A FANDANGO HOLIDAYFEATURING ANTON MILLER, VIOLINDR. JEFFREY SCHOYEN, ARTISTIC DIRECTOR
Saturday, December 10, 2016 | Holloway Hall Auditorium, 7:30 p.m.
, INC.
SALISBURY SYMPHONY ORCHESTRA AT SALISBURY UNIVERSITY
2
CERTIFIED PUBLIC ACCOUNTANTS
Granger & Company, PA
101 WILLIAMSPORT CIRCLE
SALISBURY, MARYLAND 21804
T 410.749.5350
F 410.749.9442
4
Anton Miller
Since giving his Carnegie Hall concerto debut, Americanviolinist Anton Miller has appeared throughout the UnitedStates and abroad as a soloist, chamber musician, recitalistand pedagogue.
Miller has performed more than 50 violin concertoswith a number of orchestras on four continents. His worldpremiere performance of Xiogang Ye’s “Last Paradise” for violin and orchestra in Beijing, China, with the CentralPhilharmonic Orchestra was recorded for broadcast
throughout Asia and released on CD. Miller also has been concertmaster for anumber of orchestras, including almost 30 years with the Lincoln SymphonyOrchestra and the New Jersey Festival Orchestra. He was also concertmaster for anArgentinian tour of the American Ballet Theatre.
He has made a number of recital and chamber music tours to Europe, withperformances in Germany, Austria, Switzerland, Spain, Greece and England. As amember of the Con Brio Ensemble for almost 30 years, Miller has performed morethan 100 chamber music concerts and recitals in the New York City area.Performances have included such venues as Weill Recital Hall at Carnegie Hall,AliceTully Hall and Merkin Hall. Miller’s dedication to expanding the violinrepertoire can be seen in his frequent commissions and premieres of the music ofliving composers. Recently recorded and released CDs include three albums withviolist Rita Porfiris (Miller-Porfiris Duo); one of which features new music for violinand viola by composers of the Americas. Another newly released CD features KurtWeill’s Violin Concerto. Miller’s complete discography can be found on Dorian,Jericho, Full House, Hugo, Naxos, Klavier and MP2 Records.
He is currently professor of violin at The Hartt School and on the violin andchamber music artist faculty at New York University. He previously has been on thefaculty of the Oberlin Conservatory, Lawrence University and Swarthmore College.Miller was a founder and artistic director of the Three Bridges InternationalChamber Music Festival in Minnesota, as well as a co-artistic director of the SilverBay Festival. Past and current festival faculty positions also include FoulgerInternational Music Academy, the Intensive String Quartet Workshop at New YorkUniversity, Aria International Academy, the Hawaii Performing Arts Festival, theFestival Eterna Primavera in Cuernavaca, Mexico, the Summer Festival ofThessaloniki, Musicorda, Hsing Tien Kon (Taiwan), Bearstown (Korea), Killington,Hot Springs, and New Arts Festival. As a chamber musician, he can be heard inconcert with the Miller-Porfiris Duo, Trio Respiro, Trio Nuovo, Con Brio Ensembleand the Phenix Ensemble. Miller completed his Master of Music at The JuilliardSchool, studying with renowned violin pedagogue Dorothy DeLay and chambermusic with Felix Galimir and members of the Juilliard Quartet. He received hisBachelor of Music from Indiana University as a student of Franco Gulli and wasawarded the prestigious Performer’s Certificate.
ABOUT THE ARTISTS
5
Jeffrey Schoyen
Dr. Jeffrey Schoyen maintains an active and varied careeras a cellist, conductor and educator. As director of theSalisbury Symphony Orchestra, he brings extensiveperformance experience to the podium. He has been amember of the Opera Orchestra of New York, PittsburghOpera Orchestra, Louisiana Philharmonic Orchestra andPrincipal Cellist of the Filarmonica del Bajio in Mexico. Inaddition, he has performed with the Pittsburgh Symphonyand the Orchestra of St. Luke’s in New York City. Schoyen
has worked under the direction of Marin Alsop, Maxim Shostakovich, PhilippeEntremont, Lukas Foss, Robert Spano, Michael Tilson Thomas, David Zinman,Keith Lockhart and Klauspeter Seibel, among others. He has performed in venuessuch as Carnegie Hall, Alice Tully Hall and Salzburg’s Mozarteum with soloistsLuciano Pavarotti, Sherrill Milnes, Itzhak Perlman, Yo-Yo Ma, Emanuel Ax, GhenaDimitrova, Mary Chapin Carpenter and Stevie Wonder.
