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30. November 2017 – Giesserei · The fellows all get to diggin’ but they ... Out on the briny...

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Shiny Stockings 2 B Blöcke, Schlagzeug 3 × On a Slow Boat to China 3 Es I: Chinesisch p; S: 2x, Ton aushalten Stars Fell on Alabama 4 F I: 4 Takte Makin’ Whoopee 5 C dr-Schlag, Intro. voc-tp/p-voc vor Solo > Route 66 (C-Dur) 6 C Shuffle; voc/sax 3 ×/b/voc2-er-Breaks. S +2 × 4T Fools Rush In 7 F Schluss verlangsamen Besame Mucho 8 Am Black Coffee 9 C Diamonds Are a Girl’s Best Friend 10 B Embraceable You 11 DUO C Let’s Do it 12 F It Had to Be You 13 C I: 2T piano. Alt-Bass. S: + 8T Je ne veux pas travailler 14 G Have Yourself A Merry Little Christmas 16 C The Christmas Song 17 As Abfolge: Let It Snow 18 B. S: Instrumental «Let it snow ...» Santa Baby 19 C S: alle singen. S 3-mal Santa Claus Is Coming to Town 20 F I: Turnaround. S: 3-mal Winter Wonderland 21 G S: dehnen ab A 7 2017-11-28 Schwarz = Shrink&Jazz alle Grün = Duo Rot = Trio Blau = Weihnachtslieder 30. November 2017 – Giesserei Bye Bye Blackbird 22 F schneller, Dream a Little Dream of Me 23 Des My Baby Just Cares for Me 24 C Breaks S: 2x Stopp auf Me, p weiter More Than You Know 25 Schluss: Verlangsamen Mean to Me 26 C. S: normal (Musiktipp: Billie Holiday) Manhattan 27 B Intro p AAB. voc-cl+p-voc Girl from Ipanema 28 Es Mittelteil einfach spielen. voc/sax/voc That Ole Devil Called Love 29 B (C– 7 ). p Intro. S + 2 T ’S Wonderful 30 G How Long Has This Been Going On 31 DUO – Pause nach Verse. C (G 7 , G O ) S: 3T Bei mir bist Du schön 32 Cm. Verses 1. Teil tp 2. Teil Sandra. S: 3× These Foolish Things 33 B intro auf B. S: Stopp Volare 34 Es I: voc. voc–sax Verse/Thema–voc Look for the Silver Lining 36 G Intro: Trio B-Teil Over the Rainbow 37 G There Will Never Be Another You 38 B I: 4 T, S:+4 Takte p Lead + aushalten
Transcript
Page 1: 30. November 2017 – Giesserei · The fellows all get to diggin’ but they ... Out on the briny with a moon big an shiny, melting your heart of stone, I’d love to get you on a

Aktuell30. November 2017 – Giesserei 1Shiny Stockings 2B Blöcke, Schlagzeug 3 ×

On a Slow Boat to China 3Es I: Chinesisch p; S: 2x, Ton aushalten

Stars Fell on Alabama 4F I: 4 Takte

Makin’ Whoopee 5C dr-Schlag, Intro. voc-tp/p-voc vor Solo >

Route 66 (C-Dur) 6C Shuffle; voc/sax 3 ×/b/voc2-er-Breaks. S +2 × 4T

Fools Rush In 7F Schluss verlangsamen

Besame Mucho 8Am

Black Coffee 9C

Diamonds Are a Girl’s Best Friend 10B

Embraceable You 11DUO C

Let’s Do it 12F

It Had to Be You 13C I: 2T piano. Alt-Bass. S: + 8T

Je ne veux pas travailler 14G

Have Yourself A Merry Little Christmas 16C

The Christmas Song 17As Abfolge:

Let It Snow 18B. S: Instrumental «Let it snow ...»

Santa Baby 19C S: alle singen. S 3-mal

Santa Claus Is Coming to Town 20F I: Turnaround. S: 3-mal

Winter Wonderland 21G S: dehnen ab A7

2017-11-28  Schwarz = Shrink&Jazz alle  Grün = Duo  Rot = Trio  Blau = Weihnachtslieder

30. November 2017 – Giesserei

Bye Bye Blackbird 22F schneller,

Dream a Little Dream of Me 23Des

My Baby Just Cares for Me 24C Breaks S: 2x Stopp auf Me, p weiter

More Than You Know 25Schluss: Verlangsamen

Mean to Me 26C. S: normal (Musiktipp: Billie Holiday)

Manhattan 27B Intro p AAB. voc-cl+p-voc

Girl from Ipanema 28Es Mittelteil einfach spielen. voc/sax/voc

That Ole Devil Called Love 29B (C–7). p Intro. S + 2 T

’S Wonderful 30G

How Long Has This Been Going On 31DUO – Pause nach Verse. C (G7, GO) S: 3T

Bei mir bist Du schön 32Cm. Verses 1. Teil tp 2. Teil Sandra. S: 3 ×

These Foolish Things 33B intro auf B. S: Stopp

Volare 34Es I: voc. voc–sax Verse/Thema–voc

Look for the Silver Lining 36G Intro: Trio B-Teil

Over the Rainbow 37G

There Will Never Be Another You 38B I: 4 T, S:+4 Takte p Lead + aushalten

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AZ Giesserei, 30.11.1 7 2

Shiny StockingsLyric by Ella Fitzgerald/John Hendricks  Music by Frank Foster  1955Lyric by Ella Fitzgerald/John Hendricks  Music by Frank Foster  1955

|C–7 |F7 |C–7 |F7–9 ||B7j |E9 |D–7j |DO ||C–7 |F7 |D–7 |G7 ||E–7 |A7 |D7j |G7–9 |

|C–7 |F7 |C–7 |F7–9 ||B7j |E9 |D–7j |DO ||C–7 |F7 |D–7 |G7 ||C–7 |F7 |B7j |B7j |

A

B

ButonethingallmendigisarealshapelylegOhreally,ohreally,ohreally,ohreally,ohreally,ohreally,ohreally,

Ohyeah,whatdotheythinkofthatWheretotheythinkwe’reat?AwomanhasgottoprettyupandtendtobusinessMakesureshe’scatchin’aneye!Thefellowsallgettodiggin’buttheyNeverknowwhatthey’rediggin’aboutAwomanhasreallygottowailatalwayslookin’herverybestShemustbeuptoparwithoutfailOtherwise,heroldman’seyeswillstarttowonderAndisitanywonder?Mengoforprettines,thisImustconfessDigaprettyface,digaprettydressButtheylikeaprettylegbestAndthat’sthereasonthosestockingsshine...’CausetheyappealtotheseeyesofmineIloveitwhenshesays“I’mgonnastickaroundandloveyoubabe”I’mcertainifIcankeepherhomefromroamin’She’llremainandI’llbewonderin’Whyawmonthat’slookin’asgoodasherisbymyside She’sfine,yesshe’sfineAndshe’sallmineWhatanincrediblyluckyspeciminamI!I’mcrazy’bouteverysingleoneofhercharmsButoneinparticularisaballIlovethoseshinystockingsbestofallOhIlovethoseshinystockingsreallyIdoYesIdo,Itrulydo.http://www.ronfry.com/lyrics/ShinyStockings.txt

LiveatBasinStreetEast.Lambert,Hendricks&Bavan,May1963.

ThosesilkshinystockingsthatIwearwhenI’mwithyou,Iwearcauseyoutoldmethatyoudigthatcrazyhue.Dowethinkofromance,whenwegotoadance?Ohno!Youtakeaglance–atthoseshinystockings.

Thencamealongsomechickwithgreatbigstockingstoo.Whenyouchangedyourmindaboutme,whyIneverknew.IguessI’llhavetofind,anew,anewkind,Aguywhodigsmyshinystockingstoo!

