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Table Of Contents
About Me ...................................................................................... 3
Resume .......................................................................................... 3
Personal Branding ......................................................................... 4
On The Grid ................................................................................... 5
Quirky Q ........................................................................................ 6
Art Paul .......................................................................................... 7
Colorfully Expressive ..................................................................... 8
Rockwell Booklet ............................................................................ 9
Art To The Extreme ....................................................................... 10
The Making of Shapabet ................................................................ 11
Mario Party Superstar Tour ............................................................ 12
Qiv’Vaughn Fields [email protected] 3
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Qiv’Vaughn D. FieldsGraphic Designer
(816)835-5701 [email protected]
Associate in Applied Science (May 2020) Studied at Metropolitian Community College Penn Valley (Kansas City, MO)
Associate in General Education (July 2017) Studied at Metropolitian Community College Penn Valley (Kansas City, MO)
“I am seeking a starting position as a junior graphic designer.”
Adobe InDesign Adobe IllustratorAdobe Photoshop Adobe DreamweaverAdobe Animate Microsoft Office
Objective
Education
Design Skills
Experience
2018-Present Graphic Design Class ExperienceExperiences include working through research, sketching out ideas, participating in group shares and executing/finalzing the concept.
2017-2020VolunteerISS Facility ServicesResponsibilities include quality control, adapting to new company rules, able to clean in a timely fashion, and developing interpersonal relations with workers.
About Me & Resume
I’m Qiv’Vaughn De’Anthony Fields. I’m 23 years old and currently from Kansas City, Missouri. Graphic Design itself didn’t really slip through my mind mostly because I was under the fine artist’s mentality of creating something that I want. I never consider the designing process before mostly due to the lack of knowledge and more about what I would want even though art and design do go hand and hand. I’m learning a lot from the Graphic Design program. Not only this field change my perspective on how I see art and design as a whole, graphic design in general made me see the amount of possibilities I can create digitally. When I designing, I like to shapes and color and my goal is to solve a problem but have my design represents me as a person without making it look overwhelming.
Qiv’Vaughn Fields [email protected] 4
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3338 Benton Ave, Kansas City, MO, 64128
Graphic Design & Fine Arts
(816)835-5701
Qiv’Vaughn D. Fields
Logo
Business CardEnvelope
Letterhead
Personal Branding
My favorite color scheme is triadic and my favorite letter is Q so I wanted to create the personal branding that represents me but in a playful professional manner. I also use shapes for the logo. The name Q-Tip is actually a nickname someone gave me. The logo itself represents soft but elegant without feeling a bit foreign.
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A modular typeface is an alphabet constructed out of a limited number of shapes or modules.
The intention of creating an entire alphabet from a few shapes is a design challenge-problem-solving at its purest. For those with minimalist tendencies, the temptation is to strip away all the decoration and produce a simpler form.
Carter Art Center GalleryJanuary 20-February 24, 2019
SHAPABet “designed by Qiv’Vaughn Fields”)
An Exhibition of Modular Design
On The Grid
On The Grid’s main feature is the modular letters that consists of shapes. Because I need to have some type of grid structure. I used pipe-like lines to draw people’s attention.
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Carter Art Center GalleryMarch 5-April 10, 2020
An Exhibition of Q Design
Experience and enjoy fun, interesting, and quirky designs from the letter Q.
Quirky
Quirky Q
Q is my favorite letter so it would be the main attraction. I actually used the hand-drawn Q from the logo for this particularly so the Q I’ve made would be different than the Q’s in the background. The gallery show would include interesting and quirky designs from the letter Q, whether it’s traditional or digital.
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ART PAUL
The Man Behind The Bunny
Art Paul
For the Visiting Lecturer Series, I used Art Paul. I decided to draw an illustration of him wearing bunny ears since Paul is the man who made the bunny logo for Playboy magazine. The information of the series is with the big bunny ears at the bottom of the poster. I also included his head study artworks to tell people that he has made artworks that are not related to Playboy.
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Qiv’Vaughn D. Fields
Colorfully
Colorfully
Expressive
Expressive
Sonny was just another person who wasn’t sure what to do with his life... until he met an artist who was in need of someone filling a position for his small agency. When Sonny himself became interested in making art thanks to the people at his job, he will now understand the up and downs when it comes to being an artist.
Qiv’Vaughn D. Fields
Colorfully Expressive
For the book cover, I wanted to use one of my traditional artwork as a background for the made up book “Colorfully Expressive”. The artwork is a screen print piece so I thought it would be perfect for this since the artwork has a lot of colors and represents playfulness.
