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New Publications 2/2011: The Programme 1

The ProgrammeNew PublicationsSheet Music2/2011

2 New Publications 2/2011: The Programme

The New Bärenreiter Website ............................................3

Piano

Robert Schumann, Forest Scenes op. 82 BA 9640 ..................................................................................................... 4Robert Schumann, Scenes from Childhood op. 15 BA 9639 ..................................................................................................... 5Franz Schubert, Moments Musicaux D 780 (op. 94) BA 9647 ......................................................................................................6Franz Schubert, Impromptus D 899 (op. 90), D 935 (op. post. 142). BA 9648 ........................................................................ 7 Johannes Brahms, Waltzes op. 39 BA 9602, BA 9603 (Easy Edition) ..................................................8–9

Strings / WindsJoseph-Hector Fiocco, Allegro in G BA 8977 .................................................................................................... 10Oskar Rieding, Marcia op. 44, Rondo op. 22/3 BA 8982 ......................................................................................................11Friedrich Seitz, Student Concerto in D major op. 22 BA 8979 ......................................................................................................11Concert Pieces for Cello and Piano BA 9695 .................................................................................................... 12Ludwig van Beethoven, Romances for Violin and Orchestra op. 50 and op. 40 BA 9026 .................................................................................................... 13Antonín Dvořák, Concerto in B minor for Violoncello and Orchestra op. 104. BA 9045 ................................................................14Maurice Ravel, Sonata for Violin and Violoncello BA 9417 ...................................................................................................... 15Franz Schubert, Rondo in A major for Violin and Strings D 438 BA 5653, BA 5653-90 ............................................................................ 16Georg Philipp Telemann, From Essercizii Musici BA 5880, BA 5890, BA 5889 ................................................................ 17

Choral MusicGraham Buckland, Christmas for female voices BA 7598 ..............................................................................................18–19Georg Philipp Telemann, Die Donnerode TWV 6:3 BA 5900-90 ............................................................................................20Johann Sebastian Bach, Break with hungry men thy bread BWV 39. BA 10039, TP 1039 ....................................................21George Frideric Handel, La Resurrezione HWV 47 BA 4096-90 ............................................................................................ 22George Frideric Handel, Samson HWV 57 BA 4099-90 ............................................................................................ 23

Stage Work

Jean-Philippe Rameau, Zaïs BA 8856-90 .............................................................................................24

Complete Editions

New Publications up to May 2011 ................................................... 25

Study Score

Wolfgang Amadeus Mozart, Idomeneo K. 366 TP 322 .......................................................................................................26

Solo Voice

Franz Schubert, Lieder, Volume 5 BA 9105, BA 9125, BA 9145 .................................................................. 27

Contemporary Music

New Publications up to May 2011 ................................................... 28

Organ

Organ Plus One, Divine Service BA 8506 ...................................................................................................29Organ Music for Communion BA 9265 ....................................................................................................30Organ Music for the End of the Church Year BA 9266 ....................................................................................................31Wilhelm Middelschulte, Complete Organ Works, Volume V BA 9205 .................................................................................................... 32Gerard Bunk, Complete Organ Works, Volume IV BA 9284 .................................................................................................... 33

Facsimile

Johann Sebastian Bach, Mass in B minor BWV 232 ISBN 978-3-7618-2194-7 .......................................................................34

Bärenreiter‘s Concert Pieces .......................................................................... 35

Your Contacts .....................................................................................36

Contents


Discover Bärenreiter ...

... the New Website

www.baerenreiter.com

Improved Functionality l Simple navigation enables quick orientation l Clearly laid out structure of pages

Improved Search Facility l Comprehensive product information l User-friendly searches by means of keywords l Product recommendations

Focus l A new area where current themes are presented in detail


Schumann’s Forest Scenes op. 82 date from the years 1848/49. This was the composer’s most creative period but one which was marked by revolutionary unrest and political uncertainty. As well as choral compositions and major dramatic works including the opera Genoveva and Manfred Schumann created the intimate piano cycle Forest Scenes, inspired by illustrations of the same theme. The last to be written was the wistful-filigree Vogel als Prophet (no. 7), probably the best-known piece in the cycle. The pieces of moderate technical difficulty are enchanting in their song-like poetry, and are a jewel of domestic music-making from the Romantic period.

• Urtext editions based on all available sources and reflecting the latest research findings• With fingering and suggestions for performance by Ragna Schirmer• With detailed foreword (Ger/Eng) and critical commentary (Eng)

Robert SchumannWaldszenen

Forest Scenes op. 82

BÄRENREITER URTEXTEdited by Holger M. Stüwe

With fingering and suggestions for performance

by Ragna SchirmerBA 9640 · approx. € 7.50

To appear in December 2011

Piano

New Issue Title

9 790006 539635

ISMN 979-0-006-53963-5

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Photo: Ragna Schirmer

Robert SchumannKinderszenenScenes from Childhood op. 15

BÄRENREITER URTEXTEdited by Holger M. StüweWith fingering and suggestions for performance by Ragna SchirmerBA 9639 · approx. € 5.50


In spring 1838 Schumann composed “30 short, sweet things”, as he called them in a letter to his fiancée Clara Wieck. He originally composed these under the title “Kindergeschichten” and intended them as a supplement to the Noveletten op. 21, also composed in 1838. From these piano miniatures he chose twelve pieces. At the beginning of the following year, now expanded with a thirteenth piece, they were published as Scenes from Childhood by Breitkopf & Härtel in Leipzig. The collection centred on Träumerei which is the seventh and the most famous piece in the collection. The significance of the cycle was completely misjudged by the critic Ludwig Rellstab but it was enthusiastically received by Liszt. He wrote to Schumann in June 1839 that he was frequently playing Scenes from Childhood to his then three-and-a-half year old daughter Blandine with enthusiasm, but particularly to himself.

Scenes from Childhood op. 15 and Forest Scenes op. 82 are being published in scholarly-critical Urtext editions, reflecting the latest state of research. These are two of Schumann’s most popular piano cycles which are highly ranked in Romantic piano literature. The fingering takes contemporary performing practise as well as playing on the modern concert grand piano into consideration.

