+ All Categories
Home > Documents > 8 E s s e n t i a l Literary Elements

8 E s s e n t i a l Literary Elements

Date post: 23-Feb-2016
Category:
Upload: landen
View: 30 times
Download: 0 times
Share this document with a friend
Description:
English 5 th Grade - Adcock. 8 E s s e n t i a l Literary Elements. - PowerPoint PPT Presentation
Popular Tags:
48
8 Essential Literary Elements English 5 th Grade - Adcock
Transcript
Page 1: 8  E s s e n t i a l  Literary Elements

8 Essential Literary Elements

English 5th Grade - Adcock

Page 2: 8  E s s e n t i a l  Literary Elements

Setting“The days grow shorter, but there is still no darkness. The sun just hides a little longer below the northern horizon. Sunset colors linger until the sun rises again and follow a circular path around the top of the spinning world.”

- from Arctic Lights, Arctic Nights

Page 3: 8  E s s e n t i a l  Literary Elements

SettingThe setting of a story, poem, or play is the time and place of the action.

Page 4: 8  E s s e n t i a l  Literary Elements

Elements of Setting

• Geographic locations• Seasons• Time of day• References to past, present,

future• Historical eras• Culture

Page 5: 8  E s s e n t i a l  Literary Elements

Descriptions of Setting Engage the Reader

Create a vivid mental picture of location in space and time

Imagery and details create an atmosphere or mood

Elicits an emotional response in the reader

Page 6: 8  E s s e n t i a l  Literary Elements

Point of View“Dear Mrs. LaRue,Were you really so upset about the chicken pie? You know, you might have discussed it with me. You could have said, “Ike, don’t eat the chicken pie. I’m saving it for dinner.” Would that have been so difficult? It would have prevented a lot of hard feelings.” - from Dear Mrs. LaRue: Letters from Obedience School

Page 7: 8  E s s e n t i a l  Literary Elements

Point of ViewPoint of view is the perspective from which a story or poem is told.

Page 8: 8  E s s e n t i a l  Literary Elements

Points of View

FICTIONFirst personThird-person

limitedThird-person

omniscient

NONFICTIONThird-person

objective

Page 9: 8  E s s e n t i a l  Literary Elements

First Person

One of the characters tells the story using the pronoun, “I”.

Example: “I ran the mile in gym class and was happy I finished in less than ten minutes. That’s a great time for me, but boy do I stink! I hope no one will notice the stench when I get to class. Oh no, I have math. I sit next to Jada, the cutest cheerleader on the squad!”

Page 10: 8  E s s e n t i a l  Literary Elements

Third-Person LimitedA story is told through the eyes of a single

character using pronouns, “he” or “she”. It is limited because the narrator tells the events from only that character’s point of view.

Example: “Justin ran the mile in gym class. He was happy to finish in less than ten minutes. He smelled foul and hoped that no one would notice the stench. When he arrived in math class, he thought he saw Jada move her seat away from him.”

Page 11: 8  E s s e n t i a l  Literary Elements

Third-Person OmniscientSomeone outside the story is observing the

characters and events and reporting what can be seen and heard. This all-knowing narrator can see into the hearts and minds of all the characters and show what they think and feel.

Justin was thinking about how happy he was when he ran the mile in under ten minutes. Although he was worried that he smelled, he headed to math class, where he saw Jada, the cutest cheerleader on the squad. Jada had no idea that Justin liked her and thought she was cute. All she knew was that he smelled, and she had to get away.

Page 12: 8  E s s e n t i a l  Literary Elements

Third-Person ObjectiveA story or event is related by someone

who is not involved and who reports only what can be seen and heard. It does not show what characters think and feel. Often this point of view is used in newspaper articles, textbooks, and nonfiction works.

Justin ran the mile in less than ten minutes. He headed to math class and sat next to Jada, a cheerleader. She moved her desk away from him.

