30282part One Web

FINE & APPLIED ART AUCTION

24 & 25 SEPTEMBER 2014

3FINE & APPLIED ART

WEDNESDAY 24 & THURSDAY 25 SEPTEMBER 2014

PART ONE • EVENING SALE NEW ZEALAND & INTERNATIONAL FINE ART

Including works from The Estate of John & Margaret OakleyLots 1 – 94Wednesday 24 September, 6pm

PART TwO • DAY SALE NEW ZEALAND & INTERNATIONAL FINE ART

Lots 200 – 441Thursday 25 September, 12 noon

PART THREE STUDIO CERAMICS & APPLIED ART

Lots A1 – A99Thursday 25 September, 5pm

OPENING PREVIEw • wELLINGTON Thursday 18 September • 5.00 – 6.30 pm

wELLINGTON VIEwING Friday 19 September 9am – 5pmSunday 21 September 12noon – 4pmMonday 22 September 9am – 5pmTuesday 23 September 9am – 5pmWednesday 24 September 9am – 4pm

LOCATION

7 Maginnity StreetPO Box 224, Wellington 6140Ph (04) 472 1367 • Fax (04) 475 [email protected] • www.dunbarsloane.com

ENQUIRIES

Helena WalkerDirector, Fine & Applied [email protected]: (04) 472 1367 • 027 471 3662

ILLUSTRATIONS

Front Cover • Lot 12Inside Front Cover • Lot 23Part One Title Page • Lot 14Part Two Title Page • Lot 409Part Three Title Page • Lot A97

FINE & APPLIED ART AUCTION

NEW ZEALAND & INTERNATIONAL FINE & APPLIED ARTwELLINGTONSUMMER 2014

Entries currently invited

ENQUIRIESHelena Walker

Ph +64 4 472 1367 • 0274 713662Email [email protected]

Dunbar Sloane JnrPh +64 9 630 9178 • 021 473 998

Email [email protected]

Dunbar Sloane SnrPh +64 274 713 663

www.dunbarsloane.com

ILLUSTRATEDRussell Clark (1905-1966)

View from ScarboroughAchieved $68,000 + premium May 2014

ANTIQUE & DECORATIVE ARTS

wELLINGTON10 & 11 SEPTEMBER 2014

Catalogue now available

ENQUIRIESAnthony Gallagher & Bettina Frith

Ph + 64 4 472 1367Email [email protected]

www.dunbarsloane.com

ILLUSTRATEDLot 814

Early C19th BritishPortrait of Geo III Naval Officer

Est $1,000 - 2,000

6 DUNBAR SLOANE WELLINGTON

1 JEFFREY HARRIS Crucifixion 2 • $10,500 2 FRANCES HODGKINS Marrows and Peppers, Tossa • $47,000 3 ANN ROBINSON Glass Amphora • $7,000 4 CHARLES BLOMFIELD Gisborne Point, Lake Rotoiti • $29,300 5 GEORGE RICHMOND (BRITISH) Portrait of Norman Lister Meville • $9,600 6 PAUL DIBBLE Defining the Homeland • $54,000 7 PETER MCINTYRE Boats & Lobster Pots • $10,000 8 ANN ROBINSON Handblown Glass Flowers • $3,600

FINE & APPLIED ART RECENT HIGHLIGHTS

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7FINE & APPLIED ART

9 MICHAEL SMITHER Walnut • $18,800 10 DON BINNEY Kereru • $82,000 11 PETER SIDDELL Red Roof • $22,300 12 RUSSELL CLARK View from Scarborough • $80,,000 13 PAUL DIBBLE The Voyager • $61,000 14 SHANE COTTON Untitled (2006) • $50,000 15 PAT HANLY Black Model • $58,600

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mID 20Th CENTURY mODERN DESIGNwELLINGTON9 SEPTEMBER 2014Catalogue now available

ENQUIRIESPh +64 472 1367

Email [email protected]

ILLUSTRATEDLot 89Elliots of Newbury, EnglandSet of eight dining chairsEst $2,800 - 3,200

ILLUSTRATEDLot 89Elliots of Newbury, EnglandSet of eight dining chairsEst $2,800 - 3,200

ESTATE jEWELLERY & WATCHESCOSTUME & ESTATE FASHION jEWELLERY

wELLINGTON

ILLUSTRATEDLot 1257Karen Walker 9ct & 14ct Diamond & Uniform Three Strand Black Fresh Water Pearl NecklaceEst $4,000 - 5,000

11 SEPTEMBER 2014Catalogues now available


ENQUIRIESDunbar Sloane Snr Ph 0274 713 663

Dunbar Sloane JnrPh +64 (9) 630 9178021 473 998Email [email protected]

MAORI, PACIFIC & TRIBAL ARTAUCKLANDNOVEMBER 2014Entries currently invited

ILLUSTRATEDLate C18th Nephrite Hei Tikiex Kalimantan CollectionEst $18,000 - 22,000

11FINE & APPLIED ART

VALUATION SERVICES

Our specialists travel New Zealand wide appraising private & public collections for the following purposes