The leading German pianist Ragna Schirmer has earned an outstanding reputation, not only by winning the Leipzig Bach Competition twice but also for receiving numerous awards including two ECHO-Klassik prizes. She has long had a special interest in historical performance practice on modern instruments, reflected most recently in her highly-praised complete recording of the keyboard suites by George Frideric Handel. As well as an international performing career, Ragna Schirmer is currently a professor at the Mannheim University of Music and the specialist school Latina August Hermann Francke in Halle. Robert and Clara Schumann’s compositions feature at the centre of Ragna Schirmer’s work and she has recorded Robert Schumann’s Variations on a theme by Beethoven and Symphonic Studies on CD. Her concerts which she plays on Clara Schumann’s original Grotrian grand piano of 1879 have given her important insights into practical performing issues. She has now incorporated these into her studies of Clara’s fingering of Schumann’s Scenes from Childhood op. 15 and Forest Scenes op. 82.

Piano

9 790006 539628

ISMN 979-0-006-53962-8

New Issue Title


Piano

New Issue Title

Franz SchubertMoments Musicaux

D 780 (op. 94)

BÄRENREITER URTEXTEdited by Walther Dürr


by Mario AschauerBA 9647 · approx. € 8.00

To appear in September 2011

This new edition replaces the current edition (BA 5615).

Schubert’s well-known collection of Moments Musicaux was published in 1828, during the last year of the composer’s life, but some of the pieces date back to the beginning of the 1820s. In 1823 he published his extremely popular Air russe which later became the third piece of the Moments Musicaux and during the following year the chordal sixth piece entitled Plaintes d’un Troubadour. The multi-faceted lyrical atmospheric pieces are particularly suitable for piano teaching because of their charming variety as well as their moderate technical demands. They have become an indispensable part of the concert repertoire.

Newly engraved Urtext editions

9 790006 539529

ISMN 979-0-006-53952-9

© 2011 by Bärenreiter-Verlag, Kassel

*) Siehe Vorwort. / See Preface.

BA 9647

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Piano

New Issue Title

In autumn 1827 Schubert composed eight Impromptus for publication as a complete collection by Haslinger in Vienna. When the plan fell through, Schubert offered his Impromptus to Schott as pieces which “could be issued individually or all four together”. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata, drew attention to the second collection published by Diabelli in 1839 in his review.

For the first time these two scholarly-critical Urtext editions present the musical text of the New Schubert Edition in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration. A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.

• Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account• Newly engraved editions with optimum page-turns• With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer• With a detailed foreword (Ger/Eng) and critical commentary (Eng)

Mario Aschauer studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ.

Franz SchubertImpromptus D 899 (op. 90), D 935 (op. post. 142)

BÄRENREITER URTEXTEdited by Walther DürrWith fingering and suggestions for performanceby Mario AschauerBA 9648 · approx. € 10.95

To appear in October 2011

This new edition replaces the current edition (BA 5611).

9 790006 539536

ISMN 979-0-006-53953-6


Piano

New Issue Title

Johannes BrahmsWaltzes op. 39

BÄRENREITER URTEXTEdited by Christian Köhn


by the editor BA 9602 · approx. € 7.00


A year after their composition in 1866, Brahms’s popular 16 Waltzes op. 39 for piano duet were arranged by the composer for piano solo, thus fulfilling the request of his publisher for a simplified version. Brahms himself described the first version as suitable for “reasonable hands”, that is for proficient players, and the easier version as “perhaps for prettier hands”, that is, for domestic music-making. He initially described the latter version to his publisher as a “children’s edition”. The catchy and musically easily accessible pieces are among the composer’s most popular works and are particularly suitable for piano students and lovers of the Romantic repertoire.

Both versions of the Waltzes op. 39 are available in separate editions and form an important contribution to Bärenreiter’s series of Brahms’s works in scholarly-critical Urtext editions. Both editions include fingering, a well-presented musical layout and optimum page-turns. The Urtext editions are complemented by explanations on performance practice used by Brahms, an informative foreword on the genesis, sources and significance of the works together with comments on the primary sources.

Brahms waltzes in Urtext editions

9 790006 541140

ISMN 979-0-006-54114-0

*) Zu den Arpeggio-Linien siehe Critical Commentary.

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Piano

New Issue Title

• A key work in the Romantic piano repertoire• All known sources and the latest research findings taken into account• Well-presented musical layout with optimum page-turns • Includes fingering• Suggestions on performance practice and interpretation (Ger/Eng)• Informative foreword (Ger/Eng) and critical commentary (Eng)

The editor

Christian Köhn has been awarded several scholarships as well as winning major international music competitions in Germany.He has released 24 CDs to date, including the first ever complete recording of the piano duo works of Johannes Brahms. Christian Köhn is a lecturer at the Musikhochschule Detmold.

Johannes BrahmsWaltzes op. 39

Easy Edition(arranged by the composer)BÄRENREITER URTEXTEdited by Christian KöhnWith fingering and suggestions for performance by the editor BA 9603 · approx. € 7.00


9 790006 541157

ISMN 979-0-006-54115-7

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»Bärenreiter′s Concert Pieces«

The series Bärenreiter’s Concert Pieces presents further editions with works by Oskar Rieding, Friedrich Seitz and Joseph-Hector Fiocco. All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus, the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method.

The series will be continued and will introduce students to more demanding repertoire with a gradually increasing level of difficulty.

Joseph-Hector FioccoAllegro in G

Bärenreiter’s Concert PiecesEdited by Kurt Sassmannshaus

Violin part and enclosed piano accompaniment

BA 8977 · approx. € 6.50


Strings

9 790006 540891

ISMN 979-0-006-54089-1

BA 8977

Allegro in G-DurAllegro in G major

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Piano

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Joseph-Hector Fiocco

New Issue Title

BA 8977

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Violin

Piano

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Oskar RiedingMarcia op. 44, Rondo op. 22/3

Bärenreiter’s Concert PiecesEdited by Kurt SassmannshausViolin part and enclosed piano accompanimentBA 8982 · approx. € 9.00


Friedrich SeitzStudent Concerto in D major op. 22

Bärenreiter’s Concert PiecesEdited by Kurt SassmannshausViolin part and enclosed piano accompanimentBA 8979 · approx. € 10.00


Strings

9 790006 541089

ISMN 979-0-006-54108-9

9 790006 541065

ISMN 979-0-006-54106-5

BA 8992 © 2011 by Bärenreiter-Verlag, Kassel

Rondo

Violin

Piano

Allegretto moderato

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mf f p

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Oskar Rieding, Op. 22/3

Schülerkonzert Nr. 2 in D-DurStudent Concerto No. 2 in D major

BA 8979

Violin

Piano

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BA 8982

New Issue Title

New Issue Title


BA 8979

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Piano


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In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvořák’s Humoresque, Mendelssohn Bartholdy’s Song without Words, Fauré’s Berceuse and The Swan by Camille Saint-Saëns.