Page 13: 8  E s s e n t i a l  Literary Elements

Point of View Helps the Reader…

Analyze charactersUnderstand the storyConsider and evaluate

different characters’ perspectives

Consider and evaluate other people’s perspectives in the real world

Page 14: 8  E s s e n t i a l  Literary Elements

Plot“But no matter how much we begged, my dad would never come into the water.”

- from Testing the Ice

Page 15: 8  E s s e n t i a l  Literary Elements

PlotA plot is the underlying sequence of events to explain the “why” for things that happen in the story. The plot draws the reader into the characters’ lives and allows the read the understand the choices that the characters make.

Page 16: 8  E s s e n t i a l  Literary Elements

Plot

A plot’s structure is the way in which the story elements are arranged.

Writers compose their stories and vary the structure depending on the needs of the story.

Various story elements align with plot development.

Page 17: 8  E s s e n t i a l  Literary Elements

Exposition

Takes place at beginning of the story.

The setting and characters are introduced.

The conflict or problem is introduced. The complication is the catalyst that originates the major conflict.

Page 18: 8  E s s e n t i a l  Literary Elements

Rising Action

The characters attempt to solve the problem, but it usually gets worse.

Tension, suspense, or action build towards the climax.

Page 19: 8  E s s e n t i a l  Literary Elements

Climax

The problem or conflict is at its worst, and the story reaches a critical point.

The turning point of the story then occurs. The characters aim to resolve the conflict or problem.

Page 20: 8  E s s e n t i a l  Literary Elements

Falling Action

The characters begin to solve the problem.

Page 21: 8  E s s e n t i a l  Literary Elements

Resolution/Denouement

Series of events that resolve or bring the story to a full close.

Conflict comes to an end, or the problem is solved.

Page 22: 8  E s s e n t i a l  Literary Elements

Thinking Through Plot

Character’s goalProblem or conflictEvents that hinderEvents that helpResolution or outcomeWhat the character learns

Page 23: 8  E s s e n t i a l  Literary Elements

Plot Acrostic

Problems face the protagonist.Lots of events complicate the

problem.Obstacles arise.Thoughtful solutions lead to

achieving a goal or solving the problem.

Page 24: 8  E s s e n t i a l  Literary Elements

Types of Plot Conflict

MAN VS. MANA struggle

between two characters

Student argues with another student over a seat in the cafeteria

MAN VS. SELFA character’s

struggle against his or her own emotions, conscience, or physical abilities

Teen struggles over whether to report a classmate he saw cheating

Page 25: 8  E s s e n t i a l  Literary Elements

Types of Plot ConflictMAN VS. NATUREA character’s

struggle against weather, environment, time, geography, etc.

Man’s house is destroyed by hurricane

MAN VS. MACHINEA character’s

struggle against a machine or tool

Computer deletes a student’s entire report

Page 26: 8  E s s e n t i a l  Literary Elements

Types of Plot ConflictMAN VS. SOCIETYA character’s

struggle against some societal or institutional injustice, oppression, unfairness, etc.

Convicted man appeals jury’s verdict he feels is unfair

MAN VS. BEASTA character’s

struggle against a real or imaginary beast

Prince fights an evil dragon to save princess

Page 27: 8  E s s e n t i a l  Literary Elements

Thinking Through ConflictDescribe the conflictReason conflict occursResolution/outcomeEffect conflict has on

character(s)

Page 28: 8  E s s e n t i a l  Literary Elements

Characterization“I cunningly observed them from the office window and was surprised to see them simply cross the road to the grand hotel. The sheer nerve of it. Holding their secret F.P. Club meeting right on the paper’s doorstep. They probably think that’s the last place anyone would look. I’ve got to get inside that building and find out what they’re up to.”

- from Scoop! An Exclusive

Page 29: 8  E s s e n t i a l  Literary Elements

CharacterizationCharacterization is the method an author employs to create a character.

