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Rhetoric and Revelation: Milton's Use of Sermo in "De Doctrina Christiana"Author(s): Ken SimpsonReviewed work(s):Source: Studies in Philology, Vol. 96, No. 3 (Summer, 1999), pp. 334-347Published by: University of North Carolina PressStable URL: http://www.jstor.org/stable/4174645 .
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R h e t o r i c
a n d
Revelation
M i l t o n s
s e
o
e r m o
in
e
D o c t r i n a
Christiana
byKen
Simpson
_ VEN
Erasmus,no
strangerto
controversy,
must
have
been sur-
prised
by
the
uproar caused
by
the
publication of
the
second
edition of
his New Testament
translation in
1519.'
In
particular,
as
Marjorie
O'Rourke
Boyle
notes,
the
word
which his
enemies
seized
to
crystallize
ecclesiastical
opposition was
sermo.2 In
England,
Henry
Standish,
bishop
of
St.
Astaph,
denounced Erasmus in
a
sermon
outside
St.
Paul's,
at
a court
banquet,
and before the
king
and
queen,
arguing
that
Erasmus,
in
presuming to
correct the
Vulgate, was
undermining
the
authority of
scripture.?
Although Erasmus saw
attacks
like
these
as
efforts of
entrenched
clergymen
and
theological
faculties
to
rouse
opinion
against the
reforming
humanists,
there
was more at
stake than
I
The first
edition, Novum
Instrumentum,
was published
by
Froeben in
Basel
in
1516.
The
second,
Novum
Testamentum,
was
published, also
by
Froeben, in
1519.
My thanks
to the
Centre for
Reformation
and
Renaissance
Studies,
Victoria
University
in
the Uni-
versity
of
Toronto,
for
making their
Erasmus
collection
available to
me,
including the
Novum
Instrumentum
(1516),
Apologia
De In
Principio
Erat
Sermo
(1520),
Annotationes in
Novum
Testamentum
1522), and
Paraphrasis
n
Evangelium
Joannis
(1523).
References
in
the
text
are to
Desiderii Erasmi
Roterdami
Opera
Omnia, ed.
J.
Leclerc, lo vols.
(Leiden:
1705;
reprint,
London:
Gregg Press,
1962).
2
MarjorieO'Rourke Boyle, Erasmus
on
Languageand Method in Theology Toronto: Uni-
versity of
Toronto
Press,
1977), 5. 1 am
indebted to
Boyle's
study
throughout this
paper,
but
especially
in
this
section
on
Erasmus.
On
sermo,see
also J.
Bentley,
Humanistsand
Holy
Writ
(Princeton,
NJ:
Princeton
University
Press,
1983), 170; C.
A. L.
Jarrott,
Eras-
mus'
In
Principio
Erat
Sermo:A
Controversial
Translation,
Studies in
Philology 61
(1964):
35-40; Werner
Schwartz,
Principles
of
Biblical
Translation:
Some
ReformationControversies
and Their
Background
Cambridge:
Cambridge
University Press,
1955),
146;
and
G.
H.
Wil-
liams, The Radical
Reformation
London:
Weidenfeld and
Nicolson,
1962), 25.
3
Erika
Rummel,
Erasmusand His
Catholic
Critics,
2 vols.
(Nieuwkoop:
De Graaf Pub-
lishers,
1989),
1:122-27. See also
Boyle,
On
Language
and
Method,151 n.
34.
334
?
1999 The
University of North
Carolina
Press
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Ken Simpson 335
professional jealousy and infighting.
As the detailed commentary
in
Annotationes
in Novum
Testamentum,
he
polemical
defence in
Apologia
De In Principio Erat Sermo, and the eloquent,
theological reflections of
Paraphrasis n EvangeliumJoannis testify,
Erasmus' revision of Jerome's
Vulgate translation of John
1.i
from
In
principio
erat
verbum
to
In
prin-
cipio erat sermo reveals both
his
theological
method and his doctrinal
emphasis.
Over
and
over again
Erasmus reminds his readers that there is
only
a grammatical, not a doctrinal difference between verbumand sermoas
renderings of the Greek logos in the New Testament: it implies speech
as a whole rather than a single word; it is masculine rather than neu-
tral
(verbum)
or feminine
(oratio)
and, therefore, suits the Son of God;
and finally,
it is
preferred by the majority of Latin
authors as
well as
patristic
authorities.4 Erasmus' rhetorical strategy is clear here since
his opponents cannot attack
him
without condemning themselves, but
he also demonstrates his theological
method: since the Son as
sermo
is
the eloquence of God speaking to Christians through the sacred text,
philology
and rhetoric must be
joined
to theology.
Erasmus is careful to deny that sermo and his theological method
lead to heresies
of
any kind,
but the
theological
issues at stake are
worth
noting
since writers like Milton
later
use
sermo
as
evidence for
theological
ideas
that Erasmus
specifically
rejects.5
He insists that sermo
does not
diminish the
singularity
of the Son in the Trinity, nor does it
imply the inequality of the Son and the Father.
A
speech may consist
of more than one
word,
but
as a whole
it
reflects
the mind of
its
au-
thor, for there is no object that
more fully and clearly expresses
the
invisible form of the mind than
speech. 6
Those who think that the
word of God is secondary to
him
who
produces it, as
with us
intention
is prior to utterance, are mistaken; this word is not created in time but
begotten
from
eternity,
the eternal word of the eternal
mind, whereby
the Father
forever speaks. 7 Despite
his disclaimers, then, Erasmus'
view of the logos as the revealing discourse
[sermo]
of the Father did
have
doctrinal implications, especially
for the
Trinity,
and his
attempts
4
See
Boyle,
On
Language
and
Method,8-12 passim.
