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Final ExhibitionSUMMER 2013
UNIVERSITY OF MEMPHIS
A NOD IS AS GOOD AS
A WINK
A NOD IS AS GOOD AS
A WINK
Introduction
The integration between the Renaissance philosophy of creative, progressive innovation and
our 21st century art practices are at the crux of this exhibition. The students in this class were
charged with drawing inspiration from the art and architecture of Renaissance-era Florence and
then re-interpreting what they saw into a contemporary vision utilizing High Dynamic Range
digital imaging and digital panoramic stitching techniques. The digital re-interpretations are not
meant to be literal, linear translations of the original source. Rather, they are personal reflections
and internalizations of what Michelangelo, Brunelleschi, Botticelli, or Galileo must have felt when
they pondered “what if?” Freed from constraints, the creative mind must wander, and the act of
wandering necessarily leads to discovery. Michelangelo said, “A man paints with his brain, not with
his hands.” If anything, the Renaissance proved to us that the intellect is the engine of discovery.
We work as artists, not because we choose to do so, but because we can do nothing else. Through
exploring our artistic past, embracing our creative present, we move, eagerly into the future.
A N O D I S A S G O O D A S A W I N K
NICOLE ROBBINS Tre Gratiae
In a time long ago, The three graces or Gratiae, were called upon to Inspire all forms of art, and individually they represent charm, beauty and
creativity. The three young ladies are daughters of Jupiter and Venus. Historically depicted as the accompaniment to the gods that inspire the
romance that comes along with all aspects of the arts.
In 2013, nearly 2,500 years since the original depiction of the mythological representation of the graces, I’ve called upon the Gratiae to inspire
my artistic endeavours while creating art in Florence. I have revived the women as a 21st century brand and represented them as celebrities
thorough the modern eye. The untouchable beauty that these Iconic images developed were last seen in the Renaissance in the works of
Botticelli , Raphael, Lorenzetti , Pontormo and Rubens. Taking a modern approach to the graces I’ve added young women with tattoos and
introduced a different race to represent a broader aspect of the beauty the world now encompasses.
Nicole Robbins -A freelance Photographer living and working out of Atlanta,GA and Memphis,TN and currently a Senior at University of
Memphis concentrating on Photojournalism and Advertising. Nicole has a background in photographing rising professional ballet dancers
and various musical acts. Her work has been published by MixOnline, Digital producer , Electronic Musician and Music Industry News. Nicole’s
goal as a photographer is to capture the world around her as it happens, the art of the daily life while seeming the previously unseen and
documenting it every step taken in a new direction.
F U A F L O R E N C E U N I V E R S I T Y O F T H E A R T S & U N I V E R S I T Y O F M E M P H I S
A N O D I S A S G O O D A S A W I N K
NATALIE COLE Reflection
Image reproduction versus deep thought; those are the two main concepts behind this body of work. Reflection can be as simple as the
reproduction of an image on a reflective object, or go deeply into dealings of the body, mind and soul. From an early age, I was drawn to the
architecture of old style churches. Now that I’m in Florence, Italy with basilicas, cathedrals, and abbey churches everywhere, my passion shifted
into overdrive. When composing this body of work, my Renaissance inspiration came from the techniques of Fillippo Brunelleschi and his use
of linear perspective, mirrors, and realism. This technique broadened the skill-set of artists of his time to allow more realistic three dimensional
artwork. which is still in use today. In my contemporary adaptation, the driving force is the use of windows as mirrors, for a modern twist, with
hints that range from humanistic vanity to spiritual contemplation . Each image, while merely a reflection of prominent churches, including the
Duomo di Santa Maria Del Fiore and San Gaetano, offer much more than what one initially sees.
Natalie S. Cole. b. Humboldt, TN. 1991
Senior news journalism major, photography minor, at the University of Memphis in Memphis, TN USAone must only be willing to reflect deeper.
F U A F L O R E N C E U N I V E R S I T Y O F T H E A R T S & U N I V E R S I T Y O F M E M P H I S
A N O D I S A S G O O D A S A W I N K
KAITLYN DUNN When standing inches away from the grand collections of artwork from the Renaissance era throughout the city of Florence, one can almost
feel the presence of the former artists and citizens that lived amongst this city so many centuries before. Their presence still lingers like ghosts
through their artworks and in the city. My inspiration for this body of work has come from this presence I have experienced, as well as the diverse
cultural influences that beautifully mesh together throughout the city. I have created a series of portraits that combine these artistic and historical
aspects. Derived from Italian architecture, as well as Greek and Roman statuary, Byzantine altarpieces and Renaissance paintings, I have created
Byzantine portraits that create a ghostly presence that mimic the various artists of the past, with a touch of modern day.
For the last 5 years I have been studying photography at the University of Memphis and will soon be earning a Bachelor’s of Fine Art of
Photography. I have taken the opportunity to study at the Florence University of the Arts to further my education and to build more experience
as a photographer, as well as broaden my horizons as an artist. Studying in Italy has not only allowed me to emerce myself in different cultures of
the world, but has also driven my aspirations for photography. Upon returning home I will continue on my path towards graduation with hopes
of seeing much more of what the world has to offer afterward.
