8-jacob-wise-150066

8/12/2019 8-jacob-wise-150066

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JACOB WISE

TEACHING PACKET 2010

TABLE OF CONTENTS

1 SEMESTER REQUIREMENTS / SYLLABUS

2 BASIC ELEMENTS – LIST OF SCALES, ARPS, VOICINGS

3 INTERVALS

ARPEGGIOS

! SCALES

" VOICINGS

# CHOR$ MELO$Y E%ERCISES

& LEARNING A TUNE / REPERTOIRE LIST

' IMPROV MATERIAL / PATTERNS

10 WARMUPS / TECHNIQUE

11 CLASSICAL PIECES

12 RAN$OM CHOR$ E%ERCISES

13 RHYTHMIC CONCEPTS

1 SINGLE STRING REA$ING E%ERCISES

1! SAMPLE PRACTICE ROUTINE

1" BIBLIOGRAPHY( METHO$S AN$ RECOR$INGS

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SEMESTER REQUIREMENTS / SYLLABUS

SEMESTER 1

SINGLE STRING REA$ING E%ERCISES

REA$ING/ETU$ES

8 JAZZ ETUDES (2/MONTH)

8 CLASSICAL ETUDES (2/MONTH)

8 BIG BAND CHARTS (2/MONTH)

RHYTHMIC ETUDES

INTERVALS

ALL BASIC AND COMPOUND INTERVALS

ARPEGGIOS

TRIADS – MAJOR, MINOR, DIMINISHED, AUGMENTED

7TH CHORDS – MAJOR 7, DOM.7, MIN. (MAJ 7), MIN. 7, MIN 7!, DIM. 7

SCALES

MAJOR, MI"OLYDIAN, HARMONIC MINOR, MELODIC MINOR, DORIAN, ALTERED, BLUES

VOICINGS

# NOTE TRIAD VOICINGS

$ NOTE ROOT POSITION VOICINGS

SHELL VOICINGS (GUIDE TONES) – NO E"TENSIONS

DROP 2 INVERSIONS – ONE STRING SET

BASIC $TH VOICINGS ($%$)

PATTERNS

BASIC PATTERNS &OR MAJOR, DOM. 7, AND MINOR, AND II'V'I

PLUS COMPOSING ORIGINAL PATTERNS

TUNES

! TUNES MEMORIZED / TRANSPOSED TO # OTHER EYS, ITH RITTEN OUT SOLO

TRANSCRIPTION ONE SOLO – PLAY ALONG ITH RECORDING AND RITE OUT

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SEMESTER 2

REA$ING/ETU$ES

8 JAZZ ETUDES (2/MONTH)

8 CLASSICAL ETUDES (2/MONTH)

8 BIG BAND CHARTS (2/MONTH)

RHYTHMIC ETUDES

ARPEGGIOS

REMAINING SEVENTH CHORDS – MAJ.*, MIN.*, MAJ 7!, MAJ7 +!, DOM7 !, DOM7+!

TH, --, 01 -#TH CHORD ARPEGGIOS

SCALES

LYDIAN, LYDIAN AUGMENTED, LYDIAN DOMINANT, HOLE TONE, H.. DIMINISHED,

LOCRIAN AND .H. DIMINISHED SCALES

VOICINGS

SHELL VOICINGS PLUS E"TENSIONS

DROP 2 INVERSIONS – OTHER STRING SET

II – V – I 3BUDDIES4

ALTERED CHORD SCALES

CONTINUE STUDY O& $TH VOICINGS – PIC A NE SET

PATTERNS

MORE PATTERNS &OR MAJOR, DOM. 7, AND MINOR, AND II'V'I

PLUS COMPOSING ORIGINAL PATTERNS

TUNES

! TUNES MEMORIZED / TRANSPOSED TO # OTHER EYS, ITH RITTEN OUT SOLO

TRANSCRIPTION ONE SOLO – PLAY ALONG ITH RECORDING AND RITE OUT

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BASIC ELEMENTS )GRAMMAR*

H565 8 0 98 :; 8<0958, 06=5>>:8, 01 ?:<1>8 0 8@518 8:@9 5 ;0A906 B ;:6 5

=@6=:858 :; A=6:?80:1, 5<1C@5, 01 5:6. S@518 8:@9 95061 08 A01 ;1>561>8 08

=:8895 (:15 :<0?5, B: :<0?5, ;@99 601>5, 01 81>95 861>), 01 5 095 : B65 :@ 8=5991>8

1 01 E5.

SCALES(

M0F:6 ;0A9G

M0F:6 - 2 # $ ! * 7

L01 - 2 # +$ ! * 7

L01 0@>A515 - 2 # +$ +! * 7

M1:6 ;0A9G

H06A:1< A1:6 - 2 # $ ! * 7

M59:< A1:6 - 2 # $ ! * 7

D:601 - 2 # $ ! * 7

N0@609 A1:6 - 2 # $ ! * 7

D:A101 ;0A9G

M:901 - 2 # $ ! * 7

L01 :A101 - 2 # +$ ! * 7

H09; B:95 A185 - 2 # # +$ ! * 7

:95 :15 - 2 # +$ +! 7

DA185 / :95 :15 - 2 # # +$ +! 7

0E0 8@=569:<601, ;@99 09565

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ARPEGGIOS(

T+,-./(

M0F:6 - # !

M1:6 - # !

D18/52 - # !

A@>51.52 - # +!

S010234 546+./(

M0F:6 ;09G

M0F:6 7 - # ! 7

D:101. 7 - # ! 7

(098: B./ +! :6 !, :6 +)

M0F:6 * - # ! *

M1:6 ;09G

M1:6 (0F 7) - # ! 7

M1:6 7 - # ! 7

M1:6 * - # ! *

D18/52 ;09

M1:6 7 ! - # ! 7

D18/52 7 - # ! *

A@>51.52 ;09

A@>51.52 0F:6 7 - # +! 7

A@>51.52 2:101. 7 - # +! 7

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N,234 546+./(

M0F:6 ;09G

M0F:6 , - # ! 7 ,

D:101. , - # ! 7 ,

- # ! 7 , (09.5652 2:101.)

- # ! 7 +, (09.5652 2:101.)

M0F:6 */, - # ! * ,

M1:6 ;09G

M1:6 (0F 7) , - # ! 7 ,

M1:6 , - # ! 7 ,

M1:6 */, - # ! * ,

A@>51.52 ;09

A@>51.52 2:101. - # +! 7 ,

- # +! 7 +,

E7010234 546+./(

M0F:6 ;09G

M0F:6 +-- - # ! 7 , +--

D:101. +-- - # ! 7 , +--

- # ! 7 , +--(09.5652 2:101.)

- # ! 7 +, +--(09.5652 2:101.)

M1:6 ;09G

M1:6 (0F 7) -- - # ! 7 , --

T4,+300234 546+./(

M0F:6 -# - # ! 7 , +-- -#

D:101. -# - # ! 7 , +-- -#

M1:6 -# - # ! 7 , -- -#

&@99 09.5652 2:101. - # ! 7 , +-- -#

- # ! 7 +, +-- -#

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VOICINGS(

R::. =:8.:1 85?51. <:68 (08< $ 1:.5 ?:<1>8)

S599 ?:<1>8 / >@5 .:15 ?:<1>8 (-#7 :6 -7# =9@8 5H.518:18)

D6:= 2 85?51. <:68 (8.61>8 -2#$, 2#$!)

D6:= # 85?51. <:68 (8.61>8 -2#!, 2#$*)

M0F:6 ;0A9G

M0F:6 7

D:A101. 7

M0F:6 *

M1:6 ;0A9G

M1:6 (A0F 7)

M1:6 7

M1:6 *

DA185 ;0A9

M1:6 7 !

DA185 7

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INTERVALS – SIMPLE AN$ COMPOUN$ SHAPES

I156?098 065 /5 @7971> 9:<8 :; 8<0958 01 06=5>>7:8, 01 01 7=:601 ;:@107:1 :; 506

607171> 01 @87< /5:6D. S71<5 /5 ;71>56:06 :; /5 >@706 78 <:=95, 78 7=:601 :

@156801 /:B 7156?098 065 <:186@<5 099 :?56 /5 ;71>56:06. A 87=95 0F:6 /76, C'E, <01

5 ;71>565 0 9508 51 7;;5651 B0D8 :1 /5 >@706. A >:: @15680171> :; /:B 7156?09 8/0=58

B:6 :1 /5 >@706 B799 @19:< /5 :65 <:=95 06=5>>7:, 8<095, 01 </:6 ;71>5671>8.

H565 065 B: 556<7858G

-) P7< 01 7156?09 (;:6 50=95, C'E). P7< :15 ;71>5671> 01 =90D 7 71 5?56D =:88795

9:<07:1 :1 /5 >@706. T/51 =7< 01:/56 ;71>5671> 01 65=50. O1<5 D:@?5 =90D5 /0

7156?09 ;:6 0 9:1> 75 (80D, :15 71@5 :6 8:) /5 8/0=5, 8:@1, 9:<07:1, 01 1:5

1058 8/:@9 5 ?56D <9506 71 D:@6 71.

2) P7< 01 7156?09 01 :?5 7 06:@1 /5 ;71>56:06, 57/56 </6:07<099D :6 /6:@>/ 0

<D<95 ($/8, !/8, 5<). S0D :1 /5 80671> 8671> :6 </01>5 8671>8, @ 05 8@65 :

55= 1071> /5 1:58 51099D.

