4 Free - files.buntype.comfiles.buntype.com/Specimen/BunaeroPro-Specimen.pdf · “s” and “c”...

Bunaero™

Eclectic & Distinct4 Moods, 36 Styles, 100 Languages

36 4 Free Styles

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Buntypes Bunaero™ proUnique and Distinctive

4 Main States with Different MoodsBuntypes Bunaero combines classical and contemporary characteristics to a unique and distinctive font family with extravagant but also harmonious appearance. The characters are clear, open and sometimes bellied. Especially the caps have a very high waistline. Based on this, four main states with different moods have ben composed: The original Bunaero™, the more conservative “Classic”, the elegant and curvy “Up” and the matching ”Italic”. All states offer weights from a considerably thin „Hair“ to a real fat „Heavy“, so the family consist of 34 Styles, all with rather narrow width and very good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure flawless appearance in all media. It supports at least 99 languages incl. Vietnamese and provides ligatures, alternative glyphs, special localized forms and even more enjoyable OpenType® features.

This Pro version also includes a lot of features for sophisticated users: Lining figures for headline setting; Intermediate linings and oldstyle figures for text setting; Tabular versions of all figures; Superiors, inferiors, numerators, denominators and automated fractions; Language specialities like a capital Eszett for the german language and extra characters with a polish kreska instead an acute; And many more.

Feature Summary*: -4 Moods: Normal, Classic, Up and Italic -9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy -Supports at least 99 Languages incl. eastern european and vietnamese languages -Overall width: Narrow or Space-Saving -Advanced f- ligature set including fb -Discretionary s- and c- ligatures -Alternative Characters: a, e, f, g, i, k, l, t, v, w, y, J, K, Q, R, and more -6 sets of figures: -Capital sized figures, oldstyle figures and intermediate figures, each in proportional and carefully adjusted tabular versions -Superiors, inferiors, numerators and denominators -Circled and negative circled figures -Capital German Eszett -Extra characters with Polish Kreska -Catalan Punt Volat -Extra characters with alternate minmalistic Cedille -Arrows -Automated feature for fractions as well as extended fraction character set -More than 1000 characters per font

Some features may only be available in OpenType®-savvy applications

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introduction

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Hundred languagesPowerful appearance

Buntypes BunaeroUnconventional details

Handcrafted Kerning

artificeEclectic blend of shapes

Designed in Germanyexceptional aestheticHigH Waisteline

Four individual moodsNaturally

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specimen

2 2

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e e e e e e e e e e e e e e e e e ee e e e e e e e e e e e e e e e e e

sssssssss s sHairL iNe 36 St yle S Heavy

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styles

egIt’s abouteclecticismBuntypes Bunaero™

don’t miss


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ThE worlD

waxwaxin carnauba in carnauba

waxBUMTYPE

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glow like rayglow like Rayglow like Rayglow like ray

MoodsBunaeros alternate styles

It’s up to you!

Of course, every style of Bunaero includes alter-nate characters for individual customisation. But many designers think, that alternates are inconvenient and that the usage is sensitive to errors. Concidering that, we have created prede-fined styles with different moods for you.Choose between the normal Bunaero, the ”Classic“ with oldstyle e, g, i, j, l and y, the “Up” with italic styled characters, like the single storey a or the round v and w, and the matching “Italic”.

NORMAL :

CLASSIC :

UPRIGHT :

ITALIC :

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Moods

FEATURE: LIGATURES

FEATURE: LIGATURES AND DISCRETIONARy LIGATURES FEATURE: LIGATURES

FEATURE: LIGATURESfjord

lofty

finalist chain flood

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ligatures

HeartBeat396 cubic inch, 461 horsepower

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aabcdeefffgghiijjkkllmnopqrsttuvvwwwxyyz

aBCDeFGGHiJJKKLMNNOPQQrRSTUvWWXyZẞĄ

0123456789$€£¥¢0123456789

↓ Glyphs: Figures ↓ GLyPHS: BASIC UPPERCASE

GLyPHS: BASIC LOwERCASE


glyphs

38 Bunaeros FiguresAlways the right numeral

10 sets of figures

Proportional oldstyles, tabular oldstyles, proportional intermediates, tabular intermediates, proportional linings, tabular linings, slashed zeros, numerators, denominators, superscript, subscript, automated fractions and more…