5
Erasmus, Paraphrasis n Evangelium Joannis,in Opera Omnia,
7:499E.
See
Boyle,
On
Language
and
Method,28-29, 173 n. 171.
6
Erasmus, Paraphrasis n EvangeliumJoannis, n Opera Omnia,
7:499A;
English transla-
tion taken from
Erasmus, Paraphrase
n
John,
trans. and annot.
Jane
E.
Phillips,
vol.
46
of
TheCollectedWorksof Erasmus(Toronto: University of Toronto Press, 1991), 15.
7
Erasmus, Paraphrasis
n
EvangeliumJoannis, n Opera Omnia,
7:499E, 499C;
translation
from
Erasmus, Paraphrase
n
John,
16.
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336 Milton's Use of Sermo in De Doctrina Christiana
to align his
translation
with doctrinal orthodoxy
are not
always
con-
vincing.8
Verbum mplied a
more passive
sense of revelation than the
immediate,
expressive revelation of the
Word
that Erasmus believed he
found in the scriptures. Verbum
reinforces
the
authority
of the church
not only because
it is Jerome's
translation,
but also because if the Word
is passive, only those who
have access to a theological method
sanc-
tioned by the church can ascend
to the Son; sermo, on the
other hand,
promises an
active revelation to everyone
who can read Erasmus' elo-
quent translation. Nowhere else, Erasmus says in his prefatory letter
to Pope Leo X, is the celestial
Word more present or effective
than in
the
original
Gospels and
Epistles that he has translated.
Rather than
choosing the doctrinally safe
verbum,
he
opted
for the
philologically
correct though theologically suspect
sermo,compromising orthodoxy
for textual rigor and substituting
a hierarchy
of understanding for a
hierarchy of
tradition, despite
his insistence that
sermo
altered nothing
in
church doctrine.
When
Milton translated logos
as sermo rather than
verbum n
his
dis-
cussion
of
the Word of God in
De
Doctrina
Christiana,
the
controversy
surrounding this translation of John
1.i
in Erasmus' 1519edition of the
New Testament
had long
since subsided.9 However
transitory
the con-
troversy,
the influence of the rhetorical theology promoted
by Erasmus,
of
which
sermo
was the flash
point, extended far beyond
this occasion. 0
8
See Boyle, OniLanguage
and Method, 25.
9
Parenthetical
references
to De Doctrina Christiana in
my text cite the translation
in
the Yale edition
(CPW) followed by the
Latin text in the Columbia
edition (CE). See the
following: John Milton,
The Christian Doctrine, trans. John Carey,
vol. 6 of The
Complete
Prose Works
of
John
Milton, 8 vols. (New
Haven, CT: Yale University Press, 1973);
John
Milton, De
Doctrina Christiana,
trans. Charles Sumner,
vols. 14-17 of The Worksof
John
Milton,
20 vols.
(New York: Columbia University Press, 1933-34). Other parenthetical
references
to Milton's works are cited from
John
Milton:
CompletePoemsand Major Prose,
ed. Merritt
Y.
Hughes (Indianapolis: Odyssey
Press, 1957).
10
Charles Trinkhaus uses
rhetorical theology to describe
the thesis, shared by early
humanists and reformers
in their opposition
to scholastic methodology,
that since mat-
ters of faith cannot be proved
by logic, they
must be induced by rhetoric-the
word of
man in the service of the
Word of God. The commitment
to
the studia humanitatis and
the application of the new
philology
to
the Bible led to the
emergence
of a
shared
tex-
tual practice in which scripture
was viewed as the rhetoric
and Word of
God. As a result,
a
new
emphasis was placed
on
evangelical preaching;
on the original languages
and tex-
tual sources of scripture;
on the literary merits of the Bible;
and on rhetorically effective
as well
as
grammatically
accurate
translations. Moreover, in the process of defending
the value
of poetry and rhetoric by citing
the Word as
God's speech to the church, early
humanists such as Ficino elevated the Bible almost to the status
of
a
sacrament by insist-
ing on the
immediacy and real presence
of the written word: the
entire Holy Scriptures
speaking
of Christ through
the
Holy Spirit,
is as if
it
is Christ Himself, living every-
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Ken Simpson 337
Applying techniques learned in
their study
of ancient literature
to
scripture,
such diverse
figures
as
Ficino, Erasmus, Luther,
and Calvin
guaranteed the rhetorical
structure of theology
and
the
textual
condi-
tions
that
made such
a
theology
viable. Freed of
textual
corruptions,
scholastic
glosses,
and
poor Latin,
the biblical
text,
as
God's sermo
(con-
versation,
speech), could speak plainly and directly to readers,
moving
them to embrace the
Christian life. God's self-revelation through the
Word
in
its pre-existent, incarnate, and scriptural forms
is
especially
clear in Erasmus's Linguaof 1525, where sermoplays an important role
in
the construction of revelation as a series
of
divine
disclosures medi-
ated
by speech:
God
the Father
poke
once and
gave
birth
to
his Eternal
Word.
He
spoke again
and with
his almighty word created he entire fabricof the universe.
And again
he spoke through his prophets,by whom he entrusted to us his Holy
Writ....