IwalkwithmybabyandIknowinnothin’flatShe’sgotsomethingmellowlotsoffellowswhistleatWhenwegoforawalk,Iknowsoonaswe’reoutWithnoshadowofdoubt,She’sgotlotstobeproudof... AndI’mhipI’mluckytohaveawomanthatwellendowedAgirlhalfthatlovelycouldmakeplentyoffellowsproudI’mcrazyaboutallofhercharms,butoneinparticularisaballIlovethoseshinystockingsbestofall. Everymanwilleyeballwhateverhecan

B Blöcke, Schlagzeug 3 ×

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AZ Giesserei, 30.11.1 7 3

On a Slow Boat to ChinaMusic by Frank Loesser  1948

|E∆ (G–7) |C7/E |F–7 |FO |

|E∆ |G7 |A∆

|GØ C7 ||F–7

|FO |E∆ GØ/D |C7 |

|F7 C–7 |F7 |F–7 |B7 |

|E∆ (G–7) |C7/E |F–7 |FO |

|E∆ |G7 |A∆

|GØ C7 ||F–7

|D7 /D |E∆ D7 |C7 ||F7

|F–7 B7 |E∆ |E∆ |

A1

A2

I’dlovetogetyouonaslowboattoChina,alltomyself,alone.Getyouandkeepyouinmyarmsevermore,leaveallyourloversweepingonthefarawayshore.

Outonthebrinywithamoonbiganshiny,meltingyourheartofstone,I’dlovetogetyouonaslowboattoChina,alltomyself,alone.

Es I: Chinesisch p; S: 2x, Ton aushalten

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AZ Giesserei, 30.11.1 7 4

Stars Fell on Alabama

A1

A2

B

A2/3

Music by Perkins  Lyrics by Mitchel Parish  1934

F I: 4 Takte

|F∆ D7 |G–7 C7+5 |F∆ B 7/G–7

|A–7 AO |

|G–7 D7 |G–7 C7 |F∆ D7 |G–7 C7–9 |

|F∆ D7 |G–7 C7+5 |F∆ B 7/G–7

|A–7 AO |

|G–7 D7 |G–7 C7 |F∆ G–7 |AO A–7 |

|G–7 C7 |A–7 AO |G–7 C7 |F6 FOf ||G–7 C7 A7

/C|D–7 D–7/C |B–7 E7 |A∆ C7 |

|F∆ D7 |G–7 C7+5 |F∆ B 7/G–7

|A–7 AO |

|G–7 D7 |G–7 C7 |F∆ |(G–7 C7–9) |

Welivedourlittledrama,wekissedinafieldofwhiteAndstarsfellonAlabamalastnightIcan'tforgettheglamor,youreyesheldatenderlightAndstarsfellonAlabamalastnight

IneverplannedinmyimaginationasituationsoheavenlyAfairylandwherenooneelsecouldenterAndinthecenter,justyouandmeMyheartbeatlikeahammer,myarmswoundaroundyoutightAndstarsfellonAlabamalastnight

IneverplannedinmyimaginationasituationsoheavenlyAfairylandwherenooneelsecouldenterInthecenter,justyouandmeMyheartbeatlikeahammer,myarmswoundaroundyoutightAndstarsfellonAlabamalastnight

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AZ Giesserei, 30.11.1 7 5

Makin’ WhoopeeLyric by Gus Kahn  Music by Walter Donaldson  1928

|C∆ A7 |D–7 G7 |C∆ C7 |F∆ F– ||C∆

/G A–7 |A7 G7 |C∆ A–7 |D–7 G7 |

|C∆ A7 |D–7 G7 |C∆ C7 |F∆ F– ||C∆

/G A–7 |A7 G7 |C∆ |C∆ |

|GØ C7 |F |F– |C∆ ||GØ C7 |F |F– |C7

/EDOD–7G7 |

|C∆ A7 |D–7 G7 |C∆ C7 |F∆ F– ||C∆

/G A–7 |A7 G7 |C∆ |C∆ |

A1

A2

B

A3

AnotherbrideanotherJuneAnothersunnyhoneymoonAnotherseason,anotherreasonFormakin’whopee!

Alotofshoes,alotofriceThegroomisnervous,heanswerstwiceIt’sreallykillingthathe’ssowillingTomakewhoopee!

Picturealittlelovenest,Downwheretherosescling,Picturethesamesweetlovenest,Andthinkwhatayearcanbring.

He’swashingdishesandbabyclotheshe’ssoambitiousheevensewsbutdon’tforgetfolksthat’swhatyouget,folks,Formakin’nwhoopee!

AnotheryearormaybelessWhat’thisIhear?Wellan’tyouguess?Shefeelsneglected,andhe’ssuspectedOfmakin’whoopee!

Shesitsalone,’mostev’rynightHedoesn’t’phoneherhedoesn’twriteHesayshe’s“busy”,butshesays“Ishe?”He’smakin’whoopee!

Hedoesn’tmakemuchmoney,Onlyfivethousandper,Somejudgewhothinkshe’sfunny,Say“You’llpaysixtoher.”

Hesays“Nowjudge,supposeIfail”Thejudgesays:“Budgerightintojail»You’dbetterkeepher,Ithinkit’scheaper,Thanmakin’whoopee!”

C dr-Schlag, Intro. voc-tp/p-voc vor Solo >

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AZ Giesserei, 30.11.1 7 6

Route 66 (C-Dur)Music and Lyrics by Earl Hines & Henry Wood  1933

A1

A2

C Shuffle; voc/sax 3 ×/b/voc2-er-Breaks. S +2 × 4T

|C |C |C |C7 ||F7 |F7

|C |C ||G7

|G7 |C |C |

|D |D |D |D7 ||G7 |G7

|D |D7 ||A7

|A7 |∆D |D |

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AZ Giesserei, 30.11.1 7 7

Fools Rush InMusic by Rube Bloom   Lyrics by Johnny Mercer  1940

|F∆ |A–7

|G–7 C7

|F∆ ||G–7

C7 |F∆

|F∆ A7 |D7 C7 ||F∆

|A–7 |G–7

C7 |F∆ |

|BØ E7 |A– A–7

|G–7 |C7 |

|G–7 |C7 B7

|F∆/A–7 |A–7 D–7

||G–7

|C7 |F∆ |F∆ |

|G–7 |EØ A7 |D– D–∆ |D–7 ||G7–5

D–7 |G7–5

|G–7/C |C7

E7 D7 |

|G–7 |C7 B7

|F∆/A–7 |A–7 D–7

||G–7

|C7 |E75 |D7 |

|G–7 |GØ/E7 |F/C A–7 |D–7 ||G–7

|G–7/C C7

|F∆ |F∆

|

V

A1

A2

“Romanceisagameforfools,”Iusedtosay:agameIthoghtI’dneverplay.“Romanceisagameforfools,”Isaidandgrinned;thenyoupasedby,andhereIamthrowingcautiontothewindagameIthoghtI’dneverplay.

FoolsRushInwhereangelsfeartotread,AndsoIcometoyou,mylove,myhearabovemyhead.ThoughIseethedangerthere,Ifthere’sachanceforme,thenIdon’tcare.

FoolsRushInwherewisemennevergo,butwisemenneverfallinlove,sohowaretheytoknow?WhenwemetIfeltmylifebegin;Soopenupyourheart,andletthisfoolrushin.