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RockwellRockwellRockwellRockwellRockwellRockwellRockwellRockwellRockwell
Light Italic
Italic
Bold Italic
Bold Consensed
Condensed
Extra Bold
Light
Regular
Bold
RockwellTypeface specimen booklet
Table Of Contents
Overview ................................... 2
Rockwell Characteristics .............. 2
Typeface Story ............................ 3
Rockwell vs. Litho Antique ............ 4
Rockwell Guides ......................... 5
Typeface Styles ........................... 6-8
Rockwell Usage ........................... 9
Rockwell Design ......................... 10
Resources .................................. 10
Rockwell is at its core, simple geometry. It is almost entirely composed of circles, straight lines and right angles. Because it is so straight and angular it is can be very mechanical, but it also
feels friendly and warm. Rockwell is a wonderful example of how some Slab Serifs have an inviting warmth even when they should feel cold and rigid. In addition to this, Rockwell can also be very playful which is an interesting characteristic that is fairly commons with geometric typefaces. So how is it possible that a typeface can feel scientific yet playful, retro yet contemporary and sharp yet warm? Welcome to the magic of Rockwell.
Overview
Rockwell Characteristics
As mentioned earlier, Rockwell is a Geometric Slab Serif. It is constructed almost entirely of straight lines, perfect circles and sharp angles. It’s tall x-height and even stroke width helps to
provide its strong presence with a somewhat blocky feel.
Slab serifs in general may remind readers of older
poster fonts and Western movie paraphernalia. Early slab serif fonts were created in the nineteenth century, usually from wood, which was notoriously hard to carve into the small details required for intricate type. Slab serif lettering rapidly became very popular in any areas in which wooden faces were commonly used. Later, smaller versions were deliberately cut in metal as an alternative to the regular serif and sans serif fonts available at the time. One of the earliest manufacturers of such type was the Inland Type Foundry, founded in 1892 by the three Schraubstadter brothers.
In January, 1910, ITF released a face known as Litho Antique™, created by William Schraubstadter. Later that decade, the font and several other similar types became
popular around greater Europe, so American Type Founders decided to reissue the font. Morris Fuller Benton added a number of new characters to the original Litho Antique face and the modified result, named Rockwell Antique™, was published by ATF in 1931. Later the same year, Benton redrew the font in a heavier style, naming it Stymie™ Bold.When Frank Hinman Pierpont, in collaboration with Monotype, decided to create and release the Rockwell typeface family in 1934, several unique characteristics, including differences in spacing, letter weight and subtle changes in glyph formation, were included.
Even so, the Stymie Bold and Rockwell designs are often confused for one another, not only because of their similarities but because of the fact that in an early Monotype document, the Rockwell font was accidentally
referred to as Stymie™ Bold. While there are subtle differences between the two faces, this mistake continues to cause confusion today.
Typeface Story
Frank Hinman Pierpont
Rockwell vs. Litho Antique
Litho AntiqueRockwell
An updated drawing of 1910’s Litho Antique, Rockwell was released in 1934 for the Monotype Foundry. It sits slightly more condensed (more slender in individual
letter width) and taller in the lowercase letters (called x-height) than its predecessor but it did inherit Litho Antique’s even stroke weight and perfectly squared serifs.
Rockwell Guides
One of the surrealist artist I'm using is Rene Magritte. One of his artwork. The Listening Room focuses on surrealism. The Listening Room features an apple in a pink room with a window to illuminate the apple's highlights and shadows. Although the apple is very centered, it serves as a symbol and makes the viewers questions his artwork. We don't know if the apple is large to fill the room or the apple is in normal size but in a miniature room? Also the name of the title
is very strange since there's nothing in the room to listen to.Maggie Taylor .The Burden Of Dreams features a man facing sideways while the back of the figure releases nature related things. The way the objects are shown on the back is very interesting since it makes me think about the possibilities on what to dream about. The color palette gives the artwork more of a classical perspective. Andy Warhol created nine self portraits. All of the them are the
same and the only difference about each self portrait is the use of different colors. The composition of his artwork is very balanced despite there are nine self portraits and odd numbers makes the artwork more interesting to work with. I really like artwork that plays with a lot of color. I find it very interesting to work with the same image while using different colors. Just like doing the same design in color theory.
ROCKWELL
It is in part due to this blocky nature Rockwell tends to me most effective when used as a headline font rather than used in body copy. While many contemporary versions
have addressed this shortcoming, the original Rockwell still does not read well when used as a body font.