The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition, Egon Sassmannshaus.

• Pieces for solo cello with piano accompaniment• Easy to medium difficulty• Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, 8999)

A selection:

Simonetti, Madrigal / Beethoven, Minuet / Dvořák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande /Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan

»Bärenreiter's Cello Collection«

Concert Piecesfor Cello and Piano

Edited by Christoph Sassmannshaus

Cello part and enclosed piano accompaniment

BA 9695 · approx. € 19.95

To appear in August 2011

Strings

9 790006 536580

ISMN 979-0-006-53658-0

Notturno

Violoncello

Piano

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11

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Georg Goltermann, Op. 59/1(1824-1898)

BA 9695

30

New Issue Title


Ludwig van BeethovenRomances for Violin and Orchestra op. 50 and op. 40

BÄRENREITER URTEXTEdited by Jonathan Del Mar ScoreBA 9026 · approx. € 12.95Piano reductionBA 9026-90 · approx. € 10.00Critical commentaryBA 9026-40Wind setBA 9026-65 · approx. € 13.50

To appear in October 2011Beethoven’s Romances are performed all over the world, yet how many conductors, performers and listeners are aware that op. 50 which was incidentally composed before op. 40, comes down to us in an unfinished form? The autograph score contains little to no articulation or dynamics and to the present day the work has existed only in highly over-edited publications. The performer has no way of knowing what was originally intended by the composer. Bärenreiter’s new Urtext edition of opp. 50 and 40 offers the score to op. 50 twice; the first score reflects the state of Beethoven’s autograph with editorial markings clearly indicated, the second score has been edited based on other works by Beethoven from that period. This manner of publishing remains true to the sources and at the same time offers musicians a reliable transparent score for performances.

In addition to the Urtext solo part, a second solo part with fingering and bowing by Detlef Mahn is also included in the piano reduction.

• Piano reduction which includes an Urtext solo part as well as an additional solo part with fingering and bowing• The score to op. 50 available in two versions• Detailed critical commentary (Eng)

Score

Piano reduction

Violin Romances in the Urtext

Strings

9 790006 540846

ISMN 979-0-006-54084-6

9 790006 540853

ISMN 979-0-006-54085-3

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Antonín DvořákConcerto in B minor for Violoncello

and Orchestra op. 104

BÄRENREITER URTEXTEdited by Jonathan Del Mar

ScoreBA 9045 · approx. € 55.00

Critical commentaryBA 9045-40

Piano reduction by the composerBA 9045-90 · approx. € 14.95

Wind setBA 9045-65 · approx. € 85.00

Violin IBA 9045-74 · approx. € 6.00

Violin IIBA 9045-75 · approx. € 6.00

ViolaBA 9045-79 · approx. € 6.00

VioloncelloBA 9045-82 · approx. € 6.00

ContrabassoBA 9045-85 · approx. € 6.00


Like every great 19th century solo concerto, Dvořák’s famous Concerto for Violoncello and Orchestra is a collaboration between a composer and a virtuoso. In this case the virtuoso was the cellist Hans Wihan.

The editor Jonathan Del Mar has painstakingly examined the autograph score and autograph piano reduction documenting the alterations made by both the composer and Wihan. It is well known that this was a close collaboration but until now it had been unclear to what extent the cellist made changes not just in the solo cello part but also to some details in the orchestral parts. All these alterations are documented in Bärenreiter’s new Urtext edition.

Cellists have often found the original passage in the first movement (bars 257-60) less than convincing. In response Del Mar’s edition offers the most performed alternatives: Emanuel Feuermann’s in the 1928 recording and Pablo Casal’s, recorded in 1937.

• Reliable Urtext edition of this important work• Includes Dvořák’s original piano reduction• With Feuermann’s and Casal’s alternatives to the passage in the first movement• Score, orchestral parts and piano reduction all with impeccable layout• Preface (Ger/Eng/Cz)

Score

Piano reduction

Concerto for Violoncello and Orchestra

Strings

9 790006 537648

ISMN 979-0-006-53764-8

9 790006 537631

ISMN 979-0-006-53763-1

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Opus 104


Maurice RavelSonata for Violin and Violoncello

BÄRENREITER URTEXTEdited by Douglas Woodfull-Harris with an introduction by Juliette Appold BA 9417 · approx. € 22.95With 2 performing scores

To appear in November 2011

No distribution rights for France, Italy and Spain

In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel’s Sonata as well as works contributed by Debussy’s friends Stravinsky, Satie, Dukas, Bartok and de Falla to name only a few. This 1st movement of Ravel’s Sonata, of which the autograph is lost, then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter’s scholarly-critical edition, the first ever of this masterpiece, presents the work in two performing scores. It contains an introduction on the history of the work reflecting Ravel’s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy, the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice.

• First Urtext edition of this work• Two performing scores (format 25,5 x 32,5 cm)• Informative introduction to the genesis of the work (Ger/Eng/Fr)• Critical commentary with facsimiles and appendices

First scholarly edition of Ravel's Sonata

Already available:

String QuartetParts in a slipcover BA 9413 · € 29.95Study score TP 413 · € 16.95

Trio for piano, violin and violoncello Score with parts BA 9418 · € 35.95

Strings

9 790006 538454

ISMN 979-0-006-53845-4

New Issue Title


Strings

Franz SchubertRondo in A major for Violin

and Strings D 438

BÄRENREITER URTEXTEdited by Michael Kube

ScoreBA 5653 · approx. € 16.50

Piano reductionBA 5653-90 · approx. € 14.95

Strings eachapprox. € 4.00

To appear in September 2011 Complementing Bärenreiter’s editions of the works for violin and piano based on the Urtext of the New Schubert Edition, comes Schubert’s utterly charming Rondo in A major for Solo Violin and Strings. The Rondo, dated 1816 is a one movement work containing lyrical as well as virtuoso solo passages and can equally be performed with single strings or with a larger string ensemble. Our new edition contains an informative introduction (Ger/Eng) by Schubert scholar Michael Kube who is also the arranger of the piano reduction.