F Schluss verlangsamen

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AZ Giesserei, 30.11.1 7 8

Besame MuchoMusic Consuelo Velazquez & Lyrics by Sunny Skylar  1941

|A– |A– |D– |D– |

|D– CO |D– E7

|A– |A– ||A7 |A7 |D– |D– ||A– |B7

E7 |A– D–7

|A– |

|A– |A– |D– |D– |

|D– CO |D– E7

|A– |A– ||A7 |A7 |D– |D– ||A– |B7

E7 |A– D–7

|A– |

|D– |A– |E7 D– |A– |

|D– |A– |B7 F7

|E7 |

|A– D– |A– |D– x |D– |

|D– CO |D– E7

|A– E7 |A– ||A7 |A7 |D– |D– ||A– |B7

E7 |A– D–7

|A– |

I

A

B

A

Bésame,bésamemuchoComosifueraestanochelaúltimavezBésamemuchoQuetengomiedoperderte,perderteotravez

QuierotenertemuyCerca,mirarmeentusOjos,vertejuntoamíPiensaquetalvezMañanayoyaestaréLejos,muylejosdeti

Bésame,bésamemuchoComosifueraestanochelaúltimavezBésamemuchoQuetengomiedoperderte,perdertedespués

Am

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AZ Giesserei, 30.11.1 7 9

Black CoffeeMusic by Francis J. Burke  Lyrics by Paul Francis Webster  1948

|C7+9 G7+5+9/C |C7+9 G7+5+9

/C |C7+9 G7+5+9/C |C7+9 G7+5+9

/C |

|C7+9 G7+5+9/C |C7+9 G7+5+9

/C |C7+9 G7+5+9/C |C7+9

||F7 |F7

|C7 D–7 |E–7 A7+9 |

|D7 |D–7 G7

|C∆ G7+5+9 |C7+9 G7+5+9 |

|C7+9 G7+5+9/C |C7+9 G7+5+9

/C |C7+9 G7+5+9/C |C7+9 |

|F7 |F7 |C7 D–7 |E–7

A7+9 ||D7 |D–7 G7

|C∆ G7+5+9 |C7

|

|F–7 G7–5–9 |C–7 |DØ

G7–5–9 |C∆ |

|E–7 A7 |D∆

|E–7 A7 |D–7 G7 |

hier kommt nochmals A1

I

A1

A2

B

A2

S

1xtutti :keinSwingrhythmusC

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AZ Giesserei, 30.11.1 7 10

Diamonds Are a Girl’s Best FriendMusic by Jule Styne  Lyrics by Leo Robin  1949

I

A1

A2

TheFrencharegladtodieforlove,Theydelightinfight-ingduels;ButIpreferamanwholivesAndgivesexpensivejew-els!

AkissonthehandmaybequiteContinentalButdiamondsareagirl’sbestfriend.AkissmaybegrandButitwon’tpaytherentalonyouhumbleflatOrhelpyouattheAutomat.

MangrowcoldasgirlsgrowoldAndweallloseourcharmeintheend.Budsquarecutofpearshape.Theserocksdon’slosetheirshape.Diamondsareagirl’sbestfriend.Theremaycomeatimewhenalassneedsalawyer.Butdiamondsareagirl’sbestfriend.TheremaycomeatimeWhenahardboiledemployerthinksyou’reawfulnice.Butgetthat”ice”orelsenodice.He’syouguywhenstocksarehigh.Butbewarewhentheystarttodescend.It’sthenthatthoselousesgobacktotheirspouses.

|B∆ |

|B∆ A–7

/B |B∆ |B∆ A–7

/B |B∆ • • |ohne Rhythmus|AØ

D7 |G–7 AO | C–7 F7 |B∆ |Nur Klavier|B∆

DO |C7 F7 |

|B∆ |B∆ |B∆ |B∆ ||B∆ |B∆ DO |C–7 |F7 G7 ||C– |C– |C– |C– G7 ||C7

|C7 |F7 |F7 |

|F–7 |B7 |E∆ |E∆ E– ||B∆ D7

/A |G–7 C7 |F7 |F7 |

|B∆ |B∆ |DØ |G7 |

|C–7 |F7–9 |B∆ |B∆ |

B

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AZ Giesserei, 30.11.1 7 11

(E7/BC)F

7A–∆FOAØ(E7/BC)F

7A–∆FOAØ

Embraceable YouMusic by George Gershwin  Lyrics by Ira Gershwin  1930

Embraceme,mysweetembraceableyou!Embraceme,youirreplaceableyou!Justonelookatyou,myheartgrewtipsyinme;Youandyoualonebringoutthygypsyinme!

A1

A2

Iloveallthemanycharmsaboutyou;aboveallIwantmyarmsaboutyou.Don’tbeanaughtybaby,cometopapa,cometopapado!Mysweetembraceableyou!

|C∆ C∆/E |EO

|D–7 |G7 ||D–7 |B7

G7 |C∆ |BØ E7 ||A– |FØ

B7 |E– B7 |E7 AØ ||G∆ GO |A–7 D7 |G7

A–7 |BO G7/B

|

|C∆ C∆/E |EO

|D–7 |G7 ||D–7 |B7

G7 |C∆ |G–7 C7 ||F∆ |BØ E7 |A–7

/A /G |D7

/F F– ||C∆

/E |F– G7 |C∆ (EO |D–7 G7) |

DUO C

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AZ Giesserei, 30.11.1 7 12

Let’s Do itMusic and Lyrics by Cole Porter  1933

|C∆ C7 |F∆ G–7C7+5|F

∆ F+5 F6 |F∆F+5 F6 ||F∆ C7 |F∆ G–7C7+5

|F∆ F+5 F6 |F∆F+5 F6 |

|F∆/A |G7 C7 |F∆

/A FO |G–7 C7 ||F∆ F7

|B∆ B– |F∆ |C7+5 |(wirspielendenVersnicht)

|F∆ D–7 |G–7 C7 |F∆ F7 |B∆ B– ||F∆ D7 |G–7 C7 |A7/F D7 |G7 C7 |

|F∆ D–7 |G–7 C7 |F∆ F7 |B∆ B– ||F∆ D7 |G–7 C7 |F∆ B7 |F∆ A7

/E |

|D–6 |G–7 C7 |F∆ |C–7 F7 ||B∆ |B–7 E7 |A∆ |G–7 C7+5 |

|F∆ D–7 |G–7 C7 |F∆ F7 |B∆ B– ||F∆ D–7 |G–7 C7 |F∆ (D7+5 |G–7 C7) |

V

A1

A2

B

A3

(V)WhenthelittleBluebird,Whohasneversaidaword,Startstosing:“Spring,spring”;WhenthelittleBluebell,Inthebottomofthedell,Startstoring:“Ding,ding”;Whenthelittleblueclerk,Inthemiddleofhiswork,Startsatunetothemoonupabove,Itisnature,that’sall,Simplythelingustofallinlove.Andthat’swhy

Birdsdoit,Beesdoit,Eveneducatedfleasdoit,Let’sdoit,let’sfallinlove.

InSpain,thebestuppersetsdoit,LithuaniansandLettsdoit,Let’sdoit,let’sfallinlove

TheDutchinoldAmsterdamdoit,NottomentiontheFinnsFolksinSiamdoit,–ThinkofSiamesetwins.SomeArgentines,withoutmeans,doit,Peoplesay,inBoston,evenbeansdoit,Let’sdoit,let’sfallinlove.Romanticsponges,theysay,doit,Oystersdowninoysterbaydoit,Let’sdoit,let’sfallinlove.

ColdCapeCodclams,’gainsttheirwish,doit,EvenlazyJellyfish,doit,Let’sdoit,let’sfallinlove.

Electriceels,Imightadd,doit,Thoughitshocks’emIknow.Whyaskifshaddoitm-Waiterbringme“shad-roe”.

Inshallowshoals,Englishsoles,doit,Goldfishintheprivacyofbowls,doit,Let’sdoit,let’sfallinlove.

F

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AZ Giesserei, 30.11.1 7 13

(E7/BC)F

7A–∆FØOØGØ

It Had to Be YouMusic by  

ItHadToBeYou,ItHadToBeYou,IwanderedaroundandfinallyfoundthesomebodywhoCouldmakemebetrue,couldmakemebeblue,Andevenbeglad,justtobesad,thinkingofyou.