Finally he sent
his
Son, that is
the Word
clothed
in
flesh
...
compressingevery-
thing, as it were,
into
an
epilogue.12
Milton's relationship to rhetorical theology has not been
explored
in
any detail; understandably, scholars
have
been
interested
in
patristic
or
Reformed
sources
of De
Doctrina
Christiana,
and
more
recently,
the
authorship
of
the text
itself. 3
Readers who note Milton's use of
sermo
where and breathing into all
who ever
reads, hears, and meditates by
a
more
powerful
affection.
Therefore
Paul
seems
secretly
to
warn that
we
should
approach
the
Evangel
with the
highest reverence, almost as if
to the Eucharist. See Charles
Trinkhaus, In Our
Image and Likeness:
Humanity
and
Divinity in
Italian
Humanist Thought,2 vols.
(London:
Constable,
1970), 2:611,
745-46.
For
Ficino's text,
see
In
Epistolas Pauli,
vol.
i, pt.
1
of
OperaOmnia,2 vols.
(Basel, 1576; reprint, Torino: Bottega
d'Erasmo,
1959), 435.
11
See
Trinkaus,
In Our
Image
and
Likeness,2:564, 611; Manfred
Hoffman, Rhetoric
and
Theology
(Toronto: University of Toronto
Press, 1994), 5; Peter
Matheson,
Humanism
and Reform Movements, in TheImpactof Humanismon WesternEurope,ed. A. Goodman
and A.
McKay (London:
Longman, 1990), 34-38;
and
William
Bouwsma,
Calvinism
as
TheologicaRhetorica
Berkeley:
Center
for
Hermeneutical Studies
in
Hellenistic and
Mod-
ern
Culture, 1987),
1-12.
12
Erasmus, Lingua,
n
OperaOmnia,4:696;
translation
from
Erasmus,
The
Tongue, rans.
Elaine Fantham,
vol.
29 of The Collected
Works f Erasmus
(Toronto: University of
Toronto
Press,
1974), 323.
13
For patristic and Reformed contexts
respectively,
see W. B.
Hunter,
Milton's
Arian-
ism
Reconsidered, in BrightEssence:Studies
in
Milton's
Theology, ed. W. B. Hunter, C.
A.
Patrides, and J.
H.
Adamson
(Salt Lake
City: Utah University Press,
1971), 29-51, and
Maurice Kelley,
Milton's
Debt to
Wolleb's Compendium
Theologicae
Christianae,
PMLA
55 (1940):
156-65. Despite intriguing circumstantial
evidence, Hunter's
view that
Milton
did
not write De
Doctrina
Christiana
s
unconvincing;
see W. B.
Hunter,
The Provenance
of
the Christian
Doctrine,
Studies
in
English Literature
32 (1992):
129-42.
For rebut-
tals by John Shawcross and
Barbara Lewalski, see Forum:
Milton's
Christian
Doctrine,
ibid., 143-162.
See also
W. B.
Hunter,
The Provenance of the
Christian Doctrine: Ad-
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338 Milton's Use of Sermo in De Doctrina Christiana
assume
that he
simply
transcribes or adapts
the
Junius-Tremellius Bible
without
giving much
thought to
the
implications of the
translation,
but
this is
unlikely
considering his
precise attention
to philology
and
ety-
mology
throughout
both his
prose and
poetry.14 William
Shullenberger,
on
the other
hand,
rightly emphasizes the
importance
of the sermo
or
speech
of God in
the anti-trinitarian
doctrine of
De
Doctrina
Chris-
tiana, but
his suggestion
that
Milton
conceived
the creative
structure
of the
Deity
in
the
same pattern
which
Saussure
found
to
obtain
be-
tween language and speech ignores a more plausible and historically
concrete
analogy
that
shapes
Milton's
theology
of the
Word. 5
Father
and
Son
are
related not as
language
(langue) to
speech
(parole),
but
as
speaker
to speech, author
to
text,
an
analogy
used
throughout
scrip-
ture to describe
God's
activity
and
used
by
rhetorical
theologians to
authorize
their
own
literary
activities.
According
to
Erasmus,
the tongue was
given
to men
so
that
by
its
agency
as
messenger
one
man
might know
the
mind
and
intention
of
another.
So
it
is
fitting
that
the
copy
should match
the
original,
as
mirrors
honestly
reflect
the
image
of
the
object
before them.... For
this reason
the
Son of
God,
who
came
to earth
so that
we
might know God's will through him, wished to be called the Word[Sermo] f
God....
16
denda
from the Bishop of Salisbury, Studies
in
English
Literature33 (1993): 191-207, as
well as
rebuttals by Maurice Kelley and Christopher Hill
and Hunter's reply to them in
Forum
II:
Milton's Christian Doctrine, Studies in English Literature
34
(1994):
153-203.
The
latest study concludes that De Doctrina Christiana is a
working manuscript under
revision
by Milton : see Gordon Campbell, Thomas N.
Corns, John K. Hale, David
I.
Holmes, and Fiona J.Tweedie,
The Provenance of
De
Doctrina Christiana, Milton Quar-
terly 31.3
(1997): 110.
14
As
Kelley notes, Milton adapts
but
does not
transcribe
the
Junius-Tremellius text
of John 1.1, but Kelley, quoting G. H. Williams, also refers to sermo as merely he voice
of God
(CPW 6:239, my
emphasis), indicating
his
failure
to
fully appreciate
the
im-
plications of this translation for Milton's
later
arguments.
