief Lighting Technician. . . . . . . . . . . . . . . . . . . . . . . . . . .IAN BARRETTBest Boy Electric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES JACKSONElectric Board Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVE RILEYGenny Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HUGH MEIKLEElectric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ADRIAN MOTTRAM COLIN HILLIS DEAN REORDA JAKE DROZDZENSKI PAUL MATSALLARigging Gaff er . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KEITH WOODSRigging Best Boy Electric . . . . . . . . . . . . . . . . . . . . . . . . . . JIM WENTING TIM VEDAN SCOTT RUDY SEAN EDMISTON SHAWN MCLAUGHLINKey Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MIKE KIRILENKOBest Boy Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LEON SERGINSONDolly Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RYAN MONROLeadman Grip. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TODD HLAGIGrips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TROY SOBOTKA MACKENZIE SMITH DREW DAVID JESSICA YIKey Rigging Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVE MCINTOSHBest Boy Rigging Grips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROBIN SAY SCOTT CAMPBELL

Property Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TERRY WEAVERAssistant Property Masters . . . . . . . . . . . . . . . . . . . . . . .MARK FRANCIS BRAD T. SHEMKO JESSE SMITH KATE FARNANProps Buyers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HEATHER MCDONALD IDE FOYLEProps Builders . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROSEMARY STEGMAN LISA GODWINSpecial Eff ects Coordinator . . . . . . . . . . . . . . . . . . . . . . .ALEX BURDETTSPFX Shop Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RANDY PARKSSPFX Buyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BECKY BALESSPFX Key Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ADAM TAYLERSPFX Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHUCK DESROSIERS DYLAN COLE KEVIN DYKSTRA BEN EADIESPFX Key Fabricator Assistants . . . . . . . . . . . . . . . . . . . . . . . ERIC LEMAY HARRY TOMSICSPFX Fabricator Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . ED DUGGAN TIM HADLEY SETH LONGWORTHSPFX Labourer Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . COLIN EVANS

Production Coordinator . . . . . . . . . . . . . . . . . . . . . JENNIFER METCALFCo-Production Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . TIM SMITH1st Assistant Production Coordinator . . . . . . . . . . . . .BRETT NIELSEN2nd Assistant Production Coordinator . . . . . . . . .KIMBERLEY BLACK3rd Assistant Directors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JUS PERCY LIAM POWELL

IV

DGC Trainees . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL DORNBIERER ALEX TSENG

Assistants to Suzanne Todd . . . . . . . . . . . . . . . . . . . JAMIE HRUSHOWY NATALÉ OLSENAssistant to John Scotti . . . . . . . . . . . . . . . . . . . . . . STEF ARMSTRONGAssistant to Marc Lawrence . . . . . . . . . . . . . . . . . CHRIS FITZSIMMONSAssistant to Anna Kendrick . . . . . . . . . . . . . . . . . . . . . . . ANNIE WILMERAssistant to Bill Hader . . . . . . . . . . . . . . . . . . . . . . .NICKY HIRSCHHORN

Illustrator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HOWARD LAUSet Designers

WILLIAM RYDER ETIENNE GRAVRANDALLEN COULTER BOGDAN TREBESHLINDSAY LEDOHOWSKI AMRIT GUNHOUSEGraphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MELINA NEUFELD JESSICA FISHArt Department Coordinator . . . . . . . . . . . . . . . . . . . . . . . MARC AUBINArt Department Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . BRYAN ENGStoryboard Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROBERT PRATT

Construction Coordinator . . . . . . . . . . . . . . . . . . CHARLES LEITRANTSKey Construction Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . AL ROURKEConstruction Foremen . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVE CONWAY DAVE MURRAY DOUG HARDWICKHead Sculptor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRENT GLOECKLERHead Metal Fab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEAN WILSONScenic Carpenters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVE BRAND WARD MCALLISTERCarpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NOAH WILCOXOn-Set Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DARREN BREWERConstruction Buyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAREN TANHead Greensperson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERICH HEPNAROn-Set Greens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RANDY MOEPaint Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HERMINIO KAMPaint Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LEE SUTHERBYLead Painters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DARRYL TIFENBACH JUSTIN AIDEN BRIAN SHARP STEVE COTOUScenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOYCE WOODSStand-by Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DEREK BOBROFF

Production Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . NATASHA WEHN SHARMILA MILLERStudio Teacher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NATALIE SMITH

Production Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . .LAURIE BOYLEFirst Assistant Accountant . . . . . . . . . . . . . . . . . . . . . . . . . .KATHY DAVISPayroll Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SHAUN MCKAYConstruction Accountant . . . . . . . . . . . . . . . . . . . . . . LEONA ATKINSONAssistant Accountants . . . . . . . . . . . . . . . . . . . . . . . . . .MICHELE BARBER LORNA JACOBSEN ALISSA OPHOFFSecond Assistant Accountant . . . . . . . . . . . . . . . . . . . . . DAWN GLAVESAccounting Clerks . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHELLE LECLAIR SHEILA CAMPBELLPost Production Accountants . . . . . . . . . . . . . . . . . KELSEY SCHUYLER TREVANNA POST

Unit Publicist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TONI ATTERBURYStill Photographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CATE CAMERON

Transportation Coordinator . . . . . . . . . . . . . . . . MARK “BLUE” ANGUSTransportation Captain . . . . . . . . . . . . . . . . . . . . . . PAUL “SPIKE” IRVINETransportation Captain . . . . . . . . . . . . . . . . . . . . . JONATHAN JAKUBECSecurity Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . FRANCO DEBIASE

Casting Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LIZ LUDWITZKE Casting Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . JORDANA SAPIURKA Canadian Casting by . . . . . . . . . . . . . . . . . . . . CANDICE ELZINGA, CSA Casting Associate - Canada . . . . . . . . . . . . . . . . . . . . .MARTINA SMYTH Extras Casting . . . . . . . . . . . . . . . . . . . . . . . . . . . SANDRA KEN-FREEMANExtras Casting Associate . . . . . . . . . . . . . . . . . . . . . . . . . ARIEL SEMKOWExtras Casting Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . . GINA DAVIES MICHAEL BENDNER PAULA KYANChef . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DAVEY CHISHOLMAssistant Chefs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CAMPBELL WATSON JEFFREY STEELE JOHN ZAMINSKISCraft Service/First Aid . . . . . . . . . . . . . . . . . . . . . . . . . . . . .TAMMY SAITOCraft Service . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JIM RANKIN

Music Editors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TOM KRAMER CARLTON KALLERScore Produced by . . . . . . . . . . . . . . . . . . . . . . . . . . . CODY FITZGERALD CLYDE LAWRENCE TOM KRAMEROrchestrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DOUG BESTERMANScore Recorded and Mixed by . . . . . . . . . . . . . . . . SATOSHI NOGUCHI LAWRENCE MANCHESTEROrchestra Contractor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SANDRA PARKConducted by . . . . . . . . . . . . . . . . . . . . .CONSTANTINE KITSOPOULOSMusic Preparation . . . . . . .RUSSELL BARTMUS/JOANN KANE MUSICPro Tools Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANGIE TEOScore Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MICHAEL BOUSKAOrchestral Mock Ups . . . . . . . . . . . . . . . . . . . . . . . DOUGLAS ROMAYNE DAVID STALScore Recorded at . . . . . . . . . . . . . . . . . . . . . . . . . MANHATTAN CENTER RESERVOIR STUDIOS (NEW YORK, NY) IGLOO MUSIC (LOS ANGELES, CA)Lawrence Songs Produced by . . . . . . . . . . . . . . . . CODY FITZGERALD JORDAN COHEN JONNY KOH CLYDE LAWRENCELawrence Songs Mixed by . . . . . . . . . . . . . . . . . . . . . . . . . . . JONNY KOH JORDAN COHENLawrence Songs Recorded at . . . . GRASSLANDS (WOODBURY, NY) RABBITS NEST STUDIOS RELICS STUDIOS (BROOKLYN, NY) 21A STUDIOS MANHATTAN CENTER RESERVOIR STUDIOS (NEW YORK, NY)

Main Titles by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHIMNEYExecutive Producer . . . . . . . . . . . . . . . . . . . . . . . . . MARCELO GANDOLA Head of Production . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHRIS PETERSON Head of Creative . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SEAN ENOLead Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ABIGAIL KIM

V

Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MIKE SEABROOKEEditor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ZACH MOOREEnd Crawl by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SCARLET LETTERS

Digital Intermediate by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HARBORSupervising Colorist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOE GAWLERColorist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROMAN HANKEWYCZColor Assist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SAM FISCHERDI Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JAMES REYESConform Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHRISTIAN FARFÁNVFX Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHRIS MACKENZIEPost Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KYLE FLANNERYDigital Lab Supervisor . . . . . . . . . . . . . . . . . . . . . . . ANDREW MINOGUEDigital Lab Technician . . . . . . . . . . . . . . . . . . . . . . . . . MAX MARCELLUSSupervising DI Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KEVIN VALE

ADDITIONAL PHOTOGRAPHY – GEORGIA

Executive Producer/UPM . . . . . . . . . . . . . . . . . . . . . DOUG MERRIFIELDFirst Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC LASKOSecond Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . ALINA GATTIProduction Supervisor . . . . . . . . . . . . . . . . . . . . . . .ROBERT MAZARAKISupervising Art Director . . . . . . . . . . . . . . . . . . . . . .LESLIE MCDONALDAssistant Art Director . . . . . . . . . . . . . . . . . . . . . . . . . JARRETTE MOATSSet Decorator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVID HACKLeadman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .RYAN BUSTStandby Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MEG SNOW

Costume Supervisors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAM AARON AMANDA BANKINSKey Costumer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KATE ABRAHAMCostumers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GINGER KNUSSMANN CODY GIELOW TINA DIAZ JENNIFER LAUREN BRYAN NICHOLAS OLSONSeamstress . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TAMARA LANGMAN

Key Makeup Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KEITRIC STARKSMakeup Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MELANIE DEFORREST BRIKY STONE

Hair Dept. Head . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAINA DAIGLEKey Hairstylist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TRACIE MORRISONHairstylist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CRYSTAL R. WOODFORD