• A new edition of Schubert’s perhaps most charming work for violin• Includes idiomatic piano reduction• Urtext of the New Schubert Edition

Violin and Strings

9 790006 540617

ISMN 979-0-006-54061-7

BA 5653

9 790006 540624

ISMN 979-0-006-54062-4

Piano reduction

Score

Franz Schubert

New Issue Title

New Issue Title


Georg Philipp TelemannFrom Essercizii musici

BÄRENREITER URTEXTEdited by Klaus Hofmann

Two Sonatas for Violin and Basso continuo TWV 41:F4, TWV 41:A6BA 5880 · € 16.95

Two Sonatas for Traverse Flute and Basso continuo TWV 41:D9, TWV 41:G9BA 5890 · € 19.95

Two Sonatas for Oboe and Basso continuo TWV 41:B6, TWV 41:e6BA 5889 · € 19.95

Already publishedThese three editions each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.

This first ever Urtext edition, edited by the Bach and Telemann scholar Klaus Hofmann, is taken from the Telemann Musical Works. The continuo realizations are by the editor.

• First ever Urtext editions of these sonatas• Charming works of easy to moderate technical difficulty• Straight forward, clear continuo realizations

Strings / Winds

Telemann Sonatas in Urtext editionsfor the first time

9 790006 540631

ISMN 979-0-006-54063-1

9 790006 540655

ISMN 979-0-006-54065-5

9 790006 540648

ISMN 979-0-006-54064-8

BA 5880

BA 5889

New Issue Title

BA 5890New Issue Title

BA 5889New Issue Title

Sonate in B-Dur / Sonata in B-flat major


Graham BucklandChristmas for female voices

224 pages

BA 7598 · approx. € 22.95


After the success of Christmas a cappella (BA 7573) for mixed choir, Graham Buckland has now turned his attention to an edition for female voices. This collection includes popular Christmas melodies in traditional as well as more popular settings from many countries around the world including USA, UK, France, Germany, Austria, Poland and the Czech Republic. All pieces are arranged for two female voice parts with a piano accompaniment but a third optional voice part is also included in many cases. This edition presents one of the most comprehensive collections of Christmas choral settings for female voices.

• Collection of international Christmas songs for female voices• For two to three parts with piano accompaniment• Traditional as well as more popular settings• All song texts in German and English

Popular Christmas melodies

Choral Music

q. = 108

103 I saw three shipsDrei Segelschiffe sah ich einst

4

T, M: from Scotland (before 1666)S, D: GBB

9

14

f

(piano accompaniment ad lib.)

p

1. I1. Drei

sawSe

threegel- schif

ships- fe

come- sah

sailiching-

einst,in, on

am WeihChrist

nachtsmas

--

tag,Day,- am

onWeihChrist

nachtsmas

--

tag,Day,- drei

I

Sesaw

gelthree

- schifships

- fecome- sah

sailiching-

einst,in

amon

WeihChrist

nachtsmas

--

tagDay

-in

desthe

Mormorn

gens.ing.

--

f

pp

Frohe Botschaft

BA 7598

156

9 790006 538713

ISMN 979-0-006-53871-3

New Issue Title


The editor

Graham Buckland is a conductor and composer and studied in Cambridge, London and Brno. He is now university music director in Regensburg.

A selection:

A child this day is born / Adeste, fideles / Angels, from the realm of glory /A virgin most pure / Away in a manger / Deck the hall! / Entre le bœuf et l’âne gris / Es ist ein Ros entsprungen /Fröhliche Weihnacht überall! / Go, tell it on the mountain / I saw three ships / Joy to the world / Les anges dans nos campagnes /Macht hoch die Tür / Nun komm, der Heiden Heiland /O Heiland reiß die Himmel auf / O Jesulein süß / Orientis partibus / Quando nascette Ninno / Stern über Bethlehem /The angel Gabriel from heaven came / The Carol of the Drum /The first Nowell / We wish you a merry Christmas /Wie schön leuchtet der Morgenstern

Already published:

Christmas a cappella BA 7573 · € 19.50

“... the collection proves to be excellent value and should supply singers with enough new and unfamiliar material to justify its purchase, whether for use in a carol service or with that glass of mulled wine!” (Choir & Organ)

Halleluja BA 7589 · € 19.95

64 Spirituals a cappellaBA 7574 · € 17.95

Choral Music

h = 66

120 Deck the hall(s)Schmückt das Haus(Christmas a cappella 154)

T: J. P. McCaskey (1881)M: from Wales (before 1784)

S: GBB; D: Christine Hinrichs (2000)© German text Christine Hinrichs

5

9

p f

1. Deck1. Schmückt

thedas Haus

hall(s)mitwith

Palboughs

menof

- zweihol

- gen,ly,

-- fa la- la- la- la,- fa la- la- la.-

1. Deck1. Schmückt

thedas Haus,

hall(s), fa la- la- la,- fa la- la- la.-

p

Springt'Tis

undthe sea

tanzt inson-

froto

hembe

- Reijol

gen,ly,

-- fa la- la- la- la.- fa la- la- la.-

Springt'Tis

undthe

tanzt,sea son,- fa la- la- la,- fa la- la- la.-

Fröhliche Weihnacht

BA 7598

180


Georg Philipp TelemannDie Donnerode TWV 6:3

Sacred Oratorio in two PartsBÄRENREITER URTEXT

Edited by Wolf HobohmPiano reduction by Andreas Köhs

Vocal score (Ger)BA 5900-90 · € 14.95

Performance material available on hire

Already available

During Telemann’s lifetime Die Donnerode was one of his most popular sacred works. It was written following the devastating earthquake in Lisbon in 1755. The great success of the first performance in St. Jacobi in Hamburg in 1756 encouraged Telemann to write a second part to the work in 1760, expanding Die Donnerode to make a complete oratorio. The work continues to be performed in this form today. The basic structure of Die Donnerode is a psalm cantata for soloists, chorus and orchestra. The texts and choice of instrumentation make reference to the threatening natural phenomenon of the earthquake. Telemann exploits all the musical possibilities offered by the text, creating a powerful oratorio in which trumpets and timpani play an important role.

