31
25p in colour
25p
in colour
Stay With Me Till Dawn By Judie Tzuke on Rocket Records
Is this a game you're playlng I don't understand what•• going on I can't see through your frown First you're up then you're down You're keeping me from someone I want to know But I need you tonight (need you tonight) Yes I need you tonight (need you tonight) And I'll show you a sunset If you'll stay with me till down
h 's the same old situation Every word so finely placed Running around my concentration Is the feeling that I've just got to break out end say Oh I need you tonight (need you tonightl Yes I need you tonight (need you tonightl And I'll show you a sunset If you'll stay with me till dawn
Is this a game you're playing Playing with my hurt (nffd you tonight) Ooh stop playing with my heart (need you tonlghtl And I'll show you • sunset If you'll stay with me 1111 dawn Yes I'll show you a sunset If you'll stay w ith me 1111 dawn
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SMASH HITS 3
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EARTH,WIND & FIRE/ September/That 's The Way of the World KRIS KRISTOFFERSON & RITA COOLIDGE/ Fallen Angels ANDY GIBB/I Go For You DONNA SUfvV.AER/ Mimis Song ANDY GIBB & OLIVIA NEWTON-JOHN Rest Your Love On Me ABBA/Chiquitita ROD STEWARli' Do Ya Think I'm Sexy? OLIVIA NEWTON-JOHN/The Key JOHN DENVER/Rhymes & Reasons BEE GEES/Too Much Heaven
REMEMBER that glittering TV spectacular beamed from the United Notions earlier this year?
The concert that featured the world's greatest stars of popular music.'The Music for UNICEF Concert '.
Now from that memorable concert comes the album -'A Gift of Song'. '
'A Gift of Song' is on album recorded to celebrate 1979, 'The International Year of the Child '.
Monies raised from the sole of this album will go to help provide much needed medical aid, e<:4icotion, nutrition and social services to the children of the world.
• I it.
Also available on cassette.
AGIFTOFSONGISAGIFTOFLOVE .,,,-,.,, 8 SMASH HITS
GARY'S GANG ON THE MARCH GARY NUMAN will do a major tour this autumn coinciding w ith release of a new album "The Pleasure Principle" on Sept 7. He's promising a real spectacular using a special stage, twin 20 foot towers for the keyboards, laser guns, and radio-controlled robots!
Gary's backing musicians will include most of those who appeared on TV with him as Tubeway Army but he's looking for another guitarist and synthesiser player to complete the group.
Gigs are: Glasgow Apollo (Sept 20); Newcastle City Hall (21 ); Bristol Colston Hall (24); Liverpool Empire (25); Manchester Apollo (26); Hammersmith Odeon (28); Birmingham Odeon (30); Guildford Civic Hall (Oct 1 ); Southampton Gaumont (2); Ipswich Gaumont (3); Brighton Dome (5); Aylesbury Friars (6}; Wolverhampton Civic Hall (7}; Sheffield City Hall (8).
Tickets are on sale now at theatre box offices and at tick.et agencies. They are £3.75 at Hammersmith, £3.00 elsewhere.
ALL SHOOK UP IT'S BEEN a while since The Rezillos broke up (sniff sniff) but it 's only now that Shake, the first of the splinter groups, has appeared.
Sharp-eyed readers will recognise three of the above from the old Rezillos line up, but who's that on the left? The short answer is that he's Troy Tate. From Cheltenham, Troy used to be in a band called The Index, who had an independent single of their own called "Jetlag" out in March of last year.
Troy was introduced to the rest of Shake while they were recording their newly-released EP (on Sire Records) a few months back and they all got on so well that he's staying.
For those of you who haven't heard lhe EP, it's straight forword raucous pop music, a natural progression from where The Rezillos left off.
"You can't ignore where you came from," a happy Jo Callis told us, "although obviously you don't want to dwell on it." $hake's new songs - which include one by Simon - are all pretty straightforward, he agreed.
" I think all the lyrics have got some kind of meaning to them but I think it's a fairly accessible meaning - as it should be.
"It's not any deep, inner, personal experience that happened to me in Morocco, maaanl" he added with his usual cheery grin.
At the moment Shake are keeping a pretty low profile, anxious to avoid any kind of gimmickry ot tho start of what they hope will be a long-term career. With any luck, however, we'll be able to see them sometime In August when they're planning a 20-date tour,
with probably another single to follow that. Welcome back, fellas.
Oh - if you're wondering what the cartoons below are, they're part of a special promotional comic which Shake drew up themselves. If you fancy a copy, write - remembering to send yourfull name and address-to Paul McNally, Sire Records, 39 Floral Street, London W1, and tell him we sent you.
TRB SPLIT THE TOM Robinson Band, formed in Jan 1g77 by Robinson and guitarist Danny Kustow, disbanded last week after two final appearances at festivals in Belgium. Whilst organist Ian Parker and drummer Charlie Morgan plan to return to session work for the time being, Robinson is currently working on material for a further album and there are plans for a new TRB line up early next year.
Tom commented, "We have been on the road since January and I want to spend some time concentrating on new songs and just catching up on things here. Tha t,and was originolly quite e challenging and risky venture, but now after 2½ years it's become a bit tame and predictable. It's t ime to try something fresh."
Meanwhile Danny Kustow has recently been playing gigs with Glenn Matlock and Steve New (ex Rich Kids) and Budgie (ex Slits} using the name The Jimmy Norton Explosion.
ZEP II LEO ZEPPELIN are doing a second date at Knebworth on August 11 since the first, on Aug 4, sold out so fast. Also on the bill ere C_ockney lads Chas & Dave, boogie boys The Marshall Tucker Band, Southside Johnny and The Asbury Jukes, and cosmic Todd Rundgren's Utopia. Move fast, tickets ere also being sold abroad too - Knebworth tickets are also being snapped up in America and Japan I
Tickets are available from: Knebworth Conoerts, c/ o Harlequin Records, 201 Oxford Street, London W1. Send cheques or PO s made out to Knebworth Concerts, with a see.
8 SMASH HITS
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0PPO~"\u~c1ts THE KNACK - singer/guitarist
Doug Fieger, lead guitarist Berton Averre, bassist Prescott Niles and drummer Bruce Gary - got together In Hollywood just a year ago and have gained a lot of admirers for their mix of pop and rock.
Their single, "My Sharona", is not only their first hit here but it's also another winner for English producer Mike Chapman. He's the man responsible for all of Blondie's biggest successes. He also produced the Knack's debut album " Get The Knack" on Capitol Records. It has 12 tracks, all of them strong group originals
LIZZY SHOCK GUITARIST Gary Moore hll made• shock exit from Thin Lizzy. A spokesperson for the band told Smash Hits that he had been " sacked" after failing to turn up for a couple of gig■ on Lizzy's current US tour. Gary joined Lizzy in August last year.
As SmHh Hits went to press we were told that Midge Ure of the Rich Kids had flown to the States as a temporary replacement to enable Lizzy to finish their tour. It was stressed that whatever happens Thin Lizzy will definitely still appear at the Reading Festival in late August.
apart from a cover version of Buddy Holly's " Heartbeat".
Singer Doug Fieger looks a bit like a cross between a young Keith Moon and Pete Townshend. He also sounds a littl11 like a young Townshend when he makes comments like, " My personal ambition is to conquer the world before I am 30, and to die in Babylon before get old."
(Incidentally, we'd like to print the words to "My Sharona" but we haven't been able to get permission from The Knack's American publishers. - Ed.)
WHO'S WHO THE STRANGLERS, Nils Lofgren and AC/DC will all feature at The Who's outdoor gig at London's Wembley Stadium August 18. kick-off is at 4pm though gates actually open at two.
Tickets available from The Who Box Office, PO Box 4TL, London W1A 4TL, and cost £8.00. Poetal orders only are being accepted, and don't forget the self-addressed, stamped envelope. Tickets are also available from the box office at Wembley; The Harvey Goldsmith Box Office at Chappel's Music Store in London's New Bond Street; and from Virgin Record Stores in major towns (if yours doesn' t have a Virgin, ask at the biggest record shop).
Some tickets will be available at the gate, for £8.50.
BLONDIE have finished their new album, " Eat The Beat". Chrysalis release it in September when, as far as they know, the band will be back here for gigs.
MASSIVE Meat Loaf shed a few pounds recently when he led a 15 kilometre charity walk through New York. helping to raise an incredible £300,000 for handicapped kids.
