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August 8, 2013; pub.#2143

Vermont Shakespeare Company

!is project is supported in part by:

Media Sponsors:

Project partner:

!ank you to our food vendors!

!e Tempest, 2012

Vermont Shakespeare Companypresents

!e Winter’s TaleBy William ShakespeareDirected by John Nagle

Production Stage Manager- Christine ViegaSet Design- Tim Baumgartner

Costume Design- Becky BodurthaProperties- Zach Zito

Composer- Nicholas J. WhiteAssistant Direction/Movement Direction- Jena Necrason

Cast (in order of appearance)LEONTES, King of Sicilia . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Sean McGuinness*HERMIONE, "ueen of Sicilia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maggie McDowellPOLIXENES, King of Bohemia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Collin Smith*ARCHIDAMUS, a lord of Bohemia . . . . . . . . . . . . . . . . . . . . . . . . . . . Molly Pietz Walsh*CAMILLO, advisor to the King . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mark RobertsMAMILLIUS, young prince of Sicilia . . . . . . . . . . . . . . . . . . . Marielle Renée RousseauANTIGONUS, lord of Sicilia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kyle SmithFIRST LORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dean LinnardPAULINA, wife to Antigonus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Molly Pietz Walsh*OFFICER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mark RobertsEMILIA, lady attending on Hermione . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dean LinnardCLEOMENES, lord of Sicilia . . . . . . . . . . . . . . . . . . . . . . . . . . . Marielle Renée RousseauDION, lord of Sicilia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Collin Smith*A MARINER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marielle Renée RousseauOLD SHEPHERD, reputed father of Perdita . . . . . . . . . . . . . . . . . . . . . . . .Mark RobertsCLOWN, his son . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Collin Smith*AUTOLYCUS, a rogue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dean LinnardFLORIZEL, Prince of Bohemia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kyle SmithPERDITA, daughter to Leontes and Hermione . . . . . . . . . . . Marielle Renée RousseauDORCAS, shepherdess . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maggie McDowellMOPSA, shepherdess . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Molly Pietz Walsh*FIRST SERVANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Mark RobertsSECOND LORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Collin Smith*SECOND SERVANT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Michael Sean McGuinness*FIRST GENTLEMAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maggie McDowellSECOND GENTLEMAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kyle Smith

* Members of Actors’ Equity Association

Place: Sicilia and Bohemia

!ere will be one 10-minute intermission.

!e use of recording devices and the taking of photographs is strictly prohibited.

P#$% S%&'()*)

Polixenes, King of Bohemia, has been on a long visit to the court of his good friend Leontes, King of Sicilia, and his wife, "ueen Hermione. Groundlessly, Leontes becomes convinced that his pregnant wife has been having an a+air with Polixenes.

He then tries to persuade his most trusted advisor, Camillo, to poison Polixenes. Convinced of the queen’s innocence, Camillo warns Polixenes and they depart for Bohemia together.

Leontes is enraged, and ignoring his advisor Antigonus’ protestations, orders Hermione to be arrested for treason. Soon a,er, the queen gives birth to a baby girl. Paulina, Antigonus’ wife, takes the princess to Leontes hoping to so,en him. He refuses to accept the baby as his and orders Antigonus to leave her in the wilderness to die. Leontes tries Hermione for treason; when he denies the truth of the god Apollo’s oracular declaration of her innocence, his son Mamillius dies. He is then told that the queen has also died. !e remorseful King vows to do penance every day for the rest of his life.

Meanwhile, Antigonus leaves the baby girl on the coast of Bohemia, a,er which he is torn to pieces by a bear. An old shepherd and his son -nd the baby, bring her up as a member of their family and name her Perdita.

Sixteen years later, Perdita is being courted by Polixenes’ son, Prince Florizel, who has disguised himself as a shepherd. While the roguish peddler Autolycus tricks the shepherds out of money, Polixenes and Camillo come in disguise to the countryside to spy on Florizel. Revealing himself, the king denounces his son for courting a low-born shepherdess. Florizel and Perdita .ee to Sicilia, with the assistance of Camillo. !e shepherd and his son follow, bringing tokens that reveal Perdita’s true identity.

Florizel and Perdita arrive in Sicilia, and the lovers receive Leontes’ blessing. Polixenes and Camillo arrive shortly therea,er. !e reunited kings realize that Perdita is in fact Leontes’ daughter. !at which was lost having been found, Paulina, the lady most loyal to Hermione, reveals a statue of the dead queen and tells the assembled company to prepare themselves for a great wonder.