H198 H198 H198 H198 H198 H198H1⅝ H6/84 Hm3 H190 H19Ω H



Figures

sgeSLiM TOP

BrOaD BaSeMeNTBUMTYPE

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aegwoskMKaNSrg

HIGH wASTELINE LONG BAR

SMALL CLOSED COUNTER UNCONVENTIONAL DETAIL

LARGE OPEN COUNTER LONG TAIL LONG BARHEAVy ASyMMETRy

CHILLING EAR

STRONGLy BAGGy


details

CustomizationThe small letter “e” in Bunaero™

Display vs. text Application

Allthough the straight edged small “e” – an alternate character in many Buntype fonts – is obviously less cute than the rounded one, it improves the reading flow in body text.

eeeNormal / Classic / Up

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Customization

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Glyphs: Basic uppercase Glyphs: Figures, etc.

Glyphs: Basic Lowercase Glyphs: Old Style Figures, etc.

00123456789$€£¥¢

00123456789@?!&&

Buntypes Bunaero™

aabcdeefffgghiijjkkllmnopqrsttuvvwwwxyyz

aBCDeFGGHiJJKKLMNNOPQQrRSTUvWWXyZẞĄ


glyphs

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FEATURE: LC “G” VARIANTS

FEATURE: LIGATURES

finalist FEATURE: LC “F” AND “T” VARIANTS

FEATURE: ITALIC VARIANTS

fffontt

woven

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♠c a r s e r v i c e

ace of spadesestb. | family owned | 1927

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Designed and manufactured in Germany ™Buntypes Bunaero

Normal•classic•Up•italicMore than 100 Languages supported. Incl. Vỉetnẳmsề

Distinct, eclectic & Friendly


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Language SupportAdvanced latin character set

Bunaero™ supports at least 100 latin languages

eastern- (Baltic) central- (ce) and southern european (Turk) as well as many region-al languages (e.g. catalan, corsian): afar, afrikaans, albanian, azerbaijani, Basque, Belarusian, Bislama, Bosnian, Breton, catalan, chamorro, chichewa, comorian, czech, Danish, Dutch, english, esperanto, estonian, Faroese, Fijian, Filipino/Tagalog, Finnish, Flemish, French, Gaelic (irish), Gaelic (Manx), Gaelic scottish, Gagauz, German, Gikuyu, Gilbertese/Kiribati, Greenlandic, Haitian creole, Hawaiian, Hungarian, icelandic, indo-nesian, irish, italian, Javanese, Kashubian, Kinyarwanda, Kirundi, Latin, Latvian, Lithua-nian, Luba/ciluba/Kasai, Luxembourgish, Malagasy, Malay, Maltese, Maori, Marquesan, Moldovan/Moldovian/romanian, Montenegrin, Nauruan, Ndebele, Norwegian, Oromo, Palauan/Belauan, Polish, Portuguese, Quechua, romanian, romansh, sami, samoan, sango, serbian, sesotho, setswana/sitswana/Tswana, seychellois creole, siswati/swa-ti/swazi, silesian, slovak, slovenian, somali, sorbian, sotho, spanish, swahili, swedish, Tahitian, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen, Tuvaluan, Uzbek/Usbek, vietnamese, Wallisian, Walloon, Welsh, Xhosa, Yoruba, Zulu and others.

Ãť łểáșŧ 99 Lǎņġũäğŝ Śủppøŗţễď


language support

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a › a e › e g › g l › lSet 01 Set 02 Set 04 Set 06

f › f y › y k › k w › wSet 03 Set 08 Set 07 Set 15


Opentype® Feature examples

alternate CHaraCtersBunaeros alternate styles

It’s up to you!

Fortunately we don’t share the same taste. Although we appar-ently hit yours, there may be some differences in details. Therefore we equiped Bunaero™ with a couple of alternate glyphs. The most prominent example is the small “g”. Double or single storey. Bunaero™ provides both.

For a complete listing of all characters, visit the page “Characters”, please.

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Alternate Characters

tIMeLessEclectisism

Buntypes Bunaero provides



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ascaasca design optimisation

Contextual replacements in Bunaero™

Of course, fully automated

The “baggy” or “gravitational” design of Bunaero, which is one of its main characteristics, could only be realized with OpenType glyph replacement. E.g. the very expansive “s” and “c” will be replaced by slim variants in order to harmonise spacing.Don't worry, this kind of replacement will be supported automatically by almost every application, which supports simple ligatures – even by web browsers. you don't have to do anything.OPTIMISED

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design Optimization

MASTERWaXGLOBAL CONFERENcE IN THE TEUTONIAN FORREsT28 May – 3 June 2018CongresscenTer 33675 neuenkirchen, germany

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ßẞ gerMan Capital eszettOfficialy approved in 2017Inclouded in every Buntype font

Typedesigners have postulated it for decades. Now it is official:The german Eszett should be replaced by a special capital Eszett in capital typesetting. Of course, every Buntype font includes a capital Eszett.