SOME PRODUCT VIRGIN Records release the "Carry On Sex Pistols ... Some Product" album on July 27. There isn't a lot of music on it, just some bits of live recording mixed up in a suitably outrageous potpourri of interviews, banned radio ads, comments on the Pistols from the man in the street and other odds 'n' sods. Sounds a bit desperate to us.
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FINALLY appolntmentwlthRocket-whlch wu to go Into• studio
MAKES GOOD -~:cii:t~~~aonga . .... where without much -
LONDON-bom Judie Tzuke (23), ovw • 1111mber of yNrs, untH whoa• single "Stay With Ma Tll -"'ally ■ friend au119eated Dawn" (on Rocket Recordal la that ahe contact Rocket again . her first hit, hH b■en singing and Thia time ahe played her aonga to writing aonga since ahe wu 11. m-glng director David Croker, lelorethat aha went to b■--1 who ligMd her up to• r-«I and drama achoola. -•· This waa early Int.,..,.
She first contacted Rock91 Her tint lln9fe on Rocket. "for (Elton John'• label) shortly alter You", got ••cellent r■vlewa and INvlng drama school. Sha ■ttr■ctecl a fair amount of played them • couple of her attention tor IU unusual, aonga and lmpreHad the label's muttlple track• of Judi■ singing M R manager He asked how compllcatad harmonies without 111any mor■ aha had. " Twenty". ~ Alas, It didn't ahe replied. But In tact ahe only .,._. a hit. but both " For You"
LEYTON Buzzards have dropped the Leyton, deciding it was "too jokey" , and from now on want to be known as The Buuards.
A NEW Angelic Upstarts single, due at the end of July, has lyrics written by Jimmy Pursey.
and the current alngle are on her debut Rock91 album, "Welcome To the CrulH".
Suddenly people are comparing her to • bewildering variety of ladln, lncludlng Kate Bush, Joni Mitchel. FINtwood Mac'• Christine McVle, Md Lynsey de Paul. Judge tor yourself when Judie appears on BBC-1'• "In Concer1'' programme !sharing the bill with Chaa • Davel at the end of July. And ahe and her band wlN b■ doing• tour of colleg" and small venues In theautvmn.
PUNK four-piece U.K. Subs, who made the charts w ith "Strangehold" , were formerly known as the United Kingdom Subversives when they formed in 1977. Theirfollow-up single, "Tomorrow's Girls", is released by Gem on Sept 1.
GAMES PEOPLE PLAY AS WE keep saying, girts are really going places in the charts these days. Latest "overnight success" is Janet Kay, who has zoomed up the charts with "Silly Games" on the Scope label.
Janet, who is 21, comes from Wembley and is one of a family of six . Her real name is Janet Bogle. She did a secretarial course et Watford College before reggae singer and producer Alton Ellis heard her singing for a lark in a record shop in 1977. Since then she's made several singles which have done very welt in the reggae market.
At the end of last year Dennis Bovell (of Matumbl) got together with Janet and wrote and produced "Silly Games" for her.
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Released originally on Arawak Records, it jumped Into the reggae charts and hn ,tayed there ever since.
The big breakthrough for "Silly Games" came when the Scope label was formed by Lightning Records especially for the disco audience, and they got the single from Arawak.
Now Janet, a fan of Blondie, Peaches & Herb, Aswad and Matumbi. is concentrating on writing songs herself, playing the guitar and learning to play the drums.
Meanwhile, fans of "Silly Games" are just keen to hear more of Janet's unusual voice.
1 h • 1 ks like a certainty, and ere •
THE SHAM/PISTOLS merger now oo Steve Jones, Dave Treganna the likely line-up: (1-rl Jlrs~:~r::yhaven't yet called it a day d \of Sham) and Paul Coo · . "Hersham Boys", out now an however. They have a new single, London Rainbow on July 28. another 'farewell' gig book•: f~:.~h!n Juke BoK Jury. More in!o In a Also on July 28 look o~t for . u . the neKI issue of Smash Hits. longer Jimmy Pursey interview ,n
KORGIPOOP CURRENTLY in the charts with " If I Had You" (Rialto Records), the Korgis bear little resemblance to Her Majesty's fave breed of canine.
They are in fact James Warren and Andy Davis, who both hail from Bath and are escapees from loony West country group Stackridge.
Stackridge were responsible for such classic non-hits as "Dora The Female Explorer", "Do The
Stanley" and "Purple Spaceships Over Yatton" and became a much-loved band with a small but fanatical following.
The Korgis unleashed themselves last w inter with a single called "Young 'n' Russlan"/"Cold Tea" which went down about as well as the latter, but undeterred they are now beginning to take off.
Their first album (elso on Rialtol is called " The Korgis" end was recorded in a Bath flat -vocals in the lounge, guitars in the kitchen and percussion in the dining room.
SMASH HfTS 9
STEVE DIGGLE AND JOHN MAHER BRING US UP TO DATE WITH ALL BUZZCOCKS' GOSSIP, FACTS AND INFO ..
THE NEW SINGLE lt'a quite different . .. Steve: It waa • change to have me singing, and It wNn't a love Nngl
That'■ a m11eh bigger eound you•-got ... John: I was surprised when I heard It on the radio. rm really plea.Nd with the production on that. I think It's our bat produced thing to date.
Who produced lt7 J o h n: It' a Martin Rushent again - with able asalnance from usl I think all the album should be•• w ell produc:ed H that single.
THE NEW ALBUM Tall ua about the a lbum .•• John: We had all the songs. The arrangements weren't worked out spot on -we work things like that out In the studio. But It'• gone really well - I'm pleased with It.
What'• o n lt 7 Steve : There's one called "Paradise", one called "Sitting Around At Home", "Money", "M ad Med Judy", "You Know You Can't Help It" ...
Who'• w ritten what7 Steve: Pete's written eight and I wrote thrff on this album.
0 SMASH HITS
John: Pete's got five songs on side two which are some vague form of concept thing. It starts off with "I Don't Know What To Do With My Life" - which we've bffn doing live for• bit. There's another one called "Money", 0 A Different Kind Of Tension" and one called "I Believe" - and I can't remember the other one I John: One of the songs Pete'd written six yHrs ago which he's decided It'• alright for Buzzcocks to do. We've recorded that one and It's come out very well . It's called " ParadlH" . Most of the othen ■re pretty n-. John: There's a lot more mid-tempo songs on this one, more In the style of " Fiction Romance" on th• first album, that type of thing. It'•• progrenlon anyway from the thrff minute love song thing, although there are love songs on It. John: We're not letting anybody - even our manager - hHr rough tapes of It or anything. We' re lust going to let everybody hear the flnlahed thing.
What'• th• mt.7 Steve: It'• tentatively called "A Different Kind Of Tension" .
Whan'• It 9oing to coma out7 John: I think they're hoping to have It relNHd et the end of September, which wlll be about
two w eeks before the start of the tour.
SOLO PROJECTS What new• of all your aolo projects? Steve: Pete's doing something - he's working with• friend of his. I think he's Just completed an album and I think It's going under the name The Tiller Boys or something I Steve: I'm not doing anything at the moment. I've promised t o do something but time's caught up on me and I've not got round to It,
I've bNn thinking about a new sound and I fresh approach but I've still not got that clear In my mind yet.
J ohn : The only thing I did WH the Petrik Fitzgerald album. I played on the six band tracks on t hat.
Peddy- Steve Garvey-did that single with The Teardrops. It wa Just some lads from Prestwich where he lives, and they'd w ritten a couple of songs and wanted to record them 10 he helped out. I think that's as far es that went. It w es • Manchester thing, a 12 inch EP, I think.
He's also produced • single by • Manchester band called Private Sector for DJM Records, which should be out -n.
Pete'• produced another MenchHter band called The Mellotrons.
GIGS Are you going to be touring aoon7 John: We're doing Hyde Park on August 18, and we start the autumn tour on the 1st or 2nd October.
St~•: We're going to the States In September for• couple of weeks. We've bffn told that there'• • lot of interest over there, so It's looking quite good. It -m• now there's• lot of Interest in n-wave bands In America. It's finally changing I
John : We've just done• deal over there with A&M. Whet they're doing for the first ellum over there Is they're releaslng all our United Artists tingles on one album. Which Is eight singles, and all the• A' sldas will be on one side In chronologlcel order, and the ume again for the 'B' side on side two of the ellum. That should be I reaHy good album.
WIii it be available over here7 John: Well, not et the moment, I don't think. It's just an American thing. I think It should be out to coincide with the American tour.
