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A collection of work byJeffrey M. StewartSyracuse University School of Architecture
Master of Architecture, Class of [email protected]
585.613.8216
DEN[CITY]
RESUME 04
06
16
38
TRIBUTE CENTER
CULINARY INSTITUTE
DEN[CITY]
RESUME 04
06
16
38
TRIBUTE CENTER
CULINARY INSTITUTE
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE4
EDUCATION SKILLS
EXPERIENCEHONORS / AWARDS
Expected, 05/13
09/11-12/11
05/10
SYRACUSE UNIVERSITY, SCHOOL OF ARCHITECTUREMaster of ArchitectureMagna Cum LaudeInternational Study: Florence, ItalyThesis: Reconnecting the Rust Belt City
UNIVERSITY AT BUFFALO, SCHOOL OF ARCHITECTURE AND PLANNING Bachelor of Science in ArchitectureCum LaudeDeans List
INTERNDANNY FORSTER DESIGN STUDIO, NEW YORK, NEW YORKCollaborated on the schematic design for a hotel in downtown Manhattan. - Developed schemes for facade design using Rhino and 3ds Max Script.Responsible for construction administration for an apartment renovation in Chelsea.Created pricing set for a sustainable house in Indiana using AutoCAD Architecture.
DESIGN STUDIO TEACHING ASSISTANT,SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE, SYRACUSE, NEW YORKWorked directly with faculty to teach first year undergraduate design studio.Trained students to develop technical drawing and modeling skills.Conducted weekly desk crits and design reviews of student work.
INTERN,SMITH AND ASSOCIATES ARCHITECTS, ROCHESTER, NEW YORKProduced construction documents and assisted in design of major housing project.Assisted in design proposal for medical facility. - Collaborated with project manager to bring project from RFP into DD phase. - Created all AutoCAD files and presentation boards. - Conducted code research.
COMPUTER: AutoCAD ArchitectureAdobe CS6 including PremierRhinoceros including V-Ray and Grasshopper3ds Max Design including Max ScriptSketchUpRevit
MODELING: Laser cutterCNC milling3d printingCasting: hydrocal, resin, rubber
EXCELLENCE IN THESIS AWARDSelected by faculty to participate in Super Jury Competition which grant students the opportunity to present to a panel of faculty and visiting professionals to determine best thesis.
ROBERT W. CUTLER STUDY ABROAD SCHOLARSHIPAwarded to students studying abroad who maintain high academic standing.
HUB DESIGN COMPETITION - AFH CHARLESTONAwarded Honorable Mention.
SIGMA ALPHA PI NATIONAL SOCIETY OF LEADERSHIP AND SUCCESSNetworking team of self-governing student established to support academic discipline and goal setting.
PHI ETA SIGMA NATIONAL HONOR SOCIETYAwarded to first year students who earned high academic achievement.
05/12-08/12
08/12-05/13
06/11-08/11
05/13
09/11
10/10
04/09
05/07
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 5
EDUCATION SKILLS
EXPERIENCEHONORS / AWARDS
Expected, 05/13
09/11-12/11
05/10
SYRACUSE UNIVERSITY, SCHOOL OF ARCHITECTUREMaster of ArchitectureMagna Cum LaudeInternational Study: Florence, ItalyThesis: Reconnecting the Rust Belt City
UNIVERSITY AT BUFFALO, SCHOOL OF ARCHITECTURE AND PLANNING Bachelor of Science in ArchitectureCum LaudeDeans List
INTERNDANNY FORSTER DESIGN STUDIO, NEW YORK, NEW YORKCollaborated on the schematic design for a hotel in downtown Manhattan. - Developed schemes for facade design using Rhino and 3ds Max Script.Responsible for construction administration for an apartment renovation in Chelsea.Created pricing set for a sustainable house in Indiana using AutoCAD Architecture.
DESIGN STUDIO TEACHING ASSISTANT,SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE, SYRACUSE, NEW YORKWorked directly with faculty to teach first year undergraduate design studio.Trained students to develop technical drawing and modeling skills.Conducted weekly desk crits and design reviews of student work.
INTERN,SMITH AND ASSOCIATES ARCHITECTS, ROCHESTER, NEW YORKProduced construction documents and assisted in design of major housing project.Assisted in design proposal for medical facility. - Collaborated with project manager to bring project from RFP into DD phase. - Created all AutoCAD files and presentation boards. - Conducted code research.
COMPUTER: AutoCAD ArchitectureAdobe CS6 including PremierRhinoceros including V-Ray and Grasshopper3ds Max Design including Max ScriptSketchUpRevit
MODELING: Laser cutterCNC milling3d printingCasting: hydrocal, resin, rubber
EXCELLENCE IN THESIS AWARDSelected by faculty to participate in Super Jury Competition which grant students the opportunity to present to a panel of faculty and visiting professionals to determine best thesis.
ROBERT W. CUTLER STUDY ABROAD SCHOLARSHIPAwarded to students studying abroad who maintain high academic standing.
HUB DESIGN COMPETITION - AFH CHARLESTONAwarded Honorable Mention.
SIGMA ALPHA PI NATIONAL SOCIETY OF LEADERSHIP AND SUCCESSNetworking team of self-governing student established to support academic discipline and goal setting.
PHI ETA SIGMA NATIONAL HONOR SOCIETYAwarded to first year students who earned high academic achievement.
05/12-08/12
08/12-05/13
06/11-08/11
05/13
09/11
10/10
04/09
05/07
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE6
DEN[CITY]Professor: Hiroaki HataTeam: IndependentSchool: University at Buffalo Project: Mixed use housingSite: Buffalo, New York - Delaware Ave & Chippewa St. - Current occupant: Starbucks Coffee
The goal of this project is to design a scheme that includes living accommodations together with a public program. The relationship between the dwelling and the public was an important design consideration. How the design scheme influences or impacts the surrounding community is another consideration. The focus of this project is to explore a position about urban living and apply it to a multifamily mixed use building both schemati-cally and technically.
A city grid often forces the architecture built within it to conform to the grid. The proposal for this project is to design a building that both conforms and strays from the monotony of the grid. The structure of the building follows the city grid which allows the building to function techni-cally. The skin of the building strays from the grid. A site analysis determined unimpeded views which is used as a reference when shifting the skin. The result is a building envelope that enhances the experience of the space by provid-ing the best views. The building consists of a community center on the first three floors, which houses mixed use community rooms, an entertain-ment space, and a fitness center. Four floors of private residences are atop the public floors.