Williams also refers
to sermo
as
theologically neutral (Radical
Reformation,
10).
Milton
used
many
Bibles
during
his
career, including a 1612 Authorized Version, a
Geneva Bible,
a
Hebrew Bible, a
Junius-Tremellius
Bible,
and Brian
Walton's
Biblia Sacra
Polyglotta,
but
used
the
Junius-
Tremellius Latin text most frequently
in
De
Doctrina Christiana. For a
brief overview of
the
topic,
see
John Shawcross,
Bibles,
n vol.
1 of A Milton
Encyclopedia,
d. W.
B. Hunter
et
al.,
10
vols.
(Lewisburg,
PA:
Bucknell
University Press,
1978), 1:163.
15
William
Shullenberger,
Linguistic
and
Poetic Theory
in
Milton's
De Doctrina Chris-
tiana, English Language Notes
(X982): 268. See also
Shullenberger,
The
Omnific
Word:
Language in Milton (Ph.D. diss.,
University of
Massachusetts,
1982).
16
Erasmus, Lingua,
in
Opera
Omnia, 4:691;
translation from
Erasmus,
The
Tongue,
314-
15. For language as mediation in Erasmus's rhetorical theology, see Hoffman, Rhetoric
and
Theology,6.
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Ken Simpson
339
Just as speech mediates the self and the
Son mediates the Father in
the
rhetorical
theology
of
Erasmus,
so the
Son mediates the revelation
of
the
Father
in
Milton's view of the
Trinity. For
Milton, however, the
essence
or
intention
of
the Father
is
never
fully revealed in his Son any
more than
an
author's intention is fully revealed
in
a speech or text. It
is
the
work of the
Holy Spirit to bring together speech and author in
the
understanding
of
the
reader.
This
coexistence of presence and absence
in
Milton's view of God's
sermo, a structure implicit in the pre-existent, incarnate, scriptural and
indwelling
Word in De Doctrina Christiana,
underwrites
the
ongoing in-
terpretative activity of
the
church
as well.
In
the
Word,
God
speaks
plainly to the
church about all things
necessary for salvation. When
there is disagreement,
as
there must
be
when the
Word
is not
identical
to
the author
of
the Word, the church should
proceed
as the
prophets
in
the mansion house
of
liberty do,
disputing, reasoning, reading, in-
venting,
discoursing,
even
to a rarity
and
admiration (Areopagitica,
744)
until
the
Second
Coming
of
Christ
reveals
the
truth.
De Doc-
trina
Christiana
is
provisional,
even
polemical
in
the
way
that
many
of
Milton's
texts are. Miltonic
textuality, inseparable
from
his
theology
of
the church, implies a
dynamic textual community gathered at a great
religious
feast
across the
ages
to
discover
and unfold the Word
of God.
Rhetorical
theology
in
general
and
the sermo
translation
in
particular
provide
Milton
with
the
textual
conditions,
the
ideology
of
the book
which makes this view
of religious
community possible.
Milton's rhetorical theology, implicit
in
his
use of
sermo, rests
on
notions of
authorship
that
have been
rejected
out
of hand
by structural-
ist
and
post-structuralist theorists over the last thirty years.'7 I will not
attempt
a detailed
exposition
of the
critique-this has
been
provided
in
a
number
of accounts
of contemporary
theory-but
it
is important
to
distinguish Milton's assumptions from
those
of
prominent theorists
17
My
brief overview
is
based on
the
following: Roland Barthes, The
Death of the
Author,
in Image,Music, Text,
trans. Stephen Heath
(New York:
Hill
and
Wang, 1977),
142-48; Roland
Barthes, From Work to Text,
ibid., 155-64;
Roland
Barthes, Theory
of
the
Text, in Untying the Text:
A Post-Structuralist
Reader,ed. Robert Young and
trans. Ian
McLeod
(Boston: Routledge and
Kegan Paul, 1981), 31-47;
Jacques
Derrida, Of Gramma-
tology, trans. Gayatri
Chakravorty Spivak
(Baltimore: Johns
Hopkins University Press,
1976),
6-18; Jacques Derrida,
Writing and
Difference, rans. Alan Bass
(Chicago: Univer-
sity
of
Chicago Press,
1978);
and
Ferdinand
de
Saussure,
Course
in
General
Linguistics,
ed.
Charles Bally and Albert Sechehaye in collaboration with Albert Riedlinger and Wade
Baskin
(New
York:
McGraw Hill,
1966).
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340 Milton s Use of Sermo
in
De Doctrina Christiana
so that textualities
can be understood
as historical and
pragmatic ar-
rangements rather
than as abstract concepts such as Barthes'
classical
text. 18 Saussure,
for example, does not
posit
a
rhetorical triad of au-
thor, text, and reader,
nor does he assume, as Milton does,
that the
source of meaning is what the author intends. For Saussure,
the arbi-
trary and differential
relations among signifiers and between signs
and
their referents are what produce meaning,
not the relationship between
signs and the meaning which an author
embodies
in them.
Although Milton would agree with these theorists that the author is
never immediately
present in his speech,
it is not because he is always
mediated in the play of language; rather,
it is because a divine author
transcends
language.
All attempts to represent
the author will be lim-
ited
(though
not doomed to failure),
because the author has revealed
as
much as
he wants the reader to know. Though infinitely
present,
the divine author is finitely absent since
he cannot be identified
with
his Son or Word. The theory of textuality which results from
this as-
sumption
also includes multiple, though not
unlimited
interpretations:
a text's
meaning
is limited by the author's intention, by linguistic
con-
text,
and
by
the fallible understanding of the reader. Although
Milton
retains the structure of revelation implicit
in the rhetorical theology
of Erasmus and others, he draws very different conclusions
from
his
analysis
of the biblical
image
of God
speaking.