ALL TIME FAVOURITES Pete Shelley I (#on't ~ave the necessary machinery to select favourites. Re<:ently I've been listening to ROBERT FRIPP's "Exposure" which I bought after hearing him talk about it on Radio Clyde when we played Loch Lomond In May. Generally I listen to quite e f-German ele<:tronic groups. HARMONIUM, CLUSTER, IIOEOEUUS all spring to mind, along with THE STERN GANG ■ncl ERICH FROMM's "Laibeltunst" elbum. And almost anything by ABBA would heve to fHture In• Top Ten if I had to compll■ one. · ·
Steve Diggle I find most of JOHN LENNON's worll lneplmlon■I, both with Th• Beatles 1!1M1 Th■ Plastic: Ono Band, when solo or wfth Yolto. His "Luck Of The Irish" Is e cumtnt favourite, ■long with "Complete Control" and "Sar. European Homa", both by THE CLASH. And last but not least, "Jervsa/em"by THE WIGAN MALE VOICE CHOIR! Steve Garvey I like THE JAM, THE FACES, "The Wait"(which is a 'B' aide by THE PRETENDERS), soma trades on THE SKIDS' album "Scered To Dance•~ ■ncl ■ single by ■ Mandlest■r group THE FRANTIC
I
I I
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I I
ELEVATORS, "Voices In The Dark".
John Maher 11 I Sarah's Songbirds: "Something To Do"; (2) The Coronettes: "Tum Around"; (3) Diane Curtis: "How Much Longer?"; (4) The Go-Go Girls: "The Longer I Wait"; (5) Sunshine & The Souvenirs: "Holiday"; (6) Amanda Davis: "Big Bleck Buick"; (7) The Experts: '7ea Or Coffee"; (81 The Castaways: " Time For A Chnge"; (9) Patty Lewis: "Buming"; (10) Amanda Davis: ''The Sand And The Sun". (Never heard of any of 'em7 Us neither. Apparently they're all American girlie groups and colle<:tora' items.
It -ms John got Interested In them about a year and a half ago when he was friendly with Blondie. When they brought out " Denis Denis" , John got very involved with the people who did the originals of all those late '50• and Hrly '60s songs. He also started checking out all the very early stuff that Blondie hed done, and apparently they used to ,-d under the name Rudi And The Ratldnalsl
Tha Buucocks' menager Richard Boone tells us John Is searching for the perfe<:t girlie group!)
SMASH HITS 11
YOUR STARS ARIES 1M" .'.'''I"·'" A hu:ky fortmght, yrni'II hr in llu.~ 11ght place At the uyhl 111111' II hkf' most Ariens you're good at sport. you'll hit peak form for a few months
TAURUS !Apr 71 May 71 I
A relative will be generous to you. will offer good advice Super buys around if you need clothes but look at new styles and colour schemes in co-ordinates.
GEMINI !May 22 J u ne 211
As this fortnight ends, you could settle something important to your future If you know you're on the right track don't let others dampen your enthusiasm.
CANCER !June 22July 23i
Get ready for a strenuous - but lucky - period about to begin Plan ahead and sort out where you want to go- and why. Your hopes and dreams can succe-ed -and soon.
LEO (Ju y 24 Aug 23)
Your warm Leo charm is very potent just now. A super new friendship could soon transform your scene. Cash is coming in and, if born around the 14th. a stroke of luck
VIRGO (Aug 2G Sept 231
A good time for health matters. for getting a routine check or sorting out a little problem. If you want to change your appearance, wait unt il later in August.
LIBRA I' .,.,,1 .'II I. I.· II
Nt•w lau .. ~ and plac:r.~ will be lucky to you. any sort of lriendly c.;ontact t-feed your intuition if you doubt the motives of a friend, rather than plain facts
SCORPIO I Oct 24 Nov 231
You could revise some of your ideas, think along fresh lines . You soon enter an 'opportunity phase - make sure you are sorted out and ready for it.
SAGITTARIUS iNov 23 Dec 221
What happened to your independence? If someone is giving you the run-a,ound, ask yourself if you re.,l)lly care - or ic; it your pride t hat is hurt?
CAPRICORN !Dec 23 Jan 201
Get organised - and try not to take on new tasks. The next few weeks rr.ay bring current problems to a head - but will certainly sort them out for you
AQUARIUS 1Jan 21 Feb 191
Be yourself - when you're by yourself! When in company keep your smile and your sparkle. A lot of aggro in your life right now -but pull on your sense o f humour
PISCES I Feb 20 Mar 21 /
An exciting period. especially for personal life. But so many possibiliti es that you could get your emotions in a tangle and find them difficult to unwind later
THE NEW SINGLE FROM SCOTT FITZGERALD
12 SMASH HITS
PASCALE C/W
CUMBAYA UP 36542
By David Bowie on RCA Records
I'm home, lost my Job And lnCUfably Ill You think this is easy Reellsm I've got a 9lrl out thera ls_uppoee I think the'• dancing I feel II~ Dan pare lies down I think me'• dancing What do I know?
lama OJ I am what I play Can't tum around, no, can't turn around, no l'amaDJ I am What I play Can't tum around, no, c:41n't tum around, no oh no
lama DJ I am what I play I've got believers Believing me
One more-kend Of ligh~ and even Ina,_ fast food, living nostaltfa Humble pie or bitter fruit
lama DJ I am what I play Can't tum around, no, c:41n't tum around, no lama OJ I am what I say Can't tum around, no. can't tum around, ooh
lama DJ I am what I play I've got believers Believing me
lama DJ I am what I play Can't turn around, no. C41n't tum around,
lama OJ I am what I play Can't tum around, no. can't tum around
lama DJ I am what I play Can't tum ■round, no, can't tum around, no
I am a OJ I am what I play Can't turn around, no
He used to be my boss And here he i$ a puppet dancer lam the DJ And I've got believ.,. I got balH1vers I got beHevers I got believers, believe me lama OJ I am what I play
Words and music by David Bow/e/Briall Eno/Carlos Alomar. Reproduced by permission Bew/ay Bros./Fleurl E.G. Music Ltd.
Silly Games By Janet Kay on Scope Records
I've been wanting you For so long It's a shame, oh baby, Every time I hear your name Oh, the pain Boy, how it hurts me inside 'cos every time we meet We play hide and seek I'm wondering what I should do Should I dare come up to you and say 'how do you do' Would you turn me away?
You're as much to blame 'cost know you feel the same I can see it in your eyes But I've got no time To live this lie No, I've got no time To play your silly games, silly games
Yet in my mind I say If he makes his move today I'll just pretend to be shy Oh baby, its a tragedy That you and me We don't even try
You're .as much to blame 'cos I know you feel the same I can see It In your eyes But I've got no time To live this lie No, I've got no time To play your silly games, silly games
Words and music by Dennis Bovell. Reproduced by permission Arawak Music.
SMASH HITS 13
Danny Baker went to bury
PUBLIC IMAGE but came back to praise them
A T HE point of my meeting with Public lrHge ltd I w .. Ina then a fan. I conaldered them a dirge, a racket, a
puffed up pack of non•atarter• crulalng on pralM dribbled by thoM too acarad to decry the king'• n- clothn. I Jumped at the chenca of locking Jaw• and expoalng their po••·
lat mt tell you how wrong folk can be. We faced each othar aero,, the ltifllng
lt.arlllty of a rkOrd company office, four 1tranger11udd1nly forcad to ,trike up convarutlon.
In the red corner 11t Keith Lavine, tha •light, blond haired gultarilt of the outfit; Richard Dud1n1ld, 1 tall, 1mart. wall•apoken drumm•; and finally the nation'• molt adJectlved pop star, Johnny Rotten.
Since hie epllt with the Sax Pl1tol1, John h .. bfft1 known under hi• proper hendle, John Lydon, though ha claim• It w .. a dedllon made for him by the newapapare. The trio - b111 man Jah Wobble hat yet to arrive -,wallowed can efter can of lagar end for the flm 20 mlnutaa they performed at brochure and according to their public Image. Eich quaatlon I poMd Wat returned 1harply or sarcaatlcelly, mainly by Lydon. If thl• w11 the way the afternoon Wat to continue whet WH the point. I Hked.
' 'Well,• began John. "wa Imagine thet you were Hnl to do uo for• good fulcy ■tag off -eome •good copy' It'• called, I believe. Wa thought It'd be funny."
If I wanted to dlacover Public Image, I condudad, I end they hed bettM lffve our
14 SMASH HITS
preconcaptlons In thet o,._ and ....... talking Ilk• people. e..i-. ltw• lty-6.30 and everybody co111d hew the bolts being llld off the alehoilN doon.--.. road the word, atarted te 8Dw.