This edition includes a vocal score on sale for the first time, based on the Telemann Musical Works. The existing performance material has been thoroughly revised and newly engraved.

• Urtext edition based on the Telemann Musical Works, reflecting the current state of research• Idiomatic piano reduction, foreword (Ger/Eng)• Performance material thoroughly revised and newly engraved

Telemann's outstanding late work

Choral Music

9 790006 541287

ISMN 979-0-006-54128-7

Die DonnerodeGeorg Philipp Telemann

BA 5900a

I. Teil

1. Chor


Munter

Klavierauszug / Piano Reduction: Andreas Köhs

5

9

Wie ist dein Na me- so groß, mit wel chem- Ruh me- ge -

13




Soprano

Alto

Tenore

Basso

3 3 3

New Issue Title


Johann Sebastian BachBrich dem Hungrigen dein Brot Break with hungry men thy bread BWV 39

Cantata for the First Sunday after TrinityBÄRENREITER URTEXTEdited by Alfred DürrPiano reduction by Joachim Eichhorn

Vocal score (Ger/Eng)BA 10039-90 approx. € 7.50Violin IBA 10039-74 approx. € 4.00Violin IIBA 10039-75 approx. € 4.00ViolaBA 10039-79 approx. € 4.00Double BassBA 10039-82 approx. € 4.00Wind setBA 10039-65 approx. € 11.95OrganBA 10039-67 approx. € 12.95

Study scoreTP 1039 approx. € 9.50


Bach Cantata

This cantata for the First Sunday after Trinity, first performed in 1726, is one of the most musically attractive compositions composed by Bach during his time as cantor at St. Thomas Church, Leipzig. In its alternating scoring for oboes, recorders and strings, the opulently-structured opening chorus describes the gesture of the breaking of bread. The arias and recitatives for the two soloists, alto and tenor show Bach at the peak of his compositional powers. The two-part cantata concludes with a simple chorus.

• Urtext edition based on the New Bach Edition• Richly coloured scoring using recorders and oboes• Vocal score (Ger/Eng), foreword (Ger/Eng)

Choral Music

Study score9 790006 205295

ISMN 979-0-006-20529-5

Vocal score9 790006 541447

ISMN 979-0-006-54144-7

New Issue Title New Issue Title

from: Study score TP 1039


George Frideric HandelLa Resurrezione

Oratorio in due parti HWV 47BÄRENREITER URTEXT

Libretto by Carlo Sigismondo CapeceEdited by Terence Best

Piano reduction by Andreas KöhsVocal score (Ital)

BA 4096-90 · approx. € 29.95



The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli. In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.

The edition is based on the complete edition volume of the Halle Handel Edition (BA 4096), making the complete music text of the oratorio available for the first time.

• Scholarly-critical edition based on the Urtext of the Halle Handel Edition• Straight forward, clear piano reduction• Foreword (Ger/Eng)

Handel's virtuoso early work

Choral Music

9 790006 541263

ISMN 979-0-006-54126-3

New Issue Title


George Frideric HandelSamson

Oratorio HWV 57BÄRENREITER URTEXT Libretto by Newburgh Hamilton after John Milton’s Samson AgonistesEdited by Hans Dieter ClausenPiano reduction by Andreas KöhsVocal score (Eng)BA 4099-90 · approx. € 49.95



Handel's "Samson" in an Urtext edition for the first time

Handel composed Samson directly after completing the Messiah. After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composer’s most successful oratorios alongside Esther and Judas Maccabaeus. This probably had as much to do with the popular Old Testament story of the libretto as with Handel’s masterly shaping of the arias and choruses.

By including some movements in the appendix, this edition makes it possible for the first time to perform the work in its original 1741 version. The edition is based on the complete edition volume of the Halle Handel Edition (BA 4099), offering the complete music text of the oratorio for the first time.

• Scholarly-critical edition based on the Urtext of the Halle Handel Edition• Idiomatic piano reduction• Foreword (Ger/Eng)

Choral Music

9 790006 541270

ISMN 979-0-006-54127-0

SCORE File: Project: File Date: Time: Print data:B37-187.MUS A&O 3k 22.04.11 17:1204-22-*1 1.08 2.1 2.4 300 3

Bassi

Basso

Tenore II

8

Tenore I

8Hear, Ja cob’s God! Je ho vah, hear! Oh,

Alto

Soprano II

Soprano I

Viola

Violino II

Violino I

Oboe II

187

Oboe I

35. ChorusGrave

Hear, Ja cob’s God! Je ho vah, hear! Oh,

Hear, Ja cob’s God! Je ho vah, hear! Oh,

Hear, Ja cob’s God! Je ho vah, hear! Je ho vah, hear! Oh,

of Israelites

5 6 6 5



from: Complete Edition · Score BA 4099

New Issue Title


Jean-Philippe RameauZaïs

Ballet héroïque in a Prologue and four acts

Edited by Graham SadlerLibretto by Louis de Cahusac

Piano reduction byFrançois Saint-Yves

Vocal score (Fr)BA 8856-90 · € 49.95


Already published

Based on volume OOR IV.15 of the Complete Edition

Opera Omnia Rameau

Zaïs was Rameau’s first opera which was entirely devoted to “la féerie”, the enchanted world of myth from the Middle East with its spirits and fantastic creatures. It was first performed on 29 February 1748 at the Paris Opera and was much praised for its expressive power, elegance and variety of its music as well as for the charm of its ballet. Although the libretto by Louis de Cahusac was criticised, the delightful work proved very popular: it was revived in 1761 and 1769 and for more than two decades received over 100 performances. Like most of Rameau’s operas, Zaïs was extensively revised during the composer’s lifetime and afterwards. Revisions already began during the first rehearsals and continued until the first performance. The composer and the librettist Cahusac finally used the Easter period in 1748 to work on those revisions; as well as structural changes and musical substitutions, these included some substantial additions to vocal and instrumental movements. The version which was performed after Easter is more convincing, both musically and dramatically. In contrast, the revivals of 1761 and 1769 – the first after Cahusac’s death, the second after Rameau’s – contained drastic cuts including the entire prologue.