I8 098: /59=;@9 : 871> /5 7156?098 08 D:@ =90D /5.

P60<7<5 58<5171> 7156?098 08 B599.

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ARPEGGIOS

A6=5>>7:8 065 :15 :; /5 :8 7=:601 595518 :; 871>95'1:5 7=6:?7807:1 – 71 ;0<,

=6:09D /5 :8 7=:601. U871> :19D 0 ;5 087< 06=5>>7:8 (0F:6, 71:6, 277178/52, 012

0@>5152 67028, 012 0F:6, 71:6, 012 2:7101 85?51/ </:628) 012 /576 ?06707:18, D:@ <01

:@9715 01D </:62 =6:>65887:1, 012 =90D 095652 012 5H51252 <:9:6 :158 @871> </:6209

8@87@7:18.

B5>71171> 7=6:?78568 512 : 659D 5H<9@87?59D :1 8<0958. T/78 <01 9502 : 85?5609 02

/078 /7</ 065 /062 : 650E. O15 8@</ /07 78 /06:17< >5156097J07:1, :6 901E571> 0 </:62

=6:>65887:1 7/ :15 8<095 D=5 7/:@ 0E71> 65;5651<5 : /5 06>5 :158 :; 50</ </:62. T/78

8<0906 0==6:0</ <01 098: 9502 : 01 :?56@85 :; <:185<@7?5 85<:128 (58=5<7099D ;:6 >@706788). I1

02277:1, 78 27;;7<@9 : 25?59:= 0 86:1> 85185 :; F0JJ ?:<0@906D 7; 8<0958 065 /5 :19D ::98 0

=90D56 /08 0 /78 :6 /56 278=:809. T6018<67=7:1 799 65?509 /0 F0JJ ?:<0@906D :; /5 871> 012

5:= 560 78 ;@99 :; =/60858 /7</ 065 0852 :1 06=5>>7:8 7/ 02252 1:58.

A 86:1> 8:9: <01 5 <:186@<52 :; 1:/71> @ 06=5>>7:8 012 559978/518

(</6:07< 8@66:@128, 0==:>>70@608, 5<.) /51 9506171> : 7=6:?785 :?56 </:62 =6:>65887:18,

78 5H6559D 7=:601 : 5 095 : 06>5 8=5<7;7< </:62 :158 (58=5<7099D /5 /762), 60/56 /01

/71E71> :19D :; 8<0958 012 E5D <51568. U871> 06=5>>7:8 71 D:@6 8:9:8 799 098: 716:2@<5 7256

7156?098 71: D:@6 97158.

A6=5>>7: =60<7<5 799 /59= 580978/ 0 /75606</D :; :158 ;:6 7=6:?7807:1. T/5 6::, /762,

;7;/, 012 85?51/ 065 /5 :8 7=:601, /795 /5 85<:12, ;:@6/, 012 87H/, /5 :/56 8<095

25>6558, <01 099 5 ;:@12 71 65907:1 : /5 =6706D </:62 :158. T/@8, 0 8<095 <01 5 /:@>/ :;

08 0 ;:@6 1:5 06=5>>7: 7/ /655 5H60 <:9:6 1:58. O1<5 D:@ @12568012 /78 <:1<5=, 012 806

6018<6771> 012 9506171> =/60858 ;6: /5 F0JJ 901>@0>5, D:@6 97158 799 8:@12 @</ <9:856 : /5

0<@09 901>@0>5 :; F0JJ.

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SCALES

ONE OCTAVE SCALES / TWO OCTAVE SCALES

I?5 71<9@5 087< ;71>5671>8 ;:6 :15 :<0?5 8<0958. P7<E 0 E5D 01 95061 50</ ;71>5671>

80671> ;6:A /5 6:: 1:5 :1 50</ 8671>, /51 65=50 /5 =6:<588 B7/ /5 21 ;71>5671> ;:6 /5

8<095. Y:@ 8/:@9 5 095 : <:?56 /5 ;71>56:06 @871> A01D 7;;5651 =:877:18 :; /5 :15

:<0?5 8<0958. I8 5H65A59D 7A=:601 /0 D:@ B:6E :@ /5 ;71>5671>8 ;:6 D:@6859;, 71850 :;

A5A:67J71> :J518 :; 8/0=58 01 =05618 ;6:A </:6 70>60A8. Y:@ 155 : @156801 /5

7156?0997< <:186@<7:1 :; 50</ 8<095, 08 B599 08 B/0 /:85 :158 8:@1 97E5 01 9::E 97E5 :1 /5

;71>56:06. T/5 =6:<588 :; 9506171> 8<0958 B799 5 87A=97;75 7; D:@ /71E :; /5 37> =7<@654 08

87A=9D :15 :6 B: 087< =05618 6018=:85 06:@1 /5 ;71>56:06. P60<7<71> :15 :<0?5 8<0958

8/:@9 /59= D:@ F@A= : 0 8<095 71 01D =:877:1 :1 /5 ;71>56:06, 58=5<7099D :1 /5 /7>/56

8671>8. M01D 5>71171> 01 7156A5705 >@706788 /0?5 6:@95 80671> 0 =/6085 :1 0 /7>/56

8671> 5<0@85 /5D /0?5 : /71E :; 0 906>5 8<095 =0561 B7/ /5 6:: :1 :15 :; /5 ::A

8671>8, 01 /51 B:6E /576 B0D @= : /5 /7>/56 1:58.

P60<7<5 3;0A797584 :; 8<0958G 099 /5 A0F:6 8<0958, /51 A71:6, /51 :A7101 8<0958.

I; D:@ =60<7<5 8<0958 71 /78 ;08/7:1, D:@99 ;71 /0 8<0958 71 /5 80A5 ;0A79D 8/065 A:8 :; /5

80A5 1:58 – @8@099D, :19D :15 1:5 </01>58 ;6:A 8<095 : 8<095

&:6 5H0A=95G

:6701 – A59:7< A71:6 – /06A:17< A71:6 – 10@609 A71:6

/06A:17< A71:6 – 10@609 A71:6 – :6701 ' 10@609 A71:6

A0F:6 – A7H:9D701 – 9D701 :A7101

A0F:6 – 9D701 – 9D701 0@>A515

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O1<5 D:@ ;559 650D, 6D <:115<1> 5 :15 :<0?5 =05618 1: : :<0?5 01 ;@99 601>5

=05618. &:6 0 >:: 9:: 0 :':<0?5 8<095 =05618, I >9D 65<:AA51 JAAD B6@1:8 ::

3SH E885109 &1>561>8 ;:6 5 J0 G@0684. T5 08< 50 8 0 50< 8<095 08 8H : –

:<0?5 =05618 # 5 6:: :1 5 * 861>, 01 # 8A906 =05618 5 6:: :1 5 ;;

861>. T585 065 A:8 <:AA:1 3>0651 ?065D4 8<095 ;1>561>8 ;0A906 : A:8 >@0688.

P60<<5 A=6:?81> A59:58 @81> 5 :15 :<0?5 =05618, 51 906>56 =05618. I8

5H65A59D A=:601 : 5 095 : 506 : 50< :; 5 85?51 8<095 :158 ;@1<:18, 01 <

065 5 86:1>58 :158. G5156099D, -, #, 01 ! 065 5 86:1>58 :158, :6 :158 :; 658:9@:1. 2,

$, *, 7 5<:605 5 60 01 <01 5 :@> :; 08 <:9:6 :158. P0D 051:1 : 565 D:@ 51

D:@6 A59:58.

SINGLE STRING SCALES

O1<5 D:@ 0?5 0 0195 :1 08< :15 01 : :<0?5 8<0958 1 =:8:1, 806 =60<<1> 8<0958

:1 :15 861>. T8 99 59= D:@ : ?5 5 ;1>56:06 1 0 :6:109 A01156, A@< 95 0

=018 8558 5 5D:06. 51 099 :; 5 1:58 :; 0 8<095 065 90 :@ :1 :15 861>, 8 A@<

50856 : 855 5 09; 85=/:95 85= <:186@<:1 :; 5 8<095. Y:@99 098: 5 ;:6<5 : 1

0:@ 1:5 10A58 01 8<095 5>6558 1 5 8<095, 1850 :; 8A=9D ?51> 5 8<095 1 0

3:H4 =0561. P60<<1> 8 08 99 59= D:@ : <:115< 099 5 =:8:18 :; 0 8<095, 01 99

A05 <01>1> =:8:18 :1 5 ;1>56:06 A@< 50856. I1 0:1, =90D1> :1 :15 861> 8 0

>:: 0D : 5H=9:65 5 5 ?065D :; >@068< 06<@90:18 (89@68, 518, 5<.) 0 A0D 1: 5

08 0==0651 51 D:@ 065 =90D1> 8<0958 1 =:8:1.

Y:@ 8:@9 098: =60<<5 8<0958 :1 : 861>8 – 8 8 0 >:: 0D : :6 :@ 8A@9015:@8

(06A:1<) 68, ;:@68, 01 ;;8 A:?1> :6:1099D @= 01 :1 5 ;1>56:06.

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VOICINGS

A /:6:@>/ @15680171> :; </:6 ?:7<71>8 78 /5 :8 7=:601 59551 :; =90D71> F0JJ >@706.