Before he discusses the Son's
generation
as God's first act of external
efficiency,
Milton
has
prepared
his
argument
in the first four
chapters
of De Doctrina Christiana:
he
self-existent,
ineffable Creator transcends
both human
understanding
and
the Word
through
which the author
is
revealed. God's
decree,
or
intention,
Milton writes, corresponds to
that idea of all
things
which,
to
speak
in human
terms,
he had in mind
before he
decreed
anything (CPW6:154;
CE
14:64);
that
is,
as Sidney
explains
in
a
different
context,
the skill of each artificer standeth
in
that
idea,
or foreconceit of the
work
and not in
the
work itself.
19
When
18
For
Barthes' account of the classical
text, see Theory of
the Text, 33.
Overviews
of post-structuralism
include the following:
Jonathan Culler,
On Deconstruction (Ithaca,
NY: Cornell University
Press, 1982); Terry Eagleton,
LiteraryTheory:An Introduction,
2d
ed. (Minneapolis:
University of
Minnesota Press, 1996); John Ellis,
Against Deconstruction
(Princeton:
Princeton
University Press, 1989);
Christopher Norris, Deconstruction:
Theory
and Practice(London:
Methuen, 1982);
and Vincent Leitch, Deconstructive
Criticism (New
York:Columbia University
Press, 1983).
19
Sir Philip Sidney, The Defence of Poesy, ed. J.W. Hebel, in Prose of the EnglishRenais-
sance (New
York: Appleton-Century-Crofts, 1952),
271. For the
theological
use of this
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Ken
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341
he turns
to his
interpretation of
John i.1
(CPW
6:206; CE
14:180),
the
scriptural
basis of the
orthodox view
of the
Son's
generation from
eter-
nity, Milton's
translation of the
Greek logos into
the Latin
sermo builds
upon his
notion of
God as an author and
reveals the
rhetorical
nature
of the
Father's
relationship to the Son.
They are related
as
a speaker
is to his
speech,
as the author is to his
Word,
and as Milton
has made
clear
in
his
discussion
of the
Father,
the
speech is subordinate
to
the
speaker.20
Except
on
three
occasions,
Milton
adopts sermo
whenever
he
cites the pre-existent Word; moreover, he clearly shows that his view
of the Son's
subordinate
divinity
is a result
of
the
rational
explication
of the
metaphor of God's
speech so
prominent
in
the Bible. The
Word,
Milton
argues, must
be
audible, but
God is inaudible
just
as he is in-
visible,
John
v.
37;
therefore
the Word is
not of the
same essence
as
God
(CPW6:238-39;
CE
14:252).
The
generation, or more
precisely, the
creation of the Word within
the limits
of time
following
God's internal decree is the
logical conse-
quence of
Milton's construction of
revelation as a
speech act,
the
Word
emerging from the silent
presence
of
God's fullness. When he
explains
Renaissance
commonplace by a writer
who
had a tremendous
influence on Milton in De
Doctrina
Christiana,see
William Ames,
The
Marrowof Sacred
Divinity
(London, 1642), 27:
Inevery
artificer, r one
thatworkes
by
counselladextra,
utwardly,
here s a platforme
afore hand
in
the mind
whichwhen he is
aboutto
worke hee lookes
into..
.
so also in
God,seeinghe
worketh
not
naturally,
nor
rashly,nor
by
constraint,
but with
greatestperfection
of
reason,
such
a
platforme
is
to be
conceived to pre-exist
n his
mindas the
exemplary
cause of all things to be
done.... The
platformeof all
things s the Divine Essence.
20
Implied here
is
Milton's Arianism
or,
alternatively, his subordinationist view
of
the
Trinity. Hunter's
thesis that
Milton's doctrine is
not Arian
but
subordinationist, not
heretical
but
unorthodox,
because he
shares a
two-stage
logos
theory
with some
pre-
Nicene authors, does not account for the anti-trinitarianism of many parts of the treatise.
Thus,
although
the term Arian s
not
technically
accurate since Milton would not
have
known
Arius' works,
it was used
to
describe any
anti-trinitarian
and
subordinationist
theory of the
Son's
relationship
to
the Father in the
seventeenth
century
and,
as a
re-
sult,
can be
meaningfully
applied
to Milton. Hunter's
attempt
to soften the hard
edges
of Milton's radicalism
by
associating
him with the
Cambridge
Platonists and
through
them
with the
two stage
logos theory
of pre-Nicene
theology is,
therefore,
unsuccess-
ful.
On
the other
hand, Kelley's
derivation of
Milton's
anti-trinitarianism
from strictly
theological sources
ignores the
possible influence of
rhetorical
theology
on his
thought.
See
Shullenberger, Omnific
Word,
167-85
and
John
P.
Rumrich,
Milton
Unbound
(Cam-
bridge:
Cambridge
University
Press, 1996),
40-47
for concise
summaries of
the problem
of Milton's
Arianism. For
extended
discussions,
see
Michael
Bauman,
Milton's
Arianism
(Frankfurt
am
Main and
New
York:
P.
Lung,
1986),
and
Maurice
Kelley,
This Great
Argu-
ment: A Study of Milton's De DoctrinaChristiana as a Gloss on ParadiseLost (Princeton,
NJ:
Princeton
University Press, 1941).