For the new volume in the Opera Omnia Rameau the version from Easter 1748 has been chosen as the primary source. For performances, a choice can be made between this and the original version; a series of insertions links all the passages with another.

Rameau's freemason opera

Stage Work

9 790006 533466

ISMN 979-0-006-53346-6


Complete Editions

New Publications up to May 2011

Franz BerwaldComplete Works, Volume 18bDrottningen av Golconda[The Queen of Golconda]Critical Report and Appendix + CD-ROMEdited by Bonnie and Erling LomnäsBA 4918-04

Complete Works, Volume 22.2Secular vocal works II and Revue MarchEdited by Owe Ander and Karin HallgrenBA 4922-04

Concentus musicus, Volume XIIISanta Maria dell’Anima: Musik für die Feste der deutschen Nationalkirche in Rom Santa Maria dell’Anima: Music for church feasts at the German National Church in RomeWorks by Pietro Paolo Bencini and Niccolò Jomelli. Edited by Rainer HeyinkBA 8349

Gabriel FauréŒuvres complètes, Volume V/3Trio pour piano, violon et violoncelle en ré mineur, op. 120.Quatuor à cordes en mi mineur, op. 121Edited by James William SobaskieBA 9464-01

Œuvres complètes, Volume V/2Premier Quatuor pour piano, violon, alto et violoncello en ut mineur, op. 15. Deuxième Quatuor pour piano, violon, alto et violoncello en sol mineur, op. 45Edited by Denis HerlinBA 9462-01

Christoph Willibald GluckComplete Works, Series II, Volume 2Don Juan / Les Amours d’Alexandre et de RoxaneEdited by Sibylle Dahms and Irene BrandenburgBA 5804

Leoš JanáčekCritical Complete Edition of the Works of Leoš JanáčekSeries C, Volume 2, Male Choruses IIEdited by Leoš Faltus and Petr OlivaBA 6858

Monumenta Monodica Medii AeviVolume VISPRUCHSANG. Die Melodien der Sangspruchdichter des 12. bis 15. JahrhundertsEdited by Horst Brunner and Karl-Günther HartmannBA 5706

Works of ∙ Opere di Gioachino RossiniMusic for BandEdited by Denise GalloBA 10502-01

Works of ∙ Opere di Gioachino RossiniMusic for BandCritical CommentaryEdited by Denise GalloBA 10502-40

Johann PachelbelComplete Vocal WorksVolume 1: MassesEdited by Wolfgang HirschmannBA 10551

Franz SchubertNew Edition of the Complete Works,Series II, Volume 12AdrastEdited by Mario AschauerBA 5566

Georg Philipp TelemannMusical Works, Volume 41Zwei Auszüge aus Klopstocks MessiasTwo excerpts from Klopstock’s MessiahEdited by Ralph-Jürgen ReipschBA 5869

Detailed information on Complete Editions can be found on our website.


Wolfgang Amadeus MozartIdomeneo

Dramma per Musica in tre atti K. 366

BÄRENREITER URTEXTEdited by Daniel Heartz

Study scoreTP 322 · approx. € 44.00


This study score is based on the edition of Idomeneo edited by Daniel Heartz in 1973 which was published as part of the New Mozart Edition, together with the critical report by Bruce Alan Brown (2005).

Mozart’s autograph manuscript of acts I and II which is now preserved in the Biblioteka Jagiellońska, Kraków and acts I and II from the Munich performance score only became accessible again after the publication of the New Mozart Edition (NMA). These have now been consulted in the preparation of this study score and the NMA text corrected when deemed necessary due to variant readings. Cross references between the main part and the appendix have been avoided; alterations which have been incorporated are indicated in the music text by annotations.

• Edition based on the Urtext of the New Mozart Edition, reflecting the latest musicological knowledge• Foreword in two languages (Ger/Eng)

Reflecting the latest scholarship

Study Score

Already published:

Wolfgang Amadeus MozartLe nozze di FigaroTP 320 · € 42.00

9 790006 204670

ISMN 979-0-006-20467-0

New Issue Title


Franz SchubertLieder, Volume 5

BÄRENREITER URTEXTEdited by Walther Dürr

BA 9105 high To appear in August 2011

BA 9125 medium To appear in September 2011

BA 9145 low To appear in October 2011

Price for each volume · approx. € 35.95

The definitive edition

As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch’s Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first – Hagars Klage (D 5), dated 30 March 1811 – is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811–1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg’s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song (Klaglied, D 23), which – the only one of these songs – was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade Der Taucher (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera (Des Teufels Lustschloss, D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.

• Excellent new engraving based on the New Schubert Edition• Foreword by Walther Dürr discussing the history the works’ composition and transmission, together with a list of sources for each song (Ger/Eng)• English translation of the song texts by Richard Wigmore

Contents

Hagars Klage, D 5 / Leichenfantasie, D 7 /Der Vatermörder, D 10 / Klaglied, op. post. 131, 3 – D 23 / Misero pargoletto, D 42 (high voice only) / Totengräberlied, D 44 / Die Schatten, D 50 / Verklärung, D 59 / Pensa che questo istante, D 76 (medium and low voice only) /Der Taucher, D 77 / Son fra l’onde, D 78 (high voice only) /Adelaide, D 95 / Trost. An Elisa, D 97 /Erinnerungen, D 98 / Andenken, D 99 /Geisternähe, D 100 / Erinnerung, D 101 /Die Betende, D 102 / Die Befreier Europas in Paris, D 104 /Lied aus der Ferne, D 107 (1st version) / Lied aus der Ferne, D 107 (2nd version) /Der Abend, D 108 / Lied der Liebe, D 109 /Romanze, D 114 (1st version) / Romanze, D 114 (2nd version) /An Laura (als sie Klopstocks Auferstehungslied sang), D 115 / Der Geistertanz, D 116 /

Appendix (lower transpositions of the songs only in high ranges)Die Schatten, D 50 / Adelaide, D 95