Page 30: 8  E s s e n t i a l  Literary Elements

Characterization

Essentially the author uses six techniques to develop a character:

How characters interact with others

What the character saysWhat the character doesWhat the character thinksWhat the character feelsWhat the character looks like

Page 31: 8  E s s e n t i a l  Literary Elements

Characterization

Analysis of characters involves:Making inferencesObserving characters’ actionsObserving what characters learnObserving how characters

change in a storyHow characters change can help

determine theme of story

Page 32: 8  E s s e n t i a l  Literary Elements

Theme“Walking home from school, I knew how he felt, how lonely he must be. Maybe I should have said something to those mean kids.”

- from Wings

Page 33: 8  E s s e n t i a l  Literary Elements

ThemeTheme refers to the underlying meaning or message of a literary work. A story can have more than one theme, and it can be implied or transparent.

Page 34: 8  E s s e n t i a l  Literary Elements

Theme

The following are two ways an author can convey theme:

Affecting the reader’s feelings. Readers can explore text-to-self connections and ask themselves what the main character learns during the course of the story.

Using repeated words and phrases. Readers can look for repeated words and phrases within a character’s thoughts or in conversations between characters.

Page 35: 8  E s s e n t i a l  Literary Elements

Theme

It’s important to note that topics such as friendship, loss, or acceptance are different than theme.

Topics can be described using one or two words.

Themes are expressed in complete sentences.

Page 36: 8  E s s e n t i a l  Literary Elements

Foreshadowing“Do you see those leaves blowing in the wind? They are torn from the trees like slave children are torn from their families.”- from Henry’s Freedom Box

Page 37: 8  E s s e n t i a l  Literary Elements

ForeshadowingForeshadowing is the author’s use of clues to hint at what might happen later in the story.

Page 38: 8  E s s e n t i a l  Literary Elements

Foreshadowing

Writers use foreshadow to:Build the reader’s

expectations and create suspense

Add dramatic tension to a story by creating anticipation about what might happen next

Page 39: 8  E s s e n t i a l  Literary Elements

Foreshadowing

To identify foreshadowing in a text:Be aware of details that are unusual

or have emotional significance.Look for phrases that appear to

relate to the futureObserve changes in mood or setting. Identify objects that appear to have

symbolic connection to the story.Notice foreboding statements the

narrator or other characters make.

Page 40: 8  E s s e n t i a l  Literary Elements

Flashback“My heels click faster and faster on the sidewalk. That sound pulls me back to that time not so many years ago. I drift back. And back some more…”

- from Langston’s Train Ride

Page 41: 8  E s s e n t i a l  Literary Elements

FlashbackA flashback is a literary device in which an earlier episode , conversation, or event is inserted into the sequence of events. Many times flashbacks are presented as a memory of one of the characters.

Page 42: 8  E s s e n t i a l  Literary Elements

Flashback

Writers use flashback to:Make a comparison between

the present action and something that happened in the past

Provide additional background information about the characters or a situation

Page 43: 8  E s s e n t i a l  Literary Elements

Flashback

Consider:How the flashback adds

tension to the storyWhat the reader learns from

the character’s past

Page 44: 8  E s s e n t i a l  Literary Elements

Figurative Language

“My abuelita is round. Robust, she says, like a calabaza. A pumpkin.”

from – My Abuelita

Page 45: 8  E s s e n t i a l  Literary Elements

Figurative LanguageWhenever authors describe something by comparing it with something else, they are employing figurative language.

Page 46: 8  E s s e n t i a l  Literary Elements

Figurative Language

SIMILEA figure of

speech that involves a direct comparison between two unlike things, usually with the words like or as

METAPHORA figure of

speech that implies a comparison between two relatively unlike things

Page 47: 8  E s s e n t i a l  Literary Elements

Figurative LanguagePERSONIFICATIONA figure of

speech that gives the qualities or abilities of a person to an animal, object, or idea

HYPERBOLEAn

exaggerated statement used to heighten effect and to emphasize a point

Page 48: 8  E s s e n t i a l  Literary Elements

Recommended