SomeothersI’veseenmightneverbemean,Mightneverbecrossortrytobeboss,buttheywouldn’tdo,Fornobodyelsegavemeathrill,withallyourfaultsIloveyoustill,ItHadToBeYou,wonderfulyou,HadToBeYou.

|C∆ G7+5 |C∆ |A7 |A7 |

|D7 |D7 |D7 |D7 |

|G7 |G7 E7

/G |A– E7 |A– ||D7 |D7 |G7

|G7 G7+5 |

|C∆ G7+5 |C∆ |A7 |A7 |

|D7 |D7 |D7 |D7 |

|F∆ |F– |C/G E7

/G |A– FO ||G7 FO |D–7 G7 |C∆ (DØ |G7 G7+5) |

A1

A2

C I: 2T piano. Alt-Bass. S: + 8T

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AZ Giesserei, 30.11.1 7 14

Je ne veux pas travaillerMusic and Lyrics by Pink Martini  1999

|G∆ |G∆

|A–6 D7

|G∆ |

|G∆ |A7 |A7 |D7 D+ |

|G∆ (E–7 ) |A–7 D7 |G∆ (E–7 ) |A–7 D7 ||G∆

B7 |E–7 C– |G∆

D7 |G∆ |

|G∆ |G∆ |A–7 D7 |D7

||G∆

|A7 |A7 |D7 |

|G∆ (E–7 ) |A–7 D7 |G∆ (E–7 ) |A–7 D7 ||G∆

B7 |E–7 C– |G∆

D7 |G∆ |

|C– |G∆ |C– |G∆

||F7

|B–7 |A–Ø C7 |D7 |

|G∆ (E–7 ) |A–7 D7 |G∆ (E–7 ) |A–7 D7 ||G∆

B7 |E–7 C– |G∆

D7 |G∆ |

|G∆ (E–7 ) |A–7 D7 |G∆ (E–7 ) |A–7 D7 ||G∆

B7 |E–7 C– |G∆

D7 |D7 |

|G7 D+ |G∆ |

I

A

B

A

C

A

Machambrealaformed’unecageLesoleilpassesonbrasparlafenêtreLeschasseursàmaporteCommelesp’titssoldatsQuiveulentmeprendre

[Chorus]JeneveuxpastravaillerJeneveuxpasdéjeunerJeveuxseulementl’oublierEtpuisjefume

[Verse2]Déjàjaiconnuleparfumdel’amourUnmillionderosesn’embaumeraitpasautantMaintenantuneseulefleurdansmesentouragesMerendmalade

[Chorus]

[Verse3]JenesuispasfièredeçaViequiveutmetuerC’estmagnifiqueêtresympathiqueMaisjeneleconnaisjamais

[Chorus]

[Verse3]

[Chorus]http://www2.ac-lyon.fr/enseigne/musique/terlik/jeneveux.pdf

G

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________

  

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Have Yourself A Merry Little ChristmasMusic by Hugh Martin  Lyrics by Martin Blane  1943

A1

A2

B

A3

|C7j A–7 |D–7 G7 |C7j A7 |D–7 G7 |

|C7j A–7 |D–7 B–57 |E7 A7 |D7 G7 |

|C7j A–7 |D–7 G7 |C7j A7 |D–7 G7 |

|C7j A–7 |B–57 E7 |A7 |G–7 |

|F7j F–6 |E–7 EO

|D–7 G7 |C7j

||F–57 B7–9 |E–7 A7

|A–7 D7 |D–7 G7 |

|C7j A–7 |D–7 G7 |C7j A7 |D–7 G7 |

|C7j A–7 |B–57 E7–9 |A–7 A+7 |G–7 G7 || F7j |D–7

G7 |C7j |C7j |

Original:HaveyourselfamerrylittleChristmasItmaybeyourlastNextyearwemayallbelivinginthepast

HaveyourselfamerrylittleChristmasPopthatchampagnecorkNextyearwemayallbelivinginNewYork.

Fassung Frank Sinatra:HaveyourselfamerrylittleChristmasLetyourheartbelightFromnowon,ourtroubleswillbeoutofsight

HaveyourselfamerrylittleChristmasMaketheyuletidegayFromnowon,ourtroubleswillbemilesaway

HereweareasinoldendaysHappygoldendaysofyoreFaithfulfriendswhoaredeartousGatherneartousoncemoreThroughtheyearsweallwillbetogetherIfthefatesallowHangashiningstaruponqthehighestboughAndhaveyourselfamerrylittleChristmasnowOftwirdvorherzusätzlicheinIntrogesungen:ChristmasfutureisfarawayChristmaspastispastChristmaspresentisheretodayBringingjoythatwilllast.

C

(E7/BC)F

7A–7jFOØA–57

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The Christmas SongMusic and Lyrics by Mel Tormé and Robert Wells  1946

A

A

B

A

S

Chestnutsroastingonanopenfire,JackFrostnippingonyournose,Yuletidecarolsbeingsungbyachoir,AndfolksdresseduplikeEskimos.

Everybodyknowsaturkeyandsomemistletoe,Helptomaketheseasonbright.Tinytotswiththeireyesallaglow,Willfindithardtosleeptonight.

TheyknowthatSanta’sonhisway;He'sloadedlotsoftoysandgoodiesonhissleigh.Andeverymother’schildisgoingtospy,Toseeifreindeerreallyknowhowtofly.

AndsoI’mofferingthissimplephrase,Tokidsfromonetoninety-two,Althoughitsbeensaidmanytimes,manyways,AveryMerryChristmastoyou.

|A∆ B–7

|C–∆ D∆ |A∆

E–7A

7 |D7 C7–9 ||F–7

D–6/E |A∆

/E DØG7–9 |C∆

D–7G7 |B∆ E7

|

|A∆ B–7

|C–∆ D∆ |A∆

E–7A

7 |D7 GØC7–9 ||F–7

D–6/E |A∆

/E DØG7–9 |C–7F

7 B–7E7 |A∆

|

|E–7 A7 |D∆ B–7

|E–7 A7 |D∆

||D–7

G7 |B∆ |F–7 B7 |B–7 E7 |

|A∆ B–7

|C–∆ D∆ |A∆

E–7A

7 |D7 C7–9 ||F–7

D–6/E |A∆

/E G7 |A∆ E7 |A∆

|

|A∆ B–7

|C–∆ D∆ |A∆

E–7A

7 |D7 C7–9 ||F–7

D–6/E |A∆

/E G7 |A∆ E7 |A∆

E–7 |

|A∆ E–7 |A∆

|

As Abfolge:

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Let It SnowMusic by Jule Styne  Lyrics by Sammy Cahn  1945

|B∆ F7 |B∆ |D–7 DO |F7/C G7 |

|C–7 G7 |C–7 DO |F7/C F7 |B∆ |

|B∆ F7 |B∆ |D–7 DO |F7/C G7 |

|C–7 G7 |C–7 DO |F7/C F7 |B∆ |

|F∆ |F∆ FO |G–7 C7 |F∆ ||F∆ |F∆ |G7 C7 |F∆ |

|B∆ F7 |B∆ |D–7 DO |F7/C G7 |

|C–7 G7 |C–7 DO |F7/C F7 |B∆ |

A1

A2

B

A3

Ohtheweatheroutsideisfrightful,Butthefireissodelightful,Andsincewe'venoplacetogo,LetItSnow!LetItSnow!LetItSnow!

Itdoesn'tshowsignsofPauseping,AndI'veboughtsomecornforpopping,Thelightsareturnedwaydownlow,LetItSnow!LetItSnow!LetItSnow!

Whenwefinallykissgoodnight,HowI'llhategoingoutinthestorm!Butifyou'llreallyholdmetight,AllthewayhomeI'llbewarm.

Thefireisslowlydying,And,mydear,we'restillgood-bying,Butaslongasyoulovemeso,LetItSnow!LetItSnow!LetItSnow!

B. S: Instrumental «Let it snow ...»

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(E7/BC)F

7A–∆FOØAØ

Santa BabyMusic & Lyics by Joan Javits, Phil Springer & Tony Springer  1953

A1

A2

B

A3

SantaBaby,justslipasableunderthetree,Forme.Beenanawfulgoodgirl,SantaBaby,Sohurrydownthechimneytonight.

SantaBaby,afiftyfourconvertibletoo,Lightblue.I’llwaitupforyoudear,SantaBaby,sohurrydownthechimneytonight.

ThinkofallthefunI’vemissed,ThinkofallthefellasthatIhaven’tkissed,NextyearIcouldbejustasgood,IfyoucheckoffmyChristmaslist,

Santababy,Iwannayacht,Andreallythat’snotalot,Beenanangelallyear,SantaBaby,sohurrydownthechimneytonight.

|C∆ A–7

|D7 G7

|C∆ A–7

|D7 G7

||C∆

A–7 |D7

G7 |C∆ A–7

|D7 G7

|

|C∆ A–7

|D7 G7

|C∆ A–7

|D7 G7

||C∆

A–7 |D7

G7 |C∆ A–7

|D–7G7 C∆

|

|E7 B–7 |E7 |A7

E–7 |A7 ||D7

A–7 |D7

|G7 D–7 |D–7 G7 |

|C∆ A–7

|D7 G7

|C∆ A–7

|D7 G7

||C∆

A–7 |D7

G7 |C∆ A–7

|D–7G7 C∆

|

Santahoney,there’sonethingIreallydoneed,ThedeedToaplatinummine,Santahoney,sohurrydownthechimneytonight.