T/5 >@706788 =6706D 658=:187797D 08 01 518595 =90D56 78 : <:=, :6 65097J5 0 @158

/06:1D 71 </:609 ;08/7:1. A8 0 F0JJ =90D56, D:@ @8 /0?5 0 B75 ?0675D :; ?:7<71>8 0 D:@6

78=:809 71 :656 : <:= 71 01D <:15H – 8:9:, @:, 67:, 7> 01, 01 8: :1. I1 077:1, 8:9:71>

5<:58 @</ 508756 :1<5 0 @158 /06:1D 01 ?:7<71>8 065 71561097J5, 871<5 066=5>>7: 01

8<095 ;71>5671>8 065 <9:859D 65905 : </:6 8/0=58.

ROOT POSITION SEVENTH CHOR$S ) NOTE SHAPES*

R:: =:877:1 85?51/ </:68 065 /5 :8 ;@105109 ?:7<71>8. I; D:@ E1:B /585 B599 71 099 -2

E5D8, D:@99 /0?5 0 86:1> 65;5651<5 =:71 ;:6 099 /5 :/56 <05>:6758 :; ?:7<71>8. Y:@ <01 =90D 71

:8 8571>8 (@:, 67:, 5<) @871> :19D /585 ?:7<71>8 01 /576 :7;7<07:18 – @8@099D :771>

/5 088 1:5 01 071> 5H5187:18.

TRIA$S

T6708 065 /5 0<E:15 :; >@706 /06:1D – /5 87=958 8:@18 01 8/0=58 :1 /5 ;71>56:06.

1:B71> 6708 71 /576 # 71?5687:18 099 :?56 /5 >@706 B799 /59= D:@ <:186@< 06=5>>7:8 01

8<0958, 58=5<7099D 71 /5 /7>/56 =:877:18 01 :1 /7>/56 8671>8. 7/ 0 86:1> E1:B95>5 :; 6708,

D:@ 5 095 : 855 /:B 099 06=5>>7:8 01 8<0958 065 87=9D 6708 B7/ 077:109 1:58.

P60<7<5 /5 6708 :1 717?7@09 8671> 858 (-2#, 2#$, #$!, $!*), /51 <:115< /5 01 =90D 099

71?5687:18 :; :15 670 /6:@>/ /5 ;@99 601>5 :; /5 >@706.

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SHELL VOICINGS ) GUI$E TONES PLUS E%TENSIONS*

S/599 ?:<1>8, :6 >@5 :15 ?:<1>8, 065 0 C@<E 01 508 0 : =90 <:9:6;@9 ?:<1>8 /:@

<:A11> </:6 1?568:18, /</ <01 5 <@A568:A5 0 ;68. S/599 ?:<1>8 <:101 /5 6::, # 6

01 7/. I; :@ :A /5 6::, :@65 95; / /5 >@5 :158 – /5 # 6 01 7/, :6 7/ 01 #6 :; /5

</:6. T: /585, :@99 0 5H518:18 :1 := – ?06:@8 <:A10:18 :; , --, 01 -#. Y:@ <01

=90 A01 <:9:6;@9 </:68 @81> :19 : =:8:18 :; >@5 :15 ?:<1>8 – /</ 065 58851099

6:: =:8:1 </:68. T/585 ?:<1>8 065 599 8@5 ;:6 =901> 1 /5 6: 851>, /51 :@ 99

01 : 1<9@5 65; </:609 3<:A=84 1 5551 :@6 81>95 1: 9158.

$ROP 2 AN$ $ROP 3 INVERSIONS

D6:= 2 1?568:18 065 /5 A:8 <:AA:19 =905 1?568:18 1 F0JJ >@06. )/5/56 =905 :1 /5

:= $, :6 A95 $ 861>8, /5 <6505 0 ;@99, <:A=95H 8:@1 /0 8 :A0< : F0JJ >@06. T/565

=56;5< ;:6 <:A=1> 5/1 0 8:9:8 :6 ;:6 /06A:1J1> A59: 1:58 1 0 8:9: :6 6: </:6

A59: 06601>5A51. S1<5 /5 $ 1:58 065 099 :1 0F0<51 861>8, /565 6590?59 508 :

;1>56, A0E1> </:609 6018:18 50856. I8 A=:601 : /0?5 0 >:: >608= :1 </:6 1?568:18

– /5 99 /59= ?5 /5 ;1>56:06 1: A@9=95 =:8:18 01 /59= :@ @156801 /5

6590:18/= 5551 </:6 =:8:18 01 8<095 01 06=5>>: =:8:18.

D6:= # 1?568:18 065 0 6<E56 – /565 8 0 56 156?09 5551 /5 9:58 01 />/58 1:5,

01 /@8 0 861> 8E=. S:A5 ;1>561>8 <01 5 ;;<@9, 58=5<099 :1 861>8 -2#$. Y:@ A0 ;1

/5 ?:<1>8 50856 ; :@ :A /5 := 1:5 :1 <5601 ?:<1>8. T/585 ?:<1>8 065 @85;@9 1 @:

=901>, 58=5<099 /51 :@ 01 : <:115< </:68 / 0 A:?1> 088915 :1 /5 9:56 861>8.

B :A1> /5 := 1:5, :@ >5 5 # – 1:5 1?568:18 /0 065 =56;5< ;:6 3&655 G65514

895 6//A =901>.

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INVERSIONS( II8V8I MAJOR AN$ MINOR AN$ THE 9BU$$Y SYSTEM:

T/5 3@D 8D85A4 78 0 A5/: :; <:A7171> 6:='2 ?:7<71>8 71: II'V'I =6:>65887:18. S0671>

7/ 0 II </:6, D:@ 87A=9D ;71 0 V 01 I </:6 /0 065 1506D, 7/ 08 9795 A:7:1 :1 := 08

=:88795 – 57/56 0 <:AA:1 :15 :6 0 A0F:6 :6 A71:6 85<:1. T/78 799 518@65 /0 D:@6 II'V'I

?:7<71>8 @85 >:: ?:7<5 95071> 01 8:@1 8A::/, 01 /0 D:@ :1 F@A= 06:@1 /5

;71>56:06. BD 580978/71> 39:<E54 II'V'I =:877:18, D:@99 >071 0 86:1> 85185 :; ;71>56:06

/06A:1D, A0E71> 7 A@</ 508756 : A0E5 906>56 950=8 7/ ?:7<71>8 9056 :1.

FOURTH – TYPE VOICINGS

3&:@6/D4 ?:7<71>8 065 5H65A59D /59=;@9 /51 =90D71> A:09 @158. B5<0@85 /5D <:1071 # :6 $

1:58, /5D65 508D : A:?5 06:@1, /59=71> <6505 A:65 0<7?5, A59:7< <:A=71>. I?5 =658515

/585 ?:7<71>8 71 65907:1 : /5 :6701 A:5, @ D:@ <01 0==9D /5A :?56 01D 70:17< 088 1:5.

Y:@ <01 098: @85 /5A 08 8@87@58 ;:6 ?:7<71>8 /51 =90D71> 80106 @158 01 9@58.

3 – NOTE VOICINGS

T/585 065 ?:7<71>8 /7</ <01 5 8551 08 65@<7:18 :; $'1:5 </:6 8<0958. T/5 # 1:5 ?:7<71>8

065 5H65A59D 508D : A:?5 06:@1, 01 <:1071 </:6 :158 08 599 08 09565 :158. S:A5

<:1071 7156?098 :; 0 A0F:6 :6 A71:6 85<:1, /7</ 51 : /0?5 0 3;658/564 :6 A:65

<:15A=:606D 8:@1. Y:@ <01 098: 06=5>>705 /6:@>/ /585 : >7?5 D:@6 871>95'1:5 97158 8:A5

756 7156?098, /7</ 799 /59= D:@ 650E 00D ;6:A 0 <:A=9559D 8<0906 :6 85=785 8:@1.

8/12/2019 8-jacob-wise-150066


CHOR$ INVERSION PRACTICE ).+6; 2 -. .+6; 3*

-) P<E 0 85 :; 861>8 01 0 </:6 =5. &:6 50A=95G D6:= – 2 ?:<1>8 :1 861>8 -2#$.

2) P60<<5 50</ 1?568:1 01 0E5 /6:@>/ 5?56 </:6 C@09 1 /0 1?568:1. H565 8/5 8@>>585 85C@51<5G

M0F 7 – :A 7 – A0F * – :A 7' A0F 7

M1 (A0F7) – A1 7 – A1 *' A1 7 – A1 (A0F7)

M17 ! – A 7 – A17 !

T6 09561> :A1018 9E5 /8GD:A 7 – :A 7 ! – :A 7 – :A7 +! – :A 7

U81> /8 85C@51<5, :19 :15 1:5 </01>58 08 :@ 8B</ ;6:A </:6 : </:6. T/8 A0E58 A@</ 50856 : 51; /5 <:A=:151 </:6 :158 :; 50</ ?:<1> 1850 :; 61> : A5A:6J50 <:1;@81> 85658 :; 3>6=84.

H565 8 01:/56 85C@51<5G

M0F 7 – A1 (A0F7) – A0F 7D:A 7 – A1 7 – A17 ! – A1 7 – :A 7M0F* – A1 * – A 7 – A1 * – A0F*

#) O1<5 :@ 065 <:A;:6095 B/ 50</ 1?568:1 85=06059, 6 <:A11> 099 $ 1?568:18

:; :15 </:6 =5 0<6:88 /5 ;1>56:06. S06 B/ /5 9:B58 1?568:1 :1 /0 861> 8501 =6:<55 @= /5 ;1>56:06 : /5 />/58 =90095 1?568:1, /51 58<51. U85 /5:= 1:5 :; 50</ </:6 08 :@6 ?8@09 01 0@609 65;5651<5. T6 : A51099 80 /5 1:510A5 01 </:6 :15 1@A56 :; 50</ ?:<1>.