A Note from the Artistic Director and Executive Director

The Winter’s Tale is about jealousy, forgiveness and rebirth. It explores themes of time, the power of love and the sometimes dangerous and o,en beautiful landscape of belief. It takes place in two countries, and jumps in time 16 years. !e -rst half of the

play is essentially a tragedy, the middle is a pastoral comedy, and the end pulls it all together with a mystical awakening. Many refer to the play as a fairy tale for adults. Storytelling, and the understanding and meaning of human existence through remembrance and enactment of stories have heavily in.uenced our work on the play.

!ank you for attending our sixth season of Shakespeare in the Park. We cannot do what we love without you, our audience. We hope this is the beginning of a long relationship. Lets build a Shakespeare Festival that the people of Vermont can enjoy every summer for years to come. May our collective belief continue to bring us together to witness the magic of live theatre outdoors in the beautiful state of Vermont.

Enjoy the show!John Nagle and Jena Necrason

Vermont Shakespeare CompanySta":

Artistic Director: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jena NecrasonExecutive Director: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John NagleAssociate Producer: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tracy Liz MillerGraphic Design: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cristian FlemingCommunity Liason: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joanne NecrasonCompany Photographer: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jan NagleStage Management Intern: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alexandra GrunbergIntern Team Leader: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Zoe PerraProduction Interns: . . . . . . . . . . . . . . . . . . . . . . Laura Duane, Christine Kashian, Aliza Kenney, . . . . . . . . . Jennifer Kessler, Zoey Maleekah LaChance, Marcus Provost, Charlie Yarwood

Board of Directors:Marianne DiMascio

Nick DursoLyn Jarvis

John NagleJena Necrason

Adam Necrason

Board of Advisors:Mark Hall Amitin

Joanne Farrell

Our Mission:Vermont Shakespeare Company is dedicated to presenting wildly innovative productions of Shakespeare and to -nding an exhilarating way to connect the beauty of our natural world to the magic of live theatre.

We are committed to using the powerful spirit of theatre to a+ect positive change in the world. We achieve this by teaching workshops that encourage freedom of expression and the nurturing of the authentic creative voice, mentoring young people interested in a career in the arts, and involving the community in all aspects of our productions.

We utilize the timeless work of Shakespeare to continue the dialogue about the challenges of being human, and to explore ways to meet those challenges with strength and joy.

Our Vision:To create a thriving and nationally recognized Shakespeare Festival that serves the people of Vermont. Our goal is to perform two shows in repertory each summer running for one month.

If you enjoyed this evening’s event, please Like Us on Facebook Or Tweet about it! @vtshakespeare

Dean Linnard is overjoyed to be returning to Ver-mont Shakespeare Com-pany where he played Cali-ban in last summer’s pro-duction of !e Tempest. Recent acting credits include the world premiere of "uincy Long’s !e

Huntsmen at Portland Playhouse, an experimen-tal, site-speci-c Hamlet at the New Orleans Fringe Festival (title role), and the hit O+-Broadway show Sleep No More. Training: BFA from NYU Tisch: Stella Adler Studio of Acting; Royal Academy of Dramatic Art. DeanLinnard.com

Maggie McDowell is a Brooklyn-based theatre artist who has worked at regional theaters nation-wide, including the Texas Shakespeare Festival, !e Shakespeare !eatre of New Jersey, and most recently at Cape May

Stage where she played Mandy in Time Stands Still. She is an NYU Tisch graduate where she studied at !e Stella Adler Studio, ETW, and RADA in London. She’s thrilled to be part of this fantastic team. !is one’s for you, JHM and BMCDII.

Michael Sean McGuinness (Leontes) National Tour: Dad Barton in Goosebumps (writer/director Rupert Holmes). O+-Broadway: Algernon in !e Impor-tance of Being Earnest (!e Pearl !eatre Com-pany). Regional: Prospero

in !e Tempest (Vermont Shakespeare Compa-

ny), Keyes in Double Indemnity (Repertory !e-atre of St. Louis and Cincinnati Playhouse in the Park), Malvolio in Twel,h Night (Pig Iron !e-atre Company). Television and -lm: Frasier, Law & Order, Terry Tate O/ce Linebacker (director Rawson !urber), !e Guiding Light, As !e World Turns. Education/training: BFA Acting New York University; Stella Adler.