INSURANCE • CURRENT mARKET & SALES ADVISE

SINGLE OwNER SALES • PRIVATE TREATY SALES • mATRImONIAL

ESTATE & FAmILY DIVISIONS

For more information contact

wellington Ph (04) 472 1367 • [email protected]

Auckland Ph (09) 630 9178 • [email protected]

ILLUSTRATEDLot 378Douglas BadcockDawn, Wellington HarbourEst $2,000 - 4,000

THE BARRY CASH PhOTOGRAPh COLLECTIONwELLINGTON16 OCTOBER 2014

Entries closed

ENQUIRIES

Ph + 64 4 4721367Email [email protected]

ILLUSTRATEDGlenn Buschjohn Mahia, Shiftworker [1981]

PART ONE • EVENING SALENEW ZEALAND & INTERNATIONAL FINE ART

Lots 1 – 946pm • wednesday 24 September 2014


1 DICK FRIzzELL (B 1943)Rowboatlithograph (triptych), limited edition 26/28signed, inscribed with title and dated 20/5/87 within print (lower left)52 x 217cm$2,500 - 5,000

2 ROBIN whITE (B 1946)Relatives at the Maketu Churchsilkscreen print, limited edition 43/50signed and dated 'ROBIN WHITE NOV '74' (lower right); inscribed with title (lower left)76 x 51cm, unframed$2,000 - 4,000

LITERATUREAlister Taylor, Robin White, New Zealand Painter (Martinborough 1981), p. 106, no. 164

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3 RALPh hOTERE (1931-2013)Anzac Ilithograph, limited edition 6/40signed and dated 'Hotere '90' (lower right), inscribed with title (lower centre)75.5 x 56cm$2,500 - 4,500

LITERATUREPeter Vangioni & Jillian Cassidy, Hotere, Empty of shadows and making a shadow (Christchurch 2005) p. 54. fig 35.

4 PAT hANLY (1932-2004)Girl Asleeplinocut and screenprint, limited edition 3/3signed and dated 'Hanly 87' (lower left) and inscribed 'To Judith for all those tough times.' (lower left)48.5 x 50.5cm$2,000 - 4,000

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5 PAT hANLY (1932-2004)Bride, Groom, Vacationscreenprint, AP 3 - 25signed and dated 'Hanly '91' (lower right) and inscribed with title (lower left)49 x 63cm$2,000 - 3,500

6 PAT hANLY (1932-2004)Bride Groom Observerscreenprint, limited edition 19/23signed and dated 'Hanly '91' (lower right) and inscribed with title49 x 69cm$2,000 - 3,500

7 PAT hANLY (1932-2004)Vacationscreenprint, limited edition 37/37signed and dated 'Hanly 86' (lower centre) and inscribed with title (lower right)47 x 63cm$2,000 - 3,500

8 STEPHEN BAMBURY (B 1951)The Captured Imaginationresin and acrylic on aluminium, diptychsigned and dated 'STEPHEN BAMBURY ’98' and inscribed with title to the reverse of each panel17 x 24cm overall$3,000 - 5,000

PROVENANCEwith Jensen Gallery, Auckland 1998Private collection, New Plymouth

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9 RIChARD KILLEEN (B 1946)Fragmentaluminium cut-outs assembled on papersigned and dated 'Killeen 1981' (lower centre) and inscribed with title (lower left)75 x 56cm$4,000 - 6,000

PROVENANCEPrivate collection, Otago

This is a study for the large work Fragment, 1981 which is in the collection of the Dunedin Public Art Gallery and currently on display in the gallery’s foyer.

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10 mELVIN DAY (B 1923)Cubist Figureoil on papersigned & dated ‘Day 54’ (lower right)47 x 34cm$2,000 - 3,000

PROVENANCEPrivate collection, Wellington

11 mELVIN DAY (B 1923)A. B. C.oil and encaustic on canvassigned and dated ‘Day 66’ (upper right); signed and inscribed with title to the reverse48 x 100cm$3,000 - 5,000

PROVENANCEPrivate Estate, Wellington


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12A LOIS whITE (1903-84)Whimseyoil on board with scratching out50 x 40cm$4,000 - 7,000

PROVENANCEpurchased by the vendor’s father, whom was a friend of the artistPrivate collection, Wairarapa

13 ChARLES TOLE (1903-1991)Locomotive Shed, Helensvilleoil on boardsigned ‘CHARLES TOLE’ (lower right); printed label with title and cat no 270 attached to the reverse14.5 x 17cm$3,000 - 6,000

PROVENANCEpurchased by the vendor’s father directly from the artistPrivate collection, Wairarapa

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14 PETER PERYER (B 1941)Gone Home Seriesset of ten gelatin silver prints taken with a Diana camerasigned and dated ' Peter Peryer, Easter 1976' on introduction sheet attached to the reverse of #1 & facsimiles to the reverse to other works each 17 x 17.5cm approx$3,000 - 6,000 LITERATUREArt New Zealand 8 1977-8, ‘Peter Peryer, the Photograph as a Portrait of the Self ’ p. 65


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15 LAURENCE ABERHART (B 1949)Castlecliff, Wanganui, 17 August 1986gelatin silver print19 x 21cm$3,500 - 5,500

PROVENANCEwith McNamara Gallery, Wanganui 2007Private collection, New Plymouth

LITERATURELaurence Aberhart, Aberhart (Wellington 2007) p. 254, fig 2.