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342
Milton s Use of Sermo in De Doctrina Christiana
the precise way in which the Father and Son are one, Milton again uses
the metaphor of speech: they areone
in
that they speak and act
as
one
(CPW6:220; CE 14: 210).
As I
showed earlier,
Erasmus
argues that
sermo
had no doctrinal implications.
In
the Paraphrasis n Evangelium
Joannis
he outlines the possible heresies related to sermo, including Milton's-
that the Word follows the Father
in time and
is, therefore, not equal
to
him in essence-but insists that his translation
is
compatible
with
the
eternal
generation
of the
Son.2
The
possible
misuse of
logos theology
and the analogy of the pre-existent Word and human speech was also
anticipated by
Athanasius and other Nicene
theologians long
before
Erasmus,
but
they
reached different conclusions:
logos language
was
excluded from the Nicene Creed (325)
to avoid the
suggestion, possibly
useful to
their enemies,
the
Arians,
that
temporality
was
introduced
into the Trinity by the Word.2 Calvin saw potential problems as well: he
defended Erasmus'
translation,
but he
carefully qualified
his
approval
so that anti-trinitarians would not
jump
to
the conclusion that the Son
was not
equal to the Father just because the
Word follows
the speaker
of the Word.23Milton was not the only one to ignore the warnings of the
orthodox, either. The RacovianCatechism,published in 1651 and known
by Milton, also capitalizes on the anti-trinitarian implications of the
speech metaphor, taking
the central
metaphor
of rhetorical
theology
to
its logical conclusion just as Milton does
in
De Doctrina Christiana.24
When Milton turns to the relationship of the
Word
to the Spirit,
he repeats
that
Christ is the medium
of revelation.
The difference
in
divinity between the Son and Spirit is crystallized
in
his translations:
the Holy Spirit, sometimes called voice,
or word
[verbumi, is sent
from above, either through Christ, who is the Word of God [qui Dei
sermo
est],
or
through some other
channel
(CPW 6:284;
CE
14:366).
To
show that the inequality of the Son and Spirit is based on the same
principle as the inequality of the Son and Father, Milton reiterates the
earlier argument using the same metaphor
of
speech: for the Word
21
Erasmus, Paraphrasis n
EvangeliumJoannis, n Opera Omnia, 7:499E; see Boyle,
On
Language
and
Method,28-29, 173
n. 171.
22
See
J.
N. D.
Kelly, Early
Christian
Creeds, 3d
ed.
(London:
Longmans, 1950), 217-
18; H. A.
Wolfson, The Philosophyof the ChurchFathers
(Cambridge: Hlarvard
University
Press,
1956), 227-30.
23
John
Calvin,
Calvin's Commentaries: he
Gospel According
to
John,
-1o,
ed. D. W.
Tor-
rance and T. F.
Torrance;
trans. T. H. L.
Parker (Edinburgh:
Oliver and
Boyd,
1959),
6-7.
24
The RacovianCatechism,ed. and trans. Thomas Rees (London: Longman, i818), 139-
40. See also H.
J.
McLachlan,
Socinianism
n
Seventeenth-CenturyEngland (Oxford:
Oxford
University Press, 1951).
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KenSimpson 343
[sermo]
s both Son
and Christ
... and as he is the image,
as it
were, by
which God becomes
visible,
so he is the word [sermo]
by
which God is
audible.
Since this is what
he is like he cannot be
one in essence
with
an invisible and
inaudible
God. The same thing
has been proven
above
about
the Spirit..
.
(CPW6:297;
CE
14:400).
In Milton's
account of the
generation
of the Son
and his
relationship
to the Father and the Spirit
before
creation, then, revelation
is constructed as
a rhetorical act,
as
God
speaks
the Word and the world
into existence.
As E. R. Curtius and C. A. Patrides have shown, the book of nature
was
a commonplace used
in
many literary
cultures of medieval
and
Renaissance
Europe to describe
God's self-revelation
in
the
created
world.35 For reformers
like Calvin,
however,
the book of nature
was
ambiguous
at best. The spectacles
of
the
scriptures
were necessary
to
clarify
the significance
of natural
signs.
Milton continues this
emphasis
on the ambiguity
of creation as a
guide
to God's
will.
God
creates the
world
by the Word
and Spirit, but
because the Word is an
agent or
medium unequal to the speaker,
the text remains
an
uncertain guide
to God's intentions.
He
argues
that texts like Isaiah 44.24,
where
God
is identified as Jehovah that maketh all things, preclude[s] the pos-
sibility
not
only
of there
being any
other
God,
but also of there
being
any person
.
..
equal
to him
(CPW 6:300;
CE15:4). The preposition
per,
translated as by
or
through
in
texts such
as
2
Peter 3.5,
indi-
cates that
the
Father is the
primary
cause and author of creation
while
the Word is an instrumental cause.
More
importantly,
from expres-
sions like through the
Word
of God (per
Dei sermonem)that describe
how God created the world, Jesus derived
his 'title of the Word (sermo
dicitur) (CPW 6:301;
CE 15:6). The use
of
sermo in these
examples
links
the generation of
the Son
with the Word as the
instrument of God's
creative
will.
When he uses forms of
verbum to describe God's act of
revelation
in
creation,
the same metaphor
of
speech
is
generated:
to
show that God
creates
by
speaking
his
Word,
he refers to Genesis 1,
Psalm
33.9, and Psalm 33.6:
By the word
of the Lord were the
heavens
made;
and all the host of
them by the breath
of his mouth (CPW
6:301;
CE
15:6).