P60<<5 :15 </:6 =5 1 8 1?568:18 1 099 -2 E58, @81> /5 <<95 :; $/8, :6 /09;

85= :6 B/:95 85= A:?5A51. Y:@ <:@9 098: 6 08<511> 1 :15 E5, /51 58<511>1 /5 15 E5.

$) P60<<5 1?568:18 1 :15 =:8:1 – </01>5 </:6 6::8 @ :1I 95 :@6 /01 A:?5 ::;06 :@ :; =:8:1. Y:@ 8/:@9 5 095 : =90 099 B59?5 </:68 1 1?568:18 B/1 8 :685?51 ;658

R5A5A56 : >: 89:B9 – /565 065 0 9: :; </:6 =58, 8: A>/ 1: 5 =60<<09 : =60<<5/5A 099 1 :15 0. T6 <:1<51601> :1 :15 ;0A9 :; </:68 (A0F:6, A1:6, :6 A18/5):6 5?51 :15 </:6 C@09.

!) O1<5 :@ ;559 9E5 :@ /0?5 0 >:: /0195 :1 1?568:18 :; ?06:@8 </:6 =58, 6=60<<1> :15 :; /5 601:A </:6 B:6E8/55. S55 ; :@ <01 ?:<5 950 8A::/9 @= 01

:B1 /5 ;1>56:06 @81> 1?568:18. O6, 6 E55=1> /5 ?:<1>8 08 <9:85 08 =:8895:>5/56, E55=1> 0 <:AA:1 :15 :1 :=, :6 A:?1> 1: A:65 /01 0 A0F:6 85<:1 @= :6:B1.

8/12/2019 8-jacob-wise-150066


CHOR$ MELO$Y E%ERCISES

C/:62 59:2D (:6 59:2D – </:62) =90D1> 8 01 =:601 59551 :; F0JJ >@06, 012 0 >650 B0D

: 5H=012 012 <:115< ;1>56:062 1:B952>5.

T/5 08< 250 8 8=95. A1D </:62 D=5 8@==:68 8H :6 85?51 59:2D 1:58. I; D:@ 855 0 </:62

8D:9 012 0 59:2D 1:5, D:@ 8/:@92 52059D /1 :; /0 1:58 </:62 25>655 012

088:<052 8/0=5. &:6 5H0=95 – ; /5 </:62 8D:9 8 C0F7, 012 /5 59:2D 1:5 8 E :1 /5

;;/ ;65 :; /5 85<:12 861>, 85?5609 ?:<1>8 8/:@92 52059D <:5 : 12. O1<5 D:@ <01

2: /8 B/ 01D </:62 D=5 B/ 0 3C4 6::, 6D 1 2;;5651 5D8. E?51@099D, D:@ 8/:@92 5 095

: 9:: 0 0 59:2D 1 0 ;05:: 012 51099D 088>1 50</ 1:5 0 8<095 25>655 012 </:62

8/0=5.

T/585 5H56<858 B99 >?5 D:@ =60<<5 /06:1J1> </:62 :158 :1 /5 :8 <::1 D=58, /51

<:11> /5 1: II'V'I =05618.

8/12/2019 8-jacob-wise-150066


LEARNING A TUNE

LEARNING A TUNE – THE BASICS

-) &1 0 65<:61> (:6 85?5609 65<:61>8) :; 5 @15. L851 : 5 0 9:K

2) T6D : ;>@65 :@ 5 088 1:58, <:6 @0958, 01 5 59:D D 506, ; =:8895.

I; 08 :: ;;<@9, <:18@9 0 ;05:: – @ 05 D:@6 :1 <06 01 6:011@5609 0109D88. T6D 1: : >5 1 5 0 :; 65;5661> : ;05::8 ;:6 @158 D:@8@==:859D 31:4. 51 950611> 0 @15, 6D : : 08 @< :6 08 =:8895 :@9::1> 0 5 =615 =0>5. B51> 0 >:: 65056, 01 0 >:: =6:?856 : 1:8@158 01 0==9<0:18 :; ;1>56:06 06:1D 01 F0JJ ?:<0@906D 065 : ;;56511>8K

ESSENTIALS( )MEMORI<E*

M59:D – @8@099D @= 01 :<0?5, :1 861>8 -2#

H06:1< 0109D88 (65 :@) ' <:6 ;@1<:18 01 5D <51568

R:: =:8:1 ?:<1>8 – $ 1:5 08< ?:<1>8 01 8599 ?:<1>8

E518:18 – >@5 :15 ?:<1>8 (8599 ?:<1>8) 5518:18

B088915 – :: 2 :6 # 861>8, 2 ;559 01 $/$ ;559

3&655 G65514 6D 8D95 – @0656 1:58 01 86@1>

S<0958 – 0F:6 01 1:6 (5D <51568)

A6=5>>:8 – -#!7 =56@0:18 – 1 =:8:1 – 5 095 : 06>5 5 #6 :; 5?56D <:6

S:9: 06601>551 (8=95) – 59:D :1 := 861> <:6 ;998 :6 0 ;5 06:1J5 59:D1:58

I16: / 511> (0>, <:0, @8<09/?8@09 <@58)

C:@1:;; – 5 095 : <:@1 :;; 5 @15 0 ?06:@8 5=:8

C:=:85 :6 :6 :@ 0 8:9: – 0 =65=90115 85@51<5 :; 9<8 / ?:<0@906D 0 :68 – D:@63>05 =9014 ;:6 5 8:9:

T6018=:85 <01>58 : 85?5609 65905 5D8 (@= : $ ;908 :6 806=8)

8/12/2019 8-jacob-wise-150066


LEARNING A TUNE – MORE I$EAS – PLAY OUT OF TEMPO AN$ IN TEMPO=

P:877:1 =9071> (* ;658) – =7<E 0 9508 # – 9:, A795 01 7>

P:877:18 – 099 ?:7<71>8, 06=5>>7:8 01 <:6 8<0958 71 50< =:877:1

B08897158 088 65>7856 8:9:71> (<:1<51605 :1 ::A # 8671>8)

B08897158 – (6:: 01 !) :1 5 := 8671>8 (97E5 01 71?565 0889715)

M59:' ;71 85?5609 ;71>5671>8 80671> :1 7;;5651 8671>8 :6 71 7;;5651 :<0?58

M59: – 380H:=:154 895 – 1: <:68, 099 871>95 1:58 01 06=5>>705 <:6 ;7998

C:6'A59: – 0E5 50< A59: 1:5 01 ;71 85?5609 ?:7<71>8 ;:6 0 1:5 (1: 5A=:)

T67: 895 <:6 A59:' A:89 # :6 $ 1:5 ?:7<71>8, 7 5A=0878 :1 5 A59: – F@8 =90 5A59: 5H=65887?59 :1 5 7> 8671>8 01 ;71 0 <:6 5?56 A508@65 :6 :.

D6:= 2 ?:7<71>8 – A795 $ :6 := $' 71 =:877:1, :6 51765 ;71>56:06 7 ?:7<5 95071>

D6:= 2 ?:7<71>8 A71@8 5 21 1:5 ;6:A ::A – 8671>8 -2$, 2#!

L: <:68 – ::A $ 8671>8 (6:= 2 71?5687:18) :6 8671>8 #$!, $!* (85?51 <:6 71?5687:18)

V:7<71>8 7 218/865<58 – @8@099 # 1:5 ?:7<71>8 :1 -2#, 2#$

V:7<71>8 :1 8671> -#$! – 75 7156?098 01 8671> 8E7=8' ?06707:1 :; 6:= 2

V:7<71> / <:6 A59: 85@51<58 – <01>71> := 1:5 :; 50< ?:7<71> A2 :6 M2

P05618G :15 II'V'I =05618 :6 97<E 0==975 : 5 51765 @15

S:9:71> 5H<9@87?59 :1 5 := 2 :6 # 8671>8

S:9:71> 7 <:6 :158 – :19 -, 2, #, :6 $ =56 A508@65

S:9:71> 7 6A7< 97A707:18 – ?56 87A=95 - :6 2 06 =60858 (87A7906 : 0:?5)

S:9:71> 7 <:1801 09; 1:58, @0656 1:58, :6 57> 1:58 (0<<@605 <:6 :158)

S:9:71> 7 #68 :6 3:@95 8:=84 (6:E51 <:68/06=5>>7:8)

S:9:71> 7 9:8 :; 8=0<5 – 8:6 =60858 7 9:8 :; 8=0<5 71 5551, 80671> 01 5171> 71@1@8@09 =068 :; 5 A508@65

T6018=:871> – A59: 01 <01>58 (0889715, ?:7<71>8, 06=5>>7:8, 5<)– =06 :; :6 51765 @15

S:9:71> 01 <:A=71>G 5A=087J5 <:AA:1 :158 (@8@099 :1 := 8671>8)

8/12/2019 8-jacob-wise-150066


G@25 .:15 9158 (<:115<.1> #628 012 7.8) – @8@099D :1 .:= 8.61>8 – =90D B. >@25 .:15?:<1>8 (#7, 7#) :6 :<.0?58

O<.0?58 – 8:9: 9158 @81> :<.0?58 (090 58)

R@0.: A=6:? – =90D :15 <:62 0. 0 .A5 012 A=6:?85 ;:6 08 9:1> 08 D:@ B01. 5;:65 A:?1> .:

.5 15H. <:62 (0 =01: :6 E5D:062 A0D 5 59=;@9)

S:9:1> 1 @1@8@099D 8A099 =:8.:18 ($ :6 ! ;65.8' <01 D:@ ;12 .5 1:.58M)

T@6106:@128 – 8@[email protected]> 2;;5651. ;:6A@908 / <:628 0. <0251<5 =:1.8

T6.:15 8@8..@.:18 – :1 01D II'V'I (?:<1>8 012 915)

TEMPOS( )METRONOME PRACTICE*

N: .5A=: – 6@0.:

I1 .5A=: (@81> A5.6:1:A5)

I1 .5A=:, B. 1: A5.6:1:A5 ' 2;;<@9.

