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5. key problems_in_the_british_film_industry

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Key Problems in the British Film Industry AIMS: Understand and be able to indicate some of the difficulties faced by producers in the British Film
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Page 1: 5. key problems_in_the_british_film_industry

Key Problems in the British Film Industry

AIMS:Understand and be able to

indicate some of the difficulties faced by producers

in the British Film Industry.

Page 2: 5. key problems_in_the_british_film_industry

The British Film Industry

Investment Financing

FilmStudio

Production

CinemaDVD/BD

Exhibition

Page 3: 5. key problems_in_the_british_film_industry

Timeline – 1900-1940s

Early 1900s brings experimentation - A Daring daylight Robbery pioneers the chase genre

1930s sees a boom in ‘quota quickies’ and rising attendances – on the downside, a massive ‘brain-drain’ to Hollywood (Chaplin et al)

World War II sees surge in anti-Nazi propaganda films which showcases the massive importance of film in shaping national culture

Page 4: 5. key problems_in_the_british_film_industry

Timeline – 1900-1940s

The 1950s sees the Rank organisation exporting British film to the world; Hammer begin making horror films. In the 1960s, ‘Swinging

London’ and James Bond boost profile of industry

1970s – American studios stop financing British productions and industry begins decline. In 1980s, home videos boom, cinemas fail

Early 1990s recession seems to signal end of British Film industry…

Page 5: 5. key problems_in_the_british_film_industry

The 1990s and Cool Britannia

Page 6: 5. key problems_in_the_british_film_industry

Why is financing a problem?

• Government subsidies (withdrawn)• Dependent on American film industry (fickle)• Track record (disproportionate number of

‘failures’)• Complicated process• Lack of a national talent academy (future

success is chance)

Page 7: 5. key problems_in_the_british_film_industry

Why is production a problem?

• Studios owned by Hollywood or second-rate• Brain drain to Hollywood• British star prices?• Companies are not vertically-integrated

(expensive)• Companies have been purchased by American

conglomerates (creative freedom)

Page 8: 5. key problems_in_the_british_film_industry

Why is distribution a problem?

• Cinema chains (Odeon, Vue, Cineworld)• Centrally-controlled• Few arthouse cinemas; lack of funding• Short lifespan of films• Relatively expensive costs of distribution due

to non-vertically-integrated companies

Page 9: 5. key problems_in_the_british_film_industry

‘Commercial Viability’

• Government unprepared to invest, but wants the success

• http://www.bbc.co.uk/news/entertainment-arts-16495095

• Copycat – Kidulthood is a success, so 20 copies are made (distilling the brand)

Page 10: 5. key problems_in_the_british_film_industry

TASKCreate a presentation that addresses the following:

• How it was financed – by whom? how much?• How it was produced – Film studio? star power?

Director?• How it was exhibited – Cinema (how many

screens), DVD, Box Office Figures, reviews, was it successful abroad?

Try to comment on why you think these things happened. Why was the budget what it was? Why did it get released how it was released (ie, number of screens or straight to

DVD)


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