Solo Voice

BA 9105

BA 9125

BA 9145

9 790006 530540

ISMN 979-0-006-53054-0

9 790006 530656

ISMN 979-0-006-53065-6

9 790006 530762

ISMN 979-0-006-53076-2

New Issue Title

New Issue Title

New Issue Title


Contemporary Music

New Publications up to May 2011

Luboš FišerSonata I for PianoH 7911

Luboš FišerSonata III for PianoH 7957

Luboš FišerSonata IV for PianoH 7988

Jan NovákSonata super »Hoson Zes ...«for violin (flute) and pianoH 7855 Score with parts

Thomas Daniel Schlee»Was wir sind« op. 77 for children's choir and orchestraBA 9786-72 Performance material available on hire

Thomas Daniel SchleeAve verum Corpus (2010) for voice, cor anglais (or viola/violin) and organ BA 9397

Charlotte Seither»Haut terrain« for 12-part chamber choir BA 9398-72 Performance material available on hire

Charlotte Seither»Recherche sur le fond« for orchestra BA 9797-72 Performance material available on hire

Miroslav Srnka»Assembly« for ensembleBA 9791-72 Performance material available on hire

Manfred TrojahnHerbstmusikSinfonischer Satz, Überschreibung 3. Zustand BA 9787-72 Performance material available on hire

Heinz WinbeckLebensstürmeA quodlibet with and after music by Franz Schubertfor voice, piano and chamber orchestraBA 9788-72 Performance material available on hire

Heinz Werner ZimmermannZwei neue Lieder for congregational singing with organ accompaniment / alternatively for four-part choir a cappella BA 8956 Score

Heinz Werner ZimmermannVesper for chamber choir and three instruments(New version 2010)BA 4362 Score with parts


ORGAN PLUS ONEDivine Service

Edited by Carsten KlompScore with partsBA 8506 · approx. € 17.95


The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements. The editions include solo parts in C, Bb, Eb and F, which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instrument parts is in the middle register, making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition – flexible instrumentation with easy playability – ensures that the pieces can easily be tackled and fun to play for church services, musical evenings and small concerts. Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists.

The contents of the volumes correspond to the seasons of the church year:

• Advent / Christmas • Passion / Easter• Epiphany / Whitsun / Pentecost• Death and Eternity / Funerals• Praise and Thanks• Divine Service• Communion• Special Services (baptisms / weddings)

Organ and Solo Instrument

Organ

9 790006 540716

ISMN 979-0-006-54071-6

The complete series will comprise eight volumes.

Already published:

Advent / ChristmasBA 8501 · € 17.95

Passion / EasterBA 8503 · € 17.95

from: Organ Plus One · BA 8503

New Issue Title


Organ Musicfor Communion

Edited by Martin WeyerBA 9265 · approx. € 24.95


This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period. The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

Contents

Johann Sebastian Bach: Jesu, meine Freude BWV 227 and 1105 / Adagio in D minor BWV 593 / Nun danket alle Gott (from Cantata BWV 79) / Sonatina BWV 106 / Sarabande in D minor BWV 812 / Herzlich lieb hab ich dich, o Herr BWV 1115 / Agnus Dei (from the Mass in B minor BWV 232) / Air BWV 1068 / Sicilienne in G minor BWV 1031 / Twelve selected pieces in settings by Johann Sebastian Bach / Works by Johann Adolf Hasse, Friedrich Wilhelm Marpurg (three chorale preludes), Georg Michael Telemann (two chorale preludes), Johann Christian Heinrich Rinck (Nun danket alle Gott), Joseph Gustav Merkel, Gabriel Rheinberger (Fugue in C major from the Skizzen), Heinrich von Herzogenberg, Arnold Mendelssohn, Otto Besch (Praeludium; first publication), Wilhelm Wapenhensch (Variations on Befiehl du deine Wege; first publication).

• Organ music of easy to medium technical difficulty for use at communion • Broad range of styles • Includes first publications• Original compositions and arrangements for organ, some which can be performed with solo instruments

Sub communione

Organ

9 790006 540747

ISMN 979-0-006-54074-7

Already published:

Christmas for OrganVolume 1: BA 8495 · € 25.95Volume 2: BA 9258 · € 25.95

Passiontide andEaster for Organ

BA 9210 · € 27.95

New Issue Title

_____better would be: The album contains original compositions and first pu-blications, plus arrangements of twelve pieces by Johann Sebastian Bach suitable for use at communion.


Organ Music for the Endof the Church Year

Edited by Andreas RockstrohBA 9266 · € 25.95

Already available

This collection presents pieces for the end of the church year, particularly repertoire from the 19th century which can also be played at funerals. This new publication continues the successful series of organ music for church services, concert use and special services. It has been conceived for use in all church denominations and targets professional as well as non-professional church musicians. The collection also contains an index, short biographical notes in two languages (Ger/Eng) and a detailed foreword.

Contents

End of the Church Year:Chorale preludes by Theophil Forchhammer, Paul Claußnitzer a. o., and an arrangement from the German Requiem by Johannes Brahms

Fear and Trust:Johannes Weyhmann, Klage op. 12,4; Wilhelm Teschner, Charakterstück Klage und Trost op. 51; Franciscus Nagler, two chorale preludes on So nimm denn meine Hände as well as other chorale preludes

Death and Eternal Life:Arrangement of the prelude op. 99,4 by Robert Schumann; Max Gulbins, Totenfest; Max Gulbins, festive fantasia on Wenn ich einmal soll scheiden; Uso Seifert, Trauerzug op. 42; Paul Blumenthal, festive prelude on Jesus, meine Zuversicht; Johannes Weyhmann, Memento mori op. 12,8 and other preludes, figurations, organ pieces on appropriate well-known chorales; chorale preludes on O Welt, ich muss dich lassen by Ernst Schnorr von Carolsfeld, Paul Claußnitzer, Philipp Wolfrum a. o.