Capital Eszett

catroMMoLpoL

l·l l·l ↑ CaTaLaN PUNT vOLaT

şşşș çç ↓ rOMaNiaN aND MOLDaviaN “S” WiTH CeDiLLa aUTO-rePLaCeMeNT

CaTaLaN “S” aND “C” WiTH CeDiLLa aUTO-rePLaCeMeNT ↑

ććńóśźPOLiSH KreSKa iS STeePer THaN aCUTe ↑

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Special Language Support

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the tragedy of Hamlet; prince of denmark (shake-speare, england 1523; act 3, scene 2) Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and

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the tragedy of Hamlet; prince of denmark (shakespeare, eng-land 1523; act 3, scene 2) Nay, do not think i flatter. For what ad-vancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook


the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her


the tragedy of Hamlet; prince of denmark (Shake-speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-

regular/Bold 24/30 pt:

the tragedy of Hamlet; prince of denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and


the tragedy of Hamlet; prince of denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men



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the tragedy of Hamlet prince of denmark (Shakespeare, England 1523; Act 3, Scene 2)nay, do not think i flatter. For what advancement may I hope from theethat no revenue hast but thy good spirits, tofeed and clothe thee? Why should the poor beflatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee


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The Tragedy of HamletPrince of Denmark (translate.google: Shakespeare, 1523; Act 3, Scene 2)

Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for for-tune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Some-

La tragédie de HamletPrince du Danemark (Translate.google: Shakespeare, 1523; Acte 3, Scene 2)

Non, ne pense pas que je flatte. car quel progrès puis-je espérer de toi, qu’aucun revenu n’as-tu que tes bons esprits, pour te nourrir et te revêtir? Pourquoi le pau-vre devrait-il être flatté? Non, laissez la langue confite lécher une pompe absurde et crochez les charnières en-ceintes du genou où les départements peuvent suivre le faon. Est-ce que tu entends? Puisque mon cher âme était maîtresse de son choix et que les hommes pouvaient dis-tinguer, son élection l’a scellée pour elle-même; car tu as été comme un seul, en souffrant tous, qui ne souffre rien, un homme que les buffets et les récompenses de la for-tune t’ont marqué à parts égales; et les plus beaux sont ceux dont le sang et le jugement sont si bien mélangés, qu’ils ne sont pas un Pipe pour le doigt de la fortune pour sonner ce qui lui fait cesser de satisfaire. Donnez-

english: Bunaero Heavy, Bold and regular classic French: Bunaero Heavy, Bold and regular classic


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De tragedie van HamletPrins van Denemarken(Translate.google: Shakespeare, 1523; Act 3, Scène 2)

Nee, denk niet dat ik vlei. welke vooruitgang mag ik van u hopen, die geen inkomsten heeft, maar uw goede geesten, om u te voeden en te bekleden? waarom zouden de armen vleier zijn? Nee, laat de gekonfijte tong likken met absurde pompen, en schud de zwangere scharnieren van de knie, waar spijtig-heid kan volgen. Hoor je? Aangezien mijn lieve ziel meesteres was van haar keuze en van mannen zou kunnen onderschei-den, heeft haar verkiezing zichzelf verzegeld; want gij zijt als één, in het lijden van alles, die niets lijdt, een man die de buffetten en beloningen heeft, met gelijke bedankt, en blest zijn degenen, wier bloed en oordeel zo goed gebundeld zijn, dat zij geen Pijp voor de vinger van de fortuin om te klinken wat ze wil. Geef mij die man die geen slaaf van passie is, en ik draag hem in de kern van mijn hart, in mijn hart van hart, zoals ik jou. Iets te veel hiervan. Er is een nachtavond voor de

La Tragedia di AmletoPrincipe del Danimarca(Translate.google: Shakespeare, 1523, atto 3, scena 2)