F U A F L O R E N C E U N I V E R S I T Y O F T H E A R T S & U N I V E R S I T Y O F M E M P H I S
A N O D I S A S G O O D A S A W I N K
ROY HAWKINS Royal P. O.V.: Italian Perspectives from a Modern Day Renaissance Man is a series of panoramic images reflecting the sights of Italy through my
eyes. Historically, during the Italian Renaissance, scholars began to learn more about themselves and the physical world around them since they
were freed by the previous constraints on knowledge. My normal roles in life have not been seen from behind the camera. However, as an artist
now behind the camera, allows me to share contemporary perspectives of everyday life in Italy and its beauty, as well as its historical origins.
As a scholar, artist, librarian, teacher and model I considers himself the epitome of what a contemporary Renaissance man embodies, a modern
scholar in a position to acquire more than superficial knowledge about many different interests. I am accustomed to being in front of the camera as
a model usually; however, as an artist, being behind the camera allows me to share my perspectives of everyday life in Italy and its beauty. Through
the camera lens, I capture an absolute consciousness of the rich Florentine Renaissance culture in which I have been completely immersed.
Roy-al (born Roy Hawkins, Jr.), 1977
MAT in Art Education and a MS in Library Media Information Science at the University of Memphis, BFA in studio art from University of Tennessee.
F U A F L O R E N C E U N I V E R S I T Y O F T H E A R T S & U N I V E R S I T Y O F M E M P H I S
A N O D I S A S G O O D A S A W I N K
DANTERRIO DANSBERRYMy mindset when approaching this project: Don’t be afraid to experiment, stop living under laws. If it looks, or sounds good to you then stick with it.
There is no true look for good. Ignore the odds, ignore complications, and just go for it. You’re going to be criticized either way. Dream your painting,
then paint your dream- te2rio
My name is Danterrio D. Dansberry. I am from Memphis, TN, and growing up in Memphis taught me some things that I needed to learn, as well as
some lessons I could have done without. But, never-the-less, it has made me well-rounded and helped me to see things beyond the surface. I am
very humbled to have an opportunity, such as this one, to experience the Italian culture once again. Also, seeing the graffiti on the walls as I walk
through the town, reminds me of where I come from. It just shows me that the same things that happen in the States happen here as well. Seeing
and knowing that makes me feel right at home.
F U A F L O R E N C E U N I V E R S I T Y O F T H E A R T S & U N I V E R S I T Y O F M E M P H I S
A N O D I S A S G O O D A S A W I N K
HAYLEY TILLERYRenaissance Unreality
My pictures are a representation of Florence, and the Renaissance, in ways that have an altered sense of reality. After struggling to come up
with ideas, I found that by playing around and creating things that aren’t really there, makes for some unusual photographs. I was influenced
by surrealism and some of the paintings I saw in the Uffizi Gallery, such as “Primavera”, “Birth of Venus”, “David with the Head of Goliath”, and
paintings from the Byzantine era. I was also influenced by things I saw while walking around the city, such as mannequins, graffiti, and the physical
movement of people. I was interested in blending old with new, whether it be through color or subject matter. Fantasies are almost always better
than reality, and I love the idea of blending the two together. With my pictures, I was able to create things I saw in my mind to show how I see
modern-day Florence and its relationship to the Renaissance.
My name is Hayley Tillery, and I am currently a junior at the University of Memphis majoring in graphic design. I’m pretty much a complete introvert,
and I love laughing and finding humor in things. I work part time as a waitress, and although I haven’t had much free time since college, I still enjoy
taking pictures when I can. I have always loved photography, and love the endless possibilities one can do with it. This is my first time traveling to
another country, and I’m excited to have my photographs shown here.
F U A F L O R E N C E U N I V E R S I T Y O F T H E A R T S & U N I V E R S I T Y O F M E M P H I S
A N O D I S A S G O O D A S A W I N K
DAVID HORANNight Bikes
Over the many years that I have been coming to Florence to teach, I have photographed the culture of the bike. I differentiate “the culture of the
bike,” for the common definition of “bike culture,” in that the bicycle itself has its own personality, status, and place within the physical environment.
As I stated last year, their physical and social interactions mimic the prevailing human society in which they reside. The night bikes are solitary,
patient, and silent, yet have the stealth of a thief. They live at the fringe of light, and wait.
David Horan b. 1958
Instructor
Photography
Department of Art
The University of Memphis
F U A F L O R E N C E U N I V E R S I T Y O F T H E A R T S & U N I V E R S I T Y O F M E M P H I S
ACKNOWLEDGEMENTS
FLORENCE UNIVERSITY OF THE ARTS
GABRIELLA GANUGI
Palazzi President
LAURA SOAVE
Dean of Academic Afairs
DAVID WEISS
DIVA Chair
LUCA BUCCIARELLI
Vice President for University Relations and Program Development
GIULIO VINCI
DIVA and IDEAS Academic Coordinator
ENRICA QUARANTA
Photo Facilities Manager
ALBERTO SIMONCIONI
Graphics Designer
THE UNIVERSITY OF MEMPHIS
DR. RICHARD RANTA
Dean, College Of Communications and Fine Arts
RICHARD LOU
Chair, Department of Art
REBECCA LAUMANN
Director, Study Abroad
JONATHAN HOLLAND
Study Abroad Advisor
CARISSA HOITENGA
Study Abroad Advisor
Printed
JUNE 2013