“A superb collection including many rare classical works.” [BA 8200] (Pipeline – America Guild of Organists)

Church Year

Already published:

Praise and Thanks for OrganBA 8496 · € 25.95

The Organ Funeral AlbumBA 9207 · € 26.95

The Organ Wedding AlbumBA 8200 · € 22.50

Organ

9 790006 540754

ISMN 979-0-006-54075-4

New Issue Title


Wilhelm MiddelschulteComplete Organ Works,

Volume VOriginal Compositions 5

BÄRENREITER URTEXTEdited by Hans-Dieter Meyer and

Jürgen SonnentheilBA 9205 · approx. € 31.95


Wilhelm Middelschulte (1863–1943) studied church music in Berlin. From 1891 onwards he was director of the organ department at the American Conservatory in Chicago and Wisconsin Conservatory in Milwaukee. As a virtuoso organist he had a formative influence in the USA. No lesser authority than Ferruccio Busoni described Middelschulte as the “master of counterpoint” and the greatest contrapuntalist since Johann Sebastian Bach.

This fifth volume of the Urtext edition marks the completion of the publication of Middelschulte’s original organ compositions.

• First Urtext edition of Middelschulte’s Complete Organ Works• Each volume contains a detailed foreword (Ger/Eng) and critical commentary (Ger/Eng)

Contents

Canonic Variations on the Chorale “Jesus, meine Zuversicht”Chorale and Passacaglia St. JohnLamentation

Now complete: Original compositionsby Middelschulte in Urtext editions

Already published:

Wilhelm MiddelschulteComplete Organ Works

Volume I: BA 8491 · € 31.95Volume II: BA 8492 · € 31.95

Volume III: BA 8493 · € 31.95Volume IV: BA 9204 · € 31.95

Organ

9 790006 523795

ISMN 979-0-006-52379-5

New Issue Title


Gerard BunkComplete Organ Works, Volume IVWorks op. 43–57

BÄRENREITER URTEXTEdited by Jan Boeckerwith Wolfgang StockmeierBA 9284 · approx. € 38.95


Gerard Bunk (1888–1958) was one of the greatest organists of the first half of the 20th century who, besides Reger, was able to develop his own characteristic style. His organ compositions divide into free individual works, character pieces, chorale preludes and six large-scale concert works.

Volume IV contains organ works composed between 1912 and 1915, comparable in quality with works by Max Reger and Sigfrid Karg-Elert. Harmonically bold and full of individual style, they are one of the last milestones in the late Romantic style before the advent of the Organ Reform Movement.

This Urtext edition, prepared by the composer’s grandson, is the result of extensive, meticulous research into the sources and reflects the latest musicological findings. Each volume contains a detailed foreword, numerous facsimiles and illustrations and a critical commentary.

The complete edition will comprise a total of six volumes.

Contents

Festliche Stunde (Marche festivale) op. 43Pièce héroïque op. 49Eight Character Pieces op. 54 No. 1: Melodie No. 2: Scherzando No. 3: Impromptu No. 4: Improvisation No. 5: Pastorale No. 6: Aeolsharfe No. 7: Canzone No. 8: AllelujahFantasie op. 57

• First complete Urtext edition• Each volume contains a detailed foreword and critical commentary (Ger/Eng)• Numerous facsimiles and illustrations

“This publication is a useful addition to the voluntary repertoire and something new for your recital programmes.” (BA 9281; Organists Review)

“The Bärenreiter edition is beautifully laid out with a wealth of biographical information on the composer, historical context ...” (BA 9283; Cross Accent)

Bunk's late Romantic works

Already published:

Gerard BunkComplete Organ WorksVolume I: BA 9281 € 38.95Volume II: BA 9282 € 38.95Volume III: BA 9283 € 38.95

In preparation:Volume V: BA 9285

Organ

9 790006 537181

ISMN 979-0-006-53718-1

New Issue Title


Facsimile

In response to a continued interest in a scholarly facsimile of the Mass in B minor, a new cloth-bound facsimile edition (BVK 2194) has now been published. This replaces the original BÄRENREITER FACSIMILE edition (BVK 1911).

Johann Sebastian Bach completed the Mass in B minor in 1748/49 shortly after the Art of Fugue and shortly before his death. This late work is as concentrated and rich in compositional technique as scarcely any other work. As early as 1818, Hans-Georg Nägeli enthusiastically described the Mass as the “greatest musical artwork of all time and all nations”. Since then it has been ranked as an icon of music history.

One of the primary functions of a facsimile is the preservation of such a cultural heritage, particularly when the manuscript (as is the case with the Mass in B minor) is endangered and damaged by iron gall ink erosion. Furthermore, it is moving for Bach admirers to see how in some passages Bach’s handwriting reflects the effort which this last work demanded of him.

The facsimile documents and records the present condition of the complete autograph score. Older reproductions have substituted a few individual folios where the content has become difficult to read in recent years. The renowned Bach scholar Christoph Wolff describes the work’s significance in his introduction, gives an overview of the history of composition and draws attention to particular distinguishing features of the manuscript.

Facsimile – now in a more affordable cloth-bound edition

“Everywhere, one is moved by the closeness to the manuscript which the facsimile conveys – one of the most sumptuous ever published.”

(DIE ZEIT Literatur)

“This facsimile is a model for the presentation of musical sources, both in

appearance and in documentation.” (Notes)

Johann Sebastian BachMass in B minor BWV 232

Facsimile of the autograph score in the Staatsbibliothek zu Berlin.

Edited by Christoph WolffFormat 24 x 35.5 cm

276 pages (218 pages of facsimile and 36 pages introduction) (Eng/Ger/Jap)

Linen-boundISBN 978-3-7618-2194-7 · € 298.00

Already published


Jean Baptiste Accolay

Concerto No. 1 in A minBA 8976 · € 8.50

Vittorio Monti

Czardas BA 8975 · € 7.00

Oskar Rieding

Concerto in B min op. 35BA 8971 · € 8.00

Concertino in Hungarian Style op. 21BA 8973 · € 8.00

Friedrich Seitz

Student Concerto No. 2 in G maj op. 13BA 8972 · € 8.50

Antonio Vivaldi

Concerto in A min op. 3 No. 6BA 8974 · € 10.00

In 2010 Bärenreiter started the publication of the most popular concertos for young violinists. This series will now be continued under the name

Bärenreiter’s Concert Pieces. It gradually introduces more demanding repertoire to bridge the gap from violin methods to standard concert literature.

Please find information on the new titles on pages 10 ff.


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Imprint

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Errors excepted; price changes and delivery terms subject to change without notice. Content valid as of July 2011.

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Printed in Germany1/1107/3,5 · SPA 042

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