P90D 0 .@15 0. 5?56D .5A=: – 09902, A52@A 8B1>, @=.5A=:

P90D 0 .@15 1 ?06:@8 A5.568 – #/$, $/$, 7/$

NON8GUITAR RELATE$

P90D B.:@. 9::E1> 0. .5 >@.06, :6 B. 5D58 <9:852

S1> (:6 0..5A=. .: 81>) 1 @18:1 B. D:@6 8:9: 9158

P01: – =90D A59:2D 012 <01>58

S1> .5 A59:2D 012 9D6<8

C:A=:85 012 B6.5 :@. 0 8:9: :1 .5 .@15

C:A=:85 0 <:1.60;0<. (15B A59:2D :1 .5 <01>58)

8/12/2019 8-jacob-wise-150066


JAZZ REPERTOIRE – GRADED TUNE LIST

LEVEL 1 / YEAR 1

CONCEPTS

H06:17< >515609707:1 – :17< 0F:6 01 71:6 B087< F0 ;:68 – 0F:6 01 71:6 9@58, #2 06 AABA ;:6

TUNES A?09:1B0>8 G6::?5B9@5 B:880 (:17< 71:6 01 0F:6 58)B6:00 (:17< 0F:6 01 :17< IV 8:@18, AABA)3C4 J0 B9@58&6575 &6559:056 (087< 9@58 7 2$ 06 ;:6)L795 S@1;9:56 (:6701 01 0F:6/L701 8:@18, AAB ;:6)

H:158@<95 R:85L0 B5 G::M6. P.C. (71:6 9@58)P567:S: 0 (:6701 :5, AABA)S:1> &:6 M &056 (AAB ;:6)S:11::1 &:6 T:S@5675 (:17< 71:6 01 65907?5 0F:6)T05 T5 3A4 T6071 (:17< 0F:6 01 :17< IV 8:@18, 85<:106 :71018,

AABA)T51:6 M01588

T565 I8 N: G65056 L:?5 (:17< 0F:6 01 65907?5 71:6, AABA)

8/12/2019 8-jacob-wise-150066


LEVEL 2 / YEAR 2

CONCEPTSO@97171> II'V'I

B087< :2@907:18 =0609959 II'V'I (/:95 85= :2@907:1)S:5/0 :65 02?01<52 ;:68 ABAB, ABAC, AAB, 5<.

TUNES A &:>> D0 A@ P67?0?5 (9@58 7/ := /502) A@@1 L50?58 (0F:6 012 65907?5 71:6 – :@97171> 71:6 II'V'I, AABC)B5 B5 B90<762 (9:8 :; :17< 0F:6 7/ ABCD ;:6)D5069 B59:?52 (ABAC ;:6, 2:6701 8:@128 : 0F:6 012 85<:1206 2:7101)D:1 G5 A6:@12 M@</ A1:65H: H7>/ T/5 M::1 (=0609959 0F:6 58)

H0?5 Y:@ M5 M788 J:158 (672>5 @858 0F:6 58 71 0F:6 #

62

8)I1 A S5175109 M::2 (71:6 09902 7/ :2@907:1 0 672>5)L02 B762 (II'V'I 71 85?5609 58, @1@8@09 @6106:@12)L:1> A>: A12 &06 A0 (: 0F:6 58)L@990 :; B7629012 (:17< 71:6 : 65907?5 0F:6)M78 (087< 09902 ;:6 7/ II'V8 :1 672>5)M::197>/ I1 V56:1 (09902 7/ VII </:62 012 II'V'I8 71 65:5 58)O@ :; N:/565 (ABAC)R// C/01>58S071 D:99 (AABA 7/ 897>/9 @1@8@09 270:17< </01>58)S<60==95 &6: T/5 A==95 (0F:6 :1097, 7/ 36//4 672>5)

S:;9, A8 I1 A M:6171> S@16785 (:17< 71:6 : 65907?5 0F:6)S:906 (=0609959 0F:6 58)S@>06 (71:6 9@58 @15 7/ 02277:109 </01>58)S@11 S725 :; T/5 S655S55 G5:6>70 B6:1 (551252 <<95 :; 2:7101 </:628, 0F:6 : 659. 71:6)T@15 U= (=0609959 0F:6 58)Y:@ S5==52 O@ O; A D650 (=0609959 0F:6 58, II'V'I : </:628 :; =060995971:6):6 S:1> (71:6 9@58'=5 7/ 551252 ;:6 012 02277:109 </01>58)

8/12/2019 8-jacob-wise-150066


LEVEL 3 / YEAR 3

CONCEPTSS77906 : L5?59 2 7/ >65056 5>655 :; 7;;7<@9

TUNES A765>71 (:17< 71:6 :1 I 01 IV, 01 </6:07< II'V8) A99 O; M5 (85<:106 :71018) A99 T/5 T/71>8 Y:@ A65 (9:8 :; :@907:1, II'V'I 71 01 58) A9:15 T:>5/56 (:17< 71:6 8:@18) A1/6:=:9:> (6// </01>58 7/ 67< /50)B50@7;@9 L:?5 (71:6 01 65907?5 0F:6 7/ 077:109 /06:1)B90< O6=/5@8 (:17< 71:6 01 65907?5 0F:6 7/ 71?:9?5 70:17< /06:1)B799758 B:@1<5 (9@58 7/ 67< /50)C060?01 (:17< 09565 :7101, 36//4 67>5, ;08 5=:)

C/56:55 (9:1> ;:6, =0609959 0F:6 58 71 67>5, ;08 5=:)C:5 R071 O6 C:5 S/715 (71?:9?5 70:17< /06:1 7/ :@907:1)D08 O; 715 01 R:858 (71?:9?5 70:17< /06:1)&:@6 (=0609959 0F:6 58)G769 &6: I=0150G6551 D:9=/71 S655 (=0609959 0F:6 </:68, 71?:9?5 70:17< /06:1)I R5556 Y:@I; I 565 A B599 (71?:9?5 70:17< /06:1, @15H=5<5 :@907:1)I99 R5556 A=679 (:17< 0F:6 01 71:6, II'V'I8 71 ?067:@8 58, ;08 5=:)I L:?5 Y:@ (71:6 II'V'I 658:9?71> : 0F:6, :@907:1 : @165905 0F:6 5)I S/:@9 C065

M71:67 (:17< 71:6 7/ 9:8 :; =0609959 II'V8)J:6@ (:. II'V8 : 0F:6 01 71:6, 9:1> <<95 :; :71018 :1 67>5)N7>/ A1 D0 (71:6 II'V'I 658:9?71> : 0F:6, AAB ;:6)S5=556 S:1>S=50 L:T50 &:6 T:T/565 799 N5?56 B5 A1:/56 Y:@ (>:: @85 :; 099 70:17< </:68)T67850?5/0 I8 T/78 T/71> C0995 L:?5 (71:6 II'V'I 658:9?71> : 71:6 01 0F:6)Y585608 (</071 :; 09565 :71018)Y:@ D:1 1: /0 L:?5 I8

8/12/2019 8-jacob-wise-150066


LEVEL / YEAR

CONCEPTSE655 :2@907:18 – 65:5 5 <51568

U1@8@09 <:62 @097758 – 59:27< 71:6 :258, 5<C:=97<052 / <:1?:9@52 II'V'I =6:>65887:18U1@8@09 ;:68

TUNES A99 O; Y:@B9@5 I1 G6551B:2 A12 S:@9C:1;7607:1D061 T0 D650D:110 L55

D:9=71 D01<5E.S.P.E?5671> I L:?5G701 S5=8H: I1851877?5I H506 A R0=8:2I T:@> A:@ Y:@I1156 U6>5I1 Y:@6 O1 S55 0I C:@92 H0==51 T: Y:@L0 B762

L75 S:5:15 71 L:?5M7958:158 (:92)M:518 N:7<5M &@11 V0951715M R:01<5S095058S5990 B S0697>::2 N Y:@

P9@8 @158 J:1 C:96015, T59:17:@8 M:1, 015 S:656, J:5 H512568:1,B799 E?018, 5<.

8/12/2019 8-jacob-wise-150066


PATTERNS / IMPROV MATERIAL

JA<< VOCABULARY

H0?1> 0 E1:B952>5 :; 8<0958, 06=5>>:8, 012 ?:<1>8 8 1: /5 805 /1> 08 51> 0 >::2

F0 =6:?856. T/1E :; 01 =6:?852 8:9: 08 901>@0>5, 012 8<0958 012 06=5>>:8 /5 >6006

:; /0 901>@0>5. A8 </92651, B5 95061 901>@0>5 D 0:1 012 65=5:1, 1: D 51> 269952 1

/5 6@958 :; >6006. A8 01 =6:?856, 8 =:601 : 5 095 : 8=50E 0 901>@0>5 012 098:

@12568012 8 >6006, :6 8D10. J0 8 01 0@609 901>@0>5 – 8: 8 58 9506152 D 98511>

012 0:1. S<0958 012 06=5>>:8 065 /5 @921> 9:<E8, :6 >6006, :; /8 901>@0>5.