I wondered howthayr.llalNNdlllelr own raputetlon. E
John Lydon: "Ju, IMe111N- ' tact like the bu1lne1a pu that .. otller bands are, we are r 11111d of aueplclou,. Y'knOW: It'd N .-Y __., for u, to poae for all Vlrgllia Illy ....._,rd cut out 1dvartlHment1, ~ • fww puf,Uchy ltuntt. ba outrag• Mll..,...lou, and churn out the Mme old 111111 hard rock' n'roll
J•h Wobbl•
John Lydon/Rotten: "Rode Is so •wfu/ . .. It'• bHn d••d for v••rw . . "
that', H dead••• doornail anyway, and than we could earn Iott of money and be good little pop star rebels.
" But that's juat what the company wan"· That•, why groupa llke Sham SI ara 10 w• liked, bac■UM they )ult fulfil their ' rebel' roles for Polydor. That', no threat-that )ult makn good edvertlaing for Polydor ... I'm sorry - I've dona my 1hare of being manipulated thank you, and now I'm •fNN we're going to have to be 1pollaporu ■-I Juet be oul'Mlvaa."
Keith Levine: " It'• Ilka everyone thilllla thet we've been lnactlva for a long wlllle, which lan't true at all. What they m-11 that we haven't Mnt out any handy ... P•- handouts keeping you all Inf....._ v•- we Jult get on with It and wOII. No glmmlclca, we Ju1t kHp working .. -1tudlo."
John: "And they My you •r• '--" bacauM you went prlvecy. Look, I I to drinking In• pub, I'm )ult like•~ ■IN In that I don't llketo be paetered, ......... autograph• Is embarr11alng for 1¥• yoiie.''
BY.NOW we had broken• gr-llNlolthe IN ad .... n to talk •bout ....._,•in111 ....... ......_ Wobblehad..a....iand, .._.,..._..ofbalngelfand ,-,111,1 .. wtrebblt aboell...._U and Mllllt ........ _hl--■ tebaa ahlTlt,...., ......
Ev-,y ••l11M1■ ll11d f,nMll •to why theywenillllllll•elted-ltyonawlttl thalr ....... .....-ntlea~en. But therew ... -,llllcl.lfto1 II to Pll'• mu..,•.......aacti•llllftelr .. h, •ltlNNIIII I 11111111 admit .. ence, In a club, tlte LP trMll HAnnall_.. llll■cked mt cold wllll Ila 11111l11t I•• fl .. ythm. -.....: 'Well, th■I'■._ People bought _.__.,m--■■■d Mid, 'entertain _._ YN - •t dot•-- our mualc. It's b11l11lly il1nc1 mlllll. Yeu've gotta bang It eip.loud and get l ........ wlth It. Realy fHI those ba11 llnaa.''
John: "Y'know•lltflpaople expected some aort of m ..... from ua. Oh no. Thay ahouldn't make-■ llllltaka of thinking I'm epaclal BECAUllrMNOTI Honaatly, l'm Julta mambat'fl•ll'"Pwho haatha freedom to r-.llat whet we feel lika, ■-I what we enJa,--.1 fHI we•,. clo .. , to disco than •""""'9 right now. Certainty not rock mualc ..... 19Ck la eo awfull It'• bNII
daedfory ...... •--•-■-that. Dlaco■-1 .... ■-lll■dlfl...-11 all thatlthlllllll__,.-.. Nin■•-·"
And de•okl ,-II NNII? " Wall ................... MI
dldwH..--■-■r,-■-. 1 ...... 111■ lda•w••~••----• • groupa,■-•--............... • 11m•:11,111■,,..._NNlll.lw .. band ................... 1toppadl .. ..._ ..
Wllllt ...... .,.. .......... et rele-■IIMW---■--■-..Plltola'?
"OIi, u ................... ··=~•-Th•-..... --...... think alltll■l .................. yabNn . ...... ,..... ....... .
Allll .. 111■"'IIIIIVW.......-ll■du1try? "'Wll.1-.. -■r,--ll■dled, the
,.., .............. ...._Md now .................... Sid w1IIHl11■-. ,_,,..,..,.,,1m1la
... Never reany know nevarrea11 .. •)l•no• In your ay" silence In your •Y••
~•~•r really linow till it's gone away never rean .. silence In your •Y•• Seen It In your ey" Seen It In your ey" In yourey"
Never no more hope away final In a fade
Watched her slowly die I HW It In her • ., •• choking on a bed flowers rotting dHd
S..n It In her eyn
Death Disco By Public lm•g• Ltd on Virgin Records
w he'd be Keith Levine N aiclc as me about all this Junk. They literally e,q,lolted him to death, poor sod had no hope . .. "
I auppoH It must be• drag having to talk about 'the old days' ao often.
"It's like having to re-five your schooldays every day. Let me make It dear. I am Just ona memb« of this group. There's nothing sinister or mystical about us. People will have to take us as we are . .. "
Wobble: "A lot of our songs are really funny. lt'a not half H straight faced N you think. Play that LP and Just accept It H a bunch of rhythms you can move to. A lot of people get put off by his voic.. Well, that's grfft 'cos If they want ua to be slngalong complacent th•y'v• got th• total wrong ldH. w~.•xpect the llatener to work too . . .
John: " Nobody..,., uSN those be11 and t'9ble knobs on their players. But that's whet they're there tori Mna about with ~ '
Lyrics to O.ath Disco r-,,roduced by permlnlon Wemer Bros Music
• I Ending in I day Seen It w11 •way
~ !' !n your eyes _, it •n YOW eyes
1~itinyouray" ve ... n It through
Words cannot •xpr::: eyes Seen It through m Word.' •re u1eln1 Y 'Y" Seen it through my •Yes
them during our stuff, make your own sound and that."
WE DRANK and talked on for the rnt of the day and moat of tha night. I WH completely turned around.
Public Im~ have brains, humour and Integrity. They'■ Intrigue you and Inspire you end male• you dance.
John Lydon h11 bNn through the whola star trip In double quicli time and ha knows how worthl ... It 11 to MIi yourself for a heacllina. He know, that If you want to play pretend at burning down tha nation there are a thousand bands only too wllllng to act out your fantaay whllet k■eplng one eye on thalr boss" reaction. Public Image are their ownbonea.
Bellen me - I w11 their harshest critic and now rm thelt most vocal supporter. And It wesn't just becauM they're 'OIC blokes'. That a band like Public Image cen succeed la important to th• hHlth of modem music.
SMASH HITS 1 S
Telling the Story Now that Third World found
suceeu, you want to know how ? Alex Slcoreclc/ has the details.
I T'S FUNNY how chart action ch•nvn people'• Image of • group. Before the M-■ of
"Now That We Found Love". Third World might have been celled • high cla11 reggae band - something of • well-cultured oddity amongat t ha toHten and rude boy• of the Jaffllllcan .-. Nowadays they, along with people Ilk• Inner Circle.- more likely to be lumped into that dl-/reggN crouonr beg. Butthe■tory I• with moat
Jemalcan groupa) la more compllcated than that. For• ■tart, four members of Third World - Steve •eat· Coore (guitar). MlchNI 'llo' Cooper (keyboard■). WIiy Stewert (drums) end lead vaceliat Bunny 'Rug•' Clarke - actually UMcl to ,,. lnllff Circle.
That venlon of Inner Circle wH formed In 1969 and 911llt up about two yHr■ lllter. Bunny left for N- York. while Cat and Ibo stayed around to form the future Third World In 1973. Bunny reoella that It dlch1't take him long to decide to rejoin his old friend■.
··1 -Third Wortcl play for the ftr■t time In N-York. After the ■how I went backstage to uy hello -the nut day• -travelling to Boston with them. a• member of the band I"
WIiiy st-•rt Joined soon after to take over H dnnwmer. With the addition of pe,a,Hlonlat Irvin 'Cerrot' J-and bHalst Richie Daley lhey Richie -where•• your nldlname?I the group WH complete.
18 SMASH HrTS
FROM THE ■tart. Third World have be■n • rather superior quality ,egg• band - due partly. no doubt. to their backgrounds. Cat. for Inst-. Is the ■on of an ex-Cabinet Minister. • sharp contrast to the tredltlonal Tr■nchtown ghetto roots of many Jemalcen musicians. But h■'• the first to deny any "superiority'', pointing out how he grew up with more ordinary kids around him.
"We used to fly th■ ••m• kite. eat the seme food. talk the ume way. When the police came end raided u■, they took ell of us to jail ...
All of 17 ve•rs old when he formed the band. Cat remains their youngnt. yat In many ways moat c,eatlve, member, But on the whole they work together, taking Joint compoling credits on many of their songs. The average ■ge of the b■nd Is ■round 2f-■t 31, Bunny calla himself "the father"!