Director of Photography . . . . . . . . . . . . . . . . . MITCHELL AMUNDSENA-Camera Operator/Steadicam . . . . . . . . LAWRENCE KARMAN, SOCB-Camera Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BILLY O, SOCFirst Assistant A Camera . . . . . . . . . . . . . . . . . . . . . . . . . TODD SCHLOPYFirst Assistant B Camera . . . . . . . . . . . . . . . . . . . . . . . . . JUSTIN COOLEYSecond Assistant A Camera . . . . . . . . . . . . . THOMAS D. LAIRSON, JR.Second Assistant B Camera . . . . . . . . . . . . . . . . . . . BILLY MCCONNELLDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KAI BORSON-PAINELoader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NASTASIA HUMPHRIES

Video Assist . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MATTHEW GORBACHOV24-Frame Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC MILSENScript Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MELISSA YOUNTSound Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JAKE SLANEYBoom Operator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MATT DERBERSound Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOE ELFANBAUM

Location Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CALEB HINSHAWKey Assistant Location Manager . . . . . . . . . . . . .TIM MCCLURE, LMGIAssistant Location Manager . . . . . . . . . . . . . . . . . . . .AARON NEWTONLocation Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NICK MORRISLocation Scout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSH DILLARDLocation Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . LIZA-ANNE CABRAL MIKE SLACK TYLER WILSON

Gaff er . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JUSTIN M. HOLDSWORTHRigging Gaff er . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOE HAROLD PAGEBest Boy Electric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CHRIS WARRENBest Boy Rigging Electric . . . . . . . . . . . . . . . . . . . . . . . . . JESSE COOPERLighting Programmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DUANE KATZElectricians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIM CHANG JOHN IRIZZARY JAY ODUM STEPHEN V. RAYBOURNRigging Electric Gangbosses . . . . . . . . . . . . . . . . . VARECK GOBER, JR. MICHAEL D. PATTERSON

Rigging ElectriciansGREG ARGARIN RONNIE BROCKGERARD CARMICHAEL III ABBIE KNIGHTSJESUS RODRIGUEZ MONTENEGRO FREDERICK NEWBERRYJAVIER PESQUERA LEVI REYNOLDSCHAD RIDGWAY DEREK CROOKE RIDLEYKey Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ROSS JONESRigging Key Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KEVIN JACKSONBest Boy Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DOUG CORDONIERBest Boy Rigging Grip . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH KENDRICKA-Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARVIN J. HAVENB-Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JIMMY GREEN

GripsCHEYENNE SKYE BALL LANDO FIELDSSHAWN NEARY ROBERT PEARSONBENNY SMITH JIM SOSSAMONCOURT WHEELER

Rigging GripsNICHOLAS J. COLVIN DREW S. HOLDENKENNETH MEJIA TIM RICHESONIVAN SILVA JERRY L. SNYDER

Property Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON HAMMONDAssistant Property Master . . . . . . . . . . . . . . . . . . . . . . . KEVIN BLOSSERProperty Assistants . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .HILARY AMENT MATTHEW CZARNOWSKYSpecial Eff ects Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . JD SCHWALMSpecial Eff ects Coordinator . . . . . . . . . . . . . . . . . . . . MICHAEL GASPARSpecial Eff ects Foreman . . . . . . . . . . . . . . . . . . . . . . JOE MONTENEGROSpecial Eff ects Technicians . . . . . . . . . . . . . . . . . . . . . .SARAH HUFFINE MATTHEW JAMES DERRELL ROBERTS CHRISTOPHER WALSH

VI

Production Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . GAVIN ATILANOAssistant Production Coordinators . . . . . . . . . . . . . . . . . ANNA BASSO MICHAEL WIGGSProduction Secretary . . . . . . . . . . . . . . . . . . . . . . . . . . ANDY SIRAVANTA2nd 2nd Assistant Director . . . . . . . . . . . . . . . . . . DAN MCDONOUGHAdd’l 2nd Assistant Directors . . . . . . . . . . . . . . . . . . . . . . .KATE PULLEY ERIC WOOLF

Production AssistantsJOHN L. BLANFORD JESSALYN BROWNSAMI EDELSTEIN NICK HAYESSHAWNTAE HUGHES MIGUEL A. MORETAANGEL JACK JAY PATRICK SMITHMAREK STOUT HUNTER WEEKSSARAH RIVERS WILKESStudio Teachers . . . . . . . . . . . . . . . . . . . . . . . MARINA PAPATHANASIOU MICHELLE BOHLENChild Labor Coordinators . . . . . . . . . . . . . . . . . . . . . . . .TOVAH SHRAGA RACHAEL DIMOND LORI BETZAssistant to Doug Merrifi eld . . . . . . . . . . . . . . . CHRISTINA TRBOVICHAssistant to Jon Turteltaub . . . . . . . . . . . . . . . . . . .MONICA WOOLSEYDialect Coach to Anna Kendrick . . . . . . . . . . . . . . CARLOS A. GARCIA Assistant to Shirley MacLaine . . . . . . . . . . . . . . . . . . . ERICKA BONILLA

Production Controller . . . . . . . . . . . . . . . . . . . . . . . . . DONALD WALKERFirst Assistant Accountants . . . . . . . . . . . . . . . . . . . . MICHELE WRIGHT DEXTER W. MILLSPayroll Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AL CONNELLPayroll Assistant Accountant . . . . . . . . . . . . . . . . . . . . . MATT GILBERTSecond Assistant Accountant . . . . . . . . . . . . . . CHRISTOPHER HURSTAccounting Clerk . . . . . . . . . . . . . . . . . . . . . . . . . . . BENJAMIN HOLDEN

Illustrator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ZANE REICHERTArt Department Coordinator . . . . . . . . . . . . . . . . . . . .LISHA HOCKINGStoryboard Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RYAN FALKNER GRANT SHAFFERGraphic Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . CARRIE CANTWELLSet Dec Gangboss . . . . . . . . . . . . . . . . . THOMAS REAGAN VETETO, JR.

Set DressersROBIN CLAYTON TERRY HILLRUSSELL HOLT RAWLE GITTENSJOE MARCHIONDA LUKE PANAROJAWANZA THOMAS MARC WEINSTEINNINA A. WHITESet Dec Buyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .KELLY D. MILLER

Construction Coordinator . . . . . . . . . . . . . . . . . . . . WALLY MIKOWLSKIGeneral Foremen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DAVE CAMPBELL NATHAN NANNIEMill Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JEFF TOLLEYLocation Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . STEVE A. ANDERSONLabor Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KRISTOPHER JAMESPlaster Foreman . . . . . . . . . . . . . . . . . . . . . . . BRANDON CUNNINGHAMBuyer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ARTHUR VGangbosses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TONY J. BENNETT CALLAWAY EVANS EVAN FOWLER ROB HAMBY TRENT HEVENER

PropmakersPAUL CROWE ADAM DAVISWAYNE GARNER JOHN G. HILLMARK LEWIS NICK RASMUSSENMATTY SCHROCK PAUL STOVERGREG WILSONScenic Charge . . . . . . . . . . . . . . . . . . . . . . . . . WILLIAM ETHERIDGE, JR. Paint Foremen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH DANIEL TODD HATFIELD

ScenicsRAYMOND BIDINGER JEANNE BIJKERKTHOMAS ELLIS CAROL FRANCOSONICHOLAS HATFIELD JESSICA HYADUCKSHARON JONAH CRYSTAL JOHNSOND. LEGRAND JOHNSON JULIAN MERCADONICK MOSLANDER NICK WIBERGMELINDA WICKWIREPlasterers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL DAVIS JESSE HOLCOMBE CHASEN SANTIAGO CARMEN SHARPKey Greensman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JERRY WEST

GreensmenTYLER BETSILL GARRETT CHRISTIANPAYTON KORNDER WILLIAM LINDSEYMADISON STOJANOWSKI KYLER WESTToolman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TAURUS “T” WILLIAMS

UtilitiesMORGAN HAMBY KEVIN J. JAMESDANA MAYO DARRELL MODICACARLOS A. MONTALVO ELIJAH MORGAN

Still Photographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . CHUCK ZLOTNICK

Transportation Coordinator . . . . . . . . . . . . . . . . . . . . .ROB FOSTER, JR.Transportation Captain . . . . . . . . . . . . . . . . . . . . . . BRANDON MULLENDispatcher/DOT Compliance . . . . . . . . . . . SHANNON H. MCKNIGHT

Atlanta Casting by . . . . . . . . . . . . . . . . TARA FELDSTEIN BENNET, CSA CHASE PARIS, CSAExtras Casting . . . . . . . . . . . . . . . . . . . . . . . . . . . . CASTINGTAYLORMADE HEATHER A. TAYLORExtras Casting Assistant . . . . . . . . . . . . . . . . DEVAN “NINJA” GERLACH Animals Provided by . . . . . . . . . BIRDS & ANIMALS UNLIMITED, INC. IAN DOIG & CO. DOGWORKS, INC.Animal Handlers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GREG TRESAN CAROL TRESANFirst Aid/Medics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAIME TAYLOR KAREN A. MENDOZA

Catering by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .GALA CATERING FRED GABRIELLI Chef . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SETH ELLISChef Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .SEAN MCNAUGHTONCatering Assistants . . . . . . . . . . . . . . . . . . . . . . . . CHRISTINA MATHEWS RICK TOLAR JOSE TRUJILLOCraft Services by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GOLDBUGKey Craft Service . . . . . . . . . . . . . . . . . . . . . . . DAVID MICHAEL BROWN

VII

Craft Service Assistants . . . . . . . . . . . . . . . . . . . . . . . . ANTHONY OLIVER KRYSTAL MACK