16 jUDY MILLAR (B 1957)Untitled (2003)acrylic on aluminiumsigned and dated 'Millar 2003' to the reverse102 x 80cm$5,000 - 8,000

PROVENANCEwith Bartley Nees Gallery, Wellington 2003Private collection, New Plymouth


17 mAx GImBLETT (B 1935)Branching Streamsgesso, acrylic & vinyl polymers, epoxy, oil size on wooden panelsigned and dated 'MAX GIMBLETT 2004' and inscribed with title to the reverse54 x 54cm, maximum$10,000 - 16,000


18 VERA CUmmINGS (1891-1949)Harata Rewiri Tarapata, Nga Puhioil on canvassigned 'V. Cummings' (lower right)36 x 31cm$3,000 - 5,000

PROVENANCEEstate of Margaret & John Oakley, Lower Hutt

WORKS FROM THE ESTATE OF jOHN & MARGARET OAKLEy

The following lots 18 to 27 and lots 298 to 308 (Part Two/Day Sale) are from the estate of Late Margaret and John Oakley. The works were collected during their 59 years of marriage and displayed in their Lower Hutt home of 53 years.

The personalities, experiences, goals and visions of John and Margaret are behind this collection. They combined forces, energies, determination and commitment to create prosperity and something lasting in their legacies both for family and the community and to inspire others to use all their talents.

Hard working and self-made, John Oakley [J.H.O. as he was fondly called] had a deep love of all the classical traditions and sport; and was a tenacious Barrister and Senior Partner in Wellington and Lower Hutt Law firms since 1947. He was a generous benefactor to promising individuals, the NZ Symphony Orchestra, the Wellington Amateur Opera Society; and Co-Creator of the NZ Cricket Foundation and the National Cricket Museum. He was awarded a CBE for services to Cricket. He strongly believed one should never be confined in life or told it can not be done, so he pushed all the boundaries in his endeavours and became very commercially astute in investments, including art. Combined with John’s drive, intellect and single minded focus was Margaret’s great aesthetic and creative talents, as evidenced in their magnificent home and garden transformation over the years. Their shared appreciation of the beauty of nature and the diversity of cultures from their international travels is displayed in their proclivities and choices of art.

They had a deep loyalty to and presence in Lower Hutt and Wellington, including extensive involvement with their three children’s sporting and educational pursuits and their love of New Zealand life in the cities, the country and the sea from their own personal younger lives and family holidays, all of which is very evident in their art choices of local history and NZ artists and scenery.

Jenny Oakley, Christchurch

19 VERA CUmmINGS (1891-1949)Departed Daysoil on canvassigned 'V. Cummings' (lower left); inscribed with title to stretcher30.5 x 25cm$2,500 - 4,500

PROVENANCESale, Dunbar Sloane Wellington, 2 December 1998 (lot 148)Estate of Margaret & John Oakley, Lower Hutt

20 VERA CUmmINGS (1891-1949)Maori Woman Smoking Pipeoil on canvassigned 'V. Cummings' (lower right)20.5 x 15.5cm$2,000 - 4,000


21 wILLIAm G BAKER (1864-1924)King Tawhiaogouache heightened with whitesigned 'W. G. Baker' (lower right)37 x 26cm$2,000 - 4,000



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WORKS FROM THE ESTATE OF jOHN & MARGARET OAKLEyWORKS FROM THE ESTATE OF jOHN & MARGARET OAKLEy


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22 mARGARET STODDART (1865-1934)Ely Cathedral, Cambridgeshirewatercoloursigned 'M. O. Stoddart' (lower left)34 x 24cm$3,000 - 6,000


23 FRANCES hODGKINS (1869-1947)Boy in Fez & Robewatercoloursigned with monogram (lower left)16.5 x 11.5cm$15,000 - 25,000

PROVENANCEMrs W. H. Preston-Thomas, Wellingtonby inheritance (1954)Estate of Margaret & John Oakley, Lower Hutt LITERATUREE H McCormick, Works of Frances Hodgkins in New Zealand (Auckland 1954) Cat # 206, p. 178-9

This work was presumably painted during Hodgkin’s Moroccan tour, hence can be dated to 1903



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24 JOhN BARR CLARKE hOYTE (1835-1913)Sydney Harbour, c1879-1882watercoloursigned 'J. C. Hoyte' (lower right)38 x 65cm$30,000 - 40,000


This watercolour is painted from the North side of Mosman looking across Sydney Harbour to the Botanical Gardens & Sydney City.

The work also illustrates The Garden Palace, a large, purpose-built exhibition building constructed to house the Sydney International Exhibition in 1879. It was designed by James Barnet and constructed by John Young. A reworking of London's Crystal Palace, the plan for the Garden Palace was similar to that of a large cathedral, having a long hall with lower aisle on either side, like a nave, and a transept of similar form, each terminating in towers and meeting beneath a central dome. The Garden Palace was sited at what is today the south western end of the Royal Botanic Gardens (although at the time it was built it occupied land that was outside the Gardens). It was constructed primarily from timber, which ensured its complete destruction when engulfed by fire in the early morning of September 22, 1882. The only extant remains of the Garden Palace are its carved Sydney sandstone gateposts and wrought iron gates, located on the Macquarie Street entrance to the Royal Botanical Gardens.