NIAGARA SQUARE
Dela
war
e A
ve
Chippewa StreetThe skin strays from the grid according to desirable views. This enhances
the dwelling units by orienting visual apertures to the best views of the city.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 7
DEN[CITY]Professor: Hiroaki HataTeam: IndependentSchool: University at Buffalo Project: Mixed use housingSite: Buffalo, New York - Delaware Ave & Chippewa St. - Current occupant: Starbucks Coffee
The goal of this project is to design a scheme that includes living accommodations together with a public program. The relationship between the dwelling and the public was an important design consideration. How the design scheme influences or impacts the surrounding community is another consideration. The focus of this project is to explore a position about urban living and apply it to a multifamily mixed use building both schemati-cally and technically.
A city grid often forces the architecture built within it to conform to the grid. The proposal for this project is to design a building that both conforms and strays from the monotony of the grid. The structure of the building follows the city grid which allows the building to function techni-cally. The skin of the building strays from the grid. A site analysis determined unimpeded views which is used as a reference when shifting the skin. The result is a building envelope that enhances the experience of the space by provid-ing the best views. The building consists of a community center on the first three floors, which houses mixed use community rooms, an entertain-ment space, and a fitness center. Four floors of private residences are atop the public floors.
NIAGARA SQUARE
Dela
war
e A
ve
Chippewa StreetThe skin strays from the grid according to desirable views. This enhances
the dwelling units by orienting visual apertures to the best views of the city.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE8
Parking
First Floor
Second Floor Third Floor Forth Floor Fifth Floor
South Elevation West Elevation
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 9
Parking
First Floor
Second Floor Third Floor Forth Floor Fifth Floor
South Elevation West Elevation
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE10
Horizontal EgressPrimary Vertical EgressSecondary Vertical EgressEmergency Exits
MEANS OF EGRESSNIGHTIME VIEW LOOKING AT CORNER ENTRY
Natural air ventilation
Escape stair pressurized fan ductsPlumbing wallsPlumbing delivery wallsPlant / Meter roomElevator equipment roomParking garage ventilationAir conditioning
ENVIRONMENTAL CONTROLS
UNIT CONTROLS
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 11
Horizontal EgressPrimary Vertical EgressSecondary Vertical EgressEmergency Exits
MEANS OF EGRESSNIGHTIME VIEW LOOKING AT CORNER ENTRY
Natural air ventilation
Escape stair pressurized fan ductsPlumbing wallsPlumbing delivery wallsPlant / Meter roomElevator equipment roomParking garage ventilationAir conditioning
ENVIRONMENTAL CONTROLS
UNIT CONTROLS
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE12
STRUCTURE FACADE DETAILS 1. Roof AssemblyDrainConcrete curb on rubber spacerGravel ballast drain hubVegetationGrowing mediumRoot barrier / sediment filterDrainage, aeration mediumSeparation fabricRigid insulationSingle ply roof membraneVapor barrier 2. Floor Assembly4 Site cast concrete slab3 Metal decking12 Open web joist @ 4 o.c.8 Open web joist @ 4 o.c.8 Steel beam @ 4 o.c.Rigid insulation
3. Parapet AssemblyFormed metal copingContinuous cleatWaterproof membraneRigid insulationAcid etched translucent glass
4. Balcony AssemblyStone tile1 MorterPrefinished metal flashingRoofing membrane2 Concrete topping4 Concrete slab8 Steel I beam
5. Celing Assembly12 open web joistHanger wires1- Cold rolled channels @ 4 o.c.1 Metal furring channels @ 16 o.c. Gypsum board
6. Residential Floor AssemblyHardwood strip flooring or Hydronic trench heaterPolyethylene film2x4 treated wood sleepers in mastic @ 16 o.c.2 Concrete topping4 Concrete slab3 Metal decking12 open web joist
7. Public Floor AssemblyHardwood strip floringPolyethylene film2x4 treated wood sleepers in mastic @ 16 o.c.2 Concrete topping4 Concrete slab3 Metal decking2 C-Channel @ 16 o.c.8 I-BeamRigid insulation
8. Mesh Solar ShadingStainless steel meshEclipse stainless steel attachment
8
RIGID CORE SHEAR WALLS UNIT ASSEMBLY
facade detail slice model
13
2
6
4
5
7
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 13
STRUCTURE FACADE DETAILS 1. Roof AssemblyDrainConcrete curb on rubber spacerGravel ballast drain hubVegetationGrowing mediumRoot barrier / sediment filterDrainage, aeration mediumSeparation fabricRigid insulationSingle ply roof membraneVapor barrier 2. Floor Assembly4 Site cast concrete slab3 Metal decking12 Open web joist @ 4 o.c.8 Open web joist @ 4 o.c.8 Steel beam @ 4 o.c.Rigid insulation
3. Parapet AssemblyFormed metal copingContinuous cleatWaterproof membraneRigid insulationAcid etched translucent glass
4. Balcony AssemblyStone tile1 MorterPrefinished metal flashingRoofing membrane2 Concrete topping4 Concrete slab8 Steel I beam
5. Celing Assembly12 open web joistHanger wires1- Cold rolled channels @ 4 o.c.1 Metal furring channels @ 16 o.c. Gypsum board
6. Residential Floor AssemblyHardwood strip flooring or Hydronic trench heaterPolyethylene film2x4 treated wood sleepers in mastic @ 16 o.c.2 Concrete topping4 Concrete slab3 Metal decking12 open web joist
7. Public Floor AssemblyHardwood strip floringPolyethylene film2x4 treated wood sleepers in mastic @ 16 o.c.2 Concrete topping4 Concrete slab3 Metal decking2 C-Channel @ 16 o.c.8 I-BeamRigid insulation
8. Mesh Solar ShadingStainless steel meshEclipse stainless steel attachment
8
RIGID CORE SHEAR WALLS UNIT ASSEMBLY
facade detail slice model
13
2
6
4
5
7
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE14
SUSTAINABILITY & URBAN STRATEGY WEST FACADE DAYTIME VIEW
Fountain Plaza Station
Theater Station
1/8 Mile
one acre
project site
Single Family Residence FAR = 0.25Dwelling Units / Acre = 1.0
Multi Family Residence / AcreResident FAR = .80Total Building FAR = 1.32Dwelling Units / Acre = 24.0
Multi Family Residence / Site FootprintResident FAR = 2.85Total Building FAR = 4.75Dwelling Units / Acre = 96.0
DENSITYLOCAL TRANSPORTATION & ACCOMMODATIONS
CHIPPEWA ST
HURAN ST
DEL
EWA
RE A
VE
ELM
WO
OD
AV
E
FRA
NKL
IN S
T
PEA
RL S
T
MA
IN S
T
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 15
SUSTAINABILITY & URBAN STRATEGY WEST FACADE DAYTIME VIEW
Fountain Plaza Station
Theater Station
1/8 Mile
one acre
project site
Single Family Residence FAR = 0.25Dwelling Units / Acre = 1.0
Multi Family Residence / AcreResident FAR = .80Total Building FAR = 1.32Dwelling Units / Acre = 24.0
Multi Family Residence / Site FootprintResident FAR = 2.85Total Building FAR = 4.75Dwelling Units / Acre = 96.0
DENSITYLOCAL TRANSPORTATION & ACCOMMODATIONS
CHIPPEWA ST
HURAN ST
DEL
EWA
RE A
VE
ELM
WO
OD
AV
E
FRA
NKL
IN S
T
PEA
RL S
T
MA
IN S
T
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE16
TRIBUTE CENTERProfessor: Danny Forster (Principal of Danny Forster Design Studio)Team: IndependentSchool: Syracuse SOA Project: Museum redesignSite: Manhattan, New York - Greenwich St. & Thames St. - Across the street from 9/11 memorial pools queuing space
http://tributewtc.org
The Tribute Center in downtown Manhattan is a museum based around the people who lost their lives on 9/11. It is currently located adjacent to ground zero and the memorial pools. This small museum was started by a few people who had family members perish on 9/11. The power of this museum is the docents, who give tours and are willing to talk about there experi-ences and their family members or friends. Currently the museum has five galleries, starting with the history of the world trade center in gallery one, moving through the events and recovery efforts in galleries two and three. A photo of almost every victim of this event fill the walls in gallery four, and gallery five is a reflection space. There is a separate space in a different building for administrative duties. This center is running out of room and would like to expand. This project seeks to redesign the tribute center and incorporate the center with the administrative offices.
