3 note motif

Interval

of 6thDescending step movement Sequence of opening

tune one step lower

Bars 1 – 20 1st Subject

Crotchet pattern outlining chord V

Woodwind in octaveschord I chord V chord I

Repeated woodwind chords

Dominant pedalBridge Passage (20 – 44)

Altered 1st subject theme from here

Sustained woodwind chords Forte

Horns enter for the 1st time

No sharps

modulating

Relative major Bb major

Perfect cadence

Violins play triads one bar descending sequence

sfortzando

Dominant pedal (f)

2nd Subject (44 – 72) Perfect cadence

V - I

Pathetique mood

Chromatic melody

Bb Major

Sighing mood

Thinner instrumentation

Woodwind now play theme without the oboes

Ab major dominant 7th chords

Repeated one bar phrase

Crescendo – getting loudertrill

Chromatic bass

Chromatic ascending quaversUnison strings

Ic V7 IBb major

Descending quaver pattern

Canon lower strings

1st motif stretched = augmentation (upper strings)2nd part of 2nd subject

1st subject motif

Codetta 73 - 100

Perfect cadence V – I Bb major

Codetta idea repeated

Homophonic texture

V - I V

I V - I V - I V - IExposition repeated

Pivot chord(Link)

Dominant 7th G minor chord

G minor chord

Diminished 7th chord

octaves

motif

chromatic chords

F# minor

Sustained chromatic chords

Sequence

theme

theme

E minor

Countermelody (Staccato)

A minor

D minor

Countermelody swapped

G minor C major

F major Bb major

Dominant pedal

Thinner texture

Dialogue (question and answer)

3 note motif of 1st subject

pedal

pedal

pedal

pedal

Recapitulation – identical 1st 20 bars in G minor

Extended Bridge Passage to 51 bars rather than 24 (184 – 227) to provide balance

Eb Major

V - I

Tutti Forte section bars 191 - 227 Theme split upper and lower parts

New Quaver Counter melody bassoons main theme violins

Parts swap over bar 198

F minor

Theme split upper and lower parts

Eb major

G minor

211 – 227 same as 28 - 43 but this time in tonic key

Dominant pedal D

2nd subject now in tonic key 227 - 241

One bar rest adds to the drama of expectation

Theme shared between woodwind and strings

Texture and dynamics reduced

241-245 extension section modulates to Eb major

Dominant pedal

Rising one bar sequences in the bass

Ic –V- I in G minor

Rising version of the theme heard at 66 - 72

3 note motif of theme passed between clarinet bassoon and flute

Augmentation of 1st two notes in strings

V - I Scalic flourish

Forte passage interrupted by a quiet passage

Small fragments of 1st subject

Tutti homophonic ending on chords I and V in G minor4 strong final chords to end