Even
though
Milton
alternates
between forms of ver-
bum and sermo
here,
the metaphor of speech used
to describe God's act
of revelation
in creation is consistent and
shapes
the theological rela-
25
E. R.
Curtius, European
Literature nd the LatinMiddle
Ages,
trans. W. R.
Trask
(Prince-
ton: Princeton University Press, 1983; reprint with afterword by Peter Godman,
1990),
302-47;
C. A.
Patrides,
Milton and the Christian Tradition
Oxford: Clarendon Press, 1966),
68-69.
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344 Milton's Use of Sermo in De Doctrina Christiana
tionship of Father
and Son, author
and Word.
Since the Word logically
and chronologically
follows
from the Father,
and since the Word
is the
Son, the
Son cannot
be equal to the
Father; consequently, the Word
is
first born but not begotten
from eternity,
and creation,
though it
speak[s]
/ The
Maker's high magnificence
(ParadiseLost,8.ioo),
can-
not be identified
with the
Word any more than
the Word can be
iden-
tified
with the Father. God's providence,
however, has provided
the
incarnate, scriptural and
indwelling
Word through
which the divine
will can be understood more easily.
Occupying
Milton
from
chapter
ten to the end of the first book
of
De Doctrina
Christiana, general
and
special providence
are the last ex-
amples
of external efficiency
through
which God is revealed,
and
they
too share the rhetorical
structure
which governs
generation and
cre-
ation.
The postlapsarian
and restored phases
of special providence
are
especially
important
because they
are accomplished
through
a
specific
instrument
of redemption:
the incarnate Christ,
the
Word made flesh.
I
have
already
demonstrated how,
by adopting the
metaphor of the
sermo of God,
Milton was led to subordinate the
Son's divinity
to the
Father's. To emphasize that both forms of Christ's redemptive office-
the sacrifice of
the cross and the
preaching
of the
Word-are linked
to
the divinity of
the pre-existent
Word, Milton adopts
the same trans-
lation
of logos in John
1.14 as he
did in
John
1.i:
et sermo
factus
est
caro
(CPW 6:418;
CE 15:258).
In the cross and
the words of the
Word,
then, God speaks
clearly. For
Milton, however,
Christ's prophetic
office
receives
more attention
than his
priestly one,
for
Jesus'
divine
and
human natures are identified
in his office
as the
prophet
of the Word
in words. Milton consistently
uses
sermo to refer
to the
gospel
and
to the
preached word
of the apostles.
Moreover, since the
incarnate
Word is the God-man who proclaims God's Word in human speech,
the authority of his preaching
ministry
is of the first order.
Jesus
is
pri-
marily
and
properly,
the
Word of God
[sermo
Deil,
and the
Prophet
of
the Church
(CPW
6:285;
CE 15:368).
It is an office
which includes the
external
revelation of divine
truth,
subsequently
written
down
by
the
church,
and the internal illumination
of the
mind,
both of
which,
when
taken together,
form the double
scripture
of the
Word
and
Spirit.
The
incarnate
Word will continue
to be revealed
in
the scriptural
Word
by
the
Spirit
who
writes
the inner Word on
the hearts of believers.
The words of Christ
are the last
forms of revelation that
began
when
the Word was spoken and then used to create the universe. Although
the Son is subordinate
to
the
Father,
since the
Word is not identical
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KenSimpson 345
to
the
essence or
intentions
of
the
author,
his
divinity
is
still
included
in his nature as incarnate Word.
To
be accommodated to
human
limi-
tations, however,
the Word had to
become
words.
This
act of
divine
rhetorical decorum,
in
which the Father adjusts his speech to the scope
and understanding of a human audience, underlies Milton's view of
the scriptural
Word,
the primary means by which God continues to
be revealed to the church after the Ascension.26 Each reader
is
capable
of
receiving
the word
[verbol
of God -that
is,
the textual
presence
of Christ-by being scrupulously faithful to the text (CPW
6:120;
CE
14:6).
Even
though
God
is
always
described
or outlined not
as
he
really is,
. . .
they understand best
what God
is
like who
adjust
their
understanding
to
the
word
of
God
[Dei verbol,
for he
has
adjusted
his
word
[verbol
to our understanding, and has shown what kind of an idea
of
him
he
wishes
us to
have
(CPW 6:133, 136;
CE
14:30, 36).
The
text
itself, then, cannot be identified with
the
author of the text, words
with
the Word, any more than the pre-existent or incarnate Word can be.
Not only is scripture an accommodated text
and
human understanding
fallible,
but
no
indisputable
word of
God
[Dei verbo],
no
autograph
copy of the New Testament, exists (CPW6:589; CE 15:278).
Illumination
by the Holy Spirit of
the
internal scripture written
on
the
hearts of
believers (CPW 6:521;
CE
i6:
ii6)
enables
the external
scripture
to become the Word
of God
in
the
act of
reading.