He has studied cello with some of the world’s foremost teachers, includingLawrence Lesser, Timothy Eddy and William Pleeth. He holds a D.M.A. fromStony Brook University and has given recitals throughout the United States,Germany, Mexico, Spain and Ecuador. As cellist of the Allegheny Ensemble, heperforms regularly on series in the mid-Atlantic region.
Schoyen’s interest in conducting began at Tanglewood, where he was awardedcello fellowships playing under the guidance of conductors such as LeonardBernstein, Seiji Ozawa, Andre Previn, Aaron Copland, Gunther Schuller and KurtMasur. Since then, he has attended conducting workshops in Madison, Chicagoand Toronto, and he has served as the director of the Slidell Community Orchestraand the Kearney Area Symphony Orchestra. He has collaborated with artists suchas Jennifer Hope Wills, Dominic Armstrong, The Capitol Quartet, Dan Kamin,Sarah Jackson, Gary Louie, Anton Miller, Rita Porfiris and Charlotte Paulsen.
In addition, Schoyen has taught at the University of Nebraska at Kearney andat the University of Dayton, and he has presented conference lectures on topicsranging from Performance Practice to Kinesiology in String Playing. Histranscription and edition of Giuseppe Maria Jachinni’s Opus 3 Concerti da Camera hasbeen published by Lorica Press. A frequent guest conductor/clinician, he is anassociate professor at Salisbury University where he teaches conducting and scorereading, string methods, cello, bass and various other courses. During the summer,Schoyen serves on the faculty of Blue Lake Fine Arts Camp in Twin Lake, MI.
6
Huapango ..................................................................................................Jose Pablo Moncayo
Symphonie Espagnole........................................................................................Eduard Lalo
Allegro non troppo
Scherzando
Intermezzo
Andante
Rondo
Anton Miller, violin
INTERMISSION
Fandangos ..........................................................................................................Roberto Sierra
Nutcracker Suite No. 2......................................................................Peter Ilitch Tchaikovsky
Petit Galop- Grandfather's Waltz
Tarantella
Le Chocolat (Spanish Dance)
Feliz Navidad .......................................................................................................Jose Feliciano
(arr. by Tom Wallace)
Chestnuts Roasting on an Open Fire Mel Torme and Robert Wells
(arr. Krogstad)
Sleigh Ride .......................................................................................................Leroy Anderson
PROGRAM
7
PROGRAM NOTESSymphonie EspagnoleEdouard Lalo (1823-1892)
This concerto-like work is one of the favorite large-scale violin works of theRomantic era. Its colorful Spanish quality and its flowing, attractive melodies,along with its copious display of violin tricks, have kept it before a public thathas largely forgotten the other works of its composer.
Stimulated by Pablo de Sarasate’s playing of his First Violin Concerto in1874, Lalo decided to write another concerto, this time paying tribute toSarasate’s Spanish nationality and his own Spanish descent. Lalo tailor-madethe new Symphonie Espagnole to fit Sarasate’s playing style, which was innovativefor stressing a bright, light attack rather than the powerhouse style that hadcharacterized earlier violinists. It is likely that Sarasate collaborated with Lalo inthe details of the violin part, for it features the singing line and effervescentarpeggio and scale work that was a trademark of his playing and which arefeatured in Sarasate’s own recital music. Sarasate played it for the first time inParis on February 7, 1875. It immediately pleased the audience and happenedto hit in the middle of a vogue for Spanish music recently touched off by Bizet’sopera Carmen.