ADDITIONAL PHOTOGRAPHY – PHOENIX

Production Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CARL HAMPEProduction Coordinator . . . . . . . . . . . . . . . . . . . . . . . . CHRISSY KERNESPilot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MITCH KELIDORFAerial Director of Photography . . . . . . . . . . . . . . . . . . . . MIKE KELLEMShotover Tech . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC DVORSKYDrone Photography by . . . . . . . . . . . . . . . . . . . . . . . . .ASCEND AERIALSDrone Pilot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LOUIE NORTHERNDrone Camera Operator . . . . . . . . . STEPHEN SCOTT MONTGOMERYDrone Tech . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL PHILIPSLoader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RYAN HARTKey Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHNNY LANDON, JR.Best Boy Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIM KNIGHTA-Camera Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . CRAIG FLEMINGB-Camera Dolly Grip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KEITH KARIDISBest Boy Electric . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIC KOSKIScene Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WILL ETHERSet Dresser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAREN BUTLERKey Greens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JERRY WESTGreens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TYLER BETSILL GARRETT CHRISTIAN MADISON STOJANOWSKIMakeup Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANNIE MAYOCostumer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DIANA LAMBKey Craft Service . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CONNOLLY2nd Assistant Craft Service . . . . . . . . . . . . . . . . . . AMANDA WALLACELocation Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DENTON HANNAKey Assistant Location Manager . . . . . . . . . . . . . . GAVIN BOUGHNERLocations Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . .TERRY CORNWELLExtras Casting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JULIE COOKTransportation Captains . . . . . . . . . . . . . . . . . . . . . . . . . HAL W. GIBSON RON KUNECKE

VISUAL EFFECTS

VFX Production Manager . . . . . . . . . . . . . . . . . ROMULO ADRIANO, JR. VFX Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ELIAV MINTZVancouver VFX Coordinator . . . . . . . . . . . . . . . . . JOHANNA D’AMATOVFX Post PA . . . . . . . . . . . . . . . . . . . . . . . . . . . . .NINA NAHITCHEVANSKYAsst Data Wrangler/Post PA . . . . . . . . . . . . . . . . MIA MALLORY GREENVancouver Data Wrangler . . . . . . . . . . . . . . . . . NORMAN KRUSMANNAtlanta Data Wrangler . . . . . . . . . . . . . . . . . . . . . . . . . CHARLIE LEHMERIn-House Compositor . . . . . . . . . . . . . . . . . . . . . . . . COCHE GONZALESVFX Concept Designers . . . . . . . . . . . . . . . . . . . . . . . . MICHELLE MOEN STEPHANIE DISPOTOVFX Editor . . . . . . . . . . . . . . . . . . . . . . . . CHRISTIAN T. KELLEY MADERAVFX Assistant Editor . . . . . . . . . . . . . . . . . . . . . . . . . PINAR COMEZOGLU

Visual Eff ects byMPC, A TECHNICOLOR COMPANY

Visual Eff ects Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . DANIEL TARMYVisual Eff ects Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . IRENE ARMIT2D Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDY CHANGCG Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VINCENT ITALIAAnimation Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . ANTHEA KEROU

VFX Production Manager . . . . . . . . . . . JOSEPH ALEXANDER LOBATOVisual Eff ects Executive Producers . . . . . . . . . . . LAURA FITZPATRICK CHRISTINA WISE PHILIP GREENLOW

Lead Digital ArtistsSYLVESTER PRABHU A ANASTASIOS AGIAKATSIKAS MASHI AKIYAMA GABRIEL ARNOLDVIKAS BABALESHWAR GUNJAN BARUAH KISHORE BOLOOR PRIYANK CHAURASIASANJEEV KUMAR DAS KUSH DHIR LINCOLN FERNANDES ENRICO FIORETTIDINESH GUDIMETLA ANTONY JOHN VICTOR SHRINIDHI K AJESH K TASHWANI KAR ALAMGIR KHANDAKER RANJITH KIZHAKKEY THAIVALAPPIL NIKHIL KUMARVICTOR LIZARRAGA SANKARLAL M G RUDRESH N NAIK ERWAN NAUDINSREELAL P S MATTHEW PACKHAM SREENIVASA RAO REDDI EVAN RICHARDSNICK SARGENT PUSHPARAJ SETHU G AMIT SHARMA PETER TOUFIDISHARISH VERMA DIVYA KUMAR VIJ DARRYL WHITE

Digital ArtistsRAFAEL ALBUQUERQUE ANIKET BANSODE LLUIS BARCELO-BATLLORI KARTHIK BHARDWAJDIVYANSHU BHARDWAJ YOHAN BLAZQUEZ SERGEY BURDUKOV IRNES CAVKICSUMIT CHATTERJEE GIL DANIEL GOPINATH DAS MELINE DELAGEVALERIAN DELAMARE VICTOR DINIS ADITYA DURGULE AJINKYA DURGULEFILIPE FREIRE VIGNESH G QIAN GAGNÉ VAYUVEGULA GANESH CHANDRASHAKIL GANI ALVARO DANIEL GARCIA KEVIN GAY SURAJ GHOSEDEREK GODDARD RAMESH GOLLA RAMEES H BAPPA HALDEROMAR HERNANDEZ PENA SIDDALINGESH HOSAPETI YU-CHIEH HSIAO ALICE IMBERTSUSANNA JOSEPH YU KOJIMA BINKAM KRISHNA GAURAV KUMARRAVI KUMAR VIJAYA KUMARR RAM LAKHAN PATRICK MARTINIPRUTHVIRAJ MB VIVEK MEHTA TYLER MORRISSON PARESH NAVLAKHASONAL PANDIT JIYOON PARK MELISSA PARSONS YOGESH PATILKAPIL PATRA JAVIER PAZZANO RON POLISTCHUK VENKATA SANTHOSH POTHULAMOTI PRADHAN NAGENDRA PUJARI AVINASH REDDY KARUMURI NIKHIL SAHANEDIBYALOCHAN SAHU RICARDO SANTILLANA LOPEZ YUICHIRO SASAYAMA SUMIT SINGHAMEET SINGH RAGHABENDRA SINHA ARVIND SOUNDERRAJAN MELINA SPUTZCONOR SYRACUSE AMY THONG RAICHEL VARGHESE WILLIAM XIMENG YE

VIII

ProductionSEBASTIAN BALLESTEROS NATALIE GILL RITESH INDRABAHADUR SINGH TEGAN J CALLINANPRIYA JAIN DEEPAK JALESH SIERRA LAPOINTE TERESA MATHEWNITESH KUMAR MISHRA TOMMY SOUZA TYSON-JEROME WHITE LEON ZURA

Heads of Studio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JIM RICHARDS KRANTI SARMAHeads of Production . . . . . . . . . . . . . .VÉRONIQUE MESSIER-LAUZON KIRAN PRASADHeads of Creative Operations . . . . . . . . . . . . . . . . . . . . . LEAH BEEVERS KIRAN KUMAR

Visual Eff ects byLOLA VFX

VFX Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WILLIAM BARKUSVFX Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AILEEN MUCompositors . . . . . . . . . . . . . . . . . . . . . . . . . . . . KAZUYOSHI YAMAGIWA RUSSELL MACK

Additional Visual Eff ects by . . . BRAINSTORM DIGITAL & COMPANY AARON SIMS CREATIVELidar and Cyber Scanning . . . . . . . . . . . . . . . .CLEAR ANGLE STUDIOS INDUSTRIAL PIXELS

Previs by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .PROOF Previs Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .STUART ALLANPrevis Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .AMY VATANAKULPrevis Animator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CAMERON WARD

Postvis Eff ects by . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MPC FILMHead of Visualization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DUANE FLOCHVisualization Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MARY LOIBLVisualization Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . MICHAEL NEELYVisualization Coordinator. . . . . . . . . . . . . . . . . . . . . . ELIAS BERMUDEZVisualization Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .CONNOR TRACY

Visualization ArtistsSEAN RUECROFT ELIZABETH LEETYLER NISHIKAWA JAY GARRISONDUSTIN PAPPAS TAO HU

SONGS

“I Saw Mommy Kissing Santa Claus”Written by Thomas Patrick Connor

“This Christmas”Written by Nadine McKinnor, Donny Hathaway

Performed by Lawrence

“Have Yourself A Merry Little Christmas”Written by Ralph Blane, Hugh Martin

Performed by Lawrence (feat. Stolen Jars)

“It’s Beginning To Look A Lot Like Christmas”Written by Meredith Willson

“O Come, All Ye Faithful”Written and Performed by Bill Cunliff e

Courtesy of Pacifi ca Music

“Christmas Cheer”Written by JD Dohnal, David Thomas Tough

Performed by JD DohnalCourtesy of Crucial Music Corporation

“Snow Globe”Written by Brayden Deskins, Jordyn Kane, Colton Fisher,

Cameron Marygold, Isaac Lucas,Jason Rabinowitz, Brandon Stewart

Performed by Lucille Baller (feat. Redwood & Beatnet)Courtesy of The Math Club

“At Christmas”Written by Toby Lightman, Shane Stevens

Performed by Toby LightmanCourtesy of T-Killa Music

By arrangement with Groove Garden & Mutiny Recordings

“Winter Wonderland”Written by Felix Bernard, Richard Smith

Performed by Ray CharlesCourtesy of The Ray Charles Foundation

“A Place In The Sun”Written by Bryan Wells, Ronald Miller

Performed by Stevie WonderCourtesy of Motown Records under license from

Universal Music Enterprises

“Gimme Gimme Gimme Some Christmas”Written by Richard Rudolph, Nathaniel Lamm Evans, Mark Merthe

Performed by Deborah CoxCourtesy of Rudolph Productions

“Tis The Season”Written by Rehya Stevens, Jon Kubis

Performed by Rehya StevensCourtesy of Steven Scharf Entertainment

on behalf of Rehya Music

“Merry Christmas Baby”Written by Lou Baxter, John Dudley Moore


“Jingle Jangle” Written by Rehya Stevens, Jon Kubis

Performed by Rehya StevensCourtesy of Steven Scharf Entertainment

on behalf of Rehya Music

“A Few More Days Till Christmas”Written by Alissa Hayden Moreno, Josh Charles, Steven Davis

Performed by Steven DavisCourtesy of Riptide Music Group, LLC

IX

“It’s The Most Wonderful Time Of The Year”Written by Edward Pola, George Wyle

Performed by Andy WilliamsCourtesy of Barnaby Records, Inc.