Milton as-
signs many
names to the unwritten
Word
-conscience
and
right
reason
(CPW6:132;
CE
14:28),
the
ingrafted
word
(insititium sermonem)
and
the
image of
God
(CPW
6:524,
353;
CE
16:
ii8; 15:114),
the
indwelling
word
(sermo
Christi
inhabitet)
and the
internal
law
(CPW 6:478, 536;
CE
16:6,
148),
the
mind
of
Christ
and
the
Spirit
of
truth
(CPW 6:583, 534;
CE
:66:264, 149)
are
all used
at different times-but
each expression
con-
veys the authority of each individual in the reading of scripture. Since
everyone
has
access to
this
revelation
through
the
interpretation
of
the
vernacular scriptures with the guidance of the Holy Spirit, the church,
as
the textual
community
of
believers,
consists of individuals
united
by the Word
and
Spirit rather than the objective efficacy of the sacra-
ments,
the laws
of
church
tradition,
or
the
professional clergy. Because
the author's eternal presence always supersedes
the
limited forms of
26
For the doctrine of rhetorical decorum, see the following:
Aristotle, Rhetoric, rans.
W.
R. Roberts,
in The
Rhetoric
and Poetics
of Aristotle (New York: Modern Library, 1984),
178; Quintillian, The Institutio Oratoriaof Quintillian, trans. H. E. Butler, 4 vols. (Cam-
bridge:
Harvard
University Press, 1980), 4:155-87; and Cicero,
On the
Orator,
trans. E. W.
Sutton
and H.
Rackam,
2
vols.
(Cambridge:
Harvard
University Press, 1979),
2:31-211.
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346 Milton's Use of Sermo in De Doctrina Christiana
self-revelation,
no one can claim infallible
authority
in
matters of inter-
pretation, opening the church
to a staggering variety of doctrines and
disciplines,
as
well as a dynamic
process of Christian
liberty based on
the
authority of the inner Word. As long as a doctrine or
discipline is in
the spirit of scripture, Christians
should tolerate each
other until God
reveals
the truth to all (CPW 6:584; CE 16:266). As a
result, accord-
ing to Milton
it
is not the
visible church
but
the
hearts of believers
which,
since Christ's ascension,
have continually constituted the pillar
and ground of truth.They are the real house and churchof the living God,
1
Tim. iii.
15 (CPW 6:589;
CE
16:278). Since everyone has, by virtue
of the inner
Word,
the
ability
to hear God
speak
in
the external
Word,
every person participates
in the church's sacramental life
through
lit-
erary
activity broadly defined. The difference between the Father and
Son, the
author and the text, that results from Milton's rational
expli-
cation of God's
speech
is
reiterated, then,
in the
doctrine of the
inner
Word. The Father is not identical
to the Word and the Word is not iden-
tical to the words of
scripture,
but the
Spirit encourages the unity of
Father
and
Son, not
in
personhood or essence, but
in
divine utterance
as the Father speaks through his Word to believers who understand
and return
the gift
in
words
with
the guidance of the
Holy Spirit.
Milton's rhetorical theology is evident in his use of
sermo
o
account
for
the
pre-existent, incarnate,
scriptural
and
indwelling
Word and in
his
structuring of revelation as
a rhetorical relationship between au-
thor,
speech, and audience. This indicates the extent to which the
liter-
ary
and
the theological Milton
are impossible to separate: literary and
textual
practices shape his theological thinking as
much as his the-
ology
informs his
poetry
and
prose.
In
keeping
with
his doctrine of
scriptural
accommodation, Milton presents the biblical God as an au-
thor and creator who reveals infinite goodness by speaking the Word
in the
creation
of
the Son, the scriptures, and the incarnate Word.
God's
unity parallels the self-presence of a
speaker since,
when
the Father
speaks
in
scripture,
he
speaks
as one
character,
not
three at the same
time,
while
his internal decrees
correspond
to the internal ideas which
precede
speech, limiting
the extent to which the
speech
ever conveys
the
complete
intentions of
the author.
The texts themselves also reflect a rhetorical
structure. The Son
is
not
equal
to
the
Father because the
Word
is temporally and
essentially
subordinate to the
speaker.
Scripture, although
a
more reliable form
of God's self-revelation than the created world, is not identical to the
Word, since the Son sits at the
right
hand of the Father. Nor
is
the
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Ken Simpson 347
text identified
with
the
author
since
God's nature needs
to
be accom-
modated to the limited
capacities
of
his creatures.
Finally,
the incar-
nate Word,
although fulfilling
the
words of
the
prophets, is limited
in
divinity
since
he
must take
on
human
syllables
and
letters to
express
the unlimited
glory of the author of the Word.
In
each
case, the absence
and
presence
of the Father in his
texts authorizes
the
continuing, pro-
gressive revelation of the Word in the
literary activities
of
the church.
Despite Erasmus's attempts to control its
scope of reference by
in-
sisting on its orthodoxy, sermoappears to have had a metaphoric life of
its
own.
For a
radical
like
Milton,
the
logical outcome
of
the rhetorical
relationship between Father and Son implied
in sermo is the inequality
of
Father
and
Son, whether we
want
to call the
doctrine Arian
or
not. In
1522 Erasmus retracted his suggestion in the
Paraclesis of the first edi-
tion
of
his New
Testament
(1516) that every
plowman could interpret
scripture
because Christ
speaks
there
with
power,
but
Milton
was
not
so cautious: for
him,
if
God speaks
in
the
Word, the sacerdotal func-
tion and hierarchy of the priesthood are
dispensible. Instead, the Holy
Spirit
in
Milton's literary Trinity illuminates
and persuades readers
according
to
their
gifts, transforming
the
church
into
a
textual
com-
munity progressively unfolding the Word, a convivium
religiosum
made
possible by the
conditions of reading and the agency of
the
book.
University
College f
the
Cariboo