25 NIChOLAS ChEVALIER (1828-1902)Surveyors Campsite at Lake Pukaki with Mount Cook in the backgroundwatercoloursigned 'N. Chevalier 1867' (lower right)49 x 69cm$30,000 - 40,000

PROVENANCEPrivate collection, Auckland c1990Sale, Dunbar Sloane Ltd, Wellington, 30 & 31 August 2000 (lot 21)Estate of Margaret & John Oakley, Lower Hutt


Detail lot 25

A graphite sketch of this view entitled ‘Mt Cook and the Pukaki Lake’ dated 3/6/66 is within the collection of Te Papa Tongarewa (reg no 1912-0044-188), which was gifted by Mrs Caroline Chevalier, the artist’s widow, England 1912.




26 GIROLAmO PIERI BALLATI NERLI (1860-1926)Portrait of a Young Sailorwatercoloursigned 'GPNerli' (lower right)27.5 x 22cm$3,000 - 5,000

PROVENANCESale, Deutscher Menzies, Melbourne, 25 April 1999 (lot 288)Sale, International Art Centre, Auckland, 17 March 2005 (lot 99)Estate of Margaret & John Oakley, Lower Hutt

27 POSSIBLY AUSTRALIAN, MANNER OF FREDERICK MCCUBBINFeeding the Chickensoil on canvas50 x 75cm$2,000 - 4,000


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28 CHARLES DECIMUS BARRAUD (1822-1897)Hoggard House with Lambton Quay in the Foregroundwatercolour and pencil heightened with whitesigned and dated 'C. D. Barraud/ NZ 1861' (lower left)32.5 x 42cm$40,000 - 50,000

PROVENANCEinherited from the vendor a direct descendant of the Hoggard familyPrivate collection, Kapiti Coast

John Farr Hoggard’s House was built in 1856, north of Clay Point, approximately where the Bank of New South Wales stood in the mid C20th.

A copy of this work by either John (Jack) Hoggard, son of John Farr Hoggard, or by Edith Richardson, sister-in-law of John Farr Hoggard is held in the collection of The Turnbull Library, Wellington.


29 ISABEL JANE FIELD [NEE hODGKINS] (1867-1950)Hedge & Stream, Canterburywatercoloursigned and dated 'I Field 99' (lower left); inscribed 'Lent by the Misses McLean/ Isabel Field/ Hedge & Stream, Canterbury; on original backing board attached to the reverse72 x 49.5cm$20,000 - 30,000

PROVENANCEby descent for the McLean Family, DunedinPrivate collection, Canterbury

EXHIBITEDAuckland City Art Gallery, Frances Hodgkins and Her Circle, June 1954, no. 19, entitled 'Landscape'. In their early years it was Isabel, not her younger sister Frances that was regarded by Dunedin authorities and their father, William Matthew Hodgkins as the promising painter whom had inherited her father’s talent. He gave Isabel lessons, took her with him on sketching excursions and introduced her to the local Art Club.Isabel began exhibiting at a young age, and by the age of 20 had firmly established her reputation in the local Otago arts community.

In 1893 married Wellington solicitor and later parliamentarian Will Field. Her artistic output dwindled as such, although from time to time she would resume painting, often with great success and the support of her sister.



30 PHILIP CLAIRMONT (1949-84)Vincent Viki Vivisectoroil on loose canvassigned and dated 'P. CLAIRMONT 1973' and inscribed with title (lower right); inscribed with title (upper)98 x 93cmtogether with other work on reserve on canvas [see image below]$40,000 - 50,000

PROVENANCEpurchased by the current owner from Janne Land Gallery, Wellington 1981Private collection, Marlborough



31 PAT hANLY (1932-2004)Pure Paintingenamel on boardsigned and dated 'Hanly 76' (lower right) and inscribed with title (lower centre right); bears original artist label and inscribed with title and dated to the reverse74 x 74cm$30,000 - 40,000

PROVENANCESale, International Art Centre, Auckland 30 October 2006 (lot 40)Private collection, Auckland




LITERATUREGrahame Sydney & Contributors, The Art of Grahame Sydney (Dunedin 2000) p. 144 & colour illustration p. 132, pl. 104.