No, non credo di lusingare. Per quale avanzamento spero da te che non hai ricavi, ma i tuoi buoni spiriti, per nutrirti e vestirti? Perché i poveri dovrebbero essere più lusinghieri? No, lasciate che la lingua candita lecca una pompa assurda, e truffa le cerniere incinte del ginocchio, dove il risparmio può seguire la fawning. Hai sentito? Poiché la mia cara anima era amante della sua scelta e poteva distinguere dagli uomini, la sua elezione ti ha sigillato per se stessa; Perché tu sei stato come uno, soffrendo tutti, che non soffre nulla, un uomo che i buffeti e le ricompense della fortuna hanno tesoro con uguale riconoscimento: e si bramano coloro il cui sangue e il giudizio sono così ben confusi, che non sono un Tubo per il dito della fortuna a suonare quello che smette di piacere. Dammi l’uomo che non è schiavo della passione, e lo porterò nel cuore del cuore, ay, nel cuore di cuore, come te. Qualcosa di troppo di

Nederlands: Bunaero Heavy, Bold and regular classic italiano: Bunaero Heavy, Bold and regular classic


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Die Tragödie von HamletDer Prinz von Dänemark(Translate.google.com: Shakespeare, 1523; Act 3, Scene 2)

Nein, denke ich nicht. Für welchen Fortschritt kann ich von dir hoffen, daß kein Einkommen nur deine guten Geister hat, dich zu füttern und zu kleiden? warum sollten die Armen sch-meicheln? Nein, lassen Sie die kandierte Zunge leiden ab-surden Pomp, und Gauner die schwangeren Scharniere des Knies, wo Sparsamkeit folgen kann. Hörst du. Da meine liebe Seele Herrin von ihrer wahl war und von Männern untersc-heiden konnte, hat ihre wahl dich für dich selbst versiegelt; Denn du bist so gewesen, wenn du alles leidest, das leidet nichts, ein Mann, den die Buffets und die Belohnungen des Glücks mit gleichem Danke haben, und gesegnet sind die-jenigen, deren Blut und Urteil so gut gemischt sind, daß sie nicht sind Pipe für Glücksfinger zu klingen, was stoppen sie bitte. Gib mir diesen Mann, der nicht der Sklave der Leiden-schaft ist, und ich werde ihn im Kern meines Herzens tragen,

La tragedia de HamletPrince du Danemark (Translate.google: Shakespeare, 1523; Acte 3, Scène 2)

No, no creo que me adular. ¿Para qué puedo esperar de ti que no hay más ingresos que tus buenos espíritus para alimenta-rte y vestirte? ¿Por qué se debe halagar a los pobres? No, que la lengua candied lamiera la pompa absurda, y el crook las bisagras embarazadas de la rodilla donde thrift puede seguir fawning. ¿Escuchas? Puesto que mi querida alma era la seño-ra de su elección y podía distinguir a los hombres, su elección te ha sellado para sí; Porque has sido como uno, en el sufrim-iento de todos, que no sufre nada, un hombre que los buffets de la fortuna y las recompensas han ta’en con iguales gracias: y blest son aquellos cuya sangre y el juicio son tan bien mez-clado, que no son un Tubo para que el dedo de fortuna suene lo que deje de complacer. Dame ese hombre que no es esclavo de la pasión, y lo llevaré en el corazón de mi corazón, ay, en mi corazón de corazón, como yo te hago. Algo demasiado de

Deutsch: Bunaero Heavy, Bold and regular classic español: Bunaero Heavy, Bold and regular classic


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A Tragédia de HamletPríncipe da Dinamarca(Translate.google: Shakespeare, 1523; Acta 3, Cena 2)

Não, acho que não bajular. Para o avanço pode espero de ti não fez hast receita, mas os teus bons espíritos, para alimen-tar e vestir-te? Por que os pobres ser flatter’d? Não, deixe a língua cristalizada lamber pompa absurda e bandido as do-bradiças grávidas do joelho, onde a poupança pode seguir bajulação. Tu ouvir? Desde a minha querida alma o amante de sua escolha e poderia de homens distinguir, sua eleição te seal’d para si mesma; porque tu tens sido como um, no sofri-mento de tudo, não fez nada sofre, um homem que buffets e recompensas da fortuna ter ta’en com iguais graças: tão bem misturados e abençoados são aqueles cujo sangue e juízo são, thatthey não um são tubulação para o dedo da fortu-na para soar o batente ela agradar. Dê-me que o homem que não é escravo da paixão, e eu vou usar ele no núcleo do meu coração, ay, no meu coração de coração, como eu faço de ti.