Great For Headlines
Avoid using this font for large bodies of text ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
1234567890!@#$%^&*()
Light
Typeface Styles
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
1234567890!@#$%^&*()
Regular
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
1234567890!@#$%^&*()
Bold
12 pt14 pt16 pt18 pt20 pt
24pt12 pt14 pt16 pt18 pt20 pt
24pt
12 pt14 pt16 pt18 pt20 pt
24 pt
Aa
Aa
Aa
RockwellABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz1234567890!@#$%^&*()
Bold Consensed
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz1234567890!@#$%^&*()
Condensed
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
1234567890!@#$%^&*()
Extra Bold
12 pt14 pt16 pt18 pt20 pt24 pt
12 pt14 pt16 pt18 pt20 pt24 pt12 pt14 pt16pt18 pt20 pt24 pt
Typeface Styles
Aa
Aa
Aa
Typeface Styles
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
1234567890!@#$%^&*()
Light Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
1234567890!@#$%^&*()
Italic
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz
1234567890!@#$%^&*()
Bold Italic
12 pt14 pt16 pt18 pt20 pt
24 pt12 pt14 pt16 pt18 pt20 pt
24pt12 pt14 pt16 pt18 pt20 pt24 pt
Aa
Aa
Aa
Frank Hinman Pierpont
Rockwell Design
Resources
QivVaughn FieldsRockwell
http://www.meaningfultype.com/rockwell.htmlhttps://fonts.adobe.com/fonts/rockwell
Rockwell Usage
Rockwell Booklet
Out of the fonts I had to choose, Rockwell stood out to me the most. This 12 page booklet talks about the Rockwell itself, from comparing Rockwell and Litho Antique to listing the typeface styles. Also, I wanted consistency throughout the booklet, so the use of shapes were included in.
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Art To THE EXTREmeEVERYTHING Starts WITh A BRUSH
Art To THE EXTREmeEVERYTHING Starts WITh A BRUSH
5 Studio Acrylic Colors
Art To The ExtremeEVERYTHING Starts WITh A BRUSH
j ~ÇÉ=á å =r KpK
Cadmium Red Cadmium Yellow Phthalo Blue Mars Black Titamium White
NMMB=oÉÅóÅä ~Ää É
Perfect for:
BeginnersProfessionals Colorists
Art To The Extreme
This is one of the package design for the brand, Art To The Extreme. The brand focuses on the painting experience so I used the paint palette, paint tubes, and a paintbrush for the logo. The logo also uses a handwriiten font for it to be seen as artistic. Ideally, the background would be white to represent the canvas but I went with one of my digital atwork instead. The package itself is for the 5 studio acrylic colors you will get when you purchased this product.
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The Making of
Created by Qiv’Vaughn Fields
Origin of Shapabet
Shapabet originated from the words “alphabet” and “shapes”. This modular typeface consists of the use of shapes.
Each letter contains 3 stripes of some sort. Most letters have a thick to thin, or thin to thick transition.
Here’s an example on which shapes I used for the letter O.
Shapabet Characteristics
Which shapes did you use?
Letter Breakdown Example
The Making of Shapabet
I made a uppercase modular alphabet poster based from the “On The Grid” assignment but becuase the poster didn’t have a lot of information to be advertised as one, I made a flyer instead. The flyer serves as a process book as well since I’m going in depth about where did the whole alphabet ide came from, which shapes did I use, the shapabet characteristics, and providing an example on what shapes I use for a specific letter.
A modular typeface is an alphabet constructed out of a limited number of shapes or modules.
The intention of creating an entire alphabet from a few shapes is a design challenge-problem-solving at its purest. For those with minimalist tendencies, the temptation is to strip away all the decoration and produce a simpler form.
Carter Art Center GalleryJanuary 20-February 24, 2019
SHAPABet “designed by Qiv’Vaughn Fields”)
An Exhibition of Modular Design
Where did the inspiration came from? This inspiration came from a project I did for Graphic Design 1. I had to make a poster for th Carter Art Center Gallery Show, that focuses on grid structure and shapes. Since I already made some of the letters from the shapes I was given, I thought making the whole uppercase alphabet would be fun.
Favorite letter design-wise
Spend the most amount of time desgining. Also contains the most shapes
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Play by yourself on this single player mode. Collect stars, as you go around the board. If you don’t have any more
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rio line-up of amiibo figures.
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modes, characters, minigames, music, and a lot more.
Mario Party Points
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Mario Party Superstar Tour
Mario Party is one of the my favorite game franchises to date so I wanted to create a made up Nintendo game booklet to serves as an advertisement for the next Mario Party. Although there are a lot of images, I wanted to use them along with the information I created to bring the idea to life.