'The close-up, cropped image of the body in Night Model (watercolour, 1986), also challenges the convention of the glamorous body beautiful. The shadows on the outside of the model's arm, concealing her face, render the model in terms of her jagged skeleton and reinforce the brittleness of humanity.' Belinda Jones, 'The Silent Studio', The Art of Grahame Sydney, p. 132

32 GRAhAmE SYDNEY (B 1948)Night Modelwatercoloursigned and dated 'Grahame Sydney 1986' (lower right)20.8 x 50.5cm$30,000 - 40,000

PROVENANCEpurchased directly from the artist by the current ownerPrivate collection, Otago

EXHIBITEDDunedin, Dunedin Public Art Gallery, Grahame Sydney, July-August 1988 [Note copy of original catalogue available]


33 WILLIAM MARSHALL BROWN RSA RSW (SCOTTISh, 1863-1936)Boys at the Cove Harbouroil on canvassigned 'Marshall Brown' (lower centre left); Aitken Dott & Son, Edinburgh label attached to reverse39.5 x 60cm$35,000 - 45,000

PROVENANCECollection of Mrs Charles M Wilson, Wellington (original packing label attached to the reverse)Sale, Dunbar Sloane Ltd, Wellington, 27 August 2008 (lot 94)Private collection, Wairarapa

Born in Edinburgh, William Marshall Brown is best known for his atmospheric figurative work. He trained at Edinburgh College of Art and at the Royal Scottish Academy’s Life School whilst working as a wood engraver and book illustrator. He also spent time in London and painted in the Netherlands and France but became recognised for his figurative work in Scottish landscape settings.

Although he ranged widely across Scotland he, like the Glasgow Boys, used Cockburnspath as a base and kept a studio there from which he executed some of his best work. He won the Chambers Bursary and Stewart Prize and subsequently was awarded the bronze medal for anatomical studies in South Kensington.

He was elected ARSA in 1909 and RSA in 1928.



34 GEORGE w mOTE (BRITISh, 1832–1909)The Deserter Capturedoil on boardsigned and dated ' G. W. MOTE/1858' (centre left); signed, inscribed with title and dated on original paper label affixed to the reverse100 x 140cm$6,000 - 10,000

PROVENANCEPrivate collection, Christchurch

35 wILLIAm CALLCOTT KNELL (BRITISh, 1830-1876)Sunset - a line of Battleships at Anchor off Portsmouth; Evening - a Schooner brig running before the wind in the Downsa pair, oil on board both signed and dated 'W. Callcott Knell/1863' (lower left)28.5 x 59cm each (2)$2,000 - 4,000

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36 GEORGE ShERIFF (1846-1930)Land of the Moa, Lake Wakatipuoil on canvas115 x 242cm$12,000 - 18,000

PROVENANCEby descent to the current ownerPrivate collection, Hawkes Bay

EXHIBITEDLondon, Great Exhibition, New Zealand Court, Colonial & Indian Exhibitions, 1886

'The Land of the Moa by George Sheriff depicts a wild lake scene, surrounded by rugged glacier-crowned mountains. The subject is executed, and has a solitary grandeur about its characteristic of the Alpine solitudes of New Zealand.'London Correspondent, The New Zealand Herald, 2 August 1886

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37 SYDNEY LOUGh ThOmPSON (1877-1973)On the Quay, Concarneauoil on canvassigned 'S L Thompson' (lower right)36 x 46cm$10,000 - 16,000 PROVENANCEPrivate collection, United Kingdom

38 SYDNEY LOUGh ThOmPSON (1877-1973)Market Scene, Concarneauoil on canvassigned 'S. L. Thompson' (lower left); Lucien Lefebvre-Foinet, Paris stamp to stretcher38 x 46cm$16,000 - 24,000

PROVENANCECollection of the Late Ernest W Hunt, former President of the NZ Academy of Fine Arts (1923-1926) and Board Member (1919-1927, 1936-1959)

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39 DORIS LUSK (1916-1990)At Robinsons Bay, Banks Peninsulawatercolour, graphite and coloured pencil on paperinscribed with title and dated 'Calm Morning/ April 11 - 1982/ To Peggy and John - with thanks/from Doris' to the reverse47 x 37cm$3,000 - 5,000

PROVENANCEPrivate collection, Canterbury 40 SIR M T [TOSS] WOOLLASTON (1910-1998)Winter Pondwatercoloursigned and dated 'Woollaston 1961' (lower right)26.5 x 36cm$3,000 - 6,000

PROVENANCECollection of R N O'Reilly (1914-1982), Christchurch City Librarian & noted patron of the arts communityPrivate collection, New Plymouth, 1978Sale, Dunbar Sloane Ltd, Wellington, 5 December 2001 (lot 1)

EXHIBITEDChristchurch Group Show, CSA Gallery, Durham Street, 1961

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41 SIR M T [TOSS] WOOLLASTON (1910-1998)McFedries Farmoil on boardsigned 'Woollaston' (lower right); signed, inscribed with title and dated 'Spring 1981' to the reverse89.5 x 76cm$20,000 - 30,000

PROVENANCEwith Ferner Galleries, Wellington c1990Private collection, Wellington


42 PETER MCINTYRE (1910-1995)Hanging Out the Nets, Moorea, Tahitioil on canvassigned 'PETER MCINTYRE' (lower right)76 x 62cm$8,000 - 10,000

43 PETER MCINTYRE (1910-1995)Native Americans on Horsebackoil on canvassigned 'PETER MCINTYRE' (lower right)67 x 87cm$6,000 - 10,000


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44 PETER MCINTYRE (1910-1995)Hawkes Bay Riveroil on canvassigned 'PETER MCINTYRE' (lower right)50 x 51cm$5,000 - 8,000

PROVENANCEPurchased approximately 50 years ago by the vendor's mother from a Hawkes Bay GalleryPrivate collection, Hawkes Bay