What is unique about this museum is that it does not only show galleries of artifacts from the event, but it is more importantly a museum about the victims. While analyzing the center it was clear that gallery four was the most important gallery because it is a space dedicated to the victims, and provides a space for people to give their respects and reflect. What was also compelling about the center is the emotional intensity due to the lack of space in the center. This creates a certain flow between the galleries which enhances the experience.
This design utilized gallery four as a way to connect the galleries together while expanding the galleries and incorporating the required offices and amenities. An important design driver was to make sure that gallery four remain the most important gallery, dedicated to the victims. Gallery four became a core of the building which controlled circulation and made it clear that while visitors are within each gallery, there is a constant connection back to gallery four and the victims.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 17
TRIBUTE CENTERProfessor: Danny Forster (Principal of Danny Forster Design Studio)Team: IndependentSchool: Syracuse SOA Project: Museum redesignSite: Manhattan, New York - Greenwich St. & Thames St. - Across the street from 9/11 memorial pools queuing space
http://tributewtc.org
The Tribute Center in downtown Manhattan is a museum based around the people who lost their lives on 9/11. It is currently located adjacent to ground zero and the memorial pools. This small museum was started by a few people who had family members perish on 9/11. The power of this museum is the docents, who give tours and are willing to talk about there experi-ences and their family members or friends. Currently the museum has five galleries, starting with the history of the world trade center in gallery one, moving through the events and recovery efforts in galleries two and three. A photo of almost every victim of this event fill the walls in gallery four, and gallery five is a reflection space. There is a separate space in a different building for administrative duties. This center is running out of room and would like to expand. This project seeks to redesign the tribute center and incorporate the center with the administrative offices.
What is unique about this museum is that it does not only show galleries of artifacts from the event, but it is more importantly a museum about the victims. While analyzing the center it was clear that gallery four was the most important gallery because it is a space dedicated to the victims, and provides a space for people to give their respects and reflect. What was also compelling about the center is the emotional intensity due to the lack of space in the center. This creates a certain flow between the galleries which enhances the experience.
This design utilized gallery four as a way to connect the galleries together while expanding the galleries and incorporating the required offices and amenities. An important design driver was to make sure that gallery four remain the most important gallery, dedicated to the victims. Gallery four became a core of the building which controlled circulation and made it clear that while visitors are within each gallery, there is a constant connection back to gallery four and the victims.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE18
TRIBUTE ANALYSIS EXPERIENCE THE GALLERIES
CIRCULATION THROUGH GALLERIES
SPATIAL DIVISION = EMOTIONAL DISCONNECTION SPATIAL TENSION
GALLERY 1
GALLERY 1GALLERY 2GALLERY 3
GALLERY 4
GALLERY 2
GALLERY 3
GALLERY 4
GALLERY 5
GALLERY 5
Circulation
sadness informreflectheal
gallery 5 gallery 4 gallery 3 gallery 2 gallery 1
GALLERY 3 GALLERY 4 GALLERY 5GALLERY 2GALLERY 1
GALLERY SEPARATION
EMOTIONAL RESPONSE
SPATIAL NARROWING
Spatial narrowing triggers emotional intensity
MOVEMENT THROUGH GALLERIES
SPATIAL CONTINUITY
After visiting the Tribute Center and analyzing the different galleries, it was clear that gallery four was the most important because it displayed images of the victims and became a place for reflection. It was also clear that the circulation through the galleries was a main factor to the emotional intensity that visitors feel as they move through the different galleries. The first four galleries are on the same floor, which means that a visitor does not have to climb stairs or take an elevator between galleries. This creates a build up of emotions from gallery one to gallery four. There is a strength to this emotional build up that is important to maintain throughout the design process even if multiple floors are required.