The first Britain uw of Third World wn ■ support to the Wailers on their first big tour In 1975. But until recently It WH their first two albums that formed the basis for their following. Sophisticated by reggae ■tandards, th■y uae much more " rock" atyl■ pace and rhythm for C■t's guitar, padded out with plenty of keyboards. touchn of juz and ev■n flute. ■II over ■ distinct. If polite, beat.
What m■d■ their song• at■nd out even more were the lyrics -none of the fore.ti.II Jam■lc■n
dialect but equally compelling in their neat, well-crafted f■■hlon. T■ke " 1885 (96 Degree• In The Shade)" ...
"You caught me on the loou. fighting to be free
Now you show me ■ noose on the cotton tree.
Entertainment for you -Martyrdom for me." That aong was• big hit for
them In the regg■e ch■rta, though nothing like the l■ter succns of " Now That We Found Love" . They had a w■ll-pollshed formula going for them, but ironicelly it took this dance number to cr■ck the national charts for them ovar hare. Wh■t's more. It w■an·t even
one of their own compositions. Originally written by Gamble ■nd Huff ■s ■n album tr■cll for the O' Jays, you don' t need to listen h■rd to hear those HIiiy ov■rtones. What Third World did WH to add an lrrnlatabl■ regg■e thwang - th• disco• did the rast.
The aong Itself. however. w■a not a n-one to them.
Bunny: "When Third World first went on t he ro■d back in 1973, playing dance music -three of four sata ■ night - 'Now That We l'ound Love· w■• always • favourite of ours. We m■de aome ■dju■tments, changed some of the lyric!, - and It turned out nice: '
But aome credit for thenaound must ■iso go to their new producer, Alex Sadkln. His previous success had been with groups like KC & The Sunshine Band. ao he w■sn·t ■n obviou• choice. But " Journey To Addis" (lsl■nd). the ■lbum from which the hit single w■• t■ken, showed the mark of his influence. A further single, "Cool Meditation" ■iso captured a certain amount of glory - another 10 weeks in the charts. peaking ■t no 17.
WlTif THIS sudden upswing In their fortun■s, any b■nd would find it h■rd not to be influenced for their future r■IHsn. ■nd Third World ■re no excaptlon. The latest single, "Talk To Me". al■o carrl■s that familiar disco/ reggae touch.
In f■ct, as we were talking the news came In that the single'• ch■rt progreu had t■ken an early knock. But Bunny aeemed to t■ke It In his stride Haily enough, saying that then- album. "The Story•• Been Told". wm ... things straight on that score. Judging by their previous at■ndarda, I don't doubt It.
But there's another factor that the band have In their favour -their visual Impact. M■ny Jamaican artists ■re strictly, or at least l■rg■ly. concerned with the studio ■nd aeldom mak■ at■ga appearances.
By contrast, the Ide■ behind Third World has always Included • hHvy emphasis on performance. Their regular tours of Jamaican d■nce dubs. where they h■d to work hard for the attention of • not Haily plened audience. gave them • rigorous apprenticeship.
A more recent developm■nt In their c■r■er has been their special show celled " Explanltatlona". Thia it something they haven' t tried over here yet, but by all account, it goes down • treat in Jamelca. Balically. they expand the them■- in their aongs with d■nce and dr■m•. all combined into one coherent sat.
Parhaps the fact th■t they've been playing to p■cll■d hou ... in Britain h■• perau■d■d them th■t their show doesn't need any extras just yet, but It's an ace up their sleeve th■t we'll be happy to ... th■m play any time they like.
· GIE
ACROSS
OK. aH you funk fans, here's your big chance to chase your vinyl dreams with one of the 25 copies of "I Am", Earth Wind a Fire's latest hot album, which we're gMng away as this laue's crossword competition prize. You know how It goes: the first correct entry opened after the closing elate collects the radio cassette player as 1st prize,. plus a cassette of the Earth Wind a Fire album. The next 25 correct entries opened after the closing date each cop a copy of "I Am". All clear? Then i.t'uee you move ...
How to enter Simply niv. our cro•-ord puzzle. writing the enswera In Ink. pen or lla11polnt. Complete the coupon with your own full name and lddrMS, end then cut ltout llld pa.tit In I SNted envelope addres1ed to: SMASH ttrr&ICro-ord No ,11.111 Peril Road, Pfflf'borougt, PE1 2TB. Make sure It arrlv" not later titan August 7th, 1979, the closlng ute. Sender of tlle first -ct ent,y chacked after the clo•lng date wit than wla the radio cetMtte player. S111ders of the next 2li cotrect tntrlel wlll NCh receive e copy of the Earth Wind a Flre album. The Editor'• dlcltlon on all metten reletlfle to the competition wHI bl final end , ... ny binding. No corr .. ponclence can be enterecl Into. Th• COlllpetltlon .. open to all rffden In Great Brlteln, Northem lrelencl. Eire, Chennel ..... Ind. the We of Men, excludlllg -.nploy- lend their fem-I of Smnh Hits end bat Mldlend Allied Pr-.
1 Group that hll• Its polnts71 4 Alm• Th• Lone Rantw'•
akletlck- lrm.ed It'• the group whq hit with "Hold The Lin•"
DOWN 1 "Communique" bend not In
•uch • bed way e• their neme suggnts 14, 71
r~www~w-~~--~~w~------I AmlM7
10 Guv'nor of The lleplap II, II 11 Cc!ncert that'• a bit oh
glfllelll 12 Pert of " Sunday Girt" thet
mall .. It such e hot record71 1S •·•6TlneTumer 14 Fortun.-, Hu 31 clown for ·---11 "Some Glrla" hltmekera 11 Could be Sally or her brother
Mike 11 Early Paul McCartney album
-might find It emong the •hNpl
20 MIHrable like thet Blu .. bencl7
21 8"6"sllbel 221.NofMud 23 .,.__The····,•• l"lttl
Smith 21 Roel Slewlft hll• Nllecl the
lete •·· Cooke his favourite singer
27 Klld of COUrH 30 Part of Ven Helen you mltht
find lntoldcetlngt 32 Bonnie of"Loat.tn France" etc n Oleco/ragg" band who
sound HIie they'.,. hit the bullseye! 11. II
SI Biondi•'• first bltlle 37 Bit of Clerk Kant'•_,.. llfa
Inked withe gentlemen of the roed form• e group I
2 Thia bind nund llb they should do their gigs at Brande Hatch! (I, 41
3 Lut In the chert with "R■fnlng In My Heart"
4 Could be Bram, could be Peter llylch thll famous cleuleel gNzer (bet you have trouble ape(Ung 1111
5 &17Th-'•fletll>N l■negr■m I, 71
7 Ahltfor37ecrouandenno which mede Mnffl 17, 41
8 Not Debbie, •h•'• TV'• blonde min bombshell
9 A gem ol • alnge,714, 71 17 SNldown 19 Diaco producer Giorgio •······
II moat famous for his wor1l with Donne Summer
24 What he fNla llke at home, eccordlng to the Geng Of Four
25 Richard Jobson'• band 21 "A Single••·" Elton John 28 Queen's label 29 Rich Kid Matlock, 111 ol Pistols 31 "Sey When" 11 her follow-up 32 Nugent the heavy metal
axemen 34 Mr Stevena who ought to Ilka
SquNze'a album I 35 Bowle'• label
Answers Crouword No. 14 T1,o.., __ _,_lnllle1Mtluue-.t11o-•0Cros1WON1No. llondnot l4 Nlatrld. a.tow-.ttteHrNCt......,.10eto.word No. 1, ACIIOSI: 2 ''luclly Number"; 7 AMII ltarduot; 10 X .... y (Spex); 12 Orcltfftr1; 1J Sun; 11 "0-A-.y"; 17 Dr. FNlg~; 20 IP-hes and) Herb; 22 """'1 (Of Glaoe)": n Elec1ric tUght Orchestral: 24 "Ollvw'• (Army)"; 25 "Jimmy IJlmmyl": 21 (IIHy) Joel; 27 -~-. DOWN: 1,._,"llldllterbl; Z "l-Song"; 3"Contact"; 4Mod; 5 (Devldl l!Nu; 8 •Y (Joel); I T1wN l>egrese; I (Johnny! Rotten; 11 Abbi; 14 Dan IIMlman; 18 ...,._; 1' " Freglle"; 11 bldciN; 21 Rocle. Winnen of Cro-ord No. 15 are on page 30
) 1 2 4 5 67
I I
I
I
Name
Address
No. 17
Age
SMASH Hns 19
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Details as lollowa:- Colours: Rod, Yellow, Blue, Black and White. Sizes: Sml, Med. and Large. (115 type T-ahlrta, also available In child
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20 SMASH HIT'S
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This wild rose t het I hold in my hnnd It could grow to be so strong Born one night in the calm of the storm It was made for a rock end roll song It's only just seen the light It could so easily fall Back to the gentle night One cruel lio and it could die Don't kill it Carol
Repear chorus
It's looking for a place to live Outside all space and time Where there's no nHd for it to lade There's • secret 11ard1n That I think we can find lots of s.unshine, there's a touch of shade
Repeat 1st verse and chorus
Words .-,nc1 mus,c by M,ke Hern Reproduced by perm,ss,on H,r Songs Ltd
Since I Don't Have You By Art Garfunkel on CBS Records
I don't have plan.s and achemes And I don't have hop .. end dreems I don't hav, anything Since I don't have you
I don't hav, fun desires And I don't hive happv hours I don't have anything Since I don't have you
I don't have happiness And I guess I never will ever again When you walked out on me In walked the misery And he's been here since then
I don't have love t o share And I don't have one who cares I don't have anything Since I don' t have you
Repeat last verse
Words Bnd music by J. Beaumon,/J. Voge/l W. Laster/J. Vertcharen. Reproduced by permis1ion Southern Music.