By arrangement with Ace Music Services LLC

“Blue Christmas”Written by Billy Hayes, Jay W. Johnson

“Eventually”Written by Clyde Lawrence


“Santa Claus Is Comin’ To Town”Written by J. Fred Coots, Haven Gillespie


“Be Nice”Written by Clyde Lawrence, Cody Fitzgerald


Soundtrack Available on

American Humane monitored the animal action.No animals were harmed®. (AHD 09021)

© TI Inc. Affl uent Media Group. Travel + Leisure is aregistered trademark of TI Inc. Affl uent Media Group

Klip Collective Footage courtesy of DrivingPlates.com

With the participation of the Province ofBritish Columbia Production Services Tax Credit

This project was completed with assistance from theGeorgia Film Offi ce, a division of the Georgia Department of

Economic Development

This production participated in the New York StateGovernor’s Offi ce of Motion Picture & Television Development

Post Production Credit Program

For Ann, With Love and Laughter

MPAA #52366

Filmed withPanavision® Cameras

Copyright ©2019 Disney Enterprises, Inc.All Rights Reserved

For the purposes of United Kingdom copyright,Disney Enterprises, Inc. was the owner of copyright in this fi lm

immediately after it was made.

1

Production Notes

KrisKringle’sdaughter,Noelle,hasalwaysbeenfullofChristmasspiritandholidayfun,butwithherfather having passed, wishesmore than ever she could do something “important” like her bigbrother.NickwillofficiallytakeoverfortheirfatherthisChristmas,buttheincreasedresponsibilityandaccompanyingpressurehashimreadytocrumblelikeagingerbreadcookie.Noellesuggestshetakeabreakandgetawayfortheweekend,butwhenNickdoesn’treturntotheNorthPoleandChristmasisthreatened,panicensues.Mrs.Clausstepsuptoreininthehi-techreplacementSanta,CousinGabe,whileNoelleandandElfPolly,thefamily’sacerbicbutgood-heartednanny,headdownSouthtotrytofindNickandbringhimback intimetosaveChristmas.Whileonthissearch-and-recovermission inPhoenix,Noellemustconcealhertrueidentity.Itbecomesincreasinglydifficultasshemeetsanumberofinterestingcharacters,includingJakeHapman,adowntroddenbutcharmingprivatedetectivewhoishelpingtotrackdownherbrother.AsNoellecomestodiscoverspecialhiddentalentsshepossesses,sherealizes for the first time howmuch she and her father have in common, and finally begins tounderstandthetruemeaningofChristmas.Aheart-warmingYuletidecomedicstory,“Noelle” iswrittenanddirectedbyMarcLawrenceandstarsAnnaKendrickasNoelleKringle;BillHaderasNickKringle;BillyEichnerasGabeKringle;JulieHagertyasMrs.Claus;KingsleyBen-AdirasJakeHapman;andShirleyMacLaineasElfPolly.ThefilmisproducedbySuzanneTodd,p.g.a.withJohnG.Scottiservingasexecutiveproducer.

~ It’s Beginning to Look a lot like Christmas ~ “I'vealways,always,alwayswanted towriteanddirectaChristmasmovie,” sayswriter-directorMarcLawrence(“MusicandLyrics,”“MissCongeniality”).“Holidaystoriesaresomeofmyfavoritemovies.Igrewupwiththem,andIwatchthemeveryyearwithmyfamily.With‘Noelle,’Iwantedtofinallybepartofthattradition.”

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ProducerSuzanneTodd(“BadMoms,”“AliceinWonderland”)sharesLawrence’slifelongfascinationand love of Christmas. “I’m obsessedwith Christmas,” she laughs. “Aswithmany of the classicholiday films, the main character’s journey is the heart of the story. They exist in that sameemotionalspaceas‘Noelle’…they’reaboutwhatChristmasreallymeansinside.Thosestoriesareaboutthetimeofyearthatinspirespeopletobeintrospectiveanddeterminetheeffecttheywanttohaveontheworldandthepeoplearoundthem.”

~ On the First Day of Christmas ~ ThefilmmakershadonepersoninmindforthetitleroleofNoelleKringle:themulti-talentedactressandsingerAnnaKendrick(“PitchPerfect,”“IntotheWoods”).“Annawasthefirstpersonwewentto,”saysproducerSuzanneTodd.“Thankfullyshesaidyesbecausesheissoperfectinthefilm.Annais charmingandadorableandpixie-ish inherownwayand she’s very, very funnyand sweetasNoelle.”“I lovefunnyscripts,andI'mallergictoanythingthattakes itselftooseriously,” laughsKendrick.“Thisscriptisverycleverandhassomuchheart…italsohasalotoftypesofhumorthatIlookforinmovies.ButassweetasNoelleis,she'sgotsomebitetoherandthat'safunthingtoplay.She'sreally,reallyoptimistic,unlessshefindsyouannoyinginwhichcaseshehasnotimeforyou.”Kendrick continues, “Somemight describeNoelle as a spoiled princess, I think she's just a littlebored.Shedoesn'treallyknowwhattodowithherlifeandisjustalittlescatterbrainedbecauseshedoesn'thavearealpurposeyet,soshemakeselaborateChristmascardsandshopsallday.”“Thefilmhassomeconcretemagicthingswhicharealwaysfun,likeSantacanspeakeverylanguagesohecanaskanychildwhattheywantforChristmas,”saysKendrick.“Havingalittlemythologyisalwaysniceinamovie,likethecertainsetofrulesforSantathatanswerthosequestionsallchildrenask,likehowdoesSantafitdownthechimneyifit’snotwideenough?Wehaveamagicalcandycanethatexpandsthechimney.Ilovedthosefunmagicalpowersthatshediscoversshehas.”WhenNoellegoes toPhoenix insearchofherbrother, it isher firstexposure to therealworld.“Therearenoticeroadseverywhereandthingsarenotdoneforher…she'snotroyaltyinArizona,”explains Kendrick. “She encounters cynicism and negativity for the first time ever, becauseeverything'sprettycheerfulintheNorthPolemostofthetime.”Noelle’snanny,ElfPolly,playedbythelegendaryShirleyMacLaine(“TermsofEndearment,”“SteelMagnolias”),joinsherinPhoenixagainstherwishes,andistheretocutherdownwhenshestartsto feel good about herself. “Elf Polly is relentlesslymean toNoelle, and it's somuch fun,” saysKendrick.“Wewereblessedtobeinherpresenceeverysecond…shetellsthemostincrediblestoriesandhasverynaughtylanguageoff-camera.It’sreallyfabulousandwonderfultogettospendtimewithherandseeherwork.”

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“ShirleyMacLainewasoneof thosecaseswhereyousendthescriptoutand literallycrossyourfingers,waitandwonder,‘whenarewegettingShirleyMacLaine?ArewegettingShirleyMacLaine?IsShirleyMacLainegoingtodoit?”saysTodd.“Andshewantedtodoit!Youstartjumpingupanddownandyouarejustsoexcited.”“ElfPollyhasbasicallybeeninchargeofNoelle’supbringingfromtheverybeginning.She’sfunny,sarcasticandverynononsense,andshehasaveryhonestandtrulydirectreparteewithNoelle,”saysMacLaine.“Andshe’s179yearsoldsotheroleisveryage-appropriateforme.”MacLaine appreciated theway Lawrence pitched her the film. “Marc is a student of detail. Hedemandsyoupayattentiontoeverysingledetail,andhe’sright.Hereallyknowswhathe’sdoing,”saystheactress.“It’sinterestingforMarctoincurspontaneitybecausehereallyisaddictedtothedetail,whichheshouldbe.Everywordofeverysentencehasbeenwellthoughtout,buthedidstillaskustomakeupstuffoccasionally.”Shecontinues,“Workingwiththatkindofawriter/directorisfascinatingforme.Itmakesmewonderwherehecamefromandhowdidthishappenandwhydoesheaskthequestionsheasks?Iwantto know what intimidates him, and he’s willing to share and is honest about it all. It’s justfascinating.”EquallyasfunnyarethetwocharactersplayedbycomediansBillHader(“ItChapterTwo,”“Barry”)andBillyEichner.IndescribinghischaracterNickKringle,Hadersays,“There’sthislonglineageofSantasandit’sjustexpectedthatNickisgoingtotakeover,whichsetsupthiskindofpowerdynamicintermsofwhatisexpectedofNick.”“Nickisverynervousandhehasalotofanxieties,”explainsHader.“AndIthinkhejustknowshe’snotsuitedtotakeoverforhisdadandthatputsalotofpressureonhim.”Theactorbasedaspectsofhischaracteronwriter/directorMarcLawrence.“He’sthesweetest,mostinclusiveguy,buthe’salsoveryanxiousandIamalsosomeonewho’sverynervous,”hesays.“Wereallyconnectedaboutouranxiety….itwasaconstanttopicfordiscussion,soIwatchedMarconsetandhadfunpickinguplittlethingsthathedid.”WithNickmissingandtheclocktoDecember25stillticking,thepowersthatbeintheNorthPolehavenochoicebuttonamethesubsequentmaleheir,cousinGabe,asthenextSantaandstarthistrainingimmediately.Eichner(“TheLionKing,”“AmericanHorrorStory”)playsGabe.“I'vealwayswantedtobeinaChristmasmovie,”hesays,“AndIlovethatthisisanewtakeonaChristmasmoviethatisveryindicativeofthetimewe’relivingin.It’saboutbeinginclusive,abouthavingopenmindsandembracingtradition,butalsobuildingoffofit.”