HAPPINESS
HAPPINESS
SADNESS
SADNESS
HAPPINESS
HAPPINESSINFORM
VISITORS OF PROCEDURES
TELLING THE STORY IF 9/11
SHOW THE RECOVERY
EFFORTS
TAKE A TOUR OF THE POOL, SEE THE SITE IN PERSON, UNDER-
STAND THE SCALE
HEAR STORIES, LEARN ABOUT THE VICTIMS AND CELEBRATE
THEIR LIVES
TELL YOUR STORY, DISCUSS THE FUTURE, BEGIN TO
HEAL
THE HISTORY OF THE TWIN TOWERS & THE PEOPLE WHO
WORKED THERE
DOCENT:FIREMAN, NYPD,
SALVATION ARMY, ETC.DOCENT:
VICTIM POOL TOURSDOCENT:
MEET FAMILY MEMBERS
PROGRAM ORGANIZATION
GALLERY 2 GALLERY 3 GALLERY 4 POOL TOUR GALLERY 5GALLERY 1QUEUING
PREPARE
ASCEND INTO GALLERY SPACESLEAVE LOBBY, TAKE TOUR OF POOLS; RETURN TO LOBBY, CONTINUE TO GALLERY 5
ENTER GALLERIES
REMEMBER TEACH RECOVER REFLECT CELEBRATEHEAL
DESCENDLOBBY
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 19
TRIBUTE ANALYSIS EXPERIENCE THE GALLERIES
CIRCULATION THROUGH GALLERIES
SPATIAL DIVISION = EMOTIONAL DISCONNECTION SPATIAL TENSION
GALLERY 1
GALLERY 1GALLERY 2GALLERY 3
GALLERY 4
GALLERY 2
GALLERY 3
GALLERY 4
GALLERY 5
GALLERY 5
Circulation
sadness informreflectheal
gallery 5 gallery 4 gallery 3 gallery 2 gallery 1
GALLERY 3 GALLERY 4 GALLERY 5GALLERY 2GALLERY 1
GALLERY SEPARATION
EMOTIONAL RESPONSE
SPATIAL NARROWING
Spatial narrowing triggers emotional intensity
MOVEMENT THROUGH GALLERIES
SPATIAL CONTINUITY
After visiting the Tribute Center and analyzing the different galleries, it was clear that gallery four was the most important because it displayed images of the victims and became a place for reflection. It was also clear that the circulation through the galleries was a main factor to the emotional intensity that visitors feel as they move through the different galleries. The first four galleries are on the same floor, which means that a visitor does not have to climb stairs or take an elevator between galleries. This creates a build up of emotions from gallery one to gallery four. There is a strength to this emotional build up that is important to maintain throughout the design process even if multiple floors are required.
HAPPINESS
HAPPINESS
SADNESS
SADNESS
HAPPINESS
HAPPINESSINFORM
VISITORS OF PROCEDURES
TELLING THE STORY IF 9/11
SHOW THE RECOVERY
EFFORTS
TAKE A TOUR OF THE POOL, SEE THE SITE IN PERSON, UNDER-
STAND THE SCALE
HEAR STORIES, LEARN ABOUT THE VICTIMS AND CELEBRATE
THEIR LIVES
TELL YOUR STORY, DISCUSS THE FUTURE, BEGIN TO
HEAL
THE HISTORY OF THE TWIN TOWERS & THE PEOPLE WHO
WORKED THERE
DOCENT:FIREMAN, NYPD,
SALVATION ARMY, ETC.DOCENT:
VICTIM POOL TOURSDOCENT:
MEET FAMILY MEMBERS
PROGRAM ORGANIZATION
GALLERY 2 GALLERY 3 GALLERY 4 POOL TOUR GALLERY 5GALLERY 1QUEUING
PREPARE
ASCEND INTO GALLERY SPACESLEAVE LOBBY, TAKE TOUR OF POOLS; RETURN TO LOBBY, CONTINUE TO GALLERY 5
ENTER GALLERIES
REMEMBER TEACH RECOVER REFLECT CELEBRATEHEAL
DESCENDLOBBY
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE20
CIRCULATION ANALYSIS AND DESIGN
CONTINUOUS CIRCULATIONBROKEN CIRCULATION CIRCULATION BETWEEN GALLERIES WITH TYPICAL STAIR CONDITION
CIRCULATION BETWEEN GALLERIES WITH CIRCULATION CORE
GALLERY 1 GALLERY 2
GALLERY 3 GALLERY 4
GALLERY 5 COMM
OFFICE OFFICE
GALLERY 1 GALLERY 2
GALLERY 3 GALLERY 4
GALLERY 5 COMM
OFFICE OFFICE
CIR
CUL
ATIO
N C
ORE
SEPARATED SLABS CIRCULATION CORE CONNECTS SLABS
ENTRY GALLERY 5
GALLERY 1 GALLERY 1
GALLERY 2 GALLERY 3
OFFICE OFFICE
GA
LLER
Y 4
ENTRY GALLERY 5
GALLERY 1
GALLERY 2
OFFICE OFFICE
CIR
CUL
ATIO
N C
ORE
=GALLERY 1ENTRY GALLERY 2 GALLERY 3 GALLERY 5 OFFICESCORECORE CORE
GALLERY 1ENTRY GALLERY 2 GALLERY 3 GALLERY 4 GALLERY 5 OFFICES
STAIR STAIR STAIR STAIR STAIR STAIR
GALLERY
4TILT CORE
GALLERY 4 BECOMES CORE GALLERY 4 BECOMES GRAND STAIR
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 21
CIRCULATION ANALYSIS AND DESIGN
CONTINUOUS CIRCULATIONBROKEN CIRCULATION CIRCULATION BETWEEN GALLERIES WITH TYPICAL STAIR CONDITION
CIRCULATION BETWEEN GALLERIES WITH CIRCULATION CORE
GALLERY 1 GALLERY 2
GALLERY 3 GALLERY 4
GALLERY 5 COMM
OFFICE OFFICE
GALLERY 1 GALLERY 2
GALLERY 3 GALLERY 4
GALLERY 5 COMM
OFFICE OFFICE
CIR
CUL
ATIO
N C
ORE
SEPARATED SLABS CIRCULATION CORE CONNECTS SLABS
ENTRY GALLERY 5
GALLERY 1 GALLERY 1
GALLERY 2 GALLERY 3
OFFICE OFFICE
GA
LLER
Y 4
ENTRY GALLERY 5
GALLERY 1
GALLERY 2
OFFICE OFFICE
CIR
CUL
ATIO
N C
ORE
=GALLERY 1ENTRY GALLERY 2 GALLERY 3 GALLERY 5 OFFICESCORECORE CORE
GALLERY 1ENTRY GALLERY 2 GALLERY 3 GALLERY 4 GALLERY 5 OFFICES
STAIR STAIR STAIR STAIR STAIR STAIR
GALLERY
4TILT CORE
GALLERY 4 BECOMES CORE GALLERY 4 BECOMES GRAND STAIR
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE22
GALLERY 4 AS VERTICAL CIRCULATION
STRA
IGHT
RUN
STAI
R
STRAIGHT RUN STAIR DOES NOT ALLOW FOR CONTROLLED MOVEMENT
A straight run stair allows visitors to choose which floor they would like to visit. This does not provide the ability to control movement.
ALTE
RNAT
ING
STAI
R
An alternating stair controls the movement of visitors and does not allow one to skip a gallery.