45 PETER MCINTYRE (1910-1995)The Droverink on papersigned 'PETER MCINTYRE' (lower right in pencil)26 x 33cm$2,500 - 4,000



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46 TOM ESPLIN (1915-2005)Arbroath, Scotlandoil on boardsigned 'Esplin' (lower right)23.5 x 35cm$3,000 - 6,000

PROVENANCEwith Rosslyn Gallery, DunedinPrivate collection, Wellington

47 TOM ESPLIN (1915-2005)Nuremburg Toweroil on boardsigned 'Esplin' (lower left)32 x 43.5cm2,500 - 4,000

48 TOM ESPLIN (1915-2005)Cosenza, Italyoil on boardsigned 'Esplin' (lower right)34 x 24cm$2,000 - 4,000

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49 TOM ESPLIN (1915-2005)Corner of Orvietooil on boardsigned 'Esplin' (lower right)32.5 x 23cm$2,000 - 4,000


50 COLIN WHEELER (1919-2012)The Township, Kurow, North Otagooil on boardsigned and dated 'COLIN WHEELER 1998' (lower left)52 x 70cm$4,500 - 8,000

PROVENANCEpurchased directly from the artistPrivate collection, Wellington

51 COLIN WHEELER (1919-2012)No 72, Dunedinoil on boardsigned and dated 'COLIN WHEELER 2001' (lower left)58 x 53cm$4,000 - 7,000

PROVENANCEpurchased directly from the artistPrivate collection, Wellington

52 COLIN WHEELER (1919-2012)An Oamaru House with Petrol Pumpoil on boardsigned and dated 'COLIN WHEELER 2004' (lower centre); inscribed on original artist's label 'An Oamaru House with petrol pump (ex Enfield Store) and old car from a local farm' to the reverse71 x 52cm$4,000 - 7,000

PROVENANCEpurchased directly from the artist; Private collection, Wellington

53 COLIN WHEELER (1919-2012)Glendhu Stationoil on canvas boardsigned 'COLIN V. WHEELER' (lower right)60 x 47cm$3,000 - 6,000

PROVENANCEPrivate Collection, Kapiti Coast

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54 GUY NGAN (B 1926)Sunscape IIacrylic and polyurethane on boardsigned, inscribed with title and dated 'GUY NGAN/ N.Z. 1976' (lower right)58.5 x 119cm$6,000 - 10,000

PROVENANCEwith Antipodes Gallery, Wellington c 1977Private collection, Kapiti Coast

55 jEFFREY HARRIS (B 1949)Crucifixion 3oil on boardsigned and dated 'Jeffrey Harris/ 2002-2006' and inscribed with title to the reverse31 x 22.8cm$10,000 - 15,000

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56 jEFFREY HARRIS (B 1949)Couple with Baby [1977]oil on boardbears John Leech Gallery to the reverse39.5 x 39.5cm$2,500 - 4,000


57 ALLEN MADDOx (1948-2000)Untitled [1983]watercolour & graphite on papersigned with initials and dated 'AM 27.1.83' (lower centre)41 x 57.5cm$2,000 - 4,000


58 ALLEN MADDOx (1948-2000)Blue Crossoil on canvassigned with initials and dated 'AM 88' (lower centre)48 x 39cm$2,000 - 4,000

PROVENANCEwith Williams Gallery, PetonePrivate collection, Wellington


59 DARCY NICHOLAS (B 1945)Memories of a Summer Landscapeoil on boardsigned 'Darcy Nicholas' (lower right)97 x 97cm$5,000 - 8,000

PROVENANCEwith Antipodes Gallery, Wellington c1977Private collection, Kapiti Coast

EXHIBITEDWaikato Art Museum, Contemporary Maori Art, 11 September - 17 October 1976, no 35

LITERATUREContemporary Maori Art, Waikato Art Museum Catalogue p. 17. (colour illustration)

This is a New Zealand landscape based on the earth and sky theme, where man and nature are one. The three crosses reflect the importance of religion to the New Zealander. The man lightly shadowed reaching beyond the earth reaches to give life to the universe as well as to increase his knowledge and status. The young Maori children are spiritually bound to the earth and grown out of the landscape.Darcy Nicholas


60 mIChEL TUFFERY (B 1966)Turtle Shellfound herring tins sculpture140 x 105 x 30cm (maximum)$3,500 - 7,000

PROVENANCESale, Art+Object, Auckland, 3 May 2007 (lot 36)

EXHIBITEDSydney Olympic Opening Ceremony, 2000 (the piece was used as a mechanical turtle emerging out of the water)Christchurch, SOCA Gallery, Sculpture Invitational Group Exhibition, 2005

61 mIChEL TUFFERY (B 1966)Mt Taranakiacrylic on tapa clothsigned 'M TUFFERY' (lower right)47 x 105cm$3,000 - 5,000

PROVENANCEwith Williams Gallery, PetonePrivate collection, Wellington

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62 hARIATA ROPATA TANGAhOE (B 1952)Hinenui te Pooil on canvas with hand carved frame122 x 60cm$3,000 - 5,000