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Eichnercontinues,“TheKringlesrepresentaverytraditionalwayoflookingatChristmasandGabelovesbeing apart of the family, butwith Santa gone,Gabe sees this as anopportunity to takeChristmasinamoremodern,technologicallysavvystreamlineddirection.”VeteranactressJulieHagerty(“MarriageStory,”“Airplane!”)playsMrs.Claus,mothertoNickandNoelle.“ThisisthefirstChristmaswithoutSanta,soit’sabitchallengingforeveryone,”shesays.“Mrs.ClauswasalwaysrighttherewithSantaworkinghandinhand.Meanwhile,Noellewasinherownlittleworld,andbecauseIwasalwayssobusy,ElfPollyprettymuchbecamehernannyandtookcareofher.”Noellebefriendsacynicalprivate investigator inPhoenixnamed JakeHapman,playedbyBritishactor Kingsley Ben-Adir (“King Arthur: Legend of the Sword”). “We meet him as a man who’sstrugglingtore-findhisfeetinhis‘30s,”saysBen-Adir.“Jake’srecentlygonethroughsomeprettyhardtimeswithhisdivorceandnotseeinghissonasmuchashe'dliketo,sohehasn’thadagoodChristmasinalongtime.ThenNoellecomesintohislifeandbrightenseverythingup.”Twelve-year-oldHouston-nativeMaceoSmedley(“Cloak&Dagger”)playsJake’ssonAlex.“NoellehelpsJakereallyseeAlex.JakewantstobelievethatAlexisintosports,buthe'sreallynot.He'sakidwholikescookingandplayingchess,andheisverythoughtful.”

~ Rockin’ Around the Christmas Tree ~ AsSanta’sonlydaughter,NoelleisallaboutChristmas365daysayear.BornandraisedintheNorthPole,she is fully immersed intheholiday lifestyle,somuchsothat itaffectshervocabularyanddemeanor.Somepopularphrasesthatshelikestouseinclude:

Ohmygarland—OhmygoshHoldyourreindeer—HoldeverythingSilentnight—Everybodybequiet

Maidsamilking—HolycowStuffedchimney—Thisishorrible

Towaitonsomeonehandandskate—TowaitonsomeonehandandfootStockinghalfempty—Glasshalfempty

That’schestnuts—That’scrazyTobeFrankincense—TobefrankThankgarland—Thankgoodness

Holynight—Oh,dear

~ Walking in a Winter Wonderland ~

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Writer-directorMarcLawrence’steamofseasonedfilmmakersbehind-the-scenesincludes:Oscar®winningdirectorofphotographyRussellCarpenter,ASC(“Titanic”);visualeffectssupervisorArielVelasco Shaw (“The Conjuring 2”); production designerMaher Ahmad (“Zombieland”); costumedesignersGary Jones (“Oz, theGreatandPowerful”)andMitchellTravers (“Hustlers”);AcademyAward®-winningeditorHughesWinborne,ACE(“Crash”)andmusicbyClydeLawrence(fromthebandLawrenceandthescorefor“TheRewrite”)andCodyFitzgerald(fromthebandStolenJarsandthescorefor“TheRewrite”).Principal photography on “Noelle” took place over 53 days, beginning in October, 2017 onsoundstagesatVancouverFilmStudiosinBritishColumbia.OnemonthlatertheproductionmovednorthtoWhistlerOlympicPark,beforewrappingJanuary20,2018.

Vancouver’senormoussoundstageswerehometo thephysical setscreated forKringleCottage,Santa’sWorkshop, the North Pole’s town hall, a suburban rooftop for Santa’s-in-training and aPhoenixshoppingmall.TheentireSoundstageGbecametheinteriorandexterioroftheshoppingmallinspiredbyDesertRidgeMarketplaceinPhoenix.Thesetwasdividedintothreebasicparts:amainplazawithpalmtrees,adanceplazaanditssurroundingpassages,anditwassurroundedbybluescreen,asanythingabove16feetwouldbecreatedwithvisualeffectsinpost-production.Making rainyVancouver feelbelievableas sunnyPhoenixwasachallenge,butcinematographerRussellCarpenterknewexactlywhathewasdoing.“Throughcleverscheduling,thebrillianceofourdirectorofphotography,andsomegoodluck,wemanagedtopullitoff,”laughsproductiondesignerMaherAhmad.“It’snotthathardtomakeChicagolooklikeNewYork,buttomakeVancouverlooklikePhoenix,that’shard,”KringleCottage,whichoccupiedtheentireStageIandincludedbothindoorandoutdoorportions,wastheoneseteveryonelovedtovisit.“Youwalkinandthelevelofdetailinthesetdecoratingwasjustsoimmenseandsorich,withlayeruponlayerofdetail,”saysexecutiveproducerJohnG.Scotti.“Thefirelightgaveitthatreallyhomey,warm,superinvitingfeelingandmadeyouwanttositdownandtakeoffyourcoatandrelax.”Ahalf-timberedTudorandJacobethanstylehomeindesign,completewithsnowintheyardandaworking ice path, Kringle Cottage is amulti-generational, two-story family home that has beenaroundfordecades.“Everyaspectoftheproductiondesign;thesets,thelocations,theprops,thedecor,thewardrobe,wasmeticulouslythoughtout,”saysKendrick.Noelle’sroomisfilledwithkeepsakesfromherchildhoodthatshecan’tletgoofjustyet,and,beingverycreative,shehasanartdeskthatsheusestodesignandcreateornateholidaypop-upcards.“YoucouldliterallyopeneverydrawerinNoelle’sroomandtherewouldbeChristmas-ystuffinit,”

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saysKendrick.“Allthatdetailisreallyhelpful,becauseitfeelslikethisfullyrealizedNorthPole,anddoingthingslikemylittlebitskatingoutthefrontdooroftheKringleCottagefeelsveryimmersive.”OneofthebiggestchallengesfacedbytheproductionwasbuildingaNorthPolefromthegroundup,andWhistlerOlympicPark,a legacyvenue fromthe2010WinterOlympics,was theperfectsetting.Picturesqueandbeautiful,thesitewasoriginallyconstructedfortheOlympicskijumpingandNordiceventsandwaslargeenoughtoaccommodatethemassiveset,aswellasthesupportvillageofheatedtents,trailersandtrucksneededtotakecareofcastandcrew,whichonsomedaysswelledtonearly500people.ThedesignfortheNorthPolevillageisamoderntakeonthetownofBedfordFallsfromtheclassicChristmasfilm“It’saWonderfulLife,”oneofLawrence’sfavoriteChristmasfilms.Thesetconsistedof19buildingsaroundanactualicepond,andsomeofthebuildingswerequitesubstantialinsize.Theiceponditselfwaslargerthanaprofessionalfootballfield(160ft.longx100ft.wide).“What’slovelyisyoudoallthese3Dcomputerrenderingsanddrawingsandillustrationsformonths,andthenwhenyoufinallyseeitinfrontofyou,it’sjustsoamazing,”saysLawrence.LawrencewantedaNorthPolethathadahistorywithinteriorsthat lookedrealandlivedin,yetweresomewhatmagicalatthesametime.“ThisisthefirstNorthPoleIknowofthat’sactuallybeenbuiltoutside,”saysAhmad.“Thestructureshadtobebuilthigheroffthegroundthannormaltoaccommodatefortheexpectedsnowfall.”Over200carpentersandpaintersworkedtirelesslyforfourmonthstobuildthetownwhiledozensofbuyersandsetdresserswereacquiringjusttherightitemstofillthosesets,allofwhichhadtobeChristma-fied.Itwasamassiveundertakingwithcarpentersandpainterstrippingovergripsandelectricianstryingtomountelaborateriggings,all inanefforttofinish intime,butthefabulousresultsmade itallworthwhile.Whenitcametowardrobe,costumedesignersGaryJonesandMitchellTravershadtheirworkcutoutforthemwithcloseto100speakingrolesand300extras.TheysetupcostumeworkshopsinNewYork,TorontoandVancouverwhere30sewersandcraftspersonsworkedforfivemonthstodesign,fitandmanufacturethehundredsofoutfitsneededfortheNorthPoleandPhoenixsettings.Jones,TraversandteammadeeverythingfortheNorthPolecostumes,fromshoestotopstopantstoheadwear,andtheelfcostumeswereeachcomprisedof5-10clothingitems,aswellascreatingmultipleoutfitsforNoelleandMr.Claus.WhileNoelleissomewhatofaslob,sheisstilloneofthemoststylishresidentsoftheNorthPolewithherownuniqueflair.Noelle’ssignatureoutfitsare:herred-golddressandshortShearlingcoatandherblueChristmasskatingoutfitlookfortheearlyNorthPolescenes;andthegreentunicdresswithpatchworkcast

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andfurhatforherPhoenixadventures.“Noellehasaclassicsenseofstylewithalittlebitofprivilegeinvolved,”saysJones.“Whenshementallybecomesanadult,itshowsinherwardrobe.Shestartstorealizewhatherrolecanbe.”

~ You Know Dasher and Dancer and Prancer and Vixen ~ BecauseSanta’sreindeerplaysuchavisibleandimportantrolein“Noelle,”visualeffectssupervisorArielVelascoShawdecidedearlyoninpre-productionthattheywouldbefullycomputer-generatedcharacterssothateachreindeerwouldhavetheirownuniquecharacteristics.“Eachhas itsownlookandpersonalitytodifferentiatewho’swho,”saysexecutiveproducerJohnG.Scotti.“WehaveourtakeonthetraditionalreindeercharacterseveryoneknowsandlovesandintroduceanentirelynewreindeercharacternamedSnowcone.”SnowconethereindeerisNoelle’sbestfriendandconstantcompanion.Hyperandunabletocontrolhisgiddiness,emotionsand/orhismovements,hedesperatelywantstobecomeapartofSanta’selitesledteam.TheanimationworkonallthereindeerwascompletedinMontreal,IndiaandLondonduringpost-productionwiththefilm’skeyvisualeffectsvendorMPC,thesamecompanythatworkedwithJonFavreauon“TheJungleBook”and“TheLionKing.”Duringfilming,humanactorsinbluevisualvisualeffectsonesiesstoodinasproxyreindeerto interactwiththeleadcastandbackgroundplayers.“We cast eight body doubles with a head height essentially the height of a reindeer, which isanywherebetween4’11”to5’3”,”saysShaw.“Theseindividualsactuallyhadtogetintoareindeerheadandwouldactwiththepersonalityofthereindeertheywereplaying.”For Santa’s flying sleigh that transports presents every year on Christmas, the special effectsdepartmentcreatedahydraulicgimblewhichnotonly lookedgood,but couldwithstandall theabuse it would take. Although the design work for the sleigh began one year before principalphotography,theactualconstructiontookjustthreemonths.Thechassiswasbuiltlikeacarandweighedmorethan1,000pounds,asitneededtobestrongforalltheabuseitwouldtake.“Ourgiantgimblewasshakenandtwistedanditdoveandwentuphighanditspunaround,”explainsAhmad.