You you you you you you you you )'OU VOU
SMASH HITS 2 1
--•• ,.f ) ., ~ \ ..... ,": r.:--.." .,·
C LIFF WHITE Just came charging In the office and said, "Bev, listen to this -
it's great!" So there's me thinking he's about to crack• joke, but no, he's about to play a record. So I listened and thought, crikey, he's right! It /sgreatl The record was '1 Wanna Do The Do" by Bobby Rush !Philly, Import) and Cliff reckons-well, we both do now -that it's gonna be a massive hit (if it ever gets released here). Cliff seems to be carrying his copy around and giving everyone a trial hearing, so look out for him - he may be heading your way.
Before he dashed out of the office (clutching his Bobby Rush single of course), I said to him "Have you got a couple of hours, Cliff? Only I've got some equally good records." But I won't bore you with our conversation details, 111 just give you my verdict. Arst on the turntable was Roy Ayers' new single, "love Will Bring Us Back Together". I reckon this is the best track off his "Fever" album and deserves to be a hit.
Earth Wind&. Fire's follow up to " Boogie Wonderland" Is "After The love Has Gone", taken from the album " I Am". When I first played the album, I thought "Star" was by far the best track but I hope this does as well n "Boogie Wonderland". Another record that I'm raving about (end so Is my mate Nick) is "Strut Your Funky Stuff" by Frentlque IPhily Import) I'm sure
','ou'II find this great to dance to - I just can't keep still to it.
A couple of -ks ago, whilst I was boogying the night away In • disco, I heard a record which I've been singing ever since. It was called "Gone Gone Gone", and then I found out that It was by Johnny Mathis (CBS). I couldn't believe ltas I'd never even given him a thought before, despite my Mum trying to Influence me with her collection of albums. I suggest you get hold of a copy because I think it's gonna be a smash.
Two album tracks that ere big at the moment are "Corne On And Do It" by Poussez taken from the album "Poussez", and " What You Waiting For'' by Raydio (Arista). Tt-.ey had a hit with "You Can't Change That"
22 SMASH HITS
and this Is taken from their album "Rock On".
Al Wilson's new single "Earthquake" (RCA) also seems to be pretty popular with continuous plays In the discos. Another couple definitely on their way up are "Keep On Knocking" by Jacob Miller (Joe Gibbs, Import) and "You Never Know What You've Got" by You And Me !Laser) and, oh yeah, not forgetting "My Tune" by Cool Notes (Scope)!
I met my friend 'Big Tom Holland' the other day, end for those of you who don't know, he's the OJ from the Lecy Lady club in Seven Kings, llford. He reeled off about 20 of his favourite picks, and here's a few for you to checl< out. "Tell Me Me" by Curtis Mayfield IRSO) taken from the album "Heartbeat". "Sweet Lady" by Chain Reaction (Import, Jam Sessions), "light Of The Universe" by Sun (Capitol import) and "I Love" by Taste Of Honey (Capitol import). Remember their hit "~le Oogle Oogle"? Well, they re back with another biggie.
I'm pleased to say that I've been getting some fan mail at the office - unlike Red's hate mall! Thanks to Brian of Halstead, you never know Brian I might pop 'round one day I Also to Neil of Woking-your local club in Walton sounds great fun, and I'll try to get down there sometime.
Before I go, I'd like to say 'hello' to Tracey Bush of Grantham who is a regular reader and disco freak even though she is only 14. I think she's got great taste - keep funking Tracey!
You're not going to believe this, but whilst I W8$ writing this, Cliff White came in, went out, but now come back with yet another single. This time It's the new one from the Fat Larry Band titled "Looking For A Love Tonight" (Fantasy) -very similar to GQs "Disco Nights". This Is equally as good as Boby Rush -1 just don't know where he's getting them all from! He does nothing else but boogy round the office all day showering me with new releases. Keep it up Cliff- at last my Job Is becoming easier!
Boogying Bev
TOP 40 TWO
THI$ WEEl(S WEEI( AGO TITlE/AATIST IABfl 1PM
I I ALYGAMUJANETl<AY Seal!! R!!ill!! 2 2 0000,-S CHIC Atl~nuc 112 , 3 IIAO GIRLS DONNA SUMMER CeubJanca 12% 4 6 r lll A SUCKER FOIi YOUII LOVE TUNA MARI£ Motown 116 5 5 SPACE-SUCK Fanta!}: 130
• 4 LIOHT IIIY FWII AMII STEWART At1•ntic Hanta 134 1 7 GET ANOTIIEII LOVE CHANTAL CURTIS ~- 124
• 23 OOH-TALlfE GIBSON BROS lsl•nd Aeg9N I 21 1-THEFAMILYIIAC«BILLYPAUL Phil Int 110
10 14 8011N TO II ALIVE PATRICK HERNANOEZ G•f!"~triut 133 II 22 IIIORNINO DANCE SPYRO GYTIA lnfini~ 102 12 9 -GIIOOVTN' LIGHTOl'THEWORLO Entfin 132 13 WW'l'I IIOOClE DOWN jGET FIINIIY NOW! REAL THING !:x! 14 15 MAKE MY DIIEAM A IIEAI.ITY llO Alim 122 15 13 RING MY IIU.ANITAWARO TIC 127 If 20 STAIIS SYLVESTEII Fantas:t: 1.W 17 18 DR JACKYLL. MIi fUIIII( JACKIE McLEAN RCA 118 If 8 GO WEST \/ILLAOE PEOPLE Mer,:u~ 129 19 35 TIii! IOIS DIANA ROSS Motown 124 211 -THE llfTCH OLYMPIC RUNNERS Po~dot 21 16 WEARE FAMILY SISTER SLEOGE .l\11antlc 111 22 10 UVING ON THE FIIONT LINE EDOY GIIANT Enatan Amae 2, 12 IIOOGIE WONO£RI.ANO EARTH WINO• FIRE CBS 130 :IA 25 rVE GOT THE NEXT OANCE OENtECE WILLIAMS C!S 121 n 11 AIN'T NO STOPPIN' McFAOOEN lo WHITEHEAD Philtnt 113 211 24 YOU 00HNA MAKE ME JONES GIRLS Ptul Int 106 27 34 -ATCHA GONNA 00 STEPHANIE MILLS 20th Ctntu!)'. 21 27 ~ TO YOUII-D HUDSON PEOPLE EntlQn- 128 29 36 IAIY IAIIIA BOOGIE GAP BAND Merw!X imeort ,. 30 GROOVIN' YOU HARVEY MASON Arista 122 31 38 SIL VER IIEEL DAVID BANDETCH lnC-.tglobel/EE!:lc J2 17 LONE IIAHGER QUANTUM JUMP Electric 33 19 HAPPY RADIO EDWIN STAIIR 209:h Centu!X 135 .,. 29 DANCE WITH VOU CAIIAIE LUCAS Soler 128 35 .,,.,., THERM WAIIIAIIE HEATWAVE GTO - 2$ STIILIT YOU!! RINKY STUFF FRANTIQUE Phd Int. lmeort 120 37 31 TAUt TO ME THIRO WORLD let11nd 127 31 28 MAKE YOUR MOIi£ JOE THOMAS TK 129
,. -IT'S TOO FUNltY JAMES BROWN Polictor 10, ......... IIIIU>LAND WEATHER REPORT ces The Disco Top ..c> is compil-ed by R,-cord 8uslr1ess magazine baled on &alfl .._ ~•llsl djfco shops 1"- c;hli" i:S alto uhd by Redk> Luxembou,·g, a11Q qlecllOl'IS from it..,. played by Rob Jonos on hi• Thu~ay and Sunday tl!ows.
l
Get Another Love By Chantal Curtis on Pye Records
Baby, sweet baby Evwy night when I'm In bed I reach out for you but you're not there So I think of you with her Laughing end making love And I tell myself I too - I've got to get another love
My baby nld to me It's time to bruk free Going on this way Huru more end more each day When I look you In the eyn They don't shine, I wonder why
Chorus Get another love, get another love That's whet I've got to do Get ■nothet' love, get another love That's whet I've got to do
I gave myself Inside Pieces I try to hide And put them In your hands I thought you'd undentend That I needed you oh to be my man Repeat chorus
You've made me '" The joys that life can bring The many little things Together we could sing Oh eh end now you wanna INve After ell then years
Words and music by E Donable. Reproduced by permission leosong Ltd.
