35 2 Perf Seminar

Economical or Artistic choice …..

T. Perronnet EAMER MKG Director

Caroline Champetier (AFC President) “ Of Gods & Men”

Denis Rouden (AFC) “ Braquo”

Patrick Leplat : Tech & Tech Mkg Mgr Panavision

Marc Shipman-Mueller : Product Mgr for Cameras & Lenses Arri Thierry Perronnet : EAMER Mkg Director Kodak

A Brief History ….

- Conceptually Known around 1930 but effectively into practice In 1960’

-> mainly from Italy under Techniscope. - Renaissance for 3 -4 years

- > Digital Intermediate Post Production. - > Camera Manufacturers development. - > Progress on lenses - > Film Stock Improvement.

35 2 Perf Seminar

Death Drums Along the River (1963) Coast of Skeletons (1964) Curse of the Mummy's Tomb (1964) A Fistful of Dollars (1964) Robinson Crusoe on Mars (1964) Arizona Raiders (1965) Deadwood '76 (1965) Dr. Terror's House of Horrors (1965) For a Few Dollars More (1965) Pop Gear (1965) The IPCRESS File (1965) The Appaloosa (1966) Arizona Colt (1966) Beau Geste (1966) Deadlier Than the Male (1966) The Ghost and Mr. Chicken (1966) The Good, the Bad and the Ugly (1966) Nashville Rebel (1966) Kiss Kiss... Bang Bang (1966) Thunderbirds Are GO (1966) Gunfight in Abilene (1967)

Tobruk (1967) Arizona Bushwhackers (1968) Counterpoint (1968) Once Upon a Time in the West (1968) The Secret War of Harry Frigg (1968) Thunderbird 6 (1968) The Bird with the Crystal Plumage (1970) Five Bloody Graves (1970) Blue Water, White Death (1971) Brotherhood of Satan, The (1971) THX 1138 (1971) Two-Lane Blacktop (1971) Blood of Ghastly Horror (1972) American Graffiti (1973) Dead People (1973) Amici miei (1975) Death Machines (1976) The Bees (1978) The Beyond (1981) Titanic (1997) (the underwater scenes)

The 35 2 perf renaissance

During the last 2 years : More than 130 Projects shot in Europe !

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2.35  (21.87  x  9.15  mm)*  Widescreen  

1.85  (16.93  x  9.15  mm)  Standard  Projec6on  

1.78  (16.29  x  9.15  mm)  HDTV  

 

What is 2-perf? Aspect Ratios

86 mm²

324 mm²

140 mm²

+ 63 % + 131 %

+ 76 % + 114 %

83 mm²

312 mm²

146 mm²

Comparison of Aspect Ratios 1:2.40 : 2 perf vs 3 perf:

Difference in area: 2.40 in 3 perf (super 35 / off centre) is 1.3x more (30%) than in 2 perf

+ 30%

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Op2cal  Printer  

Advantages  of  DI  •  Faster  /  Real-­‐2me  

•  Random  access  to  all  scenes    

•  More  crea2ve  op2ons  Color  correc(on,  image  manipula(on,  effects  

2 perf Today

400 Roll 1000 Roll 2 perf 8 min 34 sec 21 min 26 sec 4 perf 4 min 17 secs 10 min 43 secs

-  A feature of 90 minutes can be shot with 50,000 feet instead of 120,000 feet. -  50% less film processing

- Twice the run time •  longer takes •  fewer magazine changes •  yield fewer short ends

- Savings in the stock cost can be passed on into the Digital Intermediate

Other Advantages :

-  We use standard lenses to achieve 2.40 ratio.

-  35mm depth of field.

-  Camera noise reduced

-  Saving of 50% for the production company vs 35mm 4 perf.

-  Time saved on the set for camera loading

-  Possibility to do longer "plan sequences“

-  Less short ends for the production company

-  Possibility to have access to all 35mm accessories

-  During processing, increased reliability during the processing and the drying phase compared to S16MM

- A good Alternative to the BBC / A. Quest statement for S16mm.

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Specs: •  1-50 fps •  22 dB noise level •  Battery – low consumption - 15 watts •  Quick change of batteries •  Video assist – good resolution •  Possibility to record metadata on USB stick •  Wifi connection with Laptop •  Change from 2 to 3 perf capability •  High brightness display with wide peripheral vision

Instant loading

•  Panaflex Light weight II •  4/36 fps, fix shutter, magnesium Body (- 1kg less).

•  Golden G2 •  4/36 fps, Variable shutter (45 °-180°)

•  Platinum •  4/40 fps, variable shutter (4°-200°)

•  2-3-4 perf. in 35 mm

PANAVISION & 2 PERF.

•  235 •  ARRICAM Lite •  ARRICAM Studio

• Widescreen 35 mm Film at a Fraction of the Cost - half the film stock - half the film processing - twice the recording time

• Available for - ARRICAM Studio (1-60 fps) - ARRICAM Lite (1-48 fps) - ARRIFLEX 235 (1-75 fps)

• Price ARRIFLEX 235 2 Perforation Movement: € 12,600 ARRICAM 2 Perforation Movement: € 31,200

• Availability: now

“Of Gods & Men”

- Director Of Photography : Caroline Champetier (AFC) - Director : Xavier Beauvois - Production Company : WHY NOT production

-> Camera : Aaton Penelope 2 Perf -> Stock : 5207 , 5212, 5218 -> Lab : Éclair -> workflow : Scan & Shoot 4 K on Arrilaser (double path), Color Grading : Colorus.. -> Cannes 2010 : “Grand prix du jury”. -> Gianni Di Venzano Prize for Cinematography -> European Award Nominated for the best Cinematography -> Selected for the Oscars 2011

“Braquo”

- Director Of Photography : Denis Rouden (AFC) - Director : Olivier Marshall / Fred. Schoendoerffer - Production Company : CAPA DRAMA / Canal +

-> Camera : Arricam Light + Aaton Penelope 2 Perf -> Stock : 5207 , 5212, 5218 -> Lab : Éclair / Teletota -> Workflow : TV process - TC HD On spirit – tape to tape editing