~ Jingle Bell Rock ~ Writer-directorMarcLawrenceloveseverythingaboutChristmas:thesnow,thelights,thetoysandall the presents, but it is the holidaymusicwhich he ismost fond of. “There’s a long standingtraditionofJewsbeingenamoredofChristmasthatisalmostcliché,”hesays.“Maybeit’sbecauseitisnotspecificallyourholidaythatmakesChristmassoattractivetous,butifyoulookatthetopten Christmas songs, many of them have been written by Jews, like Irving Berlin and ‘WhiteChristmas.’”

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Forthe“Noelle”score,Lawrencechosetokeepitwithinthefamily.HissonClydewrotethescorewith his scoring partner, Cody Fitzgerald from the band Stolen Jars, making them two of theyoungestcomposerstoeverscoreafilmforDisney.HisdaughterGracieandClyde’sband,Lawrence,wroteandperformtwooriginalsongsonthesoundtrackandperformanadditionalfoursongs.“Cody and I come from different backgrounds, but we realized there was this through line ofvulnerability,honesty,nostalgia,andwarmththatwewerebothreallypassionateabout,”saysClydeLawrence.“Thatbigbreakthroughmadeusrealizethatweweregreatpartnersforfilmscoringandothercollaborations.” “ClydeandIreallyhadavisionforthescore,whichisacombinationofbothofourstyles:soul,popandindierockplusahip-hopvibe,”saysFitzgerald.“ThenmixingitwithDisneyandChristmasmakesitturnintosomethingthatreallyfeelsrightforthemovie.”

~ Here Comes Santa Claus ~ WhiledirectorMarcLawrenceandproducerSuzanneToddarebothbigfansofChristmas,theyarealsoself-professedDisneyfansaswell.“MarcandIareChristmasandDisneynuts,it’strue,”laughsTodd.“TherearemanyhiddenMickey’sinthefilm,someofthemareprettyobviousandothersyouwillhavetoreallyhuntfor,whichispartofthefun.”“Marc’sscreenwritingincludeshomagestoalotofChristmasandDisneyfilms,”addsproductiondesignerMaherAhmad.Inthefilm,NoellelearnsthatChristmasisnotaboutpresents...it’saboutwhatyoucanbringtotheworld.Shealsodiscoversthattheworldisnotperfect,butwecankeepattemptingtomakeitbetter.“’Noelle’hasallthethingsyouloveaboutatraditionaloldfashionedmagicalChristmasmovie,”saysBillyEichner.Addswriter-directorMarcLawrence,“Noellehasalotofpotentialatthebeginningofthestorybutshedoesn’trealizeitbecausethecultureandtraditionsshewasraisedwithdon’treallyencourageher. But she goeson a journey inwhich she realizes that shedoeshave somepretty awesomepowers.”

~ About the Cast ~ ANNAKENDRICK(NoelleKringle)hasavarietyofaccomplishmentsthatshowcaseher impressiverangeoftalent.AstheleadinUniversal’s“PitchPerfect”franchiseshehasshownherbonafidesinacting,comedyandmusic,headliningthefilmanditssequeltorecord-breakingboxofficestatusandpostingamulti-platinumhitwithherperformanceof“Cups.”Kendrickmadehercareerdebutatage12intheBroadwaymusicalproductionof“HighSociety,”

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for which she received a Best Actress Tony Award® nomination and accolades throughout theindustry.AdditionaltheatrecreditsincludeafeatureroleintheNewYorkCityOpera’sproductionof“ALittleNightMusic”starringJeremyIrons,and“MyFavoriteBroadway/TheLeadingLadies:LiveatCarnegieHall.”Shemovedontofilm,makingherdebutinToddGraff’s“Camp,”afavoriteoftheSundanceFilmFestivalthatgarneredheraSpiritAwardnomination.ShereceivedsimilarrecognitionatSundanceforherenergeticperformancein“RocketScience.”In2010,KendrickstarredoppositeGeorgeClooneyandJasonBatemaninthelaudedfilm“UpintheAir,”forwhichsheearnedanOscar®nominationforbestsupportingactress,washonoredbytheNational Board of Review for best supporting actress, and by theMTVMovie Awards for bestbreakout star. She also earned nominations from the Critics’ ChoiceMovie Awards, theGoldenGlobes®,BAFTAandtheScreenActorsGuild.KendrickstarredinFoxSearchlight’s“Table19,”whichreunitedherwith“RocketScience”directorJeffreyBlitz,aswellasWarnerBrother’saction-thriller“TheAccountant”oppositeBenAffleck.Shewas the voice of Poppy in the DreamWorks Animationmusic-filled comedy “Trolls” with JustinTimberlake.Kendrick’s other credits includeWalt Disney Pictures’ “Into theWoods”withMeryl Streep andJohnny Depp; the indie features “Cake;” “Happy Christmas, Drinking Buddies;” SummitEntertainment’s comedy-drama “50/50’with Seth Rogen and JosephGordon-Levitt; the intensecrime-drama, “End of Watch” opposite Jake Gyllenhaal; and the blockbuster “Twilight Saga”franchise.Kendrick recently became aNew York Times bestselling author for her collection of humorous,autobiographicalessaysScrappyLittleNobody,publishedbySimon&Schuster.BILLHADER(NickKringle)hasbecomeoneofthemostsought-aftercomedymindsintheindustry.Hemade a splash in 2005 as a castmember on NBC’s “Saturday Night Live”with his uncannyimpressions and eviscerating sarcasm. Over eight seasons he received two Emmy Award®nominations, thenanother forhisworkwithSNLalumsFredArmisenandSethMeyerson IFC’s“DocumentaryNow!”Actor/writer/director/producerHadermadehisdirectorialdebutwiththeHBOdarkcomedyseries“Barry,”whichpremiered in thespringof2018and forwhichhe receivedanEmmyAward® foroutstandingleadactorinacomedyseries.HaderalsotookonafullslateoffilmworkthatbeganwitharoleinJuddApatow’s“KnockedUp,”followedbyaperformanceinanotherApatowreleaseoppositeSethRogenin“Superbad,”androlesin“ForgettingSarahMarshall,”“PineappleExpress”

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and“TropicThunder.”Hetookonadramaticrolein2014’scriticallyacclaimedfeature“TheSkeletonTwins.”Mostrecently,Haderwasthevoiceof“Alpha5,”the“PowerRangers”robot,inadditiontovoicingseveralanimatedfeaturesincludingthePixarhit“InsideOut.”Hehasalsolenthisvoicetofilmssuchas“CloudywithaChanceofMeatballs,”“FindingDory,”and“SausageParty.”OriginallyfromTulsa,Oklahoma,HaderisaSecondCityalumandcurrentlylivesinLosAngeles.Actor,comedianandwriterBILLYEICHNER(GabeKringle) isamultifacetedforcetobereckonedwith.HerecentlystarredoppositeDonaldGlover,ChiwetelEjiofor,SethRogenandBeyonceKnowles-CarterinJonFavreau’s“TheLionKing.”Upcoming,Eichnerco-wroteandwillstarinanuntitledromanticcomedyforUniversalPictures.Thefilmwillbedirected,co-writtenandco-producedby“Neighbors”directorNickStoller,andJuddApatowwillserveasaproducerunderhisApatowProductionsbanner.Thefilmcentersaroundtwomenwhohavecommitmentproblemsandareattemptingarelationship.Eichnerwasmost recently seenon thepast two seasonsof RyanMurphy’s FX anthology series“American Horror Story,” in both season 8 (“Apocalypse”) and season 7 (“Cult”). Both seasonsgarneredravereviewsforhisperformance.“BillyontheStreet,”Eichner’scriticallyacclaimedseries,recentlypartneredwithLyftforitssixthseason.Theserieshasgarneredover50millionviewsonline.In2018,theshowwasnominatedforanEmmyAward®inthecategoryofoutstandingvarietysketchseries.ThiswasthesecondprimetimeEmmynominationfortheseries,whichwasalsonominatedforoutstandingshort-formatlive-actionentertainmentprogramin2015.“BillyontheStreet”isavarietysketchseriesthatfollowstheunfilteredandunapologeticEichnerashehitsthestreetsofNewYorkCity.Eichnertestsunsuspectingpassersbyandcelebrityguestsinawildvarietyofgamesandsketchesthatsatirizeourcurrentculturalandpoliticalobsessions.NotableguestsincludeMichelleObama,TinaFey,DavidLetterman,ChrisPratt,JulianneMoore,WillFerrell,EmmaStone,TiffanyHaddish,JonHamm,LupitaNyong’o,JohnOliver,SethRogen,JamesCorden,StephenColbertandtheMuppetsfrom“Sesame Street,” among many others. Standout games from the series include “Immigrant or RealAmerican?,”inwhichapasserbymustidentifyfromEichner’srapid-firelistofcelebritieswhowerebornintheUnited States andwho immigratedhere; “Super Sloppy, Semi-AutomaticDoubleDare”with Keegan-MichaelKey,inwhichEichnertakesKeyonatourthroughtheUnitedStatestoseehowmanygunshecanlegallyacquirebeforetimerunsout;and“EscapeMargotRobbie’sMoment”withRachelDratch.Thepastfiveseasonsof“BillyontheStreet”arenowstreamingonHulu.InFebruary2018,EichnerpartneredwithFunnyorDietolaunchGlamUptheMidterms,acampaignthatencouraged and energized young people to vote during the November 2018midterm elections.With amissiontosavedemocracyonevoteatatime,GlamUptheMidtermssoughttodotheunthinkable—thatis,