Hamlet TragedinPrince du Danemark(Translate.google: Shakespeare, 1523; Acte 3, Scene 2)

Nej, tro inte att jag smickrar. För vilken framsteg kan jag hop-pas av dig, som ingen intäkter har, men dina goda andar, att mata och klä dig? Varför ska de fattiga vara smickra? Nej, låt den kandade tungan slicka absurd pomp och skryta knäets gravida gångjärn där sparsamhet kan följa fawning. Hör du?Eftersom min kära själ var älskling av hennes val och kun-skap av män skiljer sig, har hennes val förseglat dig själv; Ty du har varit som en, som lider allt, som inte lider något, en man som förmögenhetens bufféer och belöningar har tag-it lika stort tack. Blest är de vars blod och dom är så välkom-na att de inte är en Rör för lyckans finger för att låta det sluta hon vill. Ge mig den mannen som inte är passionens slav, och jag kommer att bära honom i mitt hjärta, i hjärtat av hjär-tat, som jag gör dig. Något för mycket av detta. Det finns ett spel på natten före kungen; En plats av den kommer nära den

Português: Bunaero Heavy, Bold and regular classic svenska: Bunaero Heavy, Bold and regular classic


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Tragedia HamletaKsiążę Danii (Translate.google: Szekspir, 1523, akt 3, scena 2)

Nie, nie sądzę, że pochlebia. Na co mam nadzieję, że nie masz dostatecznie dobrego dochodu, ale dobrego ducha, by cię nakarmić i ubierać? Dlaczego biedni powinni być poch-lebni? Nie, niech żarliwym językiem pozbawia się absurd przepychu i złamie ciężarne zawiasy na kolanach, gdzie oszczędność może pójść za płaczem. Słyszysz? Ponieważ moja droga dusza była kochanką jej wyboru, a mężczyźni mog-li rozróżnić, jej wybory miały pieczęć dla siebie; Bo ty byłeś jednym, cierpiącym wszystkim, co nie cierpi, człowieku, który błogosławi fortunę i nagrodę, z tymi wszystkimi podziękowaniami: i blest to ci, których krew i sąd są tak dobrze zmieszane, że nie są Rytm na palec fortuny, aby usłyszeć, co jej czeka. Daj mi ten człowiek, który nie jest nie-wolnikiem pasji, a ja będę nosił go w sercu mojego, w ser-cu serca, jak ja. Coś za dużo tego. wieczorem przed królem

Tragédie HamletuPrinc Dánska(Translate.google: Shakespeare, 1523, Zákon 3, Scéna 2)

No, nemysli si, že se lichotí. Jaký pokrok mohu od tebe dou-fat, že žádné příjmy nebudou mít jen dobré duše, abyste je krmila a oblékala? Proč by chudí měli být plochý? Ne, nech-te kandovaný jazyk olizovat nesmyslnou pompku a zavrh-nout těhotenské klouby kolena, kde se může stát, že byste se mohli rozzlobit. Slyšel jsi to? Vzhledem k tomu, že má drahá duše byla milenkou její volby a mohla se rozlišovat mezi muži, její volba vás utěsnila sama; Neboť ty jsi byl jako jed-iný, utrpení všichni, kdo netrpí nic, člověk, který bohatství bo-hatství a odměny má ta’en se stejnou vděčností, a blaženosti jsou ti, jejichž krev a soud jsou tak dobře smíchem, že nejsou Potrubí pro prstem štěstí, aby znělo, jakou zastávku prosím. Dej mi toho muže, který není otrokem vášně, a já ho nosím v srdci srdce, ay, v srdci srdce, jako já. Něco takového. Králově se hraje dnes večer; Jedna scéna se blíží k okolnostem, které

Polska: Bunaero Heavy, Bold and regular classic Čeština: Bunaero Heavy, Bold and regular classic


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Hamlet TragedyPrins av Danmark(Translate.google: Shakespeare, 1523; Curr 3, Scene 2)