It has frequently been said that it is not a concerto or a symphony at all,although it does have elements of symphonic form. It is really a suite, whosefive movements add up to the dimensions of a symphony, about 30 minutes.
The first movement, Allegro non troppo, opens with a full-orchestrastatement of a theme that stresses a typical 2/4 + 6/8 Spanish rhythm. The violin then states a main theme in triplets. The soloist also introduces asecond subject, which is the main material for the development, where itacquires the triplets of the other subject. The coda has a brief development of the first subject.
The second movement, Scherzando; Allegro molto, is a sparkling fastSpanish waltz, which follows an introduction featuring bright pizzicato writingfor the orchestral strings. The outer portions of the three-part form are in theSpanish rhythm called the seguidilla. The middle part of this movement isrhapsodic, with frequent shifts of tempo.
Lalo made the symphony a five-movement work by adding an Intermezzoas the third movement after the premiere. It is, in effect, a second scherzo,though in a slower tempo. It has a nice use of the contrast between minor andmajor modes. Unfortunately, for some years many violinists adopted thepractice of omitting this movement. That is a shame, for the sultry secondsubject is one of the nicest themes in the symphony.
The true slow movement is the sultry and romantic fourth movement,Andante, with a dark and soulful mood.
(Continued)
8
The finale is a rondo whose main subject sets off a series of dazzlingepisodes. Lalo begins the movement with a nice trick to raise anticipation: herepeats an accompaniment many times until the violin inserts the theme. Afterthat the movement continues in dance-like mode until the brilliant conclusion.
Notes taken from www.allmusic.com
FandangosRoberto Sierra (b.1953)
“Antonio Soler’s Fandango for keyboard has always fascinated me, for its strangeand whimsical twists and turns. My Fandangos is a fantasy, or a ‘super-fandango,’that takes as point of departure Soler’s work and incorporates elements ofBoccherini’s Fandango and my own Baroque musings. Some of the oddities inthe harmonic structure of the Soler piece provided a bridge for theincorporation of contemporary sonorities, opening windows to apparently aliensound worlds. In these parenthetical commentaries, the same materials heardbefore are transformed, as if one would look at the same objects throughdifferent types of lenses or prisms. The continuous variation form over anostinato bass gave me the chance to use complex orchestration techniques asanother element for variation.”
– Roberto Sierra
Huapongo Jose Pablo Moncayo (1912-1958)
Huapango, now known as the unofficial second national anthem of Mexico,garnered massive success immediately upon its debut in 1941 at the Palace ofFine Arts. Moncayo gathered his source material for the piece on a folk-songcollecting trip to the villages Veracruz, where he encountered a dance calledhuapango. The name for this dance comes from a corruption of the Nahuatlword huapanco, which means “on top of the wooden plank” or, more poetically,“on the dance floor.” Folk huapangos can be played in many forms, from asmall chamber group to a large mariachi band, but all of them share a rhythmicplayfulness with much of Mexican folk music. Moncayo uses this rhythmicflexibilty to great effect in his Huapango. He probes the boundaries of 6/8 time,often reveling in the space between duple and triple meter. In this popularsymphonic piece are three huapongos from the port of Alvarado in Veracruz:Ziqui Ziri, Balaju and El Gavilan. The work has entered into the repertory ofclassical symphonic music, pop music and, in turn, of mariachi groups as well.