Repeat chorus to fade -~
By RED STARR THOUGHT you'd got rid of us, didn't you? Tough luc:11, Starr t eaffl'S. The reel reason I'm ovllt' here this t ime ia beceus• Cliff White - well, it's notthe woodworm in hla wooden leg w e mind, or even that g rating noise when his brain cells rub together (both of them). but when it comes to the vital young mualc of today- shffsh, torte abaht iggerantl
So, here I am to put y ou In the picture with aome of those pioneering Independent singlH , generally the ones with more character and energy than the rest put together. Starting with . . ..
GLASS TORPEDOES: Someone Different (Tffnbeat/Rough Trade). Liverpool will rise again I A real gem of a 3 track EP from :the Kirby kids - two soaring,
~
nergetic catchy pop tunes and a riving instrument al ancl every ne a w inner! Simple,
jUnpretentious and a sheer joy to hear - every home shou ld have one. Probably single of the year, OK?
l-uo & THE BUNNYMEN: The liikt~res On My Wall (Zoo}. More Liverpudlians and another excellent single. Greal song, mysterious, eerie and melodic, i)rippingly sung over spirited acoustic guitar and Mellotron ! Magic-love it l
CULT AGURES: Zip Nol1111 (Rather/Rough Trade). I detect a very large helping of the utterly splendid Swell Maps here in one pf t heir more carefree moments. Chaotic but tuneful song a bout a highway patrolman - listen and grin! Great stuff.
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METAL BOYS : SweetMaylln (Rough Trade). Breathy, whispered vocals over tight, razzy guitar and clipped, urgent synthesised rhythm. Intriguing, danceable and vaguely menacing - like it, like it.
SHAKE: Culture Shock (Sire). The instrumental half ofThe Rezillos re-emerge w ith this extremely nifty four track, ten inch EP. Bristling w ith energy and feeling, this tuneful, no-nonsense pop-rock grows on you w ith every play. Clever, fun and built to last - posers beware!
SPARKS: Beat The Clock !Virgin). My idea of hell is finding Sparks in Heaven. I hate their falsetto voices and false moustaches but worst of all I hate the way their stupid songs cling to the brain w ith distressing tenacity. This is more disco style garbage but not as strong as their last effort - thank God.
MONOCHROME SET: Eine Symphonie des Grauens (Rough Trade). Tuneful, almost cheerful and certainly very accessible stuff here - good song, adventurous backing and fine \ playing: very good indeed. Modern but light.
(All of the above come highly recommendt1d. If you have difficulty obtaining tht1m, write to Scott at Rough Trade, 202 Kensington Park Road, London W11, and tel/him west1ntyou.)
THE CARS: !At's Go IElelltra). The best track from their excellent new album, this is sleek, well-designed, chrome pop. Beaty and melodic but may take a few spins to sink in. Good one. The '8' side, " That's It" , is not on the LP.
THE MEN: I Don't Depend On You !Virgin). If my beady ears don't decei11e me, this is in fact the thoroughly wonderful Human League plus st1ssion musicians and girt vocalists, It's also really good, so persevere if it doesn' t hit you immediately. Difficult fun - a strong female message over tongue in cheek disco. Buy it first, love it tater.
UNDERTONES: Here Comes The Summer !Sire). I thought " Male Model" would have been a better single but this distinctive little pop gem will be a deserved hit anyway. Two tracks on the flip, neither on their album.
BOOMTOWN RATS: I Don't Like M ondays (Enalgn). This w ill probably be number one for weeks-unfortunately. I think The Rats are shallow and a prize
bore but I do seem to be In a minority of one. Still, might as well go down f ighting - this is an Elton John/Bowie ri p-off for the under f ives, r ight?
SIMPLE M INDS: Chelsea Girl (Arista/Zo om). The crowd favourite from a superb Scotlish band who are the bridge between M ainstream and New Wave. A m edium paced but urgent ballad, it's a passionate appeal to an empty headed girl from a lonely boy. Simply a classic-acquire immediately if not sooner. The 'B' side, " Garden Of Hate" , i s not on the album.
-DIRE STRAITS : Lady Writer (Vertigo). This is SO like "Sultans Of Swing" it's not true. look, the only way you'll want this is if you've got (a) more money than sense, and (b) a memory like a sieve.
ANITA WAAD: Make O.lieve Lovers (TK) . I suppose you can't expect her to follow up "Ring My Bell" just likt1 that, but this is a disappointingly thin song with Anita sounding a dead ringer for Deniece Wi Ilia ms. However, Bev - who know s about these things - says a hit . So be it.
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l<ANOIDATE: Girls Girls Girts {RAK). I'm under strict orders from Bev to give this a good review . A pow erful woman is our Bev - she can break a man's arm w ith a blow of her nose. This is smooth soul a la disco w ith a rew su itable partying noises and even some handclaps for good measure. Dumb lyrics but doubtless a hit anyway.
ME AND YOU: You Never Know What You Got (LI Hr). A j aunty, summery little reggae number w ith a madly catchy hook and chorus that w ill haunt you from the word go. Verily I say unto you, a monster hit.
fl YING LIZARDS: M oney (Virg in). WOTTI! Blimey - e bored, vaguely foreign sounding lady recites the lyric of this rock classic over a backing that sounds as if it was co ncocted from t in boxes, cheapo Woolies guitars and a synthesiser. Very strange. Actually, it 's great and almost b izarre enough to be a hit.
MATCHBOX: Black Slac ks (Magnet). This Is great outrageous fun from a modern rock'n'roll (Darts style) band. I defy anyone to sit still to this cracker and If anybody buys Showaddywaddy Instead I shall take it as a personal insult. Tha least you can do Is check it out, OK?
TALKING HEADS: Take Ma To The River (Sire). Reissue of a briJ/iantversion of th is great Al Green song by New York's finest. Taut, sensuous and emot ional, i t 's electr ic funk that grabs the bra in as well as the body. It's wonderful and you've got to have it
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28 SMASH HITS
Send letters to ...
DEAR PUNKS, Teds and other idiots. For God's sake grow up. I'm fed up w ith you criticising each other. We all have our own bands we like so shut your traps, you mouthey lotl Kevin Depear, Spalding, Lines. Hmm. It's a bit short on wit, Kevin, but at least It's SHORT -•nd·to the point.
IN YOUR mag, 28June-11 July, BITZ, you stated that The Voice Squad was a band called Kokomo. But in a recent radio interview Tom said it was TRB, but the rest of the band didn't like that sort of music so they called themselves The Voice Squad. Which is right? Dave Shepherd, Reigate, Surrey. P.S. Good band to check out: Pinpoint. And how about giving Wire a plug? Oh ho ho HO HO HO. Let's reed that again. How about yuk yuk yuk giving Wire tee hee hee a plug AH HA HA HA HA ERRRFFFFF. Oh dear, what a
i..1 8 .-oo..c\lo)Q.~ ?e ~ er'od" ousn.
r1111Y and kicks him in the (hey, something gone wrong herethis isn't meant to happen). I've still got one w ish left, remember, meet Mike (ah that's better)- he swims like a fish. Come on, Mike, I says, let's sw im ... OFFI
wag. To tha i,.,t of our knowledge, Dave, Kokomo are definitely the singers on " Never Gonna Fall In Love .. . (Agaln lw, and it's TRB on tM flipside, OK?