Santacutie,andfillmystockingwithaduplex,Andchecks.Signyour”X“ontheline,Santacutie,andhurrydownthechimneytonight.

ComeandtrimmyChristmastree,WithsomedecorationsboughtatTiffany’s,Ireallydobelieveinyou,Let'sseeifyoubelieveinme,

Santababy,forgottomentiononelittlething,Aring.Idon’tmeanonthephone,Santababy,sohurrydownthechimneytonight,Hurrydownthechimneytonight,Hurry,tonight.

C S: alle singen. S 3-mal

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(E7/BC)F

7A–∆FOØOØAØ

Santa Claus Is Coming to TownMusic & Lyics by Haven Gillespie & J. Fred Coots  1934

|F∆ F7 |B7 B–7 |F F7 |B7 B–7

||F∆ D–7 |G–7 C7 |F∆ |C7 |

|F∆ F7 |B7 B–7 |F F7 |B7 B–7

||F∆ D–7 |G–7 C7 |F∆ |F∆ |

|C–7 F7 |B∆

|C–7 F7 |B∆

||D–7 G7 |C∆ CO |D–7 G7 |C7

|

|F∆ F7 |B7 B–7 |F F7 |B7 B–7

||F∆ D–7 |G–7 C7 |F∆ |F∆ |

|F∆ F7 |B7 B–7 |F F7 |B7 B–7

||F∆ D–7 |G–7 C7 |F∆ D–7 |G–7 C7 ||F∆ |F∆ |

A1

A2

B

A2

S

Youbetterwatchout,youbetternotcry,betternotout,I’mtellingyouwhy:SantaClausiscomin’totown.

He’smakingalistandcheckingittwice,gonnafindoutwho’snaughtyandnice,SantaClausiscomin’totown.

Heseesyouwenyou’resleepin’,heknowswhenyou’reawake,heknowsifyou’vebeenbadorgood,sobegoodforgoonessake.

Oh!Youbetterwatchout,youbetternotcry,betternotpout,I’mtellingyouwhy:SantaClausiscomin’totown.

F I: Turnaround. S: 3-mal

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Winter WonderlandMusic by Felix Bernard  Lyrics by Dick Smith  1934

A

A

B

A

S

|G∆ |G∆ |D7 |D7 |

|D7 |D7 |A7 D7 |G∆ |

|G∆ |G∆ |D7 |D7 |

|D7 |D7 |A7 D7 |G∆ |

|B∆ F7 |B∆ |B∆ F7 |B∆

||D∆ A7 |D∆

|E7 A7 |D7 |

|G∆ |G∆ |D7 |D7 |

|D7 |D7 |A7 D7 |G∆ |

|G∆ |G∆ |D7 |D7 |

|D7 |D7 |A7 |D7 |

|G∆ |G∆ |

Sleighbellsring,areyoulist’nin’?Inthelane,snowisglist’nin’,beautifulsight,we’rehappytonight,Walkin’inaWinterWonderland!

Goneawayisthebluebird,heretostayisanewbird;Hesingsofalovesong,aswegoalong,Walkin’inaWinterWonderland!

Inthemeadowwecanbuildasnowman,ThenpretendthatheisParsonBrownHe’llsay,“Areyoumarried?”We’llsay,“Noman!Butyoucandothejobwhenyou’reintown!”

Lateron,we’llconspire,Aswedreambythefire,Tofaceunafraid,theplansthatwemade,Walkin’inaWinterWonderland!

//Inthemeadowwecanbuildasnowman,Thenpretendthathe’sacircusclown;We’lllhavelotsoffunwithMisterSnowman,Untiltheotherkiddiesknickhimdown!

Whenitsnows,ain’titthrillin’,Tho’yournosegetsachillin’?We’llfrolicandplaytheEskimoway,Walkin’inaWinterWonderland!

G S: dehnen ab A7

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Bye Bye BlackbirdMusic by Ray Henderson  Lyrics by Mort Dixon  1928

|F7j |F7j |G–7

C7 |F7j

||F/A |AO |G–7

|C7 ||G–7 |G–7j |G–7 |C7 ||G–7 |C7

|F7j |F7j

|

|F7j |F7j

|A–75 |D7 |

|G–7 |G–7 |G–75 |C7 |

|F7j |F7j |A–75 |D7 |

|G–7 |C7 |F7j

|F7j |

A1

A2

Packupallmycareandwoe,hereIgosinginglow,ByeByeBlackbird.Wheresomebodywaitsforme,sugar’ssweet,soisshe,ByeByeBlackbird.Noone

herecanloveandunderstandme,ohwhathardluckstoriestheyallhandme.Makemybedandlightthelight,I’llarrivelatetonight,blackbirdbyebye.

F schneller,

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Dream a Little Dream of MeMusic by Gus Kahn  Lyrics by Wilbur Schwandt & Fabian Andree  1931

|D∆ |A7 A7

|D∆ |A7 A7

|

|D∆ |A7 A7

|D∆ |B7

||E–7

|EØ/G–7

|F–7 B–7 |E–7 A7 |

|D∆ |A7 A7

|D∆ |B7

||E–7

|EØ/G–7

|F–7 B–7E7 A7 |D∆ BØ E7 |

|A∆ F–7 |B–7

E7 |A∆

F–7 |B–7 E7

||A∆

F–7 |B–7 E7

|A∆ |E–7

/A A7 |

|D∆ |A7 A7

|D∆ |B7

||E–7

|EØ/G–7 |F–7 B–7E7 A7 |D∆

|

I

A1

A2

B

A3

StarsshiningbrightaboveyouNightbreezesseemtowhisper“Iloveyou”BirdssinginginthesycamoretreeDreamalittledreamofme

Say“Night-ienight”andkissmeJustholdmetightandtellmeyou’llmissmeWhileI’maloneandblueascanbeDreamalittledreamofme

Des

StarsfadingbutIlingeron,dearStillcravingyourkissI’mlongingtolingertilldawn,dearJustsayingthis

SweetdreamstillsunbeamsfindyouSweetdreamsthatleaveallworriesbehindyouButinyourdreamswhatevertheybeDreamalittledreamofme

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My Baby Just Cares for MeMusic by Walter Donaldson  Lyrics by Gus Kahn  1930

A1

A2

|C∆ |C∆ |C∆ |C∆ |

|C∆ |CO |D–7

|D–7 ||E7

|E7 |A– |A–7 ||D7

|D7 |G7 |G7 |

|C∆ |C∆ |C∆ |C∆ |

|A7–9 |A7 |D–7

|D–7 ||B7

|B7 |E– |A7 ||D–7

|D7 G7 |C∆ (EO |D–7

G7) |

Mybabydon’tcareforshows,Mybabydon’tcareforclothes,Mybabyjustcaresforme!Mybabydon’tcareforfurandlaces,Mybabydon’tcareforhigh-toneplaces.Mybabydon’tcareforrings,Orotherexpensivethings,Shesensibleascanbe.Mybabydon’tcarewhoknowsit,Mybabydon’tcareforme!Mybabydon’tcareforjazz,Abetterideashehas,Mybabyjustcaresforme!Mybabywon’tstandforoutsidepetting,Fortheatresandjoyridesshe’snotfretting.MyBaby’sno“gadabout.”Athomeshe’sjustmadabout,’CauseBaby’shome-grownyousee,Mybabydon’tcarewhoknowsit,Mybabydon’tcareforme!