ALTERNATING STAIRS WITH PARTITIONS CONTROLS VERTICAL MOVEMENT
SITE PLAN SITE PLAN
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 23
GALLERY 4 AS VERTICAL CIRCULATION
STRA
IGHT
RUN
STAI
R
STRAIGHT RUN STAIR DOES NOT ALLOW FOR CONTROLLED MOVEMENT
A straight run stair allows visitors to choose which floor they would like to visit. This does not provide the ability to control movement.
ALTE
RNAT
ING
STAI
R
An alternating stair controls the movement of visitors and does not allow one to skip a gallery.
ALTERNATING STAIRS WITH PARTITIONS CONTROLS VERTICAL MOVEMENT
SITE PLAN SITE PLAN
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE24
OFFICEOFFICE
OFFICE
GALLERY 1
GALLERY 2
GALLERY 3
Final plan configuration
GALLERY ORGANIZATION ALTERNATING STAIR IS KINKED TO SUPPORT GALLERY ARRANGEMENT
InformSadnessReflect
Heal
Gallery 5 Gallery 4 Gallery 3 Gallery 2 Gallery 1
StairCore
MAJOR GALLERY
WALKWAY
MIN
OR
GA
LLER
Y
HALLWAY
MIN
OR
GA
LLER
Y
GALLERY 3
LINEAR GALLERY
MIN
OR G
ALLERY
Stair Well
GALLERY 1
Stair Well
StairWell
StairWell
GALLERY 2
GALLERY 1
LINEAR GALLERY
HALLWAY
MIN
OR G
ALLERY
MIN
OR G
ALLERY
StairWell GALLERY 3
LINEAR GALLERY
MIN
OR G
ALLERY
GALLERY ORGANIZATION
The stairway is kinked in order to fit the program onto the site. Office floors are located opposite gallery floors.
Overlaying galleries on site requires the stair to shift, due to site restrictions
CIRCULATION CORE
One of the powerful features of the existing Tribute Center is the emotional intensity one feels while moving through the galleries. This is caused in part by the spatial narrowing that occurs due to a lack of space. This strategy is used once again in the design of the new galleries. A spatial narrowing occurs right before entering the gallery 4 circulation core to give the visitors a sense of tension before moving to the next gallery.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 25
OFFICEOFFICE
OFFICE
GALLERY 1
GALLERY 2
GALLERY 3
Final plan configuration
GALLERY ORGANIZATION ALTERNATING STAIR IS KINKED TO SUPPORT GALLERY ARRANGEMENT
InformSadnessReflect
Heal
Gallery 5 Gallery 4 Gallery 3 Gallery 2 Gallery 1
StairCore
MAJOR GALLERY
WALKWAY
MIN
OR
GA
LLER
Y
HALLWAY
MIN
OR
GA
LLER
Y
GALLERY 3
LINEAR GALLERY
MIN
OR G
ALLERY
Stair Well
GALLERY 1
Stair Well
StairWell
StairWell
GALLERY 2
GALLERY 1
LINEAR GALLERY
HALLWAY
MIN
OR G
ALLERY
MIN
OR G
ALLERY
StairWell GALLERY 3
LINEAR GALLERY
MIN
OR G
ALLERY
GALLERY ORGANIZATION
The stairway is kinked in order to fit the program onto the site. Office floors are located opposite gallery floors.
Overlaying galleries on site requires the stair to shift, due to site restrictions
CIRCULATION CORE
One of the powerful features of the existing Tribute Center is the emotional intensity one feels while moving through the galleries. This is caused in part by the spatial narrowing that occurs due to a lack of space. This strategy is used once again in the design of the new galleries. A spatial narrowing occurs right before entering the gallery 4 circulation core to give the visitors a sense of tension before moving to the next gallery.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE26
Tapered backing is relative to panel extrusion to provide consistent viewing angle. Bent frame to allow for maximum view of photo.
Acoustical panel, colored blue to recall the clear blue skies on 9/11
Metal structural frame holds panels on atrium side, and artifacts in the galleries.
0-2 to 2-0
Individual panel strip
Individual photo panel
Opposite of the Pantheons coffering, the photo panels scale up as they are stacked to counter the foreshortening
DISPLAYING THE PHOTOS OF GALLERY 4 ATRIUM PANEL SYSTEM
Existing conditions of gallery four
UNFOLDED ELEVATION OF GALLERY FOUR SHOWING ACCEPTABLE PHOTO LOCATION
Acceptable area for photos
Undesirable area for photos
Gallery four contains photos of the victims of 9/11. This makes it the most important gallery because it is the main space where visitors and family members can reflect while seeing an image of their friend or family member. Now that gallery four is the circulation core of the building in the new design, it is important to display the photos of the victims so that everyone can see them, and no victim is given hierarchy over another.
A paneling system was developed to display the nearly 3,000 photos of the victims without placing a photo in an undesirable location. This panel system also allows gallery four to be a place for individual reflection, as well as a collective memorial to all the victims.
2-0
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 27
Tapered backing is relative to panel extrusion to provide consistent viewing angle. Bent frame to allow for maximum view of photo.
Acoustical panel, colored blue to recall the clear blue skies on 9/11
Metal structural frame holds panels on atrium side, and artifacts in the galleries.
0-2 to 2-0
Individual panel strip
Individual photo panel
Opposite of the Pantheons coffering, the photo panels scale up as they are stacked to counter the foreshortening
DISPLAYING THE PHOTOS OF GALLERY 4 ATRIUM PANEL SYSTEM
Existing conditions of gallery four
UNFOLDED ELEVATION OF GALLERY FOUR SHOWING ACCEPTABLE PHOTO LOCATION
Acceptable area for photos
Undesirable area for photos
Gallery four contains photos of the victims of 9/11. This makes it the most important gallery because it is the main space where visitors and family members can reflect while seeing an image of their friend or family member. Now that gallery four is the circulation core of the building in the new design, it is important to display the photos of the victims so that everyone can see them, and no victim is given hierarchy over another.
A paneling system was developed to display the nearly 3,000 photos of the victims without placing a photo in an undesirable location. This panel system also allows gallery four to be a place for individual reflection, as well as a collective memorial to all the victims.