63 jOHN WALSH (B 1954)Haere Tawhitioil on boardsigned, inscribed with title and dated 2001 (to the reverse)58 x 112cm$18,000 - 25,000

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64 PETER ROBINSON (B 1965)Abstractmixed media on paper75 x 57cm$5,000 - 8,000

PROVENANCEwith Brooke Gifford Gallery, ChristchurchPrivate collection, Christchurch

65 PETER ROBINSON (B 1965)Abstractmixed media on paper75 x 57cm$5,000 - 8,000

PROVENANCEwith Brooke Gifford Gallery, ChristchurchPrivate collection, Christchurch

66 SERAPhINE PICK (B 1964)Ricordi, Duskoil on papersigned and dated 'PICK 96' (lower right)53 x 74cm$3,500 - 6,500

This work was commissioned in response to Ricordi! written by Peter Wells, based on stories by Katherine Mansfield, showcased at The New Zealand International Festival of the Arts, 1996

67 TONY FOmISON (1939-1990)Lizard of Deathoil on board83 x 122cm$4,000 -7,000

PROVENANCEmost likely purchased CSA, Durham Street Gallery, Christchurch c1961Private collection, Canterbury

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68 hELEN BROwN (1917-1986)Hokiangaoil on boardsigned 'HELEN BROWN' (lower right)45 x 90cm$2,000 - 4,000

PROVENANCEwith John Leech Gallery, AucklandPrivate collection, Wellington

69 mARKEY ROBINSON (IRISh, 1916-1999)Wandering Homeoil on boardsigned 'Markey' (lower right)40 x 77cm$2,000 - 4,000

PROVENANCEpossibly purchased Dublin, The Oriel Gallery, 'Exhibition of Recent Paintings by Markey' 1980Private collection, Christchurch

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70 ERIC LEE-JOhNSON (1908–93)The Kindlingwatercolour and indian inksigned and dated 'Lee Johnson 50-51’ (lower right)46 x 56cm$5,000 - 8,000

ILLUSTRATED/REFERENCEM K Joseph, 'Five Pictures from the Annual Exhibition of the Auckland Society of Arts', Arts Year Book 7, Wellington 1951, p.64-65Edward Simpson, Art Review, Design Review, Volume 4, Issue 5 (October-November 1952) p. 120.

EXHIBITEDAnnual Exhibition, 1951, Auckland Society of Arts

“Eric Lee-Johnson is a modern romantic; and it is characteristic of him that…unity of mood appears to control unity of structure. The picture space is treated as a single indivisible whole, and is completely filled with fine and nervous calligraphy, almost like a well-written nineteenth century letter.From passage to passage, this writing changes into a variety of manners. At least three main variations can be distinguished…The drawing knows its own mind. It is the colours that give much of the romantic suggestiveness and lack of definition. They blur and blend, each appropriate to its place. The dark stuff of the girl's dress, the muted greens and whites of the old woman, have a proper natural warmth, different in kind from the glowing oxidised red of the house. When looked at directly, individual colours are sometimes startlingly vivid, as in the electric blue on the underside of the fallen stump, or the lichenous whites on the trees to the left.In the end the colour, like the calligraphy, unifies and gives emotional tone, the sense of warm and living colours faded together into the uniform texture of old things - worn cloth, dead leaves, wind -bitten deadwood, and unpainted weatherboards.”M K Joseph, Arts Year Book 7 (1951), p. 64-5.


71 mAUD ShERwOOD (1880-1956)Silo with Cowsoil on boardsigned 'Maud Sherwood' (lower right)36 x 42cm$2,500 - 4,000

PROVENANCEPrivate collection, Dunedin

EXHIBITEDChristchurch, Robert McDougall Art Gallery, Maud Sherwood (1880-1956), April 1985, no 18.

72 ChARLES BLOmFIELD (1848-1926)The White Terracesoil on canvassigned and dated 'C.BLOMFIELD/1886' (lower right)42 x 57cm$3,000 - 6,000

PROVENANCEPrivate collection, Canterbury

73 FRANK BARNES (1859-1941)Four Masted Ship, Hinemoa, Off NZ Coastoil on boardsigned 'FRANK BARNES' (lower right) and inscribed with title (lower left)48 x 73cm$1,750 - 3,000

PROVENANCEPrivate collection, South Canterbury

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74 SYDNEY LOUGh ThOmPSON (1877-1973)Wind in the Willows, Lake Wanakaoil on canvassigned and dated 'SL Thompson/ 56' (lower right)52 x 63.5cm$7,500 - 10,000

PROVENANCEby descent from the owner's fatherPrivate collection, Wellington

75 mARGARET STODDART (1865-1934)Still Life with Pink Roseswatercoloursigned with initials and dated 'M.O.S. 1890' (lower right)52 x 37.5cm$5,000 - 8,000


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76 mARGARET STODDART (1865-1934)The Old Lock Housewatercoloursigned 'M.O.Stoddart' (lower left)24 x 34cm$3,500 - 6,000

PROVENANCEPrivate collection, Marlborough

77 mARGARET STODDART (1865-1934)Farm Houses, Canterburywatercoloursigned 'M. O. Stoddart' (lower left)24.5 x 35cm$2,500 - 4,000