MybabydontcareforshowsMybabydontcareforclothesMybabyjustcaresformeMybabydontcareforcarsandracesMybabydontcareforhigh-toneplaces

LizTaylorisnothisstyleAndevenLanaTurnerssmileIssomethinhecantseeMybabydontcarewhoknowsMybabyjustcaresforme

C Breaks S: 2x Stopp auf Me, p weiter

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WhetheryouarehereoryonderWhetheryouarefalseortrueWhetheryouremainorwanderI'mgrowingfonderofyouEventhoughyourfriendsforsakeyouEventhoughyoudon'tsucceedWouldn'tIbegladtotakeyouGiveyouthebreakyouneed

MoreThanYouKnow,MoreThanYouKnow,Mano’myheart,Iloveyouso.LatelyIfindyou’reonmymind,MoreThanYouKnow.Whetheryou’rerightwhetheryou’rewrong,mano’myheart,I’llstringalong.Youneedmesomorethanyou’lleverknow.LovingyouthewaythatIdothere’snothingIcandoaboutit;lovingmaybeallyoucangivebuthoneyIcan’tlivewithoutit.Oh,howI’dcry,oh,howI’dcry,ifyougottiredandsaid“good-bye”,morethanI’dshowmorethanI’deverknow.

|G– EØ |AØ D7–9 |G– EØ |AØ

D7–9 ||G– F–7B7 |E∆

|AØ |D7–9 ||G– EØ |AØ

D7–9 |G– EØ |AØ D7–9 |

|G– F7 B7 |E∆ |AØ |D7–9 |

|G∆ D7+5 |D–7 G7 |C∆ E7 |A–7 AØ ||D7 A7 |A–7 D7 |G∆ E7 |A–7 D7+5 |

|G∆ D7+5 |D–7 G7 |C∆ E7 |A–7 F9 ||B–7 E7 |A–7

D7 |G∆ |CØ F7 |

|B– |CØ F7 |B– |EØ A7 ||D∆ B–7 |E–7 A7 |A–7

/D |D7 D7+5 |

|G∆ D7+5 |D–7 G7 |C∆ E7 |A–7 F9 ||B–7 E7 |A7

D7 |G∆ (AO |A–7 D7+5) |

V

A1

A2

B

A3

Music Vincent Youmans  Lyrics Edward Eliscu, William Rose  1929

More Than You Know

Schluss: Verlangsamen

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(E7/BC)F

7A–∆FOAØ

Mean to MeMusic Fred A. Ahlert  Lyrics Roy Turk  1929 

A1

A2

B

A3

You’reMeanToMe,WhymustyoubeMeantoMe?Gee,honey,itseemtomeyoulovetoseemecryin’Idon’tknowwhy.

Istayhomeeachnightwhenyousayyou’llphone.Youdon’tandI’mleftalone,singin’thebluesandsighin’.

Youtreatmecoldlyeachdayintheyear.YoualwaysscoldmeWheneversomedobyisnear,dear.

ItmustbegreatfuntobeMeanToMe.Youshouldn’t,forcan’tyouseewhatyouMeanToMe?

|C∆ CO |D–7 DO |C∆ C7 |F7 F–7 |

|C∆/G A–7 |D–7 G7 |C∆ A–7 |D–7 G7 |

|C∆ CO |D–7 DO |C∆ C7 |F7 F–7 |

|C∆/G A–7 |D–7 G7 |C∆ |(G–7 C7) |

|F∆ D–7 |G–7 C7–9 |F∆ |B9/EØA7 ||D– |B9/EØA7 |D7 |D–7 G7+5 |

|C∆ CO |D–7 DO |C∆ C7 |F7 F–7 |

|C∆/G A–7 |D–7 G7 |C∆ |(G–7 C7)

C. S: normal (Musiktipp: Billie Holiday)

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ManhattanMusic by Richard Rodgers  Lyrics by Lorenz Hart  1925

|B∆ B∆

/DDO |C–7 F7 |B∆ E7

|D–7 DO

||C–7

BO |C–7 F7+5

|B∆ G7 |C–7 F7 |

|B∆ B∆

/DDO |C–7 F7 |B∆

|G–7 |

|C7 |C7

|C–7 F7 |F7 |

|B∆ B∆

/DDO |C–7 F7 |B∆ E7

|D–7 DO

||C–7

BO |F7/C |DØ

|G7 |

|C–7 |A79

|B∆ G–7 |C7

||B∆

B∆/DDO |C–7 F7

|B∆ |B∆ |

A1

B

We’llhaveManhattantheBronxandStatenIslandtoo;it’slovelygoingthroughtheZoo.

It’sveryfancyonoldDelanceyStreet,youknow;thesubwaycharmsusso,whenbalmybreezesblowtoandfro,

andtellmewhatstreetcompareswithMottStreetinJuly,sweetpushcartsgentlyglidingby.

Thegreatbigcity’sawond’roustoyjustmadeforagirlandboy.We’llturnManhattanintoanisleofjoy.

We’llgotoGreenwichwheremodernmenitchtobefree;andBowlingGreenyou’llseewithme.

We’llbatheatBrighton,thefishyou’llfrightenwhenyou’reinyourbathingsuitsothinwillmaketheshellfishgrinfintofin.

I’dliketotakeasailonJamaicaBaywithyou;andfairCanarsie’sLakeswe’llview.

Thecity’sbustlecannotdestroythedreamsofagirlandboy.We’llturnManhattanintoanisleofjoy.

B Intro p AAB. voc-cl+p-voc

(E7/BC)F

7A–∆FOAØ

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Girl from IpanemaMusic by Antonio Carlos Jobim  Lyrics by N. Gimbel & V. DeMoraes  1965

I

A1

A1

B

A1

S

Tallandtanandyoungandlovely,TheboyfromIpanemagoeswalking,Andwhenhepasses,eachoneshepassesgoes–“aaah”.Whenhewalks,he’slikeasambaThatswingssocoolandswayssogentleAndwhenhepasses,eachoneshepassesgoes–“aaah”.

|E∆ |E7 |E∆ |E7 |

|E∆ |E∆ |F7 |F7 |

|F–7 |B7/E |E∆ |E∆ |

|E∆ |E∆ |F7 |F7 |

|F–7 |B7/E |E∆ |E∆ |

|E∆ |E∆ |A7 |A7 |

|E–7 |E–7 |C7 |C7 ||F–7 |F–7

|D7 |D7 ||G–7 |C7+9 |F–7 |E7 ||E∆ |E∆ |F7 |F7

||F–7 |E7 |E∆ |E∆ | |E∆ |E7 ||E∆ |E7 |E∆ |E∆ |Es Mittelteil einfach spielen. voc/sax/voc

Ooh,ButIwatchhimsosadlyHowcanItellhimIlovehim?YesIwouldgivemyheartgladly–Buteachday,whenhewalkstotheseaHelooksstraightahead,notathe(me)TallandtanandyoungandlovelyTheboyfromIpanemagoeswalkingAndwhenhepasses,Ismile–buthedoesn’tsee.

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AZ Giesserei, 30.11.1 7 29

That Ole Devil Called LoveMusic & Lyrics Allen Roberts & Doris Fisher  1944

|C– C–7j |C–7 F7 |D– D–7j |D–7 G7 |

|C7 |A7 |B∆/D–7DO |C–7 DØ G7 |

|C– C–7j |C–7 F7 |D– D–7j |D–7 G7 |

|C7 |A7 |B∆ |D–7 G7 |

|C–7 F7 |B∆/D–7D7 |C–7 F7 |B∆ ||AØ D7–9 |G–7 |C7 |C–7

A7 G7 |

|C– C–7j |C–7 F7 |D– D–7j |D–7 G7 |

|C7 |A7 G7 |C–7 F7 |B∆ (DØG7) |

|C–7 F7 |B∆ |C–7 F7 |B∆

|

A1

A2

B

A3

S:+

It’sthatoledevilcalledloveagaingetsbehindmeandkeepsgivin’methatshoveagain,puttingraininmyeyes,tearsinmydreams,androcksinmyheart.

It’sthatslysun-of-a-gunagain,hekeepstellingmethatI’mtheluckyoneagain,butIstillhavetherainstillhavethosetearsandthoserocksinmyheart.

SupposeIdidn’tstay,andranaway,wouldn’tplaythatdevil,whatapotionhewouldbrew.He’dfollowmearound,Buildmeup,tearmedown,tillI’dbesobewildered,Iwouldn'tknowwhattodo.