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to leave Hollywood—and focus on America’s most competitive congressional districts, engaging youthparticipationthroughonlinevideo,socialmediaactivationsandlocalizedlivecomedyevents.Eichner’sfilmcreditsincludetheUniversalPicturessequel“Neighbors2:SororityRising,”withZacEfronandSeth Rogen, and the Sony Pictures animated film adaptation “The Angry BirdsMovie.” Both films werereleasedinMay2016.Eichner’s TV credits includeHulu’s critical darling “Difficult People,”opposite JulieKlausner, andNetflix’s“FriendsfromCollege,”oppositeKeegan-MichaelKey,FredSavageandCobieSmulders.Additionally,EichnerlendshisvoiceasMr.AmbroseonFox’spopularanimatedcomedy“Bob’sBurgers.”Theactorfirstbecameknownforhisviralonline“BillyontheStreet”videosandasthehostandwriteroftheacclaimedstageshow“CreationNation:ALiveTalkShow,”whichTheNewYorkTimescalleda“latenighttheatricalphenomenon.”Aperennialtalk-showguest,Eichnerhasappearedon“TheLateShowwithStephenColbert,”“Ellen,”“LateNightwithSethMeyers,”“TheTonightShowStarringJimmyFallon,”“JimmyKimmelLive!,”“LateShowwithDavidLetterman,”“Conan,”“WatchWhatHappensLive,”“LastWeekTonightwithJohnOliver”and“Today,”amongothers.A native New Yorker, Eichner attended New York’s prestigious Stuyvesant High School and went on tograduatefromNorthwesternUniversity.JULIEHAGERTY(Mrs.Claus)hasastoriedcareeroverfourdecadesthatencompassesmajorrolesinfilm, stageand television. Beginningwithhermemorable turn in the1980blockbuster comedy“Airplane!” through her work in Jonathan Demme’s final film “A Master Builder,” Hagerty hasamassedalistoffilmcreditsthatincludesworkwithmasterdirectorslikeRobertAltman(“BeyondTherapy”),OliverStone(“U-Turn”),RobReiner(“TheStoryofUs”)andWoodyAllen(“AMidsummerNight’sSexComedy”).Anaccomplishedstageactor,HagertyreceivedtheDramaCriticsAwardforherrolein“RaisedinCaptivity,” and the Theatre World Award (an accolade given to Broadway’s most outstandingnewcomer)forJohnGuare’s“TheHouseofBlueLeaves.”ShealsoreceivedtheOuterCriticsAwardforherperformancein“MorningsatSeven”onBroadway.Heradditionalstagecreditsinclude“TheOddCouple,”“MoonoverMiami,”“BornYesterday,”“FrontPage,”andShelSilverstein’s“WildLife.”On television,Hagertyhasbeenseen inmultiple rolesonCBS’s “TheGuardian,” “Trial&Error,”“Malcolm in theMiddle,” “Family Guy,” “NewGirl,” “Happy Endings,” “Wilfred,” “TheWinner,”“Girlfriends”and“Grace&Frankie.”BorninCincinnati,HagertysignedwithFordModelsat15,movingtoNewYorktopursueamodelingcareerbeforetransitioningtoacting.

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SHIRLEY MACLAINE (Elf Polly) manifests an illustrious career of more than fifty feature filmshighlightedbyanAcademyAward®winandsixnominations,sixEmmy®Awardnominations,sevenGoldenGlobe®Awards–includingtheCecilB.DeMilleAwardforLifetimeAchievement–andthetitleofbest-sellingauthor.MacLainemadeherprofessionaldebutdancinginaBroadwayrevivalof“Oklahoma!”inthe1950s.HerfirstfilmappearancewasinAlfredHitchcock’s“TheTroublewithHarry,”earningheraGoldenGlobe®Awardfor“NewStaroftheYear.”Shenextstarredin“SomeCameRunning,”whichledtoherfirstOscar®nominationandanadditionalGoldenGlobenomination.ShealsostarredalongsideAudrey Hepburn in “The Children’s Hour,” and received a second Oscar® nomination for herperformanceintheBillyWilderclassic“TheApartment”withJackLemmon.ShereunitedwithLemmonandWilderfor“IrmaLaDouce”in1963,earningyetanotherAcademyAward®nomination.In1975,MacLainereceivedherfourthOscar®nomination,thistimeforBestDocumentaryasaproducerandstarof“TheOtherHalfoftheSky:AChinaMemoir.”Twoyearslater,shewasonceagainnominatedforherstarringrolein“TheTurningPoint.”In1983,MacLainefinallywonanOscarforherworkin“TermsofEndearment.”MacLaine’sadditional credits includenotable films suchas “SteelMagnolias”with JuliaRoberts,“PostcardsfromtheEdge”withMerylStreep,“InHerShoes”withCameronDiaz,and“RumorHasIt”withJenniferAnistonandKevinCostner.HerrecenttelevisionappearancesincludeseasonfiveoftheGoldenGlobe®Award-winningseries“Glee,”andseasonthreeofthePrimetimeEmmy®Award-winningseries“DowntonAbbey.”ShewasnominatedforaGoldenGlobeandSAGAward®forhertitleroleintheLifetimemovie“CocoChanel.”Additionalcreditsincludethetelefilms“TheseOldBroads,”“Carolina,”and“SalemWitchTrials.”ShealsostarredintheCBSminiseries“TheBattleofMaryKay,”thelifestoryofcosmeticsqueenMaryKayAsh.MacLainecontinuesherlegacyofstellarstageperformanceswithherone-womanshowtourasithits cities across the globe, combining a montage of memorable film moments with privaterevelationsaboutherextraordinarylife,careerandspiritualjourney.Anauthorofteninternationalbestsellers,MacLainereleasedherbest-sellingbook“Sage-ingWhileAge-ing” in 2008, followed by the New York Times topper, “I’m Over All That: And OtherConfessions.”Otherbest-sellingtitlesinclude:“MyLuckyStars:AHollywoodMemoir,”“DanceWhileYouCan,”“DancingintheLight”and“WhatIf:ALifetimeofQuestions,Speculations,ReasonableGuesses,andaFewThingsIKnowforSure.”

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A longtime outspoken advocate for civil rights and liberties, women’s rights and spiritualunderstanding,MacLaineisknownforherfaithinreincarnation,angels,thepowerofcrystalsandotherNewAgebeliefswhichsheoftenincorporatesinherwriting.KINGSLEYBEN-ADIR(JakeHapman)firstestablishedhimselfasgiftedandversatileactorthroughhisacclaimedworkinthehitBBCseries“PeakyBlinders”andthetelevisiondrama“Diana&I.”HehasalsobeenfeaturedinarecurringroleonITV’smysterydrama“Vera.”Ben-Adirhascontinuedhisstrong presence within television with credits including “Death in Paradise,” “Agatha Christie’sMarple,”and“MidsomerMurders.”Onthebigscreen,Ben-AdirjoinedanillustriouscastinGuyRitchie’s“KingArthur:LegendoftheSword,”andplayedakeyroleinthecrime-familydrama“TrespassagainstUs.”HeplayedthepartofaspecialagentintheLiamNeesonthriller“TheCommuter.”HeplaysarecurringseriesroleinFox’sseries“DeepState,”setintheworldofespionageandhasafeaturedroleinthemind-bendingNetflixseries“TheOA.”Ben-Adirisalsohighlyprominentintherealmoftheatre.Heplayedmultiplecharactersintheaward-winning“TheRiots,”whichfocusedonthehumanimpactofthe2011London.Further,hehastakenonShakespearein“AMidsummerNight’sDream”and“MuchAdoaboutNothing”attheOldVic.HeisagraduateoftheGuildhallSchoolofMusic&DramainLondon.MACEOSMEDLEY(AlexHapman)capturedhisfirstscreenroleatthetenderageoffiveinanationallytelevisedcommercial.HesoonmovedtoarecurringroleinWGNAmerica’s“Underground”astheyoungslaveJames,whichledtoarecurringroleonMarvel’scableseries“CloakandDagger.”PlayingtheyoungTyrone,hetellsthebackstoryforoneoftheseries’leadingcharacters.Most recently, Smedley joined the cast of Netflix’s family comedy “All about theWashington.”Upcomingprojectsinclude“LovecraftCountry.”Inhissparetime,theHoustonnativeplaysquarterbackforhisflagfootballteamandworksonhisdancingandbasketballskills.

~ About the Filmmakers~ MARCLAWRENCE(Director/Screenwriter)beganhiscareerwiththeNBCcomedyhit“FamilyTies,”startingoffasastaffwriterandlaterassupervisingproducer.Hiscreativeworkonthatstandout1980’sprogramgeneratednominationsforboththeHumanitasandEmmyAwards®.Hiscareerasascreenwriter,produceranddirectorishighlightedbysuchcommercialhitsas“Forcesof Nature,” “Miss Congeniality,” “Two Weeks’ Notice,” “Music and Lyrics” and “The Rewrite,”starringsuchnotablesasHughGrant,SandraBullock,MarisaTomeiandDrewBarrymore.