T/565;:65, 8 =:601 : 0901<5 950611> /5 >6006 :; /5 901>@0>5 (8<095 012 06=5>>:

8@258) B/ /5 0<@09 901>@0>5 (98511> 012 6018<61>.) T6018<61> 8 =:601 – @ /0

2:581 15<<58069D 501 B61> 2:B1 /5 1:58 :; 0 8:9:. L8511> : 65<:621>8, =90D1> 09:1>,

012 85091> 9<E8 /565 012 /565 8 5C@099D =:601. T/5 01 /1> 8 : @12568012 B/0 D:@

=90D. I; D:@ 95061 0 9<E, 0E5 8@65 D:@ @12568012 /:B 659058 : /5 @12569D1> /06:1D, 012

6D : <05>:65 51099D 08 0 0F:6, 1:6, :6 2:101 9<E. T6D : 6018=:85 /5 9<E : 08

01D E5D8 08 =:8895, 012 =60<<5 =90D1> :1 /5 @158 D:@65 B:6E1> :1. S<0958 012

06=5>>:8 065 =:601 5<0@85 /5D >?5 D:@ /5 ::98 : 258<65 B/0 D:@ 065 /5061> 012

=90D1>. /:@ /8 5109 012 0@609 6011>, 8:5 F0 =/60858 0D 5 :: 2;;<@9 :6 @1@8@09

8:@121> : 65<:>15 012 95061.

ARPEGGIOS( SEVENTH CHOR$ PERMUTATIONS

P<E :15 06=5>>: =0561, 012 =60<<5 /6:@>/ 0 @158 </:62 =6:>6588:1 @81> :19D /0

85C@51<5. A;56 D:@?5 =90D52 /6:@>/ 85?5609 :; /585 =05618, D:@ 8/:@92 5 095 06>5 01D

1:5 B/1 0 </:62.

O1<5 D:@ 065 ;0906 B/ /8 <:1<5=, 6D <:115<1> 2;;5651 06=5>>: =05618 – ;:6 50=95,

B/51 </:628 :?5 D ;:@6/8, /56 #628 012 7/8 B99 5 5/56 0 /09; 85= :6 B/:95 85= 0=06.

U85 /8 <:1<5= : 518@65 8::/ ?:<5 95021> 1 D:@6 06=5>>052 9158.

-#!7-#7!-!#7-!7#-7#!-7!#

#-!7#-7!#!-7#!7-#7-!#7!-

!-#7!-7#!#-7!#7-!7-#!7#-

7-#!7-!#7#-!7#!-7!-#7!#-

8/12/2019 8-jacob-wise-150066


CONVERTING TO MINOR

$ORIAN(

M0F:6 7 + -- O :601 :1 0 1:6 # 6

C 901 O A :601

D:101 7 (8@8$) O D:601 @= 0 ! /

C H:901 O G :601

MELO$IC MINOR(

M0F:6 7 + ! O M59:< M1:6 :1 0 1:6 # 6

C 901 0@>515 O A 59:< 1:6

D:101 7 + -- O M59:< M1:6 @= 0 ! /

C 901 :101 O G 59:< M1:6

D:101 7 + ! + (&@99 A9565 C/:6) O 59:< 1:6 @= 0 1 2 1

C ;@99 09565 O D 59:< 1:6

M1 7 ! () O M59:< M1:6 @= 0 1:6 # 6

C 17 ! O E M59:< 1:6

MINOR CHOR$ SUBSTITUTES(

D:101 7 O 1:6 * :6 1:6 7 @= 0 ! /

C7 O G1* :6 G1 7

M1:6 7 !O 1:6 * @= 0 1:6 # 6

C 17 ! O E 1 *

D:101 7+-- O 1:6 (0F7) @= 0 ! /

C7+-- O G 1 (0F7) / 05 /

M1:6 7 ! () O 1:6 (0F7) @= 0 1:6 # 6

C 17 ! O E 1 (0F 7)

L:: ;:6 :/56 :09 6590:18/=8 /0 05 =6:?81> 8=956.

&:6 5H0=95 ' C =/6>01 O B :601.

D:1I ;:6>5 : 95061 099 8<0958, 5?51 @1@8@09 :158, ;6: /56 6::, 1: F@8 08

:58 :; /5 0F:6 :6 59:< 1:6 8<095.

C:1?561> : 1:6 8 /01, @ :1I 95 5<:5 0 <6@</.

8/12/2019 8-jacob-wise-150066


WARMUPS / TECHNIQUE

RECOMMEN$E$ WARMUPS / TECHNIQUE $RILLS

LE&T HAND LONG TONES (SCALES OR -2#$ AT A SLO TEMPO)

LE&T HAND &INGER COMBINATIONS

LE&T HAND SLURS (SEGOVIA OR AARON SHEARER BOO)

RIGHT HAND PICING E"ERCISES

RIGHT HAND PICING E"ERCISES

SEGOVIA SCALES 2 AND # OCTAVE &ULL RANGE MAJOR AND MINOR

(ASCENDING MELODIC MINOR, DESCENDING NATURAL MINOR) SCALES

HARMONIC MINOR SCALES

OPEN POSITION MAJOR AND MINOR SCALES (USING OPEN STRINGS)

JOHNNY SMITH ARPEGGIOS (# OCTAVE / &ULL RANGE MAJOR AND MINOR

ARPEGGIOS)

-2#! PATTERNS (JOHNNY SMITH) – MAJOR AND MINOR, &ULL RANGE

VOICING ARPEGGIO E"ERCISES (#, $, AND ! NOTES)

8/12/2019 8-jacob-wise-150066


PICKING

A956105 =<1> 8 5 ;:@10:1 :; =<1> 5<1@5, @ :581 B:6 ;:65?56D @8<09 8@0:1 – ;:6 5H0=95, 861> <6:881> B : / @1@8@09 1:5>6:@=1>8, <5601 06=5>>: =05618, 5<. 3E<:1:D4 =<1> (<:185<@?5

:B186:58 :6 @=86:58) 0D B:6 556 ;:6 8:5 =60858. S99, 0956105=<1> @8 5 08565. &:6 :8 =90D568, <:=6858 0 9508 7! :; =<1>0<?D.

&:<@8 :1 ;@1051098G 8:@1 01 5H5<@:1 :; 5 :B186:5, 01 58=5<099D5 @=86:5, B< 518 : 5 B5056. T:15 =6:@<:1 <:58 ;6: 5 6>01, 8: =0D 051:1 : 5 8:@1 @09D :; D:@6 =<1>, 58=5<099D 08 D:@ =90D;08 =0880>58 B565 D:@6 :15 0D 5<:5 B50.

T6D =60<<1> 8<0958, 06=5>>:8, =05618, 01 5@58 B :19D :B186:58 :6:19D @=86:58. C:1856 8=511> :15 :@6 :6 5?51 01 5165 =60<<5 8588:1

@81> :19D :B186:58 :6 @=86:58. Y:@ <01 =90D ;0856 01 D:@ > 1@81> 8 5<1@5. T8 8 0 >:: B0D : 65?509 B50158858 1 D:@6 =<1>5<1@5.

I8 =:601 : 5 095 : 0<<51 B 556 01 @=86:5 :6 0 :B186:5.C5601 F0JJ 9158 01 59:58 65@65 0<<518 0 <01 :19D <:5 ;6:<:185<@?5 :B186:58 :6 @=86:58.

P60<<5 9:1> :158 (-2#$ 5H56<85 :6 8<0958) B :15 D=5 :; 86:5 (@=86:5 :6:B186:5), 51 B 0956105 =<1>. &:<@8 :1 D:@6 8:@1, 55=1> :018 6590H5, 01 <::6101> : 018 5H0<9D. Q@0656 1:58 0 O*R 065 0

>:: 5=: ;:6 9:1> :158.

U9059D, 5?56D >:: =90D56 5?59:=8 0 =<1> 0==6:0< 0 B:68 ;:6 5. A956105 =<1> 8 5 ;:@10:1 ;:6 :8 =90D568, @ 8 =:601 : 5 :=51: :56 =<1> 0==6:0<58 (5<:1:D =<1>, 099 @=86:58 :6 :B186:58,D6 =<1>, 01 8: ;:6.)

8/12/2019 8-jacob-wise-150066


LH FINGER COMBINATIONS

1>,.0? @,0+ 2>,..70 @,0+ 3>+, @,0+

>;,D

-2-#-$

2-2#2$

#-#2#$

$-$2$#

-2#-2$-#2-#$-$2-$#

2-#2-$2#-2#$2$-2$#

#-2#-$#2-#2$#$-#$2

$-2$-#$2-$2#$#-$#2

-2#$-2$#-#2$-#$2-$2#-$#2

2-#$2-$#2#-$2#$-2$-#2$#-

#-2$#-$2#2-$#2$-#$-2#$2-

$-2#$-#2$2-#$2#-$#-2$-#2

T6D @871> :19D ;71>568 2#$ : 8651>/51 B50E56 ;71>568 01 7A=6:?5 ;71>56 715=5151<5.

P90D :1 5?56D ;65 :; :15 8671>, :6 :1 5?56D 8671> 0 :15 ;65, :6 099 :?56 /5 >@706.