9
SALISBURY SYMPHONY ORCHESTRA AT SALISBURY UNIVERSITY
Dr. Jeffrey Schoyen, conductor
Violin ISachiho Murasugi*Concertmaster
Paul BagleyJennifer BertrandDevon BristowJade GomezMeri HoldenHunter LuproKaren NiedfeldtJeffry NewbergerPeyton ReynoldsYasmin Roye
Violin IIErin Whitt*Kristin BakkegardAje BrambleElissa DorseyKelsey LimpertSarah MahmoudMegan SebaldMarie SeverynAarron SholarJillian SwaimPatricia Wnek
ViolaKarin Kilper*Victor HsiaGarnette LangKendall McIntoshRita PorfirisJenel Waters
CelloKristilyn Friese*Annelise BeerMette Jacobsen
Sophia KenistonPeter KimAlanna KlosEleanor LeeKara McCaffertySarabeth Taber-Miller
BassRay Irving*Buck BurtonKyle Rollyson
FluteSally HendonAshley PalmerAshley Willey
PiccoloSally HendonAshley Palmer
OboeJulie Barton*Kellie Johnson
English HornKellie Johnson
ClarinetDebra Scott*Caitlin Hetland
BassoonPaul Scott*Kari Shea
HornSeth Friese*Brenton BenfieldAmanda FodorNorm Smith
TrumpetRon Davis*Lee BeauchampBill Williams
TromboneMichael Devine*Robert BeckeyKurt Ludwick
TubaJohn F. Scott*
PercussionCody Rausch*Quincy CorbinJeanne FeltesSam McClintockEric Shuster
KeyboardEdgar Isaacs
HarpIsabelle Frouvelle
*Principal
SSO Librarian:Kendall McIntosh
SSO Manager:Tammy Kilgore
10
SALISBURY SYMPHONY ORCHESTRA
Concert Season
Mark Your Calendars!2016-17 Concert Season Datesn March 11, 2017 – 3 p.m.
Children’s Concert, Featuring Really Inventive Stuff
n May 13, 2017 – 7:30 p.m. The Magic of the Flute, Featuring Sarah Jackson,Piccolo & Flute
SSO Advisory BoardJohn Rankin, chair
John Kilian, vice-chairSharon Belcher, recording secretary
Dina McIntyre, corresponding secretaryTammy Kilgore, treasurer
Cindy CowellWilliam FolgerHolly HearneGerard Hogan
Catherine JacksonAlesia LukashovaKaren Niedfeldt
Maarten PereboomJeffrey SchoyenMichael Wessels
SU Partners
Dr. Janet Dudley-EshbachPresident
Dr. Diane D. AllenProvost and Senior Vice President, Academic Affairs
Jason CurtinInterim Vice President of University Advancement
and External Affairs, and Interim Executive Director, SU Foundation, Inc.
Dr. Maarten PereboomDean, Fulton School of Liberal Arts
Dr. William M. FolgerRobert Smith
Department Co-Chairs, Music, Theatre and Dance Department
Sally ChoquetteBrooke Church
Music, Theatre and Dance Department
Event Technical Services
Support Services
11
2016-2017 CONCERT SEASON
SSO Individual & Corporate Support
DIAMOND PARTNER ($10,000 +)Peter & Judy Jackson
PLATINUM PARTNER ($5,000 - $9,999)Clear Channel Outdoor
GOLD PARTNER ($2,000 - $4,999)Chesapeake Nurseries
Greg Langeler
Maryland State Arts Council
John & Sally Rankin
SERENADE CLUB ($1,000 - $1,999)Diane Allen
Linda Cockey
Eastern Shore Coffee & WaterBrian & Tammy Kilgore
Janet Dudley-Eshbach & Joseph Eshbach
Granger & Company, PAMark Granger & Kimberly Roemer
Stephen & Holly Hearne
Garrett & Elizabeth Layton
McIntyre’s Electrical Service, Inc.John & Dina McIntyre
Merrill Lynch/Kilian Kangas GroupJohn & Phyllis Kilian
Peninsula ImagingGerard Hogan & Leslie Belloso
Salisbury-Wicomico Arts Council
Janice Sutton & John Laird
Kathryn Washburn
George & Phyliss White
OVERTURE CLUB ($500 - $999)Thomas & Mellinda Brandon
Dick & Margy Meeks
Maarten Pereboom & Ruth Baker
MNET Mortgage CorporationMichael & Deborah Wessels
Jeffrey Schoyen & Sachiho Murasugi
Staples Insurance & FinancialWilliam & Kristin Staples
Ronald & Susan Wilkins
BENEFACTOR ($250 - $499)David & Susanna Buchanan
Debra Clark
David & Cindy Cowall
James Forte & Eileen Gilheany
Amy Hasson
Kathleen Hayne
Ernest & Elizabeth Matthews
Mildred Palmer
Ed & Donna Prager
George & Nancy Rubenson
Alan & Peggy Selser
Stephanie Willey
FRIEND ($100 - $249) Greg & Judith Belloso
Michael & Peggy Buchness
Timothy & Mary Connolly
Robert & Jane Corcoran
William & Trudy Day
Lewis & Adrianne Kadushin
Thomas & Nancy Jones
Alesia Lukashova
Walter & Ginny Matern
Luba Paskova
Kathleen Shannon
Susan Jackson Stein
Andrew & Jenny Vennos
Elizabeth Wootten
This list reflects SSO support as of October 18, 2016. If you have not yet become a member, but would like to join those who support the SSO, please
contact the SSO office at 410-543-8366. The SSO extends its sincere appreciation to all of its financial supporters and for those making these events possible!
