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9 xl recordings case study

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Starter Create a record label. Consider: What genre of music would be on the label? How you are going to entice consumers to buy your artist’s music? Strategies. How are you going to use web 2.0?
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Page 1: 9 xl recordings case study

Starter

• Create a record label.• Consider:

• What genre of music would be on the label?

• How you are going to entice consumers to buy your artist’s music? Strategies.

• How are you going to use web 2.0?

Page 2: 9 xl recordings case study

Music Industry

Aims: to examine an independent record label case study and

research another.

Page 3: 9 xl recordings case study

Independent Record labels

• What are they?

• A record label that is exist and is funded outside of a major record label.

• They are often set up by a few people and work outside of ‘the mainstream’.

• Lots of musicians begin on independent labels before being signed to a major label.

Page 4: 9 xl recordings case study

XL Recordings- case study• http://www.xlrecordings.com/thisweek

• XL Recordings is a British independent record label which was launched by Tim Palmer, Nick Halkes and Richard Russell in 1989.

• It began as ‘rave’ label during the acid house craze of the late 80s.

• In the last 15 years it has grown into one of the most influential and diverse independent labels in the world.

Page 6: 9 xl recordings case study

XL- early days

• During the early nineties, XL Recordings releases were dance orientated ranging techno to Breakbeat hardcore and drum and bass.

• XL were responsible for signing The Prodigy who released their first singles and first album with them.

• http://www.youtube.com/watch?v=svJvT6ruolA&feature=relmfu&safe=active

Page 7: 9 xl recordings case study

XL and Adele

• Adele’s huge success is in part attributed to her work with XL Recordings.

• Read the article.

• http://www.youtube.com/watch?v=08DjMT-qR9g&ob=av2e&safe=active

Page 8: 9 xl recordings case study

Radiohead and XL• Radiohead became one of the biggest selling acts in the world in the early 90s.

• They were signed to EMI and released two albums that were number 1 in the USA (‘The Bends’ and ‘OK Computer’).

• Radiohead have always been steadfastly independent in their thinking and didn’t like being controlled by a big label like EMI.

• EMI criticised their next two much more experimental albums which didn’t sell as well. ‘Kid A’ was one of the first albums to be leaked on Napster.

• This led to Radiohead eventually leaving EMI and moving to XL in 2007, over ten years since they had been first signed to EMI. Once on XL, Radiohead felt greater freedoms to experiment both musically but also in the marketing of their material.

• The release of their first XL album ‘In Rainbows’ was made available online only. This was made more unusual by the bands request not to set a fixed price for the album. The band asked their fans to pay ‘what they felt’ to be the right price, which of course could’ve been 1 pence! 1.2 million downloads were reportedly sold on the day of release.

• http://www.youtube.com/watch?v=cfOa1a8hYP8&feature=relmfu&safe=active

Page 9: 9 xl recordings case study

XL- diverse and inventive

• In the late 90s/early noughties, Russell broadened the musical horizons of the label whilst maintaining a credo of working with artists he saw as original and inventive

• XL signed artists and released albums in this period that were deemed to be groundbreaking in a number of genres, including Dizzee Rascal’s ‘Boy in Da Corner’ and the White Stripes ‘White Blood Cells’.

• In recent years the label has signed acts as diverse as indie dance band Friendly Fires, grime artist Giggs, electro fusion artist MIA and re-signed 65 year old jazz poet Gils Scott Heron.

Page 10: 9 xl recordings case study

XL. Web 2.0 and the future

• Fans can check up on all the latest news about their favorite artists with just one mouse-click.

• Russell says that labels are increasingly worried about diminishing profits, using ageing business models to combat piracy.

• Major labels would not give their artists the creative freedom that XL has given its artists.

• There is a stress on personal attention to artists at XL that may be missing at a major label, and Richard Russell has summed up the future as such: "we (XL) will continue to be hungry for new artists and ready to put out exciting music that will challenge fans".

• They have also pioneered the use of tumblr for artists to communicate more freely with their audience.

Page 11: 9 xl recordings case study

Research• Select an independent record label.

• Consider the following:• How the label was founded.

• Which artists are signed to it.

• Is it genre specific or diverse.

• How does it market/promote its artists?

• How does it use web 2.0 and social media?

Page 12: 9 xl recordings case study

Adele and XL

• Sold most albums in a calendar year ever (so CDs can still sell)

• More money spend on an artist (i.e. probably by a major record label) the bigger the pressure to succeed – stifles creativity?

• XL only releases a small amount of music a year – “problem in this business is that too many records are put out”

• The big 3 have few albums in the top 10 – make a lot of their money from singles

• A smaller, independent label can nurture talent like Adele (would a big label be able to do this?)

Page 13: 9 xl recordings case study

Starter

• Every year Billboard announce the top 20 highest earning music artists in the US.

• How many can you name?• http://www.billboard.com/#/news/top-40-money-makers-2012-

1006415552.story?page=4


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