Molly Pietz Walsh was a resident actor with the Jean Cocteau Repertory, o+ broadway, for many years; roles included Desdemona in “Othello”, Anya in “!e Cherry Orchard” and Katrin in “Mother Cour-age”. Molly then became a

resident actor with the Pendragon !eater in the Adirondacks, some roles there included Maggie in “Cat on a Hot Tin Roof ”, Harper in “Angels in America”, Antigone in “Antigone”, and Tracy in “Philadelphia Story”. Here in Vermont, Molly has played Laura in “!e Glass Menagerie” at Vermont Stage Company and Veronica in “God of Car-nage” at the Lost Nation !eater. Love to Keith.

Mark Roberts has per-formed with many com-panies in VT including Woodchuck, Northern Stage, Lost Nation and VT Shakespeare. Past roles include Doug in Judevine, Willy Loman in Death of a Salesman,

numerous roles at LNT (Pozzo in Waiting for Godot, Polonius/Ghost in Hamlet.), Leonato in VT Shakes’ Much Ado… Mark takes great pride in being a member of this brave company; he would like to thank everyone who comes out to VSC for making it possible.

Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers, and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negoti-ates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage

managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

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Marielle Renée Rousseau ( Pe r d i t a / M a m i l l i u s /Cleomenes/Mariner) has previously appeared with Vermont Shakespeare in !e Tempest (Miranda) and Vino and !e Bard (Juliet). NYC and region-al credits include All’s

Well !at Ends Well (Helena), !e Marriage of Bette and Boo (Bette), !e Trojan Women (Helen), !e Last Days of Judas Iscariot (Satan), and !e Glass Menagerie (Laura). Born in VT, she is so happy to be bringing such a wonderful piece to the place she loves most!

Collin Smith is absolutely thrilled to be working with VSC again! Recent theater credits include: Dream-walker (Kraine !eater), Our Town (Hubbard Hall) Around the World in 80 Days (Roxy Region-al), Much Ado About

Nothing, !e Tempest (Vermont Shakespeare Co.), Skylight (Actors !eater of Louisville). Film: Lies I told My Little Sister, Terrors…, Monk-sh, !e Big Fiddle (SXSW selection). Television: As the World Turns.

Kyle Smith returns to VSC a,er playing Clau-dio and Conrade in 2010’s production of Much Ado about Nothing. Kyle’s other credits include Gabe in Next to Normal, David Wills in Taking Sides, Ethan in !e Full Monty,

the premier of !e Awakening of Angel Deluna as Freddie Deluna. Kyle earned his BFA in musical !eatre from Ohio Northern University and a Certi-cate of Completion as an Acting intern at Paci-c Conservatory of the Performing Arts.

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Tim Baumgartner (Set Designer) graduated from Villanova University in 1990. Since then he has designed 150 shows and completed an MFA in

scenic and lighting design from Carnegie Mellon. He has worked in NYC, Philadelphia, Naples, Sao Paulo and Rio de Janeiro. Tim has designed for Accidental !eatre Company, Denver Center for the Performing Arts, Robert Garner Attrac-tions, Florida Studio !eatre, and many others. Most recently, he has taught Scenic and Lighting Design at Emory & Henry, Coker College, and SUNY Oswego.

Becky Bodurtha (Costume Design) New York: Olives and Blood (Neighborhood Players) !e Strangest (HERE Culturemart), !e Wife (Access !eatre), Anon(ymous), Bulrusher (Ford-ham University); Regional: !e Producers, !or-oughly Modern Millie, (New London Barn Play-house), !e Tempest, Much Ado About Nothing (Vermont Shakespeare Company), !e Clean House (Iowa Summer Repertory !eatre). Cos-tume Assistant credits include: Sacri-ce (Rabi-ndra Sadan, Kolkata), Twist (Alliance !eatre), Happiness (Lincoln Center !eatre). Becky works as the Costume Shop Supervisor at Fordham Uni-versity. MFA, University of Iowa.

Tracy Liz Miller (Associate Producer) is an actor, director, and producer based in NYC. She most recently acted at Shaker Bridge !eatre in En-eld, NH and Chester !eatre Company in MA. Act-ing credits: Mrs. Daldry in In the Next Room or the Vibrator Play (Colorado Springs FAC); Desde-mona in Othello (NorthEast Shakespeare Ensem-ble), Julius Caesar, Julius Caesar (Tennessee Shakespeare Co.), Tekla, !e Creditors (Miscre-ant !eatre Co, NYC), Hanna Jelkes, !e Night of the Iguana (Penobscot !eatre), various roles in Almost, Maine (Chester !eatre), Sophia Haw-thorne, !e Kracken (Push Productions, NYC), Viola, Twel,h Night (Improbable Fiction, NYC), Sarah Daniels, Spinning Into Butter (Penobscot !eatre). Directing credits: Titus Andronicus with Improbable Fiction, Italian American Rec-onciliation with 33 Productions (NYC), Rich-mond Shephard One-Act Festival.