P60<7<5 =7<E71> 5?56D 1:5 08 B599 08 ?067:@8 89@6 <:A7107:18.

8/12/2019 8-jacob-wise-150066


CLASSICAL PIECES

Y:@ 8/:@92 090D8 71<9@25 0 <90887<09 5@25 :6 =75<5 08 =06 :; D:@6 =60<7<5 6:@715.

P60<7<71> <90887<09 =75<58 6751 ;:6 :/56 7186@A518 (58=5<7099D ?7:971 012 <906715, /7</ 065

6751 71 /5 80A5 6595'<95; 601>5 08 /5 >@706) 799 /59= D:@6 =90D71> 71 A01D 0D8. BD

650271> /5 80A5 =75<5 :?56 012 :?56 0>071, D:@I99 8651>/51 D:@6 650271> 8E7998 012 E1:952>5

:; 1:58 :1 /5 ;71>56:062. Y:@I99 098: ;712 /0 D:@6 E1:952>5 :; E5D 87>10@658, 8<0958 012

06=5>>7:8 78 6571;:6<52 D 85571> /5A 8=59952 :@ :1 /5 =0>5. Y:@I99 >5 ?09@095 5</17<09

=60<7<5 /795 A07107171> A@87<09 715658. T/71E 0:@ /: :671> 7 :@92 5 : =60<7<5 A0F:6

012 A71:6 8<0958 ;:6 0 9:1> =567:2 :; 7A5. BD =60<7<71> <90887<09 5@258, D:@I65 @871> /5 80A5

8<095 012 06=5>>7: ;71>5671>8 71 0 A@87<09 ;08/7:1 /0 78 A:65 71565871> 0@6099D 012 A51099D,

7/ /5 02252 515;7 :; /0?71> 6751 2D10A7<8 : =60<7<5. M:8 8@2518 :; 099 :/56

7186@A518 (80H:=/:15, 088, =701:, 5<.) /0?5 8=51 0 9: :; 7A5 =60<7<71> <90887<09 5@258,

/7</ ;0<:68 71: /576 :?56099 5</17C@5, 97560<D, 012 A@87<7018/7=. M:8 >@706788 /0?51I,

/7</ 78 :15 6508:1 /5D 512 : 5 65A52709 71 87>/650271>, /5:6D, 012 ;71>56:062 /06A:1D.

8/12/2019 8-jacob-wise-150066


RAN$OM CHOR$ E%ERCISES )SIGHT/REA$ING/IMPROV*

T/55 065 :5 601: </:6 556<5 :@ 1 ;1 /59=;@9 B/51 6991> </:6, 06=5>>:

01 <095. H565 065 :5 @>>5:1G

CHOR$S

-) P<E :15 =5 :; </:6 (/599 ?:<1>, $'1:5 6:: =::1, 5<) 01 =90 /6:@>/ /5 /55

@1> :19 /0 ?:<1> =5.

2) U1> 6:='2 1?56:1, ?:<5'950 /6:@>/ /5 =6:>65:1, 9501> /5 := 1:5 :; 50</

</:6 @= :6 :B1 B/ 0 995 59:< ::1 (1:6 :6 0F:6 21) 0 =:95 :1 /5 :=

?:<5.

#) P<E 0 =::1 (0 * – 8 ;65 65>:1) 01 =90 099 ?:<1> :; 50</ </:6 1 /0 =::1.

ARPEGGIOS

-) A6=5>>05 /6:@>/ /5 </:6 @1> /0=5 B/ /5 6:: :1 /5 */ :6 !/ 61>.

2) P90 5<511> 06=5>>: B/ /5 6:: :1 /5 - :6 21 61> (:65 </09951>1>).

#) P90 06=5>>: 1 =::1 (*'8 ;65)

$) P90 06=5>>: :1 /5 := 61> :19 (-2#$)

SCALES

-) P<E 0 <095 ;:6 50</ </:6 =5 (M0F7 <:@9 5 0F:6, D:7 <:@9 5 :901, M17

<:@9 5 D:601, 5<.) P90 B: :<0?5 <095 B/ /5 6:: :1 /5 */ :6 !/ 61>.

2) P90 5<511> <095, 061> :1 /5 - 61> 01 5<511> : /5 */ 61>.

#) P90 099 <095 1 :15 =::1, @1> 0 ?065 :; B: :<0?5 ;1>561>.

$) P90 <095 :1 /5 := 61> :19 (-2#$), 5/56 1 =::1 :6 /;1> @= 01 :B1 /5

;1>56:06.

8/12/2019 8-jacob-wise-150066


RHYTHM

R/D/ 7 :15 :; /5 : 7=:601 59551 :; F0JJ (01D :@9 0D THE : 7=:601), @

7 09: :15 :; /5 /065 : 50</. A 0 F0JJ =90D56, D:@ @ 5 095 : ;559 099 @7?77:1 :;

/5 C@0656 1:5 0 01D 5=:. &:6 50=95, 0 C@0656 1:5 -2 (0 57@ 71> 5=:), /5

C@0656 1:5 <01 5 @7?75 71: 57>// 1:5, 57>// 1:5 67=95, 01 7551/ 1:5.

T: 551 /7 <:1<5= ;@6/56, 95I /71 0:@ /655 65905 5=:G C@0656 1:5 * (0990),

C@0656 1:5 -2 (57@ 71>), 01 C@0656 1:5 2$ (@=5=: 71>). S71<5 50</ 5=:

7 50<9D :@95 /0 :; /5 =65?7:@ :15, /565 7 0 <9506 65907:1/7= 5551 /5 @7?77:1 0

50</ 5=:. H565I 0 7=95 0D : /71 0:@ 7G

P90D71> -*/ 1:5 :1 0 0990 0 * ;559 975G

P90D71> 8/ 1:5 :1 0 57@ 71> @15 0 -2, /7</ ;559 975G

P90D71> C@0656 1:5 :1 01 @=5=: @15 0 2$.

O6G

P90D71> 57>// 1:5 :1 01 @=5=: @15 0 2$ ;559 975G

P90D71> 7551/ 1:5 :1 0 57@ 71> @15 (N:@95 75 97154) 0 -2, /7</ ;559 975

P90D71> #21 1:5 :1 0 0990 0 * (71 /7</ <05 D:@ 065 =6:09D :?56=90D71>K).

A >:: 0D : :977;D D:@6 6/D/7< 515 7 : =7< 0 @15 D:@ 1: 599, 01 =60<7<5 7 0 099

/655 5=: (*, -2, 01 2$). O?7:@9D, /565 065 01D :/56 5=:, @ /55 /655 /:@9

>5 D:@ 065. BD =7<71> 0 @15 D:@ 1: 599 (59:D, <:=71>, <095, 06=5>>7:, 01

:9:71>), D:@ <01 671> 0 >65056 ;:<@ : /5 6/D/7< 59551 :; =90D71> F0JJ – /7</ 065 /0

/5 :/56 @7<701 71 /5 01 01 0@751<5 556 =56<57?5 ;76 01 ;:65:. O1<5 D:@

;559 <:;:6095 =90D71> /5 @15 0 /5 # 07< 5=:, =90D 0 ;5 </:6@5 </01>71> 5=:

';:6 50=95G -2, -#, -$, 5<. T6D : 95061 /0 50</ 5=: ;559 975, 01 /5

@7?77:1 01 </09951>5 71/5651 : 50</ 5=:.

8/12/2019 8-jacob-wise-150066


H565 065 8:5 :65 7=8 ;:6 25?59:=71> D:@6 85185 :; F0 6D

S7> 6502 6:@> =56<@887:1 5:2 ::E8 @871> 26@87<E8 :6 871>71> – 6D : 715610975

6D8 51099D 012 71 D:@6 :2D, 1: F@8 :1 5 >@706.

P@ :1 0 =90D09:1> 65<:6271> (A5568:92, 5<), 012 8<0 871> 0 8:9: @871> 26@ 87<E8 : 0= :@

5 6D' :6 F@8 =90D 0 326@ 8:9:4 @871> 5 87<E8.

T6018<675 5 6D8 :; <:=71> =05618 :; =701: =90D568 (R52 G069012, H:60<5 S79?56,

D1:1 599D). T585 =90D568 02 0 @>5 ?0675D :; 08D, 371 5 =:<E54 <:=71>4 =05618. &712

:15'06, :'06, 012 ;:@6'06 =05618 0 ;559 >::2 : D:@ 0 27;;5651 5=:8, 012 51

=60<7<5 5 @871> ?:7<71>8 :1 0 @15 D:@ E1: 599.

T6018<675 5 81065 26@ =06 :1 0 527@/@=5=: @15 D 0 := 26@56 (3P799D4 J:5

J:158, R:D H0D158, 5<.) S71<5 5 81065 26@ @8@099D =6:?7258 6D7< <:5106D : 5

:65 807< 6725 <D09 =0561, D:@ 7> >071 7187> 71: : 26@568 7=6:?785 6D7<099D

@871> 0 871>95 =7< :6 8:@12 (@< 97E5 0 >@70678 <01 :19D =90D 6D8 D 067<@9071> :15 1:5

:6 <:62 0 0 75).

T6018<675 012 =90D 09:1> 7 0 <:6@8 :; 5 088 9715 :; 0 @15 (P0@9 C0568, R:1 C0656,

5<.) 0 ?067:@8 5=:8. B088 =90D568 512 : 5=0875 5 @0656 1:5, @ ;799 71 7 0 ?0675D

:; 8@27?787:18 795 <95069D 8071> 5 5=:. T78 8:@92 59= D:@ >5 0 85185 :; : : 805

5 5=: 795 <65071> 0 ;559 :; ;:6062 :7:1.