Mightaswellgiveupthefightagain,Iknowdarnwellhe’llconvincemehe’srightagain,henhesingsthatsirensongIjustgottatagalongWiththatoledevilcalledlove

B (C–7). Intro: letzte 8 Takte. S + 2 T

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’S WonderfulMusic by George Gershwin  Lyrics by Ira Gershwin  1927

|G6 |G6 |GO |GO |

|A–7 |D7

|G∆ |A–7 D7 |

|G6 |G6 |GO |GO |

|A–7 |D7

|G6 |C–7 F7 |

|B∆ |G–7 |C–7 |F7 |

|B7 |E7

|A7 |D7 |

|G6 |G6 |BØ |E7 |

|A–7 |D7

|G∆ (E–7 |A–7 D7–9) |

|G6 |G∆ |BØ |E7 |

|A–7 |D7

|B–7 |E7 |

|A–7 |D7

|G6 |G6 |

A1

A2

B

A3

S

He:Lifehasjustbegun,JackhasfoundhisJill.Don’tknowwhatvou’vedone,ButI’mallathrill.HowcanwordsexpressYourdivneappeal?YoucanneverguessAlltheloveIfeel.FromnowoneladyIinsist,Formenoothergirlsexist.She:Don’tmindtellingyou,Inmyhumblefash,ThatyouthrillmethroughWithatenderpash.Whenyousaidyoueare,’magine,myemosh.IsworethenandtherePermamentdevosh.Youmedeallotherboysseemblah;JustyoualonefillmewithAah!

’Swonderful!’Smarvelous!Youshouldcareforme!’Sawfulnice!’Sparacise!’SwhatIlovetosee!He:You’vemademylifesoglamourous,Youcan’tblamemeforfeelingamorous.Oh!She:Mydear,it’sfourleafclovertime.Fromnowonmyheart’sworkingovertime.Oh!’Swonderful!’Smarvelous!Thatyoushouldcareforme!

G

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How Long Has This Been Going OnMusic by George Gershwin  Lyrics by Ira Gershwin  1927

I

A

A

B

’Neaththestars,atbizzaresOftenI’vehadtocaressmenFiveorten,dollarsthen,I’dcollectfromallthoseyes-menDon’tbesad,Imustadd,thattheymeantnomorethanchess-menDarling,can’tyousee?’Twasforcharity?Thoughtheselipshavemadeslips,itwasneverreallyseriousWho’dhavethought,I’dbebroughttoastatethat’ssodelirious?

IcouldcrysaltytearsWherehaveIbeenalltheseyears?Littlewow,tellmenowHowlonghasthisbeengoin’on?TherewerechillsupmyspineAndsomethrillsIcan’tdefineListensweet,Irepeat.Howlonghasthisbeengoin’on?Oh,IfeelthatIcouldmelt;IntoheavenI’mhurled!IknowhowColumbusfelt,

Findinganotherworld!Kissmeonce,thenoncemoreWhatadunceIwasbeforeWhatabreak,forheaven’ssake!Howlonghasthisbeengoin’on?(spoken)Kissmetwice,oncemore,thrice,makeitfourWhatabreak,forheaven’ssakeHowlonghasthisbeengoin’on?Icouldcrysaltytears;WherehaveIbeenalltheseyears?Littleyou,tellmedo,HowLongHasThisBeenGoingOn?WhataKick!HowIbuzz!Boy,youclickasnoonedoes!Hearmesweet,Irepeat:HowLongHasThisBeenGoingOn?Dear,wheninyourarmsIcreep,Thatdivinerendezvous,Don’twakeme,ifI’masleep,Letmedreamthatit’strue.Kissmetwice,Thenoncemore,Thatmakesthrice,let’smakeitfour!Whatabreak!ForHeaven’ssake!HowLongHasThisBeenGoingOn?

|C∆ A–7

|D–7 G7–9

|C6 (A–7

|D–7 G7–9) |

|E– CØ |FØ B7+5–9 |E– E–∆

|A9sus4-3 ||D–7

/C |E7/B A7+5–9 |D–7 A7sus–9 |D– |

|D7 |A–7

D7 |D–7 |G7 |

|C∆ A–7

|D–7 G7–9

|C6 (A–7

|D–7 G7–9) |

|E–7 E–6 |F7

B7+5–9 |E– /D |CO |

|G9 |GO

|G9 C9

|F∆ F–6

||C/E EO

|D–7 G7

C7 |F∆ G7+5–9 |C∆ A7–9 |

|G9 |GO

|G–7 C9

|F∆ B9sus4-3 |

|C/E EO |D–7

CO |D–7

A9 G9 |C∆ G–7C7 |

|F∆ B7–9

|F∆ B7–9 |F∆

B7–9 |F∆ FØB7–9 |

|E– FØB7–9 |E– FØB7–9 |E– FØ B7–9 |E–7 CO |

|G9 |GO

|G9 C9,13

|F∆ F–6

||C/E EO

|D–7 G7

C7 |F∆ G7+5–9 |C∆ A7–9 |

DUO – Pause nach Verse. C (G7, GO) S: 3T

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Bei mir bist Du schönMusic Sholom Secunda  Lyrics Sholem Secunda/Jacob Jacobs (1933) / Sammy Cahn & Paul Chaplin (1937)

V

A1

A2

B

A3

Verse:OfalltheboysI’veknown,andI’veknownsomeUntilIfirstmetyouIwaslonesomeAndwhenyoucameinsight,dear,myheartgrewlightAndthisoldworldseemednewtome.You’rereallyswell,Ihavetoadmit,youDeserveexpressionsthatreallyfityouAndsoI’vewrackedmybrain,hopingtoexplainAllthethingsthatyoudotome“BeimirbistDuschön.”pleaseletmeexplain,“BeimirbistDuschön.”meansthatyou’regrand.“BeimirbistDuschön.”AgainI’llexplain,Itmeans

you’rethefairestintheland.Icouldsay“Bella,Bella,”evensay“Voonderbar,”Eachlanguageonlyhelpsmetellyouhowgrandyouare.I’vetriedtoexplain,“BeimirbistDuschön,”Sokissmeandsayyouunderstand.Beimirbistduschön,PleaseletmeexplainBeimirbistduschön,Meansthatyou'regrand.I'vetriedtoexplain,BeimirbistduschönSopleasetellmethatyouunderstandIcouldsayyou'rethetopYou'retheapexYou'redelovely.

|C– |DØ G7 |C– |DØ G7 ||C– |F– |C– |G7

||C– |DØ G7 |C– |DØ G7 ||C– |F– |G7

|G7 |

|C– |C– |C– |C ||G7

|G7 |C– |C– |

|C– |C– |C– |C ||G7

|G7 |C– |C–7 |

|F– |F– |C– |C–7 ||F– |F– |G7 GO |G7

|

|C– |C– |C– |C ||G7

|G7 |C– |C– |

Cm. Verses 1. Teil tp 2. Teil Sandra. S: 3 ×

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These Foolish ThingsMusic by Jack Starchey & Harry Link  Lyrics by Holt Marvel  1953

|B∆ G–7 |C–7 F7–9 |B∆ G–7 |C–7 F7 ||F–7 B7 |E∆ G7–9 |C7 |C–7 F7 |

|B∆ G–7 |C–7 F7–9 |B∆ G–7 |C–7 F7 ||F–7 B7 |E∆ G7–9 |C7 F7 |B∆ A7–9 |

|D– |EØ A7-9 |A– A–7 |BØ B– ||A–7 D–7/AO

|G–7 C7 |F7 D–7D–7|C–7 F7–9 |

|B∆ G–7 |C–7 F7–9 |B∆ G–7 |C–7 F7 ||F–7 B7 |E∆ G7–9 |C7 F7 |B∆ F7–9 |

A1

A2

B

A3

Acigarettethatbearsalipstick’straces,Anairlinetickettoromanticplaces,Andstillmyhearthaswings.TheseFoolishThingsremindmeofyou.•Atinklingpianointhenextapartment,Thosestumblingwordsthattoldyouwhatmyheartmeant,Afairground’spaintedswings,TheseFoolishThingsremindmeofyou.•Youcame,yousaw,youconquer’dme;Whenyoudidthattome,Iknewsomehowthishattobe.•ThewindsofMarchthatmakemyheartadancer,Atelephonethatrings,butwho’stheanswer?Oh,howtheghostofyouclings!TheseFoolishThingsremindmeofyou.Firstdaffodilsandlongexcitedcables,Andcandlelightonlittlecornertables,Andstillmyhearthaswings,TheseFoolishThingsremindmeofyou.•Theparkateveningwhenthebellhassounded,The“ÎledeFrance”withallthegullsaroundit.ThebeautythatisSpring’s,TheseFoolishThingsremind