John Nagle (Director/Executive Director) Direct-ing credits include: !e Tempest, Much Ado About Nothing, Twel,h Night and !e Comedy of Errors for Vermont Shakespeare Company, !e Taming of the Shrew at Arkansas Shakespeare !eatre, Loose Knit for NYU Tisch/Stella Adler

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Studio. For !e National Shakespeare Company, John directed Romeo and Juliet and Assistant Directed Hamlet, Twel,h Night, As You Like It and Macbeth. He has also directed several origi-nal o+-o+ Broadway plays. Acting credits include Romeo and Juliet at Arkansas Rep; Measure for Measure at Connecticut Rep; !e Last Night of Ballyhoo at the Helen Hayes PAC; Loves Labors’ Lost, !e Comedy of Errors, Troilus and Cres-sida, and !e Winter’s Tale - all with !e Ala-bama Shakespeare Festival. He toured with !e National Shakespeare Company in A Midsummer Nights Dream and Julius Caesar. In 2003, John toured the country performing the voice of Scooby Doo in Scooby Doo In Stagefright! He holds an MFA from !e University of Alabama/ Alabama Shakespeare Festival. John co-founded Vermont Shakespeare Company with his wife Jena.

Jena Necrason (Artistic Director) New York per-forming credits include shows at: Lincoln Center, !e Ohio !eatre, HERE, !e Cherry Lane !e-atre and !e Connelly !eatre. Recent work: Mrs. Gibbs in the Harold Clurman Lab !eatre’s pro-duction of Our Town and a collaboration and per-formance with Margie Gillis in New York. Shake-speare credits include Hamlet, !e Merchant of Venice, Romeo and Juliet, Julius Caesar, Twel,h Night, A Midsummer Night’s Dream, Richard III, Much Ado about Nothing, !e Comedy of Errors and !e Tempest. Has worked extensively with Moonwork Inc. and Lucid Impact in NYC. Jena is the Head of Movement at !e Stella Adler Studio of Acting, where she teaches in the Con-servatory and the Undergraduate Drama Depart-ment at New York University Tisch School of the Arts. Other teaching: !e National Shakespeare

Conservatory, School for the Visual Arts. Jena received a BFA from the Performing Arts Con-servatory at SUNY Purchase. She was last seen onstage with Vermont Shakespeare last season as Ariel in !e Tempest. Jena co-founded Vermont Shakespeare Company with her husband John.

Christine Viega (Production Stage Manager) is thrilled to return for her 5th Vermont Shakespeare Company season. Christine most recently worked as a sub stage manager for the long-running Broad-way musical, Memphis. She has worked regionally at such theatres as Alabama Shakespeare Festival, Children’s !eatre Company, Kentucky Reperto-ry !eatre, Caldwell !eatre Company, and !e Studio !eatre.

Nicholas J. White is a composer, songwriter, and theatre artist currently residing in New York City, but originally hailing from Tampa Bay, Florida. He studied composition at the New England Conservatory of Music and the St. Petersburg State Conservatory in St. Petersburg, Russia. His music has been heard throughout Europe and North America and will host his Carnegie Hall Compositional debut in April of 2013. To -nd out more visit www.nicholasjwhite.com.

Zach Zito (Props) is delighted to be working with VSC again, having done props for all of their pro-ductions to date. Zach started out by wrapping friends in toilet paper and pastry .our to enact “!e Mummy” in his 8mm home movie produc-tions. Soon enough, he took his peculiarities to New York and began making props for assorted theatre and opera productions, culminating in the labors of love you will be seeing tonight.

ISLAND ARTSwelcomes and congratulatesShakespeare in the Park

for their much enjoyed production at Knight Point State Park

in North Hero, VTBREAK A LEG EVERYONE!

ISLAND ARTS 802-372-8889 www.islandarts.org

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PLEASE SUPPORT VERMONT SHAKESPERE COMPANY!We are a 501(c) 3 not-for-pro-t organization. Our burgeoning festival relies on the generous support of individuals, foundations and others in order to grow and to continue bringing Shakespeare in the Park to the community. Please consider making a 100% tax-deductible contribution to help us keep it going.

Interested in having Vermont Shakespeare Company come to your school for a workshop? We have a variety of workshops for young people that o+er the opportunity to explore the magic of theatre. Visit our website for more details.