T6018<675 0 <:6@8 :; 9@58 D 85?5609 27;;5651 F0 @87<7018 (:1 27;;5651 7186@518) 012

=90D 09:1>. N:7<5 : 5D 067<@905 012 =6085 576 1:58 012 97158 (:1 5 50, 0502,

5712, 5<.) RD7< =90<551 012 067<@907:1 (0<<518, 89@68, >:852 1:58, ?06707:18 71

765) 065 56559D 7=:601 : <65071> 0 85185 :; 871> 012 ;:6062 :7:1.

8/12/2019 8-jacob-wise-150066


SINGLE STRING REA$ING E%ERCISES

O15 :; /5 58 B0D8 : 7A=6:?5 D:@6 650271> 8E7998 :1 >@706 78 D 650271> 1:58 :1 50</

:; /5 87H 7127?72@09 8671>8. T/78 B799 518@65 /0 D:@ E1:B B/565 099 /5 10@609 012 </6:A07<

1:58 065 :1 50</ 8671>, 58=5<7099D 71 /5 /7>/56 =:877:18. I8 7A=:601 : 5 095 : 6502 099

:?56 /5 ;71>56:062 08 8::1 08 =:88795. I1 /5 5>71171>, 7 B799 /59= : /71E :; /5 ;71>56:062

08 87H 85=0605 3>@70684 012 95061 /5 1:58 :1 50</ 7127?72@09 8671>, 871<5 /5 1:58 :1 50</

8671> 065 9072 :@ 71 /5 80A5 ;08/7:1 08 :1 0 =701: E5D:062. O1<5 /78 087< ;71>56:062

E1:B952>5 78 85<@65, 650271> 71 =:877:1, B/7</ 71?:9?58 <:A7171> 8671>8, B799 5 A@</ 508756.

8/12/2019 8-jacob-wise-150066


SAMPLE PRACTICE ROUTINE

ARMUP

LH E"ERCISES -

RH E"ERCISES -

READING

CLASSICAL ETUDE -!

RHYTHMS -!

JAZZ ETUDES -!

BIG BAND CHARTS -!

SCALE / ARPEGGIO DRILLS 2

CHORD VOICING DRILLS 2

JAZZ PATTERNS 2

LEARNING A TUNE #

TRANSCRIBE #

PLAYING TUNES (PLAY ALONGS, SOLOS, ETC) #'*

8/12/2019 8-jacob-wise-150066


BIBLIOGRAPHY( METHO$S AN$ RECOR$INGS

)B66 BOL$ -+ 447D +56.. -. 56- -7 565;*

GUITAR METHO$S

B56:1<1, G515. Approaching The Guitar . S01 D5>: N59 A. (F:, -.

B+6, JDF Six Essential Fingerings For The Jazz Guitarist F P-5@5( M7 B-D, 2002F

C0=01, C0695. Drop-2 Concept For Guitar . P0<;< M59 B0, 2.

&060, N59:1. The Brazilian Guitar Book . P509@0 S56, -!.

&:601, B6@<5. Jazz Band Rhythm Guitar . P0<;< M59 B0, -.

J:1:1, C069:1. Sing And Big Band Guitar . M90@E55 H09 L5:106, -8.

J@6, V<. !odern Chord"# Ad$anced %armony For Guitar . P0<;< M59 B0, 2$

(01, S5?5. Contemporary Chord &hancept"' )06156 B6:., -7

P+6, J-5F Chords GaloreF P-5@5( M7 B-D, 2003F

S4, J64DF Mel Bay’s Complete Johnny Smith Approach To Guitar F P-5@5( M7 B-D,

1'&0F

JA<< PATTERNS AN$ SOLOS

C6+, C--7, C-;77, G+F atterns For Jazz! M-( S.6 P/R, 1'#0F

H09560, R01. !etaphor" For The !u"ician. P509@0 S56 M@<, 2-.

(01, S5?5. (at !artino ) The *arly +ear"' M0 CPP/B591, --.

L>:1, B56. Comprehen"i$e Techni,ue For Jazz !u"ician"' M90@E55 H09 L5:106, -.

P06E56, C0695. Charlie (arker mni.ook /C edition0' J05 A556:9, -78.

REA$ING STU$IES

B6@156, T:. Sight Reading For The Contemporary Guitari"t . P0<;< M59 B0, 2#.

C:91, C0695 01 B:56, B@>. Rhythm" Complete' N5 Y:6E C0695 C:91, -7!.

G-7+-4, B-++DF Jazz Guitar Study Series "#$ The Finger%oard &or'%oo'! N A7-D(

J-D A+67., 1''0F

8/12/2019 8-jacob-wise-150066


G0960, B066D. Jazz Guitar Study Serie" 12# Daily *erci"e" in The !elodic and %armonic

!inor !ode"' N5 A901D J05D A556:92, -.

G0960, B066D. Jazz Guitar Study Serie" 13# (lay Along 4ith Bach' N5 A901D J05D

A556:92, -88

H-76, F+. Melodic Studies and Compositions (or Guitar P-5@5( M7 B-D, 2003

L50?, )990. !elodic Rhythm" For Guitar' B::1 B56E955 P65, -8*

L50?, )990. Reading Studie" For Guitar /5olume" 6 7 20' B::1 B56E955 P65, -8*

N4-E/, L Jazz Conception For Saxophone )Basic * +ntermediate * Ad,anced-

H677D66.( T+D PE75-6/, 1'"

S1256:, J. Jazz Conception. G5601D A2?01<5 M@<, -*.

RHYTHMS

R64-, J67 Teaching .hythm JR PE75-6/, 1'"#

B599:1, L:@ 012 B6515, G9. !odern Reading Tet in 383. )06156 B6:. / H516D A2956, -*#

)095D, G06::2. Fundamental Studie" For Snare Drum' N5 Y:6E, J.R. P@9<0:1, -7#

CLASSICAL GUITAR

G@901, M0@6:. 629 Studie" For Right %and De$elopment . A9;652, -8#.

C06<0, M05:. The Complete Carca""i Guitar !ethod . P0<;< M59 B0D, -7$.

C06@99, &561012:. :ine (reparatory (iece". B6D1 M06 T5:2:65 P6556 C:=01D, -**.

S50656, A06:1. Slur; -rnament; and Reach De$elopment *erci"e". &601<: C:9@: / B591'

M99 / )06156 B6:56, -*$.

S6-, A.+/ Slur Exercises And Chromatic /cta,es K 6@ P+E//-( T46.6+

P+//+, 1'!3

S6-, A.+/ 0iatonic Ma1or And Minor Scales K 6@ P+E//-( T46.6+ P+//+,

1'#0

S50656, A06:1. <earning The Cla""ic Guitar /(art" 6 And 20. P0<;< M59 B0D, -.

S:6, &561012:. Complete Sor Studie"' P0<;< M59 B0D, -$.

8/12/2019 8-jacob-wise-150066


T51101, S<:. (umping :ylon. A9;65, 22.

CLASSICAL PIECES )OTHER INSTRUMENTS*

B0</, J:/011 S508701. 4ork" For 5iolin. N5 Y:6G D:?56 P@97<07:18, I1<., Y506.

(0856, H.E. Thirty-Si2 *lementary and (rogre""i$e Studie" For the 5iolin' H09 L5:106

(65@56, R::9=/5. Forty-To Studie" r Caprice". H09 L5:106

W647@-4+3 Foundation Studies For The 2iolin )Boo's # and 3- C3D( C-+7 F/54+, 1''0

8/12/2019 8-jacob-wise-150066


GUITAR $ISCOGRAPHY

1'30/ – 1'0/

C/601, C/0695. Geniu" = The *lectric Guitar' C:9@0, -.

G6551, &655. !r' Rhythm' RCA I=:6, -!!.

L01> E5, C069 65, D< M<D:1:@>/. (ioneer" = Jazz Guitar . C/09951>5, -8.

M::65, O<06. The :at &ing Cole Trio Recording" 5ol' 6->' D590, --.

R51/06, DF01>:. D?angology . RCA, 22

0956, T'B:15. The Complete @mperial Recording"; 6>9-6>3' EMI B9@5 S565, --.

1'!0/81'"0/

B501, B99 01 J:/1 P01:. !akin @t Again (-!*'!8). S61> J0, -8.

B51:1, G5:6>5. The George Ben"on Cook.ook . C:9@0, -**.

B@66599, 511. J S/. The Sermon. B9@5 N:5, -!7.

B@66599, 511. !idnight Blue. B9@5 N:5, -*#.

B@66599, 511. A :ight at the 5anguard . C/5, -*.

&069:, T09. R5 N:6?:. !o$e. S0?:, -!.

&069:, T09. The Singing Guitar o= Tal Farlo' V56?5, -!7.

G06901 H01. Jazz 4ind" From a :e Direction. C:9@0, 2!.

H099, J. S:11 R:991. The Bridge. RCA, -*2.

H099, J B99 E?01. ndercurrent' B9@5 N:5, -*2.

1>, A956. &ing = The Blue" Guitar' A901<, -8.

1>, B.B.. <i$e At The Regal' MCA, -*!

M061:, P0. *l %om.re. P65>5, -*7.

M061:, P0. String". P65>5, -*7.

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Copyright 2010

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Single String Reading - Groups of 3

Jacob Wise

Copyright 2010

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