2-0
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE28
ATRIUM AS MEMORIAL VIEW LOOKING UP AT MEMORIAL WALL INSIDE GALLERY 4 ATRIUM
PERSONAL REFLECTION
COLLECTIVE MEMORIAL
The blue wall in gallery 2
represents the clear blue sky on the morning of
9/11
As gallery 2 ends the blue wall has transformed into a white wall of missing person
posters
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 29
ATRIUM AS MEMORIAL VIEW LOOKING UP AT MEMORIAL WALL INSIDE GALLERY 4 ATRIUM
PERSONAL REFLECTION
COLLECTIVE MEMORIAL
The blue wall in gallery 2
represents the clear blue sky on the morning of
9/11
As gallery 2 ends the blue wall has transformed into a white wall of missing person
posters
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE30
D
C
B
A
1
2
3
4
5
CC
1.1
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
MODEL OF DOWNTOWN MANHATTEN
GROUND FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
GALLERY 5
RETAIL
QUEUING FOR POOLS
QUEUING FOR GALLERIES
ENTRY
COMMUNITY SPACE
D
C
B
A
1
2
3
4
5
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
SECOND FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
OFFICE
GALLERY 1
D
C
B
A
1
2
3
4
5
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
THIRD FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
GALLERY 2
OFFICE
D
C
B
A
1
2
3
4
5
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
FOURTH FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
GALLERY 3
OFFICE
GROUND FLOOR
SECONDFLOOR
THIRDFLOOR
FOURTHFLOOR
INTERIOR VIEWS:
Left: View from second floor looking up circulation core atrium.
Middle: View looking up at the photos displayed in gallery 4
Right: View from inside Gallery 1 on the Second Floor.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 31
D
C
B
A
1
2
3
4
5
CC
1.1
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
MODEL OF DOWNTOWN MANHATTEN
GROUND FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
GALLERY 5
RETAIL
QUEUING FOR POOLS
QUEUING FOR GALLERIES
ENTRY
COMMUNITY SPACE
D
C
B
A
1
2
3
4
5
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
SECOND FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
OFFICE
GALLERY 1
D
C
B
A
1
2
3
4
5
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
THIRD FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
GALLERY 2
OFFICE
D
C
B
A
1
2
3
4
5
6
SCALE: 1/8" = 1'-0"
4' 8'0 16'
FOURTH FLOOR
GRE
ENW
ICH
STRE
ET
THAMES STREET
GALLERY 3
OFFICE
GROUND FLOOR
SECONDFLOOR
THIRDFLOOR
FOURTHFLOOR
INTERIOR VIEWS:
Left: View from second floor looking up circulation core atrium.
Middle: View looking up at the photos displayed in gallery 4
Right: View from inside Gallery 1 on the Second Floor.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE32
FACADE PANEL SYSTEM VIEW FROM 9/11 MEMORIAL POOLS QUEUING AREA
OFFICE
OFFICE
GALLERY
ENTRY
The facade panel system uses the same tectonics as the atrium panel system. The thickness of the facade changes relative to program. The circulation and program can therefore be read on the facade.
0-2 to 2-0
X
2X
Window opening gradually increases to
allow more light into the office space,
while keeping light from entering the
galleries
Facade panel strip
Facade panels are thicker on the gallery facade to prevent direct light from entering the galleries. They become thinner at the office floors to maximize light exposure
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 33
FACADE PANEL SYSTEM VIEW FROM 9/11 MEMORIAL POOLS QUEUING AREA
OFFICE
OFFICE
GALLERY
ENTRY
The facade panel system uses the same tectonics as the atrium panel system. The thickness of the facade changes relative to program. The circulation and program can therefore be read on the facade.
0-2 to 2-0
X
2X
Window opening gradually increases to
allow more light into the office space,
while keeping light from entering the
galleries
Facade panel strip
Facade panels are thicker on the gallery facade to prevent direct light from entering the galleries. They become thinner at the office floors to maximize light exposure
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE34
NORTH SITE SECTION SITE AXON CUT-AWAY
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 35
NORTH SITE SECTION SITE AXON CUT-AWAY
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE36
EAST SECTION PERSPECTIVE
Site model
Site model Collaborative studio site context model
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 37
EAST SECTION PERSPECTIVE
Site model
Site model Collaborative studio site context model
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE38
The site for this project is located in the Armory Square district of downtown Syracuse. While studying the surroundings of the site a few interesting points were noticed. First, the facades of the buildings that exist in this district have a unique char-acteristic. The early 20th century factory buildings have heavy facades with small windows. From street level, it is difficult to understand what goes on above the first floor. Another interesting discovery lies beyond the street front, and in the alley's between the buildings. There is a popular courtyard condition that happens between many of the buildings in the district. Thee courtyards are tucked away from the noise of the main streets and allow for a space used by both restaurants and bars for social interaction. Much of the program in this are is related to food. There are many different types of restaurants and bars in this district, which was a major inspiration for this project. Combining the ideas of the existing courtyard culture, with a permanent venue for food was the initial parti.
Considering there is such a popularity for food, it is fitting that there be a center for culinary arts in Syracuse. The program selected for this project is a culinary institute which will serve as a permanent venue for showcasing this food culture. The parti includes a courtyard scheme, which cradles a kitchen hovering above a courtyard. The kitchen becomes the show-case and the jewel in which the people visiting the site have immediate contact with it either visually or physically. Includ-ed in the final scheme are both market rate housing for professionals working at the school and in the district, as well as student housing for visiting chefs and people trying to learn culinary arts.
CULINARY INSTITUTE [OF SYRACUSE]Professor: Arthur McDonaldTeam: Collaboration with Justin HalseySchool: Syracuse SOAProject: Mixed use housingSite: Syracuse, New York - Parking lot in Armory Square District - W. Fayette St. & S. Clinton St.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 39
The site for this project is located in the Armory Square district of downtown Syracuse. While studying the surroundings of the site a few interesting points were noticed. First, the facades of the buildings that exist in this district have a unique char-acteristic. The early 20th century factory buildings have heavy facades with small windows. From street level, it is difficult to understand what goes on above the first floor. Another interesting discovery lies beyond the street front, and in the alley's between the buildings. There is a popular courtyard condition that happens between many of the buildings in the district. Thee courtyards are tucked away from the noise of the main streets and allow for a space used by both restaurants and bars for social interaction. Much of the program in this are is related to food. There are many different types of restaurants and bars in this district, which was a major inspiration for this project. Combining the ideas of the existing courtyard culture, with a permanent venue for food was the initial parti.
Considering there is such a popularity for food, it is fitting that there be a center for culinary arts in Syracuse. The program selected for this project is a culinary institute which will serve as a permanent venue for showcasing this food culture. The parti includes a courtyard scheme, which cradles a kitchen hovering above a courtyard. The kitchen becomes the show-case and the jewel in which the people visiting the site have immediate contact with it either visually or physically. Includ-ed in the final scheme are both market rate housing for professionals working at the school and in the district, as well as student housing for visiting chefs and people trying to learn culinary arts.