For more info, to make a donation or to volunteer, please visit our website www.vermontshakespeare.org

or email us at info@vermontshakespeare.org

!ank you to the following donors:H#$% $1000+

Lyn Jarvis

A&'#( $500+Colleen Burns

Adam NecrasonJeremy and Deb Singer

John and Christine Viega

M)*# $250+Diane BealJoAn Bozik

Steven CookDavid Ehrich and !e Stonewall

Community FoundationGail GiovanielloHero’s WelcomeNancy HollandPaula Mandle

Jason RondeauRoger and Adrienne Rosenberg

Charles RousseauBetty Scrim

Ted Tsekerides

P+,$%& $100+William and Linda BakerGary and Dale CarrieroJan and Dave DeSarno

Emily GennariElizabeth Gill

Parrish HurleyLaura Jansen

Anita Goodrich LicataGinna Hoben and She/eld Chastain

Main Street LandingRichard Nagle and Jeannie McCabe

Sandra and Daniel O’BrienBill and Julie Ormiston

Mr. and Mrs. PayseurMason Pettit

Carolyn PraschMargaret Rakas

Kathleen SchumacherDanielle Simoneau

Paula StevensCarol TrembleMolly Walsh

William and Helen WalshJoan Weldon Podell

Mary Jane and Dolf WirsingGregory and Jensen Wolfe

P(+-#$ ). ,% $99Anne AugustRonda Barber

Joyce Borthwick-LeslieNick Clary

Yvonne and John DallamDarlene DeHart

Deborah DeLadurantayeRichard and Carol Ernst

Joseph Faulstich FamilyTarah Flanagan

George and Elaine FowlerMarian Fritz

Jeannette GoosenTroy Headrick

Rachel Inker and Cristian BrownGrace KileyPat Langille

Maurice and Camille Ma/aChris Miller

Michael and Lyn O’BrienLawrence O’Neil

Edward ParrLinda Bondy Parr

James Rader and Margaret PondJerry Richardson

Anne Rodenrys and Lori Shaw (in honor of Charley MacMartin)Donald and Mary Robinson

Eva RoseEthel Sheldon

Everett and Sylvia StebbinsHowy and Chris Tepper

Leslie WardKatelin Wilcox

John and Marianne WordenJudith Yarnall

Zach Zito

Announcing our SUMMER 2014 season!!

A Midsummer Night’s Dream

Special !anks:Joanne and Nick Necrason

Nick and Lori Durso

Adam Necrason and family

Ruth Wallman and !e Lake Champlain Regional Chamber of Commerce

Nancy Bove and the Burlington Parks and Recreation Department

Tom Oppenheim and !e Stella Adler Studio of Acting

Jan Nagle

Dr. Keith Walsh

Meredith Neary and WCAX- TV3, Fred Hill and WCVT radio, Pamela Polston and Seven Days, James Henault, Amy Lilly and Vermont Woman Magazine, Gregory Ramos, Fordham University, Mary Ann Nagle, Maggie and Bill Lawliss, Sherri Potvin, Lyn Jarvis, Marianne DiMascio, Joanne Farrell and Champlain College, Robert Peterson, Mike Smith and the sta+ at Knight Point State Park, Gene and Danielle Parker, Bill and Linda Baker, Mary and George Harwood, JoAn Bozik, William Stilianessis, Mark Hall Amitin, Vermont Arts Council, Island Arts, Vermont Magazine, Cristian Fleming, Bob and Linda Livingstone and East Shore Vineyard, Denise Boutin and My Kids Kitchen Catering, Kelly Coons and Have Your Cake Catering, !e Islander Newspaper, Mark Nash, Ronni Lopez, Suzanne Curtis, Fred Balzac, Brent Hallenbeck, Leeeza Robbins and Flynntix, !e FlynnArts Program, Colleen Burns, Ilmar Vanderar, Eric Herz-o’brien, Ian Marshall and United Stages, SEABA, and our fantastic, adventurous and hard-working cast, designers, crew and interns. And to all of the wonderful people who came onboard a,er this program went to print on July 23rd- thank you!

We are especially grateful to the following community members for housing our company:

Joanne and Nick NecrasonDean and Claire Rousseau

Marianne DiMascio and Troy Headrick

And to the amazing kids of Vermont Shakespeare Company for putting up with their parents being so busy! Jackson Nagle, Vivian Burnham, Esme Baumgartner, Emily, Molly and Zoe Viega, Marin and Briar Walsh.