Nei, tror ikke jeg flatere. For hva avansement kan jeg håpe fra deg gjorde ingen inntekter hast, men ditt gode humør, til mat og klær deg? Hvorfor skal de fattige bli flatter’d? Nei, la kandisert tungen slikke absurd pomp og skurken gravide hengslene på kne der sparsommelighet kan følge smiskende. Skulde du høre? Siden min kjære sjel hva elskerinnen hennes valg og kan menn skille, har hennes valg seal’d deg for seg selv; for du har vært som en, i lidelse alt, gjorde ingent-ing lider, en mann som lykkebarn buffeer og belønninger har ta’en med like takk: så godt blandes og blest er de som har blod og rett er, thatthey er ikke en rør for formue finger høres det stopper hun behage. Gi meg den mannen som ikke liden-skap slave, og jeg vil ha ham i mitt hjerte kjerne, ja, i mitt hjerte i hjertet, som jeg gjør dig. Noe for mye av dette. Det er et spill i natt for kongen; En scene av det kommer i nærheten

An Tragóid na HamletPrionsa na Danmhairge(Translate.google: Shakespeare, 1523; 3 Acht, Radharc 2)

Nay, nach, dar flatter liom. Chun an méid a cinn is féidir liom súil ó rinne dhuit aon chumhra ioncam ach agad biotáil-lí maith, chun beatha agus clothe dhuit? Cén fáth ar chóir na daoine bochta a flatter’d? Níl, a ligean ar an teanga candied lick pomp absurd, agus Crook an insí torracha na glúine ina bhféadfadh rabhán leanúint fawning. Dost thou a chloisteáil? Ós rud é m’anam daor cén máistreás ar a rogha agus Níorbh na fir idirdhealú, lér di a bheith tofa seal’d dhuit di féin; do & fdot; chumhra curtha mar aon ní amháin, i fulaingt go léir, rinne fulaingt aon rud, fear a bhfuil buffets agus na luach-anna saothair fhortún ar ta’en le buíochas comhionann: cu-masctha chomh maith agus go bhfuil siad blest Glacfar Cé leis fola agus breithiúnas bhfuil, ní thatthey bhfuil píopa ha-ghaidh fhortún finger le fuaim cén stad do thoil aici. Tabhair dom an fear nach bhfuil paisean don daor, agus beidh mé a

Norsk: Bunaero Heavy, Bold and regular classic Éire: Bunaero Heavy, Bold and regular classic


Specimen

Light 8/10 pt: Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in

SemiLight 8/10 pt: Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been

Regular 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou

semiBold 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Bold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Light Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in

Semilight Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in

Regular Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in

SemiBold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

Bold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been

extraBold 8/10 pt: the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul

ExtraBold Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her

the tragedy of Hamlet; Prince of Denmark (shake-speare, england 1523; act 3, scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suf-

Thin/SemiBold 10/12,5 pt:

the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that for-tune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give me that man that is not passion‘s slave, and i will wear him in my heart‘s core, ay, in my heart of heart, as i do thee. something too much of this. There is a play to-night be-fore the king; one scene of it comes near the circumstance which i have told thee of my father‘s death: i prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one speech, it is a damned ghost that we have


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and


the tragedy of Hamlet; Prince of Denmark (shakespeare, eng-land 1523; act 3, scene 2) nay, do not think i flatter. For what ad-vancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s fin-


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the preg-nant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for her-self; for thou hast been as one, in suffering all, that suffers noth-ing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound

Thin/SemiBold 8/10 pt:

the tragedy of Hamlet; Prince of Den-mark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied

Thin/SemiBold 16/20 pt:


specimen

the tragedy of Hamlet; Prince of Denmark (Shake-speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suf-

Regular/Bold 10/12,5 pt:

the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one


the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance-ment may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp,


the tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not


the tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not

Regular/Bold 8/10 pt:

the tragedy of Hamlet; Prince of Den-mark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the

Regular/Bold 16/20 pt:

the tragedy of Hamlet; Prince of Denmark (shake-speare, england 1523; act 3, scene 2) Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suf-

Light/SemiBold 10/12,5 pt:

the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for her-self; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and i will wear him in my heart‘s core, ay, in my heart of heart, as i do thee. something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which i have told thee of my father‘s death: i prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one speech, it is a damned ghost


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) Nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and


the tragedy of Hamlet; Prince of Denmark (shakespeare, eng-land 1523; act 3, scene 2) Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) Nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the preg-nant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for her-self; for thou hast been as one, in suffering all, that suffers noth-ing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s fin-

Light/SemiBold 8/10 pt:

the tragedy of Hamlet; Prince of Den-mark (shakespeare, england 1523; act 3, scene 2) Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the

Light/SemiBold 16/20 pt:


specimen

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Dummy text from ‘The Tragedy of Hamlet; Prince of Den-mark’ w. Shakespeare, England 1523; Source: wikisource.org

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