PROVENANCECollection of Ernest W Hunt, former President of the NZ Academy of Fine Arts (1923-1926) and Board Member (1919-1927, 1936-1959)

78 mARGARET STODDART (1865-1934)Old Wharf, Akaroawatercoloursigned 'M. O. Stoddart' (lower right)25 x 34.5cm$2,750 - 4,500

PROVENANCEPrivate collection, Manawatu

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79 DOROThY KATE RIChmOND (1861-1935)Queens Wharf, Wellington Harbourwatercoloursigned and dated 'D.K. Richmond 1920' (lower right)24.5 x 23cm$3,000 - 5,000


80 DOROThY KATE RIChmOND (1861-1935)Yachts, Wellington Harbourwatercoloursigned and dated 'D. K. Richmond 191' (lower left)24 x 34cm$3,000 - 5,000

PROVENANCECollection of Ernest W Hunt, former President of the NZ Academy of Fine Arts (1923-1926) and Board Member (1919-1927, 1936-1959)

81 DOROThY KATE RIChmOND (1861-1935)Lake Kanierewatercoloursigned and dated 'D. K. Richmond 1926' (lower right)23.5 x 31.5cm$2,000 - 4,000

PROVENANCESale, Dunbar Sloane Ltd, Wellington, 28 July 1999 (lot 3)Private collection, Kapiti Coast

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82 ROBERT ELLIS (B 1929)Nga Taongaacrylic and pastel on papersigned, inscribed with title and dated 'Robert Ellis Nga Taonga 3 Oketopa 1993' (upper left)94 x 74.5cm$2,000 - 4,000

83 RIChARD KILLEEN (B 1946)Corporealitymixed media on papersigned, inscribed with title and dated 'Killeen/ Nov 7 1987' (lower centre)37 x 56cm$1,750 - 3,000

84 PHILIP TRUSTTUM (B 1940)Tossacrylic on canvassigned & dated 'P.S. TRUSTTUM 1993' (right lower edges)212 x 198cm$3,000 - 5,000

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86 TONY LANE (B 1949)A Range of Hillsoil and gold leaf on gesso panelsigned with initials (lower left); signed, inscribed with title and dated 2001 to the reverse77 x 61.5cm$3,000 - 5,000

85 TONY LANE (B 1949)Landscape with Two Figuresoil, schlag-metal on gesso panelsigned with initials (lower left) and dated 7-98 (lower right); signed, inscribed with title and dated 1998 to the reverse79 x 76cm$5,000 - 7,000

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87 mIChAEL SmIThER (B 1939)Woman Breast Feedingoil on boardsigned 'M. D. SMITHER' (upper left)84 x 47cmto the reverse Don Driver, Abstract, enamel on board, unsigned (images available)$5,000 - 8,000

88 ALAN PEARSON (B 1929)Self Portrait (no 22)oil on boardoriginal label with title affixed to the reverse45 x 37cm$2,500 - 4,500

EXHIBITEDwith Brooke Gifford Gallery, Christchurch, One Man Show, July 1975

89 jOHN PARKER (B 1944)Plain Song Autumnoil on canvassigned and dated 'J S Parker 92’ (lower left)182 x 120cm$2,500 - 4,000

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90 PIERA MCARTHUR (B 1929)Observers, Dante and Beatriceoil on canvassigned and dated 'McArthur '81' (lower right); inscribed with title to the reverse89 x 69cm$3,000 - 5,000

PROVENANCEPrivate collection, Wairarapa

91 JANE EVANS (1946-2012)Landscape, Marlborough Soundsacrylic on boardsigned and dated 'Jane Evans '77' (lower right)60 x 76cm$6,000 - 10,000

PROVENANCEpurchased directly from the artistPrivate collection, Nelson

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92 JANE EVANS (1946-2012)Old Man with Pipeacrylic on boardsigned 'Jane Evans' (upper right); signed, inscribed with title and dated 1981 with ref no 81A004 to the reverse65 x 45cm$5,000 - 8,000

PROVENANCEpurchased Suter Art Gallery, Nelson c1980Private collection, Nelson

LITERATUREJohn Coley, Jane Evans (Christchurch 1997) p. 67 (colour illustration), entitled Old Man with Pipe, portrait of the artist's father in a blue cap

92 93

93 JANE EVANS (1946-2012)Untitled [Portrait of a Child]acrylic on papersigned and dated 'Jane Evans '74' (lower right)54 x 37cm$3,000 - 5,000

PROVENANCEpurchased Suter Art Gallery, Nelson c1977Private collection, Nelson

NOTE: LOTS 281-288 (PART TWO/DAY SALE) AND SELECT LOTS IN THE POTTERY & APPLIED ARTS SECTION ARE FROM THE JANE EVANS ARTIST ESTATE, NELSON.


PROVENANCEpurchased directly from the artist, October 1996, where the work had been hanging in the artist's kitchenPrivate collection, Wellington

94 JANE EVANS (1946-2012)Roostergouache on papersigned and dated 'Jane Evans '93' (lower right); signed, inscribed with title, dated with ref no 93G049 inscribed to the reverse79 x 60cm$8,000 - 14,000

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