meofyou.•Howstrange,howsweet,tofindyoustill;Thesethingsaredeartome,Theyseemtobringyouneartome.•Thesighofmidnighttrainsinemptystations,Silkstockingsthrownaside,danceinvitations,Oh,howtheghostofyouclings!TheseFoolishThingsremindmeofyou.Gardeniaperfumeling’ringonthepillow,Wildstrawb’riesonlysevenfrancsakilo,Andstillmyhearthaswings,TheseFoolishThingsremindmeofyou.•ThesmileofGarboandthescentofroses,Thewaiterswhistlingasthelastbarcloses,ThesongthatCrospysings.TheseFoolishThingsremindmeofyou.•Howstrange,howsweet,tofindyoustill;Thesethingsaredeartome,Theyseemtobringyouneartome.•Thescentofsmould’ringleaves,thewailofsteamers,Twoloversonthestreetwhowalklikedreamers.Oh,howtheghostofyouclings!TheseFoolishThingsremindmeofyou.

B intro auf B. S: Stopp

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VolareMusic Domenico Modugno  Lyrics D.M. & Francesco Migliacci/M Parrish   1958

|E∆ |EO |F–7 |B7 |

|F–7 |B7 |E∆ |E∆ |

|G–7 |GO

|F–7 |F–7 ||F7

|C–7 |F–7

/B |B7 C7–9 |

|F–7 |F–7 C7–9 |F–7 |F–7 B7–9 |

|E∆ |E∆ B7

|C–7 |F7 |

|F–7 B7 |E∆ C–7

|F–7 B7 |E∆ C–7

||C– C–∆ |C–7 C–6 |G– D7+5 |G–7

||DØ

|G7 |C–7 |C–7 |

|A–7 |A–7

D7 |G∆ |B7 F7–9 |

|F–7 |F–7 C7–9 |F–7 |F–7 B7–9 |

|E∆ |E∆ B7

|C–7 |F7 C–7 |

|F–7 B7 |E∆ C–7

|F–7 B7 |E∆ |

V

A1

B

A2

Pensocheunsognocosinonritornimaipiu.Midipingevolemanielafacciadiblu.Poid’improvvisovenivodalventorapito.Eincominciavoavolarenelcieloinfinito.Volareoh,ohCantareoh,oh,oh,ohNelbludipintodibluFelicedistarelassuEvolavo,volavofelicePiuinaltodelsoleedan-corapiuinsuMentreilmondopianpianoSparivalontanolaggiuUnamusicadolcesuonavaSoltantoperme.Volareoh,ohCantareoh,oh,oh,ohNelbludipintodibluFelicedistarelassuMatuttiisogninell’albasvanisconperchéQuando

Es I: voc. voc–sax Verse/Thema–voc

tramonta,lalunaliportaconséMaiocontinuoasognareNegliocchituoibelli,chesonobluComeuncielotrapuntodistelleVolareoh,ohCantareoh,oh,oh,ohNelblu,degliocchituoiblu,FelicedistarequaggiuEcontinuoavolarefelicePiuinaltodelsoleedancorapiusuMentreilmondopianpianoscompareNegliocchituoibluLatuavoceeunamusicadolceChesuonaperme.Volareoh,ohCantareoh,oh,oh,ohNelblu,deglicchituoibluFelicedistarequaggiuNelblu,deglioc-chituoiblu,Felicedistarequaggiu

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AZ Giesserei, 30.11.1 7 35

  

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AZ Giesserei, 30.11.1 7 36

Look for the Silver LiningMusic by Jerome Kern  Lyrics by Buddy DeSylva  1962

|G∆ |A–7

/D D7–9 |G6

E–7 |A–7

D7 |

|G∆ |C∆ |B–7 |E–7 |

|A–7 |D7 /C |B–7 |B–7 |

|E–7 /D |CØ |B–7

B–7 |A–7 A∆

|

|G∆ |A–7

/D D7–9 |G6

|G6 |

|D–7 |G7–9 |C∆ |C∆ B7 ||A7 |A7–9 BO |B–7 F7 |E7 E7+5 ||A–7 |D7–9 |G∆ |G∆ |

A

B

Lookforthesilverliningwhene’eracloudappearsintheblue,Remembersomewherethesunisshiningandsotherightthingtodoismakeitshineforyou.

Aheartfullofhoyandgladnesswillalwaysbanishsadnessandstrife.Soalwayslookforthesilverliningandtrytofindthesunnysideoflife.

G Intro: Trio B-Teil

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AZ Giesserei, 30.11.1 7 37

Over the RainbowMusic Harold Arlen  Lyrics E. Y. Harburg  1938

I

A1

A2

B

A3

Whenalltheworldisahopelessjumbleandtheraindropstumbleallaround,heavenobensamagiclane.Whenallthecloudsdarkenuptheskyway,there’sarainbowhigwaytobefound,leadingfromyouwindowpanetoaplacebehindthesun,justastepbeyondtherain.SomewhereOverTheRainbowwayuphigh,There’salandthatIheardofonceinalullaby,

SomewhereOverTheRainbowskiesareblue,Andthedreamsthatyoudaretodreamreallydocometrue. SomedayI’llwishuponastarandwakeupwherethecloudsarefarbehindme,Wheretroublesmeltlikelemondrops,away,abovethechimneytopsthat’swhereyou’llfindme. SomewhereOverTheRainbowbluebirdsfly,BirdsflyOverTheRainbowwhythenowhycan’tI?

|G∆ |C7/G |G∆ |A–7

D7 ||G∆ GO |A–7

D7 |G∆ |G∆ ||G∆ |C7

/G |G∆ |F–7 B7 |

|E– |C7 A7 |A–7

/D |G∆/D |

|A–7/D

|G∆/D EO

/D |A–7/D |D7 |

|G∆ E–7 |B–7 G7+5 |C∆ CØF7 |B–7 E7+9 |

|A–7 C–7F7 |G∆ B–7E7 |A7 D7 |G∆ A7 D7|

|G∆ C7 |B–7 G7+5 |C∆ CØF7 |B–7 E7+9 |

|A–7 C–7F7 |G∆ B–7E7 |A7 D7 |G∆ |

|G∆ |A–7/D |B–7 E7 |A–7

D7/A7–9||G∆F7 E–7D–7

|CØ F7+9 |B–7 BO |A–7 D7 |

|CØ F7 |B–7 G7+5 |C∆ CØF7 |B–7 E7+9 |

|A–7 C–7F7 |G∆ E7 |A7 D7 |G∆ |

G

(E7/BC)F

7A–∆FOØAØ

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There Will Never Be Another YouMusic by Harry Warren  Lyrics by Mark Gordon  1942

A1

A2

Therewillbemanyothernightslikethis,andI’llbestandingherewithsomeonenew,Therewillbeothersongstosing,anotherfall,anotherspring,butThereWillNeverBeAnotherYou.

TherewillbeotherlipsthatImaykiss,buttheywon’tthrillmelikeyoursusedtodo.Yes,Imaydreamamilliondreams,buthowcantheycometrue,iftherewillnevereverbeanotheryou?

|B∆ |B∆ |AØ |D7–9

||G–7 |G–7 |F–7 |B7 ||E∆ |A7 |B∆ D7 |G–7 ||C7 |C7 |C–7 |F7 |

|B∆ |B∆ |AØ |D7–9

||G–7 |G–7 |F–7 |B7 ||E∆ |A7 |B∆ |C7 CO ||B∆ E7 |D–7 G7–9 |C–7 F7 |B∆ |

B I: 4 T, S:+4 Takte p Lead + aushalten


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