All SSO concerts are made possible, in part, by a grant from the Salisbury Wicomico Arts Council, awarded by the Maryland State Arts Council and theNational Endowment for the Arts.
SU is an Equal Opportunity/AA/Title IX university and provides reasonable accommodation given sufficient notice to the University office or staff sponsoring the event or program.
12
4225 New Bridge Road
Vienna, MD 21869
410-228-1205
www.laytonschance.com.
Proud to Support the Salisbury Symphony Orchestra
The following students received SSO Scholarship funds for the fall 2016 semester:
Annelise Beer, Trent McIntosh, Eleanor Lee, Erin Whitt, Peyton Reynolds, Kyle Rollyson, Sarah Mahmoud and Sam McClintock
Congratulations to this semester’s student recipient of the:
Dean’s Ensemble scholarship.......................................................Garnette Lang
A special thank you to tonight’s concert sponsors:Chesapeake Nurseries
Eastern Shore Coffee & WaterGranger & Company
McIntyre’s Electrical ServiceMerrill Lynch/Kilian Kangas Group
MNET MortgagePeninsula ImagingStaples & Associates
14
Staples & Associates Insurance and Financial Serviceswww.staplesagency.com
1410 S. Salisbury Blvd., Salisbury, MD 21801Email: [email protected]
Phone: 410-546-3999 Fax: 410-546-5156
© 2015 Mortgage Network, Inc. NMLS ID# 2668. Also doing business as MNET Mortgage Corp. Maryland Mortgage Lender License No. 19266; Licensed by the Delaware State Bank Commissioner Lender License 010168; Virginia Lender License MC-2593. This is not a commitment to lend. Restrictions apply. Equal Housing Lender.
15
Order your very own 30th Anniversary Salisbury SymphonyOrchestra print created by Erick Sahler Serigraphs Co.
From across the room, a symphony of color and harmony inspired byGerhard Richter’s powerful stained-glassed window at the Cathedral inCologne, Germany. Up close, 30 unique and distinct parts that make upthe history of the SSO. On back, a key to each part of the print isincluded.
____$250 Signed Original Print _____$100 Unsigned Original Print
*all prints are 16 x 20 and unframed
Name ________________________________________________________________________
Street Address __________________________________________________________________
City, State, Zip ________________________________________________________________
Make checks payable to Salisbury University Foundation, Inc. – SSO in memo
Contact SSO Orchestra Manager, Tammy Kilgore at 410-543-8366 or [email protected] to make arrangements to pick up your print from
the SSO office located at Salisbury University, Fulton Hall, Room 278.
www.salisbury.edu/presto • www.facebook.com/PRESTOSalisbury
PRESTOPerforming Arts Education Outreach at Salisbury University
FOR STUDENTS OF ALL AGES AND LEVELS:Lessons in piano, strings, voice and other instruments.Mary Angela Baker, directorCassandra Raefski, [email protected] • 410-548-2985
Group Classes • Adult Piano