WHAT I can't understand is why folks only like punk or only lite soul or only like rock 'n' roll etc. After hearing doses of each variety, I realise that each type has its good and bad points. At the moment I find myself dancing to soul and disco music. But that doesn·t mean there lsn·t some ace punk around at the moment.
Who cares what anyone else likes? Music's to enjoy, ain't it? C. Shendan, a Soul/Punk/Rocle 'n' Roll and even Pop Music loving Londoner, I/ford, Essex. PS. Music rules over violence. More than that, everything rules over violence.
I AM a fan of Abba, ELO and Supertramp. and I've got an idea w hich I'm sure all guitar players w ou ld gain from. My idea is to print guitar chords alongside the wor~ of the Smash Hits singles. Easy guitar chords shown on the page would help the beginners like myself. Paul Clark, Edinburgh.
WBOWLane .......... Lance
I 1 79
We've bee •~I which n ~ • ng to Work out forthis":J~'f!:pnk y;u chopped up Gen 1 , ernard
The moral of the story is don't give Siouxsie a bad right up or I'll send the boyz round to beat you
Hev 'fOU LQt ! HoY' aY,ou T A rt.w Pfs to/s P\C 8 •
(rocK 'n •roll' s DEAd) tbE .Sex R.sf olll Al\e se·•T so Stu FF 11/e
:::~i \lAUJ • GM.PUNK Which Sex Pistols is that, fellas? The old Sex Pistols, who are now deeder than the Dodo, or the new Sex Pistols, who haven't yet recorded? M akes ya think, dun nit?
l'VE GOT every copy of Smash Hits. In No 14 there was a song called "Girts Talk" by Dave Edmunds I was wondering if you could write out the guitar chords of the song for me. I am 11 and I do strumming on my guitar. TtJrry O"Brlen, a devorecl ELO fan, Hatfield, Herts. Does this mNn that tha next e-atiQn of rock stan ls going to i,. dominated by pr-nt-day ELO fans? We'd like to help you, fell••· Unfortunately, music publishing companies don't allow us t o print music alongside the song words, so you're gonna have to buy the companies' sheet music: to strumalongahits.
HERE'S ME thinking about (yes folks you guessed ill) Noddy. oh Noddy, great, Noddy's super, Noddy can do anything, when POWI Up pops my fairy godmother w ith the I'll-give-you-three-wishes routine.
Wish No 1 was easy. Wish No 2 - I wish we w ere both at the seeside. C'mon Noddy, I says, let's swim. It's just not ma seen, man, he said in a broad outer Mongolian accent. What he really meant w as he could swim.
FAN CLUBS GRUMBLEWEEDS c/o Sheila. 20
Windmill Lane. Reddish, Stockport
THE POLICE c/ o Monique. A&M Records. 136/ 140 New Kings Rd
London SW6 KISS: c/ o Pye Records. A TV House, 17 Groat Cumberland
Place. London Wl RUTS cl o Andy Damian
(Manager). Virgin Records. 2/ 4 Vemon Yard. 119 Portobello Rd.
London Wl 1
up (he says in a MONSTROUSLY llMIO VOICE). CUTI Siouxsie, Gang Of Four, Ruts rule (but you know that already, don' t cha). Johnothsn Rotton, Gosforth, Newcas1le. P.S. Save the whale. Ah l Uh? WH It something we Nid?
........ , -
It era. opinion Hems to be that we, either W"kend or Bu
: nyhow, you're now flied In ~'J; 811 ■quest Spot folder along with etyone elae. Comfy in there?
Oh you li ttle monster, I cries A long running argument abo Here's the pie, enonymous of ~!r:.ulWeller? The mind boggles.
' were you right or wrong?
SMASH HITS 29
......._
. piled by Bev Hillier
Friday July 27 The Speclala Birmingham Barbarella's The Zones Wigton Market Hall Aftu The Fire Burton On Trent 76 Club Simple Minds Liverpool Eric's Pretenders Scarborough Penthouse UK Subs Barnsley College Of
Technology Sinceros Lincoln AJ's Club Adam And The Ants Newcastle Mayfair Matchbox Soull1end The Minerva B-52s Retford Porterhouse Glass Torpedoes, Joy Division ett.
Blackpool Imperial Hotel (International Year Of The Child benefit concert)
Saturday July 28 Ian 011ry/Bloclcheads Aberdeen Capitol TheSpeclal Dudley JB's Grover Washington Jr. Dunstable
California Ballroom The Zones Derby Ajanta Club After The Fire London Music Machine The Pretenders Aylesbury Friars Sinceros Birmingham Barbarella's Adam And The Ants Middlesbrough
Rock Garden Matchbox London Lewisham Black Ball Sham 69 London Ra inbow Theatre Gang Of Four etc. London Electric
Ball room I Rock Against Sexism)
Sunday July 29 Ian Oury/Blockheads Edinburgh Odeon Simple Minds Leeds Fforde Green The
Pretenders London Lyceum Adam And The Ants Jacksdale Grey
Topper B-52s Redcar Coat ham Bowl
Monday July 30 Ian Oury/Blockheads Edinburgh Odeon Grover Washington Jr. Brighton Dome The Chords London Nashville The Zones Plymouth Fiesta
Tuesday July 31 Ian Oury/Blockheads Glasgow Apollo Pretenders Norwich St. Andrews Hall UK Subs London Notre Dame Hall The Zones London Dingwalls Matchbox London Vortex
Wednesday August 1 Adam And The Ants Plymouth Woods
Thursday August 2 Pretenders Birmingham Barbarella's The Zones Chesterfield Fusion Matchbox Derby Talk Of The Midlands Adam And The Ants Port Ta I bot
Troubador
Friday August 3 Ian Oury/Blockheads Oxford New
Theatre
30 SMASH HITS
The Specials Sheffield Limit Club The Zones Aberavon Nine Vaults The Pretenders Newcastle Mayfair The Invaders Lincoln AJ's Adam And The Ants Newport The
Village
Saturday August 4 led Zeppelfn Stevenage Knebworth
Fest. The Specials Blackpool Norbreck Castle 'the Zones Bath Brillig Arts Centre The Pretenders Manchester The Factory The Invaders Manchester Mayflower Matchbox Norwich St. Andrews Hall Adam And The Ants Nottingham
Sandpiper
Sunday August 5 Ian Oury/Blockheads London
Hammersmith Odeon The Zones Newbridge Memorial Hall Adam And The Ants London Lyceum The Invaders Dumfries Stagecoach
Monday August 6 Ian Oury/Blockheads London
Hammersmith Odeon The Zones Swansea Circles The Invaders Deeply Vale Festival,
Lanes.
Tuesday August 7 Ian Oury/Blockheads London
Hammersmith Odeon The Zonea Sheffield Limit
Wednesday August 8 Nothing!
Thursday August 9 Ian Oury/ Blockheads London
Hammersmith Odeon The Zones Norwich Boogie Ouse The Invaders London Marquee
PUZZLI AJISWIBS
Crossword No 15 Winners Cassette WiMer Jayne Ski•er. Bridlin ..... Varies
Album W,nnero; Josle liclll, Holbrooks, co,,..,try. PhllHp Jove-. Coventry. St11>hen Warne, St.fford.C..t Betrett, Batley, W Yorks. Jankle Kinclon, Laira, Plymouth. Stephen Wood. Solihull, W Midlands. Merit Fo..-, Edlnbuf1lh. Neil Rowe, R1yleigh,E1Mx.Stuert Atkinson, Orpington, Kent. Sara Gooch, Low.-tolt, Suffolk. Martin Harris, C.rllale, Cumbria. 0-rah Neale, Welsall, W Midlands. And,-, Paxton, St Helens, Merwyslde.
Tanye Saplano, Dagenham, Eaux. Sally Wiring, Wontey, Menc:hester. -Sh-. Gedlong. Nottinghemalll,., Graham Drake. Brecldnhllm Bay, Su-•. BIii Pllrick, Sere Regis, Werllham. DorMI. Devlcl Jonn. Fulmer, Bucks. Ju-Parlllnoon, Uncoln. Peter Ghon, Roker. Suad-•cL TL Norton, Woiv«llampton, W Midlanct., Sullft N11nett. Wlfaton, ulca. Katherine Rudd, Fanglon, Yorio. ~r• si,..,t,ard. Bernet, Hem.
(Ho-Ho-Ho-Ho-Ho)
(Ho-Ho-Ho-Ho-Ho)
(Ho -Ho-Ho,Ho-Ho)
(Ho-Ho-Ho-Ho-Ho)
(Ho-Ho-Ho-Ho-Ho)
Repeat chorus ro fade
SMASH HITS 31