CULINARY INSTITUTE [OF SYRACUSE]Professor: Arthur McDonaldTeam: Collaboration with Justin HalseySchool: Syracuse SOAProject: Mixed use housingSite: Syracuse, New York - Parking lot in Armory Square District - W. Fayette St. & S. Clinton St.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE40
SITE ANALYSIS KEY
franklin st
w. f
ayet
te s
t
rst
oo
r
wal
ton
stclinton st
franklin st
w. f
ayet
te s
t
seco
nd
oor
wal
ton
st
clinton st
franklin st
w. f
ayet
te s
t
third
oo
r
wal
ton
st
clinton st
franklin st
w. f
ayet
te s
t
four
th
oor
wal
ton
st
clinton st
HOMOGENEITYDIVERSITY
public space
residential
abandoned our site
greenscape
office / studio space
Walking around Armory Square in downtown Syracuse there is a mystery to what goes on inside the old manufacturing buildings. The ground floor is pretty typical storefronts with a mix of restaurants and bars, but above these it is hard to tell whether the rest of the building is apartments, offices or vacant. After studying the site, it was interesting to discover the variety of office spaces and apartments which occupy the space above the storefront. The office buildings have great interiors and the apartments have a nice industrial feel. This was the beginning of our exploration, looking into a scheme which exploits the program above the storefront, a culinary institute and restaurant.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 41
SITE ANALYSIS KEY
franklin st
w. f
ayet
te s
t
rst
oo
r
wal
ton
st
clinton st
franklin st
w. f
ayet
te s
t
seco
nd
oor
wal
ton
st
clinton st
franklin st
w. f
ayet
te s
t
third
oo
r
wal
ton
st
clinton st
franklin st
w. f
ayet
te s
t
four
th
oor
wal
ton
st
clinton st
HOMOGENEITYDIVERSITY
public space
residential
abandoned our site
greenscape
office / studio space
Walking around Armory Square in downtown Syracuse there is a mystery to what goes on inside the old manufacturing buildings. The ground floor is pretty typical storefronts with a mix of restaurants and bars, but above these it is hard to tell whether the rest of the building is apartments, offices or vacant. After studying the site, it was interesting to discover the variety of office spaces and apartments which occupy the space above the storefront. The office buildings have great interiors and the apartments have a nice industrial feel. This was the beginning of our exploration, looking into a scheme which exploits the program above the storefront, a culinary institute and restaurant.
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE42
DAY
MIXED USE CULINARY ARTS CENTER
NIGHT
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 43
DAY
MIXED USE CULINARY ARTS CENTER
NIGHT
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE44
MULTI-USE EXISTING SITE CONDITIONS
NEW DESIRED CONDITION
MASSING STUDIES
centralized circulation, provides no visual access to
program
heavy exterior walls prevent strong visual connections to program from the outside
courtyards and breezeways isolated from program in
section and in plan
a new form of centralized circulation
street side facades exposed to advertise program
courtyard / breezeway becomes critical activity zone
The typical typology that separates retail & business (first floor) from office and residential (upper floors) can begin to blur if an entire mixed-use building is programmed thoughtfully
This unifying programmatic focus allows us to pull this mixed use environment up through the project in
section. Key elements of public open space help to blur strict programmatic distinctions
By examining the interaction of the food service industry and residential life, we begin to image a live-work community centered around a culinary arts school
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 45
MULTI-USE EXISTING SITE CONDITIONS
NEW DESIRED CONDITION
MASSING STUDIES
centralized circulation, provides no visual access to
program
heavy exterior walls prevent strong visual connections to program from the outside
courtyards and breezeways isolated from program in
section and in plan
a new form of centralized circulation
street side facades exposed to advertise program
courtyard / breezeway becomes critical activity zone
The typical typology that separates retail & business (first floor) from office and residential (upper floors) can begin to blur if an entire mixed-use building is programmed thoughtfully
This unifying programmatic focus allows us to pull this mixed use environment up through the project in
section. Key elements of public open space help to blur strict programmatic distinctions
By examining the interaction of the food service industry and residential life, we begin to image a live-work community centered around a culinary arts school
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE46
FACADE STUDY
Double skin framing system
Facade precedent Facade precedent
FACADE DETAILThere was a deep intrest in the facade of the apartments and the restaurant. On the southern (courtyard) side of the building we wanted to maximize window space, without losing thermal mass. The ETFE built into a double skin framing system resolved that problem. On the north side facing the street we wanted to maximize the importance of the restaurant. Using computer scripting an advanced terracotta rain screen was developed for the apartment facade, which include pop out windows to allow for air circulation.
Terracotta rainscreen system
SOUTHERN EXPOSURE WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING3 RIGID INSULATIONVAPOR BARRIERDORALCO METAL-FACED COMPOSITE PANEL SYSTEM6 AIR GAPCOLD ROLLED METAL FRAMING ATTACHED TO SLABETFE HELD BY FLOOR TO FLOOR FASTENERSI. Q. GLASS: RADIANT HEAT GLASSCUSTOM OPERABLE VENT SYSTEM
RESIDENTIAL SLAB ASSEMBLY9 CONCRETE SLAB 3/4 REBAR 10 O.C. RADIANT FLOOR HEATING2.5 CONCRETE TOP2x 4 x 1 HARDWOOD FLOOR
CORRIDOR WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMINGBATT INSULATIONGYPSUM BOARD1 METAL FRAMING24 x 48 HUNTER DOUGLAS TILELED COVE LIGHTING
RESTAURANT EXTERIOR WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING4 RIGID INSULATIONPROTECTIVE FILMDORALCO METAL-FACED COMPOSITE PANEL SYSTEM
RESTAURANT WINDOW ASSEMBLY4 LIGHT GAUGE METAL FRAMINGHOPES WINDOWS: JAMESTOWN 175 SERIES
LOUNGE DROP CEILING ASSEMBLYCEILING TIES24-48 CLOTH ACOUSTICAL PANEL
EXTERIOR TERRACOTTA WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING4 RIGID INSULATIONPROTECTIVE FILMWIND BARRIEREUROFOX FRAMING SYSTEM: XLT-v-1001-4 x 24-48 TERRACOTTA TILE
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 47
FACADE STUDY
Double skin framing system
Facade precedent Facade precedent
FACADE DETAILThere was a deep intrest in the facade of the apartments and the restaurant. On the southern (courtyard) side of the building we wanted to maximize window space, without losing thermal mass. The ETFE built into a double skin framing system resolved that problem. On the north side facing the street we wanted to maximize the importance of the restaurant. Using computer scripting an advanced terracotta rain screen was developed for the apartment facade, which include pop out windows to allow for air circulation.