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LawrencelivesinNewYorkwithhiswifeLinda,andchildrenClyde,Gracie,andLinus.HisproudestachievementremainsdroppingoutofNewYorkUniversityLawSchool.SUZANNETODD(Producer)isanaward-winningproducerwhosemovieshavegrossedmorethanthreebilliondollarsworldwide.Hercreditsincludesomeofthemostinnovativeandsuccessfulfilmsinrecentyears, includingTimBurton’s“AliceinWonderland,”“AlicethroughtheLookingGlass,”“AcrosstheUniverse,”“Memento,”“MustLoveDogs,”“Prime,”“BoilerRoom,”“BadMoms”andthe“AustinPowers”trilogy.ToddalsoexecutiveproducedHBO’ssuccessful“IfTheseWallsCouldTalk”and“IfTheseWallsCouldTalk2.”BothfilmsearnednumerousawardsandhonorsincludingEmmy,GoldenGlobe®,andSAGAward®wins.SheisalsoworkingextensivelyininteractiveentertainmentasacreativeandbusinessconsultantforActivision/Blizzardwhereherworkincludesglobalgaminghits“CallofDuty,”“BlackOps,”and“ModernWarfare.”Shealsoconsultedonthe“Skylanders”franchisewhichhasgrossedmorethan$2billioningamesales.ToddmentorsaspiringfilmmakersthroughtheUSCStarkMentorshipProgramandtheProducersGuildofAmerica,andhasreceivedawardsfromWomeninFilm,Cosmo,MTV,thePeople’sChoice,GLAADMedia,theSpiritAwardforBestPicture(“Memento”)andmanymore.SheliveswithherthreechildreninLosAngeleswhereshesupportsmultiplecharitablecausesandisanavidplayerofvideogames,poker,andtennis.JOHNG.SCOTTI(ExecutiveProducer)beganhiscareerinproductionatNBCStudiosaftergraduatingwith anM.B.A. degree from PepperdineUniversity. His television credits include such industrystandoutsas“TheFugitive,”“Supernatural”and“WithoutaTrace.”Scottialsohasan impressivefilmrosterworkingassecondassistantdirector, thenfirstassistantdirector,unitproductionmanager,andproducer. Hehasworkedonnumerousblockbusterhits,including “BadBoys II,” “TheRock,” “Wayne’sWorld,” and “Maverick,” amongmanyothers. InadditiontoDisney’s“TheMuppets”and“MuppetsMostWanted,”Scotti’sproducingcreditsinclude“TheIncredibleHulk,”“WildHogs,”“HerbieFullyLoaded,”“AliceThroughtheLookingGlass,”and“TheCountryBears.”Mostrecently,heservedasexecutiveproduceronParamount’s“DoraandtheLostCityofGold,”basedontheDoratheExplorercharacter.Todate,Scottihasseventelevisiontitlesandmorethan40filmstohiscredit.HeisamemberoftheDirectorsGuildofAmericaanda foundingmemberof theDGA’sPoliticalActionCommittee.HeresidesinLosAngeleswithhiswifeandchildren.

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RUSSELLCARPENTER,A.S.C.(DirectorofPhotography)firstlearnedaboutfilmmakingwhileworkingat a PBS station in southern California. Early in his career he shot educational films anddocumentaries,movingontolow-budgethorrorfilmsandthenactionandsci-fifeatures.HisworkontheJohnWooactioner“HardTarget”ledtoacollaborationwithJamesCameronontheactioncomedy“TrueLies.”Their following collaboration, “Titanic,” earned Carpenter both an Academy Award® for bestcinematographyandanA.S.C.Awardforoutstandingachievementincinematography.Hisfilmcreditsinclude“Charlie’sAngels,”“TheNegotiator,”“21,”“ThisMeansWar,”“IndianintheCupboard”andMarvel’sblockbuster“Antman.”MAHERAHMAD(ProductionDesigner)designedhisfirststagesetasateenagerwhilelearningthebasicsofproductionatacommunitytheaterinPennsylvania.HegraduatedwithhonorsintheaterstudiesatNorthwestern,returningthereforaMastersintheatersceneandLightingDesign.After a stint at teaching, Ahmad immersed himself in the ‘first wave’ of the Chicago theaterrenaissance, designing over 100 theater projects before a local film shoot changed his focus tomovies. Since then he has done production design for more than 60 projects, including“Goodfellas,” “Married to the Mob,” “Dodgeball,” “Zombieland,” “Fever Pitch,” “Get Hard,”“Hangover3”and“MiamiBlues.”Ahmadisalectureratfilmschoolsandabibliophilewithacollectionofmorethan20,000booksonart, architecture, design and technology as well as thousands of old photographs, stereopticoncards,andcatalogsrelatedtodesign.GARYJONES(CostumeDesigner)hasdesignedforawiderangeoffeaturefilms,including:directorSam Raimi’s “Spider-Man 2” and “Oz the Great and Powerful”; Marc Lawrence’s “TwoWeeks’Notice”; “Divine Secrets of the Ya-Ya Sisterhood”; “Secondhand Lions”; “DesperateMeasures”;“Vanyaon42ndStreet”;“Heartbreakers”;SidneyLumet’s“GuiltyasSin”and“AStrangerAmongUs”;“TheMosquitoCoast”and“TheTriptoBountiful.”He designed the romantic comedy “Something Borrowed” for director LukeGreenfield and theindependentfeature“MainStreet.”Jonesworkedwith“Noelle”actressShirleyMacLaineon“ElsaandFred,”andhehasalsoenjoyedacreativecollaborationwithfamedcostumedesignerAnnRothonsuchfilmsasMikeNichols’“PrimaryColors”;AnthonyMinghella’s“TheEnglishPatient”;SydneyPollack’s “Sabrina”;AlanPakula’s “ConsentingAdults”;ArneGlimcher’s “TheMamboKings” and“JustCause”andBrianDePalma’s“DressedtoKill.”

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Previously, he worked with Garry Marshall on “The Other Sister,” “The Princess Diaries,” “ThePrincessDiaries2:RoyalEngagement,”“RaisingHelen,”“GeorgiaRule,”“Valentine’sDay”and“NewYear’sEve.”Amonghisadditionalcreditsare:“AllAboutSteve,”starringSandraBullock;ScottMarshall’s“All’sFairinLove,”starringChristinaRicciandAnn-Margret;“ObserveandReport,”starringSethRogen;AdamBrooks’ “Definitely,Maybe,”withRyanReynoldsandAbigailBreslinand“Underdog”withJamesBelushiandPeterDinklage.MITCHELLTRAVERS(CostumeDesigner)isacostumedesignerbasedinNewYorkCity.HehasdualdegreesfromtheUniversityofConnecticutincostumedesignandpuppetry.Travers’sworkcanbeseen in “The StrangeOnes,” starring Alex Pettyfer, “Good Kids,” starring Ashley Judd and ZoeyDeutchand“ThosePeople,”directedbyJoeyKuhn.OtherprojectsincludeBoBurnham’s“CoolestGirlintheWorld”and“Ocean’sEight.”Inaddition,hehasbeenassistantcostumedesigneron“Joy,”“TheAmazingSpiderman2,”“Goingin Style,” “Masterminds,” ”The Bourne Legacy” and “TheDictator.” His televisionwork includes“SaturdayNightLive,”“TheBlacklist”and“30Rock.”HUGHESWINBORNE,A.C.E.(Editor)grewupinRaleigh,NCandattendedtheUniversityofNorthCarolinawhereheearnedadegree inhistory.He relocated toNewYorkwhereacourse in filmproductionledhimtoastoriedcareerinfilmediting.OneofWinborne’sfirstprojectswasthecriticallyacclaimedBillyBobThorntonclassic“SlingBlade.”He followedwithGabrieleMuccino’s “The Pursuit of Happyness” starringWill Smith, and againworkedwithMuccinoon“SevenPounds.”OthernotablecreditsincludeToniKalem’s“ASlipping-DownLife,”andtheOscar®winningfilmTateTaylor’s“TheHelp.”In 2004,Winborne edited the critically-acclaimed film “Crash” for which he won the AcademyAward®forbestachievementinfilmediting.Heworkedin2014withJamesGunnon“GuardiansoftheGalaxy,”andeditedtheaward-winningfilm“Fences”forDenzelWashingtonaswellasMarcForster’s“AllISeeIsYou.”CLYDELAWRENCE(Composer)isamusician,songwriter,andnativeNewYorker.Hebeganplayingpianoatagefourandstartedwritingmusicsoonafter.Atagesix,hewroteasongthatwasfeaturedinthemovie“MissCongeniality”(2000).WhileattendingtheDaltonSchool,Lawrencecontinuedcomposing music for major motion pictures. He wrote the song “Dance with Me Tonight,”performedbyHughGrantin“Music&Lyrics”(2007),afilmforwhichhealsowrotesomeoftheoriginal score.

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Lawrencealsowrotetwotracksfor“DidYouHearabouttheMorgans?”(2009),oneofwhichheperformedhimself.Aroundthesametime,hewasinvitedtoplayregularlywithjazzsingerSteveTyrellattheCarlyleClubinManhattan.HehasworkedwithandbeenproducedbyAdamSchlesinger(FountainsofWayne/”ThatThingYouDo!”)andhasappearedonABC'sGoodMorningAmerica,NBC's The Today Show, and Fox's Good Morning New York.Hehasbuiltupawealthofmaterialthathe iscurrentlyworkingonandrecording,oftensingingalongsidehissisterGracie,atalentedsinger/actresswhohasperformedonBroadway.Lawrence’soriginalsongsareinregularrotationonNewEngland’sWBRUat95.5FM.CODYFITZGERALD(Composer)isa22-year-oldcomposercomingoutoftheburgeoningmusicsceneofMontclair,NewJersey. Influencedbyadiverserangeofartists includingDirtyProjectors,ElvisCostelloandSteveReich,Fitzgerald’smusicisbothcomplexandemotionallygripping.WhenhereleasedhisfirstalbumunderthenameStolenJarsat18,hiscareerwassuddenlypushedforwardwhenhismusicwaspickedupbyAppleasthesoundtrackfortheir“DoItAll”iPadcampaign.Sincethen,hehasreceivedamusicbycreditonasoontobereleasedIndiefeaturecalled“HardSell,”anAdditionalMusicBycreditonthemajormotionpicture“TheRewrite”andisintheprocessoffinishingupasecondStolenJarsalbum.Hehasalsoscoredanumberofshortfilms,includingtherecentlyreleased“Open24Hours,”anOfficialSelectionoftheHollywoodReelIndependentFilmFestival.Fitzgeraldhashad theopportunity to learn fromcomposers likeTeddyShapiroandhas studiedundermodernorchestralcomposers,suchasGerardShapiro,andelectroniccomposers,suchasButchRovan.Heisnowfinishingupbachelor’sdegreesinmusicandcomputerscienceatBrownUniversity.

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