Terracotta rainscreen system
SOUTHERN EXPOSURE WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING3 RIGID INSULATIONVAPOR BARRIERDORALCO METAL-FACED COMPOSITE PANEL SYSTEM6 AIR GAPCOLD ROLLED METAL FRAMING ATTACHED TO SLABETFE HELD BY FLOOR TO FLOOR FASTENERSI. Q. GLASS: RADIANT HEAT GLASSCUSTOM OPERABLE VENT SYSTEM
RESIDENTIAL SLAB ASSEMBLY9 CONCRETE SLAB 3/4 REBAR 10 O.C. RADIANT FLOOR HEATING2.5 CONCRETE TOP2x 4 x 1 HARDWOOD FLOOR
CORRIDOR WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMINGBATT INSULATIONGYPSUM BOARD1 METAL FRAMING24 x 48 HUNTER DOUGLAS TILELED COVE LIGHTING
RESTAURANT EXTERIOR WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING4 RIGID INSULATIONPROTECTIVE FILMDORALCO METAL-FACED COMPOSITE PANEL SYSTEM
RESTAURANT WINDOW ASSEMBLY4 LIGHT GAUGE METAL FRAMINGHOPES WINDOWS: JAMESTOWN 175 SERIES
LOUNGE DROP CEILING ASSEMBLYCEILING TIES24-48 CLOTH ACOUSTICAL PANEL
EXTERIOR TERRACOTTA WALL ASSEMBLY3/4 GYPSUM BOARD4 LIGHT GAUGE METAL FRAMING4 RIGID INSULATIONPROTECTIVE FILMWIND BARRIEREUROFOX FRAMING SYSTEM: XLT-v-1001-4 x 24-48 TERRACOTTA TILE
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE48
Ground Floor Floor 02 Floor 03 Floor 04, 06 Floor 05, 07
SOUTH SECTION WEST SECTION
A
B
C
D
Da
E
Ea
F
Fa
G
Ga
H
I
J
D1
S2
S1
S2
Bob's Pencil Company 2
Well, Ibetter get going. come to visit this suemmr.home. Ihope you an dDa dacnThings are going great in our new
Dear Mom,
Bob's Pencil Company
2
Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our new
Dear Mom,
Bob's Pencil Company 2
Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our newDear Mom,
Bob's Pencil Company 2
Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our newDear Mom,
+6
+6
+4 6
+3
+6 planP-1N
0416 8
scale 1/8 = 1
1. Main restaurant lobby2. Market housing lobby3. Economy housing lobby4. Cafe / eatery5. Cafe6. Culinary supply store7. School merchandise store8. Retail store9. Loading dock
1
2
3
4
56
9
7
8
A
B
C
D
Da
E
Ea
F
Fa
G
Ga
H
I
J
+20 planP-2N
0416 8
scale 1/8 = 1
1. Restaurant waiting area2. Restaurant3. Main kitchen4. Cold storage5. Teaching kitchen6. Dry storage7. Classroom8. Loading dock9. School lobby
1
2
3
4
5
6
9
7
8
A
B
C
D
Da
E
Ea
F
Fa
G
Ga
H
I
J
+32 planP-3N
0416 8
scale 1/8 = 1
1. Lounge / bar2. Teaching theater3. Classroom4. Meeting room / classroom5. Theater lobby
1
2
3
4
5
A
B
C
D
E
F
Fa
G
H
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE ESTCODEESTCOD
E
ESTCODEE STCODE ESTCODEESTCOD
E
+44 planP-4N
0416 8
scale 1/8 = 1
A
B
C
D
E
F
Fa
G
H
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE
P-5
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 49
Ground Floor Floor 02 Floor 03 Floor 04, 06 Floor 05, 07
SOUTH SECTION WEST SECTION
A
B
C
D
Da
E
Ea
F
Fa
G
Ga
H
I
J
D1
S2
S1
S2
Bob's Pencil Company 2
Well, Ibetter get going. come to visit this suemmr.home. Ihope you an dDa dacnThings are going great in our new
Dear Mom,
Bob's Pencil Company
2
Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our new
Dear Mom,
Bob's Pencil Company 2
Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our newDear Mom,
Bob's Pencil Company 2
Well, I better get going. come to visit this summer.home. I hope you and Dad canThings are going great in our newDear Mom,
+6
+6
+4 6
+3
+6 planP-1N
0416 8
scale 1/8 = 1
1. Main restaurant lobby2. Market housing lobby3. Economy housing lobby4. Cafe / eatery5. Cafe6. Culinary supply store7. School merchandise store8. Retail store9. Loading dock
1
2
3
4
56
9
7
8
A
B
C
D
Da
E
Ea
F
Fa
G
Ga
H
I
J
+20 planP-2N
0416 8
scale 1/8 = 1
1. Restaurant waiting area2. Restaurant3. Main kitchen4. Cold storage5. Teaching kitchen6. Dry storage7. Classroom8. Loading dock9. School lobby
1
2
3
4
5
6
9
7
8
A
B
C
D
Da
E
Ea
F
Fa
G
Ga
H
I
J
+32 planP-3N
0416 8
scale 1/8 = 1
1. Lounge / bar2. Teaching theater3. Classroom4. Meeting room / classroom5. Theater lobby
1
2
3
4
5
A
B
C
D
E
F
Fa
G
H
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE ESTCODEESTCOD
E
ESTCODEE STCODE ESTCODEESTCOD
E
+44 planP-4N
0416 8
scale 1/8 = 1
A
B
C
D
E
F
Fa
G
H
ESTCODEESTCODE
ESTCODEESTCODE
ESTCODEESTCODE
P-5
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE50
SMART FACADE DESIGN VIEW OF NORTH FACADE AND SITE ENTRANCE
South Facade -ETFE + radient glass double skinNorth Facade - undulating terracotta
rainscreen with parallel pop-out windows
JEFFREY STEWART - A COLLECTION OF WORK | 2010-2013
[email protected] | SYRACUSE UNIVERSITY SCHOOL OF ARCHITECTURE 51
SMART FACADE DESIGN VIEW OF NORTH FACADE AND SITE ENTRANCE
South Facade -ETFE + radient glass double skinNorth Facade - undulating terracotta